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MISOGYNY IN HIP-HOP
CULTURE
By Joshua Greenspan
WMST250-0801
MISOGYNY IN HIP-HOP CULTURE
• Refers to any aspects of the hip-hop culture that objectifies women.
• In lyrics, videos, etc.
• Examples:
• Violence towards women
• Sexual acts performed for men
• Derogatory names for women
REASONING BEHIND IT
• Misogyny is used in hip-hop culture by artists to:
• Assert masculinity
• Demonstrate authenticity
• Reflect main-stream attitudes
• Internalized negative stereotypes
• Commercial success
CLAIMS OF LEGITIMACY
• Many artists believe misogyny in hip-hop is simply a piece of the larger
societal issue
• Hip-Hop reflects general American mainstream values
• Hip-Hop is shaped by society
• Hip-Hop provides an incentive for young African-Americans to act out
violently to prove their masculinity
RESEARCH CONDUCTED
• An average 20%-37% of hip-hop songs contain misogynistic lyrics
• 66% of African-American females and 57% of males believe hip-hop lyrics
and videos are offensive and misogynistic
• On average 22% of an artists song tracks will contain misogynistic lyrics (2001)
• Eminem had 78%
TRACKING MISOGYNY
• Worst offender: Raw, Uncut and X-Rated (Too $hort, 1985 album)
• “She’s a Bitch,” “The Bitch Sucks Dick” and “Invasion of the Flat Booty
Bitch,” were only a few titles
• As the graph shows, this began the great down spiral of misogyny
• The album averaged 26.4 misogynistic profanities per song
• There was a lull in instances until the late 90’s
• Era from the late 90’s until early 00’s:
• Due to Dr. Dre, Tupac, Jay-Z, and Ludacris
• Ludacris has 3/10 of the most misogynistic songs
• Era from 2001-2005:
• Large decrease
• Era from 2006-Future:
• Erratic but increasing trend
SOCIAL IMPACT
• An ethnographic study of inner-city
neighborhoods in Philadelphia indicated that
young men attempt to raise their social status
through misogynistic actions.
• The more a boy publicly exploited a woman,
the higher his social status with his peers.
• Increased sexual aggression towards women
• Increased sexist attitudes towards women
• Increased association of African-American
men and negativity with white males
• Increased perception of African-American
males as sexist and hostile
DETRIMENT TO CHILDREN
• In a longitudinal study:
• Teens listening to sexually degrading music will have sex at an earlier age
• Repeated exposure causes females to have lower expectations of respect from
partners
• Women learn to expect disrespect from partners
• Women take a submissive role
• A 2011 study found:
• Age and listening habits are key factors
determining view and impact of
misogynistic ideas
• Negative correlation between age and
impact of lyrics
COMMON THEMES
• Shaming, derogatory names
• Sexual objectification
• Boasting of harming women through sex acts
• Legitimization of violence
• Distrusting women
• Depicted as femme fatales and gold diggers
• Celebrating prostitution and pimping
• “Ride-or-Die Chick”
• A woman willing to do anything for her man
to gain value.
EXAMPLE RESPONSES
• In 2004, music artist Nelly released Tip Drill
• Protested by students at colleges
• Criticized for misogynistic portrayal of African-American women
• Women danced in bikinis and performed sexual acts
• Nelly swipes a credit card through a woman’s butt cheeks
• Essence Magazine launched a 12 month campaign entitled “Take Back the
Music”
• September 25, 2007: Congressional hearing
about misogyny and racism in Hip-Hop culture
• Nothing had lasting impacts and any
improvements were ignored
FEMALE ARTISTS• Salt-N-Pepa
• First all-women rap group
• Provided pro-women messages, critiqued double standards and degrading pictures
• Queen Latifah
• Challenged male rappers who use derogatory terms
• “Every time I hear a brother call a girl bitch or ho”... “You know all of that's got to go.”
