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50 easy classical guitar solos

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50 easy classical guitar solos

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50 easy classical guitar solos

  1. 1. ‘ notation and the beginner’s h CD of all the or, Jerry Willard, ' ugh your studies. , Carulli, Giuliani, , and many more.
  2. 2. Contents Selected Composer Biographies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Title Composer CD Track Page Study In C . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . . . . . .10 Lesson . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . . . . . . .8 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Küffner . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . . . . . .11 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Küffner . . . . . . . . . . . . . . . . . .4 . . . . . . . . . . . . . . . .12 Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aguado . . . . . . . . . . . . . . . . . .5 . . . . . . . . . . . . . . . .13 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Carcassi . . . . . . . . . . . . . . . . .6 . . . . . . . . . . . . . . . .14 Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carulli . . . . . . . . . . . . . . . . . .7 . . . . . . . . . . . . . . . .15 Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carulli . . . . . . . . . . . . . . . . . .8 . . . . . . . . . . . . . . . .16 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . . .9 . . . . . . . . . . . . . . . .17 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .10 . . . . . . . . . . . . . . . .18 Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . Anonymous . . . . . . . . . . . . .11 . . . . . . . . . . . . . . . .22 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Giuliani . . . . . . . . . . . . . . . . .12 . . . . . . . . . . . . . . . .20 Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carulli . . . . . . . . . . . . . . . . . .13 . . . . . . . . . . . . . . . .23 Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . .Giuliani . . . . . . . . . . . . . . . . .14 . . . . . . . . . . . . . . . .24 Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .15 . . . . . . . . . . . . . . . .32 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .16 . . . . . . . . . . . . . . . .26 Branle . . . . . . . . . . . . . . . . . . . . . . . . . . . Anonymous . . . . . . . . . . . . .17 . . . . . . . . . . . . . . . .28 Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . .Carulli . . . . . . . . . . . . . . . . . .18 . . . . . . . . . . . . . . . .28 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Carcassi . . . . . . . . . . . . . . . .19 . . . . . . . . . . . . . . . .30 Minuet . . . . . . . . . . . . . . . . . . . . . . . . . . . .Krieger . . . . . . . . . . . . . . . . .20 . . . . . . . . . . . . . . . .33 Lesson . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . .21 . . . . . . . . . . . . . . . .34 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .22 . . . . . . . . . . . . . . . .36 Moderato . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . .23 . . . . . . . . . . . . . . . .38 Allegretto . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . .24 . . . . . . . . . . . . . . . .39 Españoleto . . . . . . . . . . . . . . . . . . . . . . . . . Sanz . . . . . . . . . . . . . . . . . . .25 . . . . . . . . . . . . . . . .44 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Carulli . . . . . . . . . . . . . . . . . .26 . . . . . . . . . . . . . . . .40 Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . .Giuliani . . . . . . . . . . . . . . . . .27 . . . . . . . . . . . . . . . .42 Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aguado . . . . . . . . . . . . . . . . .28 . . . . . . . . . . . . . . . .45 What If a Day a Month or a Year . . . . . . Anonymous . . . . . . . . . . . . .29 . . . . . . . . . . . . . . . .46 Rujero . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sanz . . . . . . . . . . . . . . . . . . .30 . . . . . . . . . . . . . . . .47 Minuet . . . . . . . . . . . . . . . . . . . . . . . . . . . .de Visée . . . . . . . . . . . . . . . .31 . . . . . . . . . . . . . . . .50 Contradanza . . . . . . . . . . . . . . . . . . . . . . Ferandiére . . . . . . . . . . . . . .32 . . . . . . . . . . . . . . . .48 Volte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anonymous . . . . . . . . . . . . .33 . . . . . . . . . . . . . . . .51 Greensleeves . . . . . . . . . . . . . . . . . . . . . . Anonymous . . . . . . . . . . . . .34 . . . . . . . . . . . . . . . .54 Allegretto . . . . . . . . . . . . . . . . . . . . . . . . . .Giuliani . . . . . . . . . . . . . . . . .35 . . . . . . . . . . . . . . . .52 Bourée . . . . . . . . . . . . . . . . . . . . . . . . . . . Krieger . . . . . . . . . . . . . . . . .36 . . . . . . . . . . . . . . . .55 Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Giuliani . . . . . . . . . . . . . . . . .37 . . . . . . . . . . . . . . . .56 Mrs. Winter’s Jump . . . . . . . . . . . . . . . . . Dowland . . . . . . . . . . . . . . . .88 . . . . . . . . . . . . . . . .58 Bourée . . . . . . . . . . . . . . . . . . . . . . . . . . . .L. Mozart . . . . . . . . . . . . . . .39 . . . . . . . . . . . . . . . .59 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .40 . . . . . . . . . . . . . . . .60 Moderato . