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ARTAPP LESSON 1.pptx

  1. ART APPRECIATION INTRODUCTION
  2. LEARNING OBJECTIVES At the end of this lesson, the students should be able to: 1. differentiate art history from art appreciation, 2. differentiate art from nature, 3. characterize the assumptions of the art, 4. discuss the nature of art’s preliminary expression, and 5. categorize works of art by citing personal experience.
  3. MOTIVATION: My Encounters with Arts Why? In the first column of the table below, list down your most striking encounters with arts. On the second column, explain why you think each encounter is an experience with art.
  4. ART is something that is perennially around us. Some people may deny having to do with the arts but it is indisputable that life presents us with many forms of and opportunities for communion with the arts.
  5. The word art comes from the ancient Latin ars, which means a “craft or specialized form of skill, like carpentry or smithying or surgery” (Collingwood, 1938). Art then suggested the capacity to produce an intended result from carefully planned steps or method.
  6. The Latin word 'ars' signified skilled work; it did not mean art as we might understand it today, but a craft activity demanding a high level of technical ability. The Ancient world did not have any conceived notion of art in the same way that we do now. To them, art only meant using the bare hands to produce something that will be useful to one’s day-to-day life.
  7. DEFINING HUMANITIES
  8. DEFINING THE HUMANITES This time, let’s see where you can categorize your own definition. Ortiz et al. (1976) in their book presented different definitions of humanities from ancient Latin to present
  9. DEFININGHUMANITIES The term “humanities” was first applied to the writings of ancient Latin authors which were read not only for their clarity of language and forceful literary style, but also, and more specially, for their moral teaching.
  10. DEFINING HUMANITIES During the Medieval Age, the humanities dealt with the metaphysics of the religion philosopher. The goal was the cultivation of the spiritual life and the preparation for the hereafter
  11. DEFINING HUMANITIES During the Renaissance, the word came to refer to the set of disciplines taught in the universities, which included grammar, rhetoric, history, literature, music, philosophy, and theology- a body of knowledge aimed to make man “human, cultured, and refined.
  12. DEFINING HUMANITIES Further, the sciences enable man to understand and control nature and to harness its energy to make his life more comfortable and convenient.
  13. DEFININGHUMANITIES At present, the humanities serve to provide the student with certain skills and values through arts.
  14. DEFINING HUMANTITES Elaborating and relating humanities from arts, Sanchez (2001) said that the term ‘humanities’ refers to the arts- the visual arts such as architecture; painting and sculpture; music; dance; the theater or drama; and literature. They are the branches of learning concerned with human being and his feelings and how he expresses those feelings have always been the concern of the humanities.
  15. DEFINING HUMANITIES What are the differences and similarities of the Humanities and the Sciences?
  16. DEFINING HUMANTIES As mentioned by Ortiz et al. (1976), the sciences and the humanities are two different terms with the same goal. The sciences deal with the external world of man, as well as with the facets of man’s being that can be subjected to observation, measurement, and experimentation.
  17. the sciences enable man to understand and control nature and to harness its energy to make his life more comfortable and convenient.
  18. The humanities deal with man’s internalworld-with his personality and experiences, matters that cannot be exactly measured, classified, or controlled.
  19. The humanities’ approach is subjective; it makes much use of perception, feeling, intuition, and insight. The focus of the humanities is on man as an individual, while in the social sciences the main interest is on types and groups of human beings, and on the institutions and processes of society
  20. Ars in Medieval Latin came to mean something different. It meant “any special form of book-learning, such as grammar or logic, magic or astrology” (Collingwood, 1938). Medieval Latin
  21. The word reacquired a meaning that was inherent in its ancient form of craft. Early Renaissance artists saw their activities merely as craftsmanship, devoid of a whole lot of intonations that are attached to the word now. It was finally in the eighteenth century when the word was evolved to distinguish between the fine arts and the useful arts. The fine arts would come to mean “not delicate or highly skilled arts, but ‘beautiful arts” (Collinwood, 1938). RENNAISANCE PERIOD
  22. Human history has witnessed how man evolved not just physically but also culturally, from cave painters to men of exquisite paintbrush users of the present. Even if one goes back to the time before written records of man’s civilization has appeared, he can find cases of man’s attempts of not just crafting tools to live and survive but also expressing his feelings and thoughts.
  23. Assumptions of Art
  24. Art is Universal 01 03 Art involves experience 02 Art is NOT nature
  25. Art is Universal Art has always been timeless and universal, spanning generations and continents through and through. In every country and in every generation, there is always art. Oftentimes, people feel that what is considered artistic are only those which have been made long time ago. This is misconception. Age is not a factor in determining art. In the Philippines, the works of Jose Rizal and Francisco Balagtas are not being read because they are old.
  26. Art is Universal The pieces mentioned are read in school and have remained to be with us because they are good. Florante at Laura never fails to teach high school students the beauty of love, one that is universal and pure. Ibong Adarna, another Filipino masterpiece, has always captured the imagination of the young with its timeless lessons. When we listen to a kundiman or perform dances, we still enjoy the way our Filipino ancestors whiled away their time in the past. We do not necessarily like a kundiman for its original meaning. We just like it. We enjoy it.