• Yo-Yo
• Dedicated most of her career to battling
misogynistic culture
• Beyoncé
• Following many other rappers, has an
alternate persona to oppose misogyny
• Rihanna and others
• Have offered no resistance and refer to
themselves as gold-diggers and bitches
MUSIC VIDEOS
• Quickly became widespread in the 1980’s
• Higher rate of misogynistic themes due to commercial value
• Must quickly attract audience attention
• A survey found that a majority of youths believe hip-hop music videos
contain too much sexual references :
• 72.2% of African-Americans
• 68% of Caucasians
• 69.2% Hispanics
• In 1984, 60% of videos portrayed sexual acts
• In 1990, it had risen to 89%
• 2008 study based on number of sexually
explicit music videos:
• Positive correlation with sexual double
standards
CONCLUSION
• Hip-Hop is a male dominated culture
• Authenticity is automatically identified with masculinity
• Women are treated as accessories to brag over
• Sex sells
• While focused on rap music, this is prevalent in many
other genres and music videos
• The more oversexualized, the more exotic and erotic,
the greater the popularity
SOURCES
• "From Imus to Industry: The Business of Stereotypes and Degrading Images". United States House Committee on Energy and Commerce.
RetrievedOctober 5, 2011.
• Adams, Terri M.; Fuller, Douglas B. (2006). "The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap
Music"(PDF). Journal of Black Studies 36 (6): 938–957.doi:10.1177/0021934704274072.
• Anderson, Elijah (1999). Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: W.W. Norton. pp. 150–
154. ISBN 978-0-393-04023-4.
• Armstrong, Edward G. (2001). "Gangsta Misogyny: A Content Analysis of the Portrayals of Violence against Women in Rap Music, 1987–
1993".Journal of Criminal Justice and Popular Culture 8 (2). pp. 96–126.
• Armstrong, Edward G. (2004). "Eminem's Construction of Authenticity". Popular Music and Society27 (3): 335–
355.doi:10.1080/03007760410001733170.
• Brianna P., Ruby M.; Lemmons (2011). "Perceptions of Misogyny in Hip Hop and Rap: What Do the Youths Think?". Journal of Human
Behavior in the Social Environment 21 (1): 57–72.doi:10.1080/10911359.2011.533576.
• Bynoe, Yvonne (2006). Encyclopedia of rap and hip-hop culture. Westport, Conn.: Greenwood Press. pp. 264. ISBN 978-0-313-33058-2.
• Cheney, Charlise L. (2005). Brothers Gonna Work It Out: Sexual Politics in the Golden Age of Rap Nationalism. New York: New York University
Press. pp. 5. ISBN 978-0-8147-1612-0.
• Dyson, Michael Eric (2007). Know What I Mean?: Reflections on Hip-Hop. New York: Basic Civitas Books. pp. 22, 131-132. ISBN 978-0-465-
01716-4.
• Elafros, Athena (2007). "Salt-N-Pepa". In Hess, Mickey. Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture. Westport,
Conn.: Greenwood Press. pp. 193–216. ISBN 978-0-313-08438-6.
• Johnson, James D.; Adams, Mike S.; Ashburn, Leslie; Reed, William (1995). "Differential gender effects of exposure to rap music on African
American adolescents' acceptance of teen dating violence". Sex Roles 33 (7–8): 597–605. doi:10.1007/BF01544683.
• Martino, Steven C. et al. (2006). "Exposure to degrading versus non-degrading music lyrics and sexual behavior among
youth". Pediatrics 118 (2): 430–441.doi:10.1542/peds.2006-0131.
• Maun, Kristin. "The Black Youth Project makes young people's voices heard". Chicago Foundation for Women. Retrieved September
25, 2011.
• Neal, Mark Anthony; Forman, Murray (2004). That's the Joint! The Hip-Hop Studies Reader. New York: Routledge. p. 315. ISBN 978-0-415-
96918-5.
• Oliver, William (1998). "Hip Hop Culture: An Alternative Site for Gender Socialization in the African-American Community". In See, Letha
A. Human Behavior in the Social Environment from an African-American Perspective. New York: Haworth Press. pp. 382–384. ISBN 978-0-
7890-0363-8.
• Pough, Gwendolyn D. (2004). Check it while I Wreck it: Black Womanhood, Hip-Hop Culture, and the Public Sphere. Boston: Northeastern
University Press. p. 189.ISBN 978-1-55553-608-4.
• Rudman, Laurie A.; Lee, Matthew R. (2002). "Implicit and Explicit Consequences of Exposure to Violent and Misogynous Rap Music". Group
Processes & Intergroup Relations 5 (2): 133–150.doi:10.1177/1368430202005002541.
• Sharpley-Whiting, T. Denean (2007). Pimps up, Ho's down: Hip Hop's Hold on Young Black Women. New York: New York University Press. pp.