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . .41 . . . . . . . . . . . . . . . .61 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .42 . . . . . . . . . . . . . . . .62 Allegretto . . . . . . . . . . . . . . . . . . . . . . . . . .Sor . . . . . . . . . . . . . . . . . . . .43 . . . . . . . . . . . . . . . .64 Packington’s Pound . . . . . . . . . . . . . . . . Anonymous . . . . . . . . . . . . .44 . . . . . . . . . . . . . . . .66 Petite Piece . . . . . . . . . . . . . . . . . . . . . . . .WA. Mozart . . . . . . . . . . . . .45 . . . . . . . . . . . . . . . .68 Minuet . . . . . . . . . . . . . . . . . . . . . . . . . . . .de Visée . . . . . . . . . . . . . . . .46 . . . . . . . . . . . . . . . .78 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .47 . . . . . . . . . . . . . . . .70 Andantino . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .48 . . . . . . . . . . . . . . . .72 Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . Sor . . . . . . . . . . . . . . . . . . . .49 . . . . . . . . . . . . . . . .74 Estudio . . . . . . . . . . . . . . . . . . . . . . . . . . Tarrega . . . . . . . . . . . . . . . . .50 . . . . . . . . . . . . . . . .76
  3. 3. Selected Composer iographies Fernando Carulli was born in Naples, Italy on February 10, 1770, the son of a famous statesman. Carulli’s first musical instruction was on ’cello; however, he was soon attract- ed to the guitar. Carulli was entirely self taught as a guitarist, yet he rapidly became known as one of the leading virtuosi of his day. In 1808, he moved to Paris where he was to make his home for the rest of his life. He was an extremely prolific Composer, writing a great number of solos as well as Chamber works for the guitar. Carulli died in Paris on February 17, 1841. 6 0.0 Matteo Carcassi gained great renown in the nineteenth century due to the publica- tion of his method and numerous studies for guitar, which remain highly regarded and quite popular to this day. He was born in Florence, Italy, in 1792 and acquired an extraor- dinary guitar technique at a precociously early age. In 1820 he moved to Paris, which became his home. Carcassi concertized throughout Europe and became known as one of the great guitar virtuosi of his time. He died in Paris in 1853. Fernando Sor is considered to be the most important nineteenth-century Composer of works for the guitar. He was born in Barcelona, Spain, February 2, 1778, the son of a well-to-do Catalan merchant. Sor received his first musical instruction at the monastery of Montserrat. At eighteen, he composed his first opera, Telemachus on Calypsoïs Isle, which was produced in Barcelona in 1797 to tremendous acclaim. In 1812, Sor moved to Paris and established himself as a great guitar virtuoso and Composer. It was around this time that the music critic Fétis dubbed him “the Beethoven of the guitar. ” He made his London début in 1815 to great acclaim, and, in 1820, he moved to Russia where he pro- duced three ballets. In 1830, Sor published his famous Method pour la Guitar, one of the finest methods ever written. He died in Paris on July 8, 1839. 6 O‘O Dionisio Aguado was born on April 8, 1784 in Madrid, Spain, and died there on December 20, 1849. He studied music at a college in Madrid where a monk named Basilio taught him guitar and the elements of music. Later on he worked with the renowned singer/ guitarist Manuel Garcia from whom he obtained a thorough knowl- edge of the resources of the guitar. In 1803, Aguado moved to Aranjuez, where he devot- ed homself to the further study of the guitar. It Was during this period that he developed a system of fingering and harmonic effects that became his Method, which was published in Madrid in 1824. Aguado moved to Paris in 1825, where he became friends with the great guitar virtuoso Fernando Sor. In fact, Sor wrote the beautiful “Les deux amis” in Celebration of their friendship. In 1838, Aguado returned to Madrid where he spent the remainder of his life. O O0
  4. 4. Francisco Tárrega is known as Father of the Modern Guitar, and was among the most important figures in guitar history. Tarrega was born on November 21, 1850 in Castellon, Spain. His first guitar studies were with local guitarists, and at the age of eleven he played a Concerto by Julian Arcas in his native town. In 1874, he entered the Madrid Conservatory where he was awarded first prize for harmony and composition. Upon his graduation he traveled to many important cities on the Continent, receiving critical and public acclaim for his guitar virtuosity. He was a great teacher, and many of his students-such as Miguel Llobet and Emilio Pujol-became famous in their own right. Many of Tárrega’s excellent Compositions remain a vital part of the modern gui- tarist’s repertoire. He died in Barcelona, Spain, on December 5, 1909. O 0.0 John Dowland was born in 1562 and is generally considered the greatest lutenist/ com- poser of the late Renaissance. Dowland traveled a great deal, and he lived in Denmark, Germany, and Italy as well as his native England. He is known for his beautiful lute songs and solo lute compositions. Dowland was appointed to the court of James I in 1612, a post he held until his death in 1626. Ó 0.0 Wolfgang Amadeus Mozart was born in Salsburg, Austria, in 1756. Mozart was the greatest musical prodigy the world has ever known. He wrote his first piece when he was five, and at twelve years of age was writing full-scale operas. He was a prolific com- poser and is one of the most important figures in music history. The “Petit Piece” includ- ed in this Collection is an early work which lends itself quite well to the guitar. Mozart died in Vienna, Austria, in 1791 at the early age of thirty-five years. O ógO
  5. 5. Fernando Sor (17 78-1 839) Lesson Copyright © 1999 Music Sales Corporation (ASCAP) Intemalional Copyright Secured. All Rights Reserved.