  27. Art is Universal A great piece of work will never be obsolete. Art will always be present because human beings will always express themselves and delight in these expressions. Men will continue to use art while art persists and never get depleted.
  28. Art is NOT Nature One important characteristic of art is that it is not nature. Art is man’s expression of his reception of nature. Art is man’s way of interpreting nature. Art is not nature. Art is made by man, whereas nature is given around us. What we find in nature should not be expected to be present in art too. Movies are not meant to be direct representation of reality. They may, according to the moviemaker’s perception of reality, be a reinterpretation or even distortion of nature.
  29. Art is NOT Nature This distinction assumes that all of us see nature, perceive its elements in myriad, different, yet ultimately valid ways. Art is based on an individual’s subjective experience of nature. Artists are not expected to duplicate nature just as even scientists with their elaborate laboratories cannot make nature.
  30. Art involves Experience Getting this far without a satisfactory definition of art can be quite weird for some. For most people, art does not require a full definition. Art is just experience. By experience, we mean the actual doing of something, (Dudley et al., 1960). When one says that he has an experience of something, he often means that he knows what that something is about. Knowing a thing is different from hearing from others what the said thing is.
  31. Art involves Experience A work of art then cannot be abstracted from actual doing. In order to know what an artwork is, we have to sense it, see or hear it. At the end of the day, one fully gets acquainted with art if one immerses himself into it. An important aspect of experiencing art is its being highly personal, individual, and subjective. In philosophical terms, perception of art is always a value judgement. It depends on who the perceiver is, his tastes, his biases, and what he has inside him.
  32. Art involves Experience One cannot argue with another person’s evaluation of art because one’s experience can never be known by another. An important aspect of experiencing art is its being highly personal, individual, and subjective. In philosophical terms, perception of art is always a value judgment. It depends on who the perceiver is, his tastes, his biases, and what he has inside him.
  33. Finally, one should also underscore that every experience with art is accompanied by some emotion. One either likes or dislikes, agrees or disagrees that a work of art is beautiful. Humanities and the art have been part of man’s growth and civilization. Since the dawn of time, man has always tried to express his innermost thoughts and feelings about reality through creating art.
  34. Three assumptions on art are its universality, it’s not being nature, its need for experience. Art is present in every part of the globe and in every period of time. This is meant by its universality. Art not being nature, not even attempting to simply mirror nature. Finally, without experience, there is no art. The artist has to be foremost, a perceiver who is directly in touch with art.
  35. Art Appreciation: Creativity, Imagination, and Expression
  36. It takes an artist to make art. Art is product of man’s creativity, imagination, and expression. ART APPRECIATION AS WAY OF LIFE In cultivating the appreciation of art, one should also exercise and develop his taste for that are fine are beautiful. This allows individuals to make intelligent choices and decisions in acquiring necessities and luxuries, knowing what gives better value for time or money while taking into consideration the aesthetic and practical value (Collins & Riley, 1931).
  37. THE ROLE OF CREATIVITY IN ART MAKING Creativity requires thinking outside the box. It is often used to solve problems that have never occurred before, conflate function and style, and simply make life a more unique and enjoyable experience.
  38. He does not imitate the lines, flaws, colors and patterns in recreating nature. For instance, then campaign ad “it’s more fun in the Philippines” used by the Department of Tourism (DOT)boomed popularity in 2011, but later on it was found out that it was allegedly plagiarized from Switzerland tourism slogan “It’s more fun in Switzerland”, back in 1951. DOT’s defense, former DOT Sec. Ramon Jimenez Jr. claimed that it was “purely coincidental”. Thus, creativity should be backed with careful research on related art to avoid such conflicts.
  39. ART AS A PRODUCT OF IMAGINATION, IMAGINATION AS A PRODUCT OF ART German physicist Albert Einstein who had made significant and major contributions and humanity demonstrated that knowledge is actually derived from imagination. He emphasized this idea through his words. “Imagination is more important than knowledge”. For “knowledge is limited to all we now know and understand, while imagination embraces the entire world, and there ever will be to know and understand”.
  40. That is why people rely on curiosity and imagination for advancement. Through imagination one is able to craft something bold, something new, and something better in the hopes of creating something will stimulate change.
  41. ART AS EXPRESSION According to Collingwood, 1938 “if you try to release yourself from this tormenting and disabling state by doing something, which is called expressing oneself.” Through expression, he is able to explore his own emotions and at the same time, create something beautiful out of them. Collingwood further illustrated that expressing emotion is something different from describing emotions. Expression, on the other hand, individualizes.
  42. ART AS EXPRESSION According to Collingwood, 1938 “if you try to release yourself from this tormenting and disabling state by doing something, which is called expressing oneself.” Through expression, he is able to explore his own emotions and at the same time, create something beautiful out of them. Collingwood further illustrated that expressing emotion is something different from describing emotions. Expression, on the other hand, individualizes.
  43. APPLICATION/INTEGRATION Direction: Answer the following questions as precisely yet as thoroughly as possible. 1.) If you were an artist, what kind of artist would you be? 2.) Why is art not nature? 3.) Why is art ageless and timeless? 4.) Why does art involve experience?
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