19-20. ISBN 978-0-8147-4014-9.
• Sieczkowski, Cavan. "Beyonce Covers Out Magazine, Talks Sexual Liberation." The Huffington Post. TheHuffingtonPost.com, 08 Apr. 2014.
Web. <http://www.huffingtonpost.com/2014/04/08/beyonce-out-magazine_n_5110357.html>.
• Weisstuch, Lisa (January 12, 2005). "Sexism in rap sparks black magazine to say, 'Enough!'". The Christian Science Monitor.
Retrieved October 3, 2011.
• Weitzer, Ronald; Kubrin, Charis E. (2009). "Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings" (PDF). Men and
Masculinities 12 (1): 3–29. doi:10.1177/1097184X08327696.
• https://dosomething-a.akamaihd.net/sites/default/files/styles/400x400/public/reportbacks/3559/uid_1617035-nid_3559-
0.jpg?itok=ofGi6iMU
• http://cdn2.crushable.com/wp-content/uploads/2014/01/U-Want-It-GIF-from-Robin-Thickes-Blurred-Lines.gif
• http://images1.westword.com/imager/misogyny-do-women-get-a-bad-rap-in-hip-ho/u/original/6408422/0107_misogyny.jpg
• https://unsafeharbour.files.wordpress.com/2012/01/musicmisogyny-genredegrading.jpg
• http://www.besttickets.com/blog/wp-content/uploads/2014/03/Misogynist-Lyrics.png
• https://caltventertainment.files.wordpress.com/2013/12/misogyny-makesacomeback2_16x9_620x350.jpg
• http://bknation.org/wp-content/uploads/2013/12/bknation_misogyny.jpg.png
• http://www.wehustle.co.uk/components/com_eshop/osx/image/cache/data/upload/t%20shirt%20WANTED-1200x1200.jpg
• http://www.hiphoprollcall.com/wp-content/uploads/2013/05/XY-660x330.jpg
• http://www.mochalrx.com/wp-content/uploads/2013/04/rapeculture.jpg
• https://blacklovespeak.files.wordpress.com/2013/11/tip-drill111.jpg
• http://main-designyoutrust.netdna-ssl.com/wp-content/uploads/2011/12/sex-sells-final-watermark-RGB.jpg

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Wmst v.2

  • 1. MISOGYNY IN HIP-HOP CULTURE By Joshua Greenspan WMST250-0801
  • 2. MISOGYNY IN HIP-HOP CULTURE • Refers to any aspects of the hip-hop culture that objectifies women. • In lyrics, videos, etc. • Examples: • Violence towards women • Sexual acts performed for men • Derogatory names for women
  • 3. REASONING BEHIND IT • Misogyny is used in hip-hop culture by artists to: • Assert masculinity • Demonstrate authenticity • Reflect main-stream attitudes • Internalized negative stereotypes • Commercial success
  • 4. CLAIMS OF LEGITIMACY • Many artists believe misogyny in hip-hop is simply a piece of the larger societal issue • Hip-Hop reflects general American mainstream values • Hip-Hop is shaped by society • Hip-Hop provides an incentive for young African-Americans to act out violently to prove their masculinity
  • 5. RESEARCH CONDUCTED • An average 20%-37% of hip-hop songs contain misogynistic lyrics • 66% of African-American females and 57% of males believe hip-hop lyrics and videos are offensive and misogynistic • On average 22% of an artists song tracks will contain misogynistic lyrics (2001) • Eminem had 78%
  • 6. TRACKING MISOGYNY • Worst offender: Raw, Uncut and X-Rated (Too $hort, 1985 album) • “She’s a Bitch,” “The Bitch Sucks Dick” and “Invasion of the Flat Booty Bitch,” were only a few titles • As the graph shows, this began the great down spiral of misogyny • The album averaged 26.4 misogynistic profanities per song • There was a lull in instances until the late 90’s • Era from the late 90’s until early 00’s: • Due to Dr. Dre, Tupac, Jay-Z, and Ludacris • Ludacris has 3/10 of the most misogynistic songs • Era from 2001-2005: • Large decrease • Era from 2006-Future: • Erratic but increasing trend
  • 7. SOCIAL IMPACT • An ethnographic study of inner-city neighborhoods in Philadelphia indicated that young men attempt to raise their social status through misogynistic actions. • The more a boy publicly exploited a woman, the higher his social status with his peers. • Increased sexual aggression towards women • Increased sexist attitudes towards women • Increased association of African-American men and negativity with white males • Increased perception of African-American males as sexist and hostile
  • 8. DETRIMENT TO CHILDREN • In a longitudinal study: • Teens listening to sexually degrading music will have sex at an earlier age • Repeated exposure causes females to have lower expectations of respect from partners • Women learn to expect disrespect from partners • Women take a submissive role • A 2011 study found: • Age and listening habits are key factors determining view and impact of misogynistic ideas • Negative correlation between age and impact of lyrics
  • 9. COMMON THEMES • Shaming, derogatory names • Sexual objectification • Boasting of harming women through sex acts • Legitimization of violence • Distrusting women • Depicted as femme fatales and gold diggers • Celebrating prostitution and pimping • “Ride-or-Die Chick” • A woman willing to do anything for her man to gain value.