  6. 6. 10 Study in C Femando Sor (1778- 1839) Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. AII Rights Reserved.
  7. 7. 11 Andantino Joseph Küffner ( 1776-1 856) Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  8. 8. 12 Andantino Joseph Küffner ( l 776-1 856) Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. All Rights Reserved.
  9. 9. 13 Waltz Dionisio Aguado (1784-1849) J=112 Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  10. 10. 14 Andantino Matteo Carcassi ( 1792- l 853) Ema Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Securcd. All Rights Reserved.
  11. 11. 15 Waltz Ferdinando Carulli ( l 770-1 84 l ) _ ¡I mln. ‘Él "lui: - ‘.1. w1- D. C. al Fine Copyright © i999 Music Sales Corporation (ASCAP) Intemaiional Copyright Secured. All Rights Reserved.
  12. 12. 16 Ferdinando Carulli (1770-1 84 l ) Study D. C. al Fine Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  13. 13. 17 Andantino Fernando Sor ( 1778-1 839) J=112 Copyright © 1999 Music Sales Corporation (ASCAP) Intematíonal Copyright Secured. All Rights Reserved.
  14. 14. 18 Femando Sor ( l 778—i 839) Andante Copyright © i999 Music Sales Corporation (ASCAP) Intemationai Copyright Secured. Ali Rights Reserved.
  15. 15. 19
  16. 16. 20 Andantino Mauro Giuiiani ( l 78 i-l 829) Copyright © 1999 Music Sales Corporation (ASCAP) Intemationai Copyright Secured. Ali Rights Reserved.
  17. 17. 21
  18. 18. 22 Nonesuch Anonymous 17th century French ’_-—i— É-IÏI‘ Copyright © i999 Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.
  19. 19. Ferdinando Carulli (1770-1841) a m i ICP Mí r . . . . m m 3:! a¿ i. al . . p a Waltz m -1- ¡lui F — M s‘? n . . , a e . . IT «El El i E IÍÉ Copyright © i999 Music Sales Corporation (ASCAP) intemational Copyright Secured. Ali Rights Reserved. J=126
  20. 20. 24 Allegro Mauro Giuliani (1781-1829) Copyright © 1999 Music Sales Corporation (ASCAP) Intemationai Copyright Securcd. All Rights Reserved.
  21. 21. 25
  22. 22. 26 Femando Sor ( l 778-1 839) Andante Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured, Ali Rights Reserved.
  23. 23. 27
  24. 24. 28 Branle Anonymous 16th century / —=? EÏIII -| a M" _ -Z'III I Allegro Ferdinando Carulli (1770-1841) Copyright © i999 Music Sales Corporation (ASCAP) Intemationai Copyright Secured. Ali Rights Reserved.
  25. 25. 29 D. C. al Fine
  26. 26. Matteo Carcassi ( l 792-1 853) Andante 30 7 : s. n TED T25 . , @ . .= _ _ . ____ 7 M _Ú 2D m, 7 Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  27. 27. 31
  28. 28. Fernando Sor ( l 778-1 839) 32 Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. Ali Rights Reserved.
  29. 29. 33 Minuet Johann Krieger ( 165 1-1753) J=10s Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. Ali Rights Reserved.
  30. 30. M 3 r _ l Femando Sor (1778-1839) Lesson 1- a .7 __ r , __ . . 34 Copyright © i999 Music Sales Corporation (ASCAP) Intemationai Copyright Secured. Aii Rights Reserved.
  31. 31. 35 D. C. al Fine
  32. 32. É Femando Sor (1778-1839) Andante 36 Copyright © i999 Muác Sales Corporation (ASCAP) Intemationai Copyright Secured. Aii Rights Reserved.
  33. 33. 37
  34. 34. 38 Moderato Fernando Sor ( i 77 8-1 839) Copyright © i999 Music Sales Corporation (ASCAP) intemationai Copyright Secured. All Rights Reserved.