  • 10. EXAMPLE RESPONSES • In 2004, music artist Nelly released Tip Drill • Protested by students at colleges • Criticized for misogynistic portrayal of African-American women • Women danced in bikinis and performed sexual acts • Nelly swipes a credit card through a woman’s butt cheeks • Essence Magazine launched a 12 month campaign entitled “Take Back the Music” • September 25, 2007: Congressional hearing about misogyny and racism in Hip-Hop culture • Nothing had lasting impacts and any improvements were ignored
  • 11. FEMALE ARTISTS• Salt-N-Pepa • First all-women rap group • Provided pro-women messages, critiqued double standards and degrading pictures • Queen Latifah • Challenged male rappers who use derogatory terms • “Every time I hear a brother call a girl bitch or ho”... “You know all of that's got to go.” • Yo-Yo • Dedicated most of her career to battling misogynistic culture • Beyoncé • Following many other rappers, has an alternate persona to oppose misogyny • Rihanna and others • Have offered no resistance and refer to themselves as gold-diggers and bitches
  • 12. MUSIC VIDEOS • Quickly became widespread in the 1980’s • Higher rate of misogynistic themes due to commercial value • Must quickly attract audience attention • A survey found that a majority of youths believe hip-hop music videos contain too much sexual references : • 72.2% of African-Americans • 68% of Caucasians • 69.2% Hispanics • In 1984, 60% of videos portrayed sexual acts • In 1990, it had risen to 89% • 2008 study based on number of sexually explicit music videos: • Positive correlation with sexual double standards
  • 13. CONCLUSION • Hip-Hop is a male dominated culture • Authenticity is automatically identified with masculinity • Women are treated as accessories to brag over • Sex sells • While focused on rap music, this is prevalent in many other genres and music videos • The more oversexualized, the more exotic and erotic, the greater the popularity
  • 14. SOURCES • "From Imus to Industry: The Business of Stereotypes and Degrading Images". United States House Committee on Energy and Commerce. RetrievedOctober 5, 2011. • Adams, Terri M.; Fuller, Douglas B. (2006). "The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music"(PDF). Journal of Black Studies 36 (6): 938–957.doi:10.1177/0021934704274072. • Anderson, Elijah (1999). Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: W.W. Norton. pp. 150– 154. ISBN 978-0-393-04023-4. • Armstrong, Edward G. (2001). "Gangsta Misogyny: A Content Analysis of the Portrayals of Violence against Women in Rap Music, 1987– 1993".Journal of Criminal Justice and Popular Culture 8 (2). pp. 96–126. • Armstrong, Edward G. (2004). "Eminem's Construction of Authenticity". Popular Music and Society27 (3): 335– 355.doi:10.1080/03007760410001733170. • Brianna P., Ruby M.; Lemmons (2011). "Perceptions of Misogyny in Hip Hop and Rap: What Do the Youths Think?". Journal of Human Behavior in the Social Environment 21 (1): 57–72.doi:10.1080/10911359.2011.533576. • Bynoe, Yvonne (2006). Encyclopedia of rap and hip-hop culture. Westport, Conn.: Greenwood Press. pp. 264. ISBN 978-0-313-33058-2. • Cheney, Charlise L. (2005). Brothers Gonna Work It Out: Sexual Politics in the Golden Age of Rap Nationalism. New York: New York University Press. pp. 5. ISBN 978-0-8147-1612-0. • Dyson, Michael Eric (2007). Know What I Mean?: Reflections on Hip-Hop. New York: Basic Civitas Books. pp. 22, 131-132. ISBN 978-0-465- 01716-4. • Elafros, Athena (2007). "Salt-N-Pepa". In Hess, Mickey. Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture. Westport, Conn.: Greenwood Press. pp. 193–216. ISBN 978-0-313-08438-6. • Johnson, James D.; Adams, Mike S.; Ashburn, Leslie; Reed, William (1995). "Differential gender effects of exposure to rap music on African American adolescents' acceptance of teen dating violence". Sex Roles 33 (7–8): 597–605. doi:10.1007/BF01544683. • Martino, Steven C. et al. (2006). "Exposure to degrading versus non-degrading music lyrics and sexual behavior among youth". Pediatrics 118 (2): 430–441.doi:10.1542/peds.2006-0131. • Maun, Kristin. "The Black Youth Project makes young people's voices heard". Chicago Foundation for Women. Retrieved September 25, 2011. • Neal, Mark Anthony; Forman, Murray (2004). That's the Joint! The Hip-Hop Studies Reader. New York: Routledge. p. 315. ISBN 978-0-415- 96918-5. • Oliver, William (1998). "Hip Hop Culture: An Alternative Site for Gender Socialization in the African-American Community". In See, Letha A. Human Behavior in the Social Environment from an African-American Perspective. New York: Haworth Press. pp. 382–384. ISBN 978-0- 7890-0363-8. • Pough, Gwendolyn D. (2004). Check it while I Wreck it: Black Womanhood, Hip-Hop Culture, and the Public Sphere. Boston: Northeastern University Press. p. 189.ISBN 978-1-55553-608-4. • Rudman, Laurie A.; Lee, Matthew R. (2002). "Implicit and Explicit Consequences of Exposure to Violent and Misogynous Rap Music". Group Processes & Intergroup Relations 5 (2): 133–150.doi:10.1177/1368430202005002541. • Sharpley-Whiting, T. Denean (2007). Pimps up, Ho's down: Hip Hop's Hold on Young Black Women. New York: New York University Press. pp. 19-20. ISBN 978-0-8147-4014-9. • Sieczkowski, Cavan. "Beyonce Covers Out Magazine, Talks Sexual Liberation." The Huffington Post. TheHuffingtonPost.com, 08 Apr. 2014. Web. <http://www.huffingtonpost.com/2014/04/08/beyonce-out-magazine_n_5110357.html>. • Weisstuch, Lisa (January 12, 2005). "Sexism in rap sparks black magazine to say, 'Enough!'". The Christian Science Monitor. Retrieved October 3, 2011. • Weitzer, Ronald; Kubrin, Charis E. (2009). "Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings" (PDF). Men and Masculinities 12 (1): 3–29. doi:10.1177/1097184X08327696. • https://dosomething-a.akamaihd.net/sites/default/files/styles/400x400/public/reportbacks/3559/uid_1617035-nid_3559- 0.jpg?itok=ofGi6iMU • http://cdn2.crushable.com/wp-content/uploads/2014/01/U-Want-It-GIF-from-Robin-Thickes-Blurred-Lines.gif • http://images1.westword.com/imager/misogyny-do-women-get-a-bad-rap-in-hip-ho/u/original/6408422/0107_misogyny.jpg • https://unsafeharbour.files.wordpress.com/2012/01/musicmisogyny-genredegrading.jpg • http://www.besttickets.com/blog/wp-content/uploads/2014/03/Misogynist-Lyrics.png • https://caltventertainment.files.wordpress.com/2013/12/misogyny-makesacomeback2_16x9_620x350.jpg • http://bknation.org/wp-content/uploads/2013/12/bknation_misogyny.jpg.png • http://www.wehustle.co.uk/components/com_eshop/osx/image/cache/data/upload/t%20shirt%20WANTED-1200x1200.jpg • http://www.hiphoprollcall.com/wp-content/uploads/2013/05/XY-660x330.jpg • http://www.mochalrx.com/wp-content/uploads/2013/04/rapeculture.jpg • https://blacklovespeak.files.wordpress.com/2013/11/tip-drill111.jpg • http://main-designyoutrust.netdna-ssl.com/wp-content/uploads/2011/12/sex-sells-final-watermark-RGB.jpg

Editor's Notes

  1. http://www.besttickets.com/blog/rap-profanity/