  35. 35. 39 Allegretto Fernando Sor (1778-1839) D. C. al Fine Copyright © 1999 Music Sales Corporation (ASCAP) Intemationai Copyright Sccured. Aii Rights Reserved.
  36. 36. 40 Ferdinando Carulli ( i 770- l 84 i ) Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Securcd. All Rights Reserved.
  37. 37. 41
  38. 38. 42 Allegro Mauro Giuliani (1781-1829) Copyright © i999 Music Sales Corporation (ASCAP) lntemational Copyright Securcd. Aii Rights Reserved.
  39. 39. M" a l 4 u r 1/2 CVII 1/2 CII
  40. 40. 44 Españoleto Gaspar Sanz (1640-1710) Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. Aii Rights Reserved.
  41. 41. 45 Study Dionisio Agaudo (1784-1849) D. C. al Fine Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. Aii Rights Reserved.
  42. 42. 46 What If a Day a Month or a Year Anonymous 16th Century English _ vi Es! ¡l _ r ¡ü Copyright © i999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. Aii Rights Reserved.
  43. 43. 47 Gaspar Sanz (1640-1710) - / _- Rujero hlÍíll J =132 11111Ir¡1:, í .1 >l : Copyright © 1999 Music Sales Corporation (ASCAP) Inlematíonal Copyright Secured. All Rights Reserved.
  44. 44. Femando Ferandiére (18th century) Contradanza 48 Copyright © 1999 Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.
  45. 45. D. C. al Fine
  46. 46. 50 Minuet Robert de Visée (1660-1720) = 112 J Copyright © 1999 Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.
  47. 47. 51 Anonymous 16th century English Volte J-132 Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. All Rights Reserved.
  48. 48. 52 Allegretto Mauro Giuliani (1781-1829) Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  49. 49. 54 Greensleeves Anonymous (attributed to Henry VIII) (1491-1547) Copyright © 1999 Music Sales Corporation (ASCAP) lntcmational Copyright Secured. AII Rights Reserved.
  50. 50. 55 Bourée Johann Krieger (1651-1753) Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. A11 Rights Reserved.
  51. 51. 56 Study Mauro Giuliani (1781-1829) Copyright © 1999 Music Sales Corporation (ASCAP) lntemntional Copyright Secured. All Rights Reserved.
  52. 52. 57 1-{3 —a—3—a-— —3 —o—o——2—2—, o—e— a IIII. mv: un; -
  53. 53. 58 Mrs. Winter’s Jump John Dowland ( 1563-1626) . .. ma. _: .I ¡i —o——o—— Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. A11 Rights Reserved,
  54. 54. 59 Bourée Leopold Mozart (17 19-1787) z —= =-1m1 1 E Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured A11 Rights Reserved
  55. 55. 60 Andante Femando Sor (1778-1839) i Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured All Rights Reserved
  56. 56. 61 Moderato Fernando Sor ( l 778-1 839) Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  57. 57. Femando Sor ( 1778-1 839) Andante 1 zz-É-Ï-IÍ -’—-IÏ .72’- 11} 62 D .3. i . - Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. All Rights Reserved.
  58. 58. M D. S. al Fine Z" Ü 2 ' ' IL.
  59. 59. Fernando Sor ( 1778-1839) Allegretto Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. A11 Rights Reserved. U‘!
  60. 60. II 1’"-I7'_II I — ’Z"’ II ‘if ’_! Y ——Í —I ——
  61. 61. Packington’s Pound 66 Anonymous 16th century English Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved.
  62. 62. 67
  63. 63. 68 Petite Piece Wolfgang Amadeus Mozart ( 1756-1791 ) Copyright © 1999 Music Sales Corporation (ASCAP) lntemational Copyright Secured. All Rights Reserved.
  64. 64. 69
  65. 65. 70 Andantino Femando Sor (1778-1839) II -T'KÍÏÏ—"-ZZIÏ 11111111: I| Y/ HÏ I7 . IÜ'KÍ 1 ' Ill lD. ' ÜI-‘Jn-I '_III_ Copyright © 1999 Music Sales Corporation (ASCAP) Intcmational Copyright Secured. All Rights Reserved.
  66. 66. 71 D. S. al Fine 3m} 0 0 __u . .3 — í. zu o
  67. 67. Femando Sor (1778-1839) Andantino Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. All Rights Reserved, 72
  68. 68. 73
  69. 69. Femando Sor (1778-1839) Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. AII Rights Reserved. 74
  70. 70. 75 1/2 CII ‘ —Iu: I-—’I l-fl——’f ——I
  71. 71. Francisco Tarrega (1852-1909) E tudio Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. A11 Rights Reserved. 76
  72. 72. 77
  73. 73. Robert de Visée ( 1660-1720) Minuet Copyright © 1999 Music Sales Corporation (ASCAP) Intemational Copyright Secured. A11 Rights Reserved.

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