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Going	
  Bananas	
  for	
  Appeal	
  
Factors	
  in	
  Mul5-­‐Type	
  RA	
  
Kathryn	
  Bergeron	
  
Systems	
  Librarian	
  
Baldwin	
  Public	
  Library	
  

All	
  slides	
  and	
  Handouts	
  will	
  be	
  made	
  available	
  on	
  my	
  
  website:	
  hFp://www.kabergeron.com	
  and	
  
  eventually	
  at	
  the	
  MLA	
  website.	
  
#mla12	
  ·∙	
  #deweyinthed	
  ·∙	
  #librarianthuglife	
  


    #monkeyingaround	
  
          #lifechanging	
  ·∙	
  #RAwesome	
  
Caveat:	
  RA	
  is	
  so	
  much	
  more	
  than	
  just	
  appeal	
  
                               factors.	
  
hBp://www.flickr.com/photos/juhansonin/1778188040/	
  
MulJ-­‐Type	
  RA	
  
•    FicJon	
  Books	
  
•    NonficJon	
  Books	
  
•    Graphic	
  Novels	
  
•    Movies	
  
•    TV	
  Shows	
  
•    Music	
  
•    Video	
  Games	
  
hBp://www.flickr.com/photos/41460120@N04/5032798787/	
  
“We	
  have	
  found	
  that	
  most	
  readers	
  are	
  usually	
  
  not	
  looking	
  for	
  a	
  book	
  on	
  a	
  certain	
  subject.	
  
  They	
  want	
  a	
  book	
  with	
  a	
  parJcular	
  ‘feel.’”	
  
                                                                             Joyce	
  Saricks	
  
                            Reader’s	
  Advisory	
  Service	
  in	
  the	
  Public	
  Library	
  
“Appeal	
  is	
  what	
  takes	
  us—and	
  readers—beyond	
  
                 mere	
  subjects	
  and	
  plotlines.”	
  
                                                                         Joyce	
  Saricks	
  
                        Reader’s	
  Advisory	
  Service	
  in	
  the	
  Public	
  Library	
  
“The	
  elements	
  of	
  books	
  to	
  which	
  a	
  reader	
  
 relates	
  consJtute	
  the	
  appeal	
  of	
  a	
  book	
  for	
  
                     the	
  reader.”	
  
                                                                          Joyce	
  Saricks	
  
                         Reader’s	
  Advisory	
  Service	
  in	
  the	
  Public	
  Library	
  
Joyce’s	
  Categories	
  

•    Pacing	
  
•    CharacterizaJon	
  
•    Story	
  Line	
  
•    Frame	
  
Novelist’s	
  Categories	
  
•    Storyline	
  
•    Pace	
  
•    Tone	
  
•    WriJng	
  Style	
  
hBp://www.flickr.com/photos/donshall/6022101116/	
  
hBp://www.flickr.com/photos/mrhuevo/22353478/	
  
Other	
  opJons	
  
hBp://www.flickr.com/photos/salim/19426228/	
  
Descrip5on	
  from	
  iTunes:	
  A	
  stately	
  country	
  house,	
  a	
  noble	
  
  family,	
  and	
  a	
  succession	
  crisis	
  are	
  the	
  backdrop	
  for	
  Downton	
  
  Abbey,	
  an	
  Edwardian	
  spellbinder	
  by	
  Oscar-­‐winning	
  writer	
  
  Julian	
  Fellowes	
  (Gosford	
  Park).	
  The	
  series	
  that	
  took	
  the	
  UK	
  
  by	
  storm,	
  Downton	
  Abbey	
  stars	
  Hugh	
  Bonneville,	
  Maggie	
  
  Smith,	
  Elizabeth	
  McGovern,	
  and	
  a	
  house	
  full	
  of	
  revered	
  
  actors	
  in	
  a	
  producJon	
  that	
  brings	
  a	
  gliBering	
  bygone	
  era	
  to	
  
  life.	
  
From	
  jinni.com:	
  The	
  mood	
  of	
  Downton	
  Abbey	
  is	
  stylized	
  and	
  
   cap5va5ng.	
  The	
  plot	
  centers	
  around	
  masters	
  and	
  servants,	
  
   social	
  differences,	
  and	
  power	
  rela5ons.	
  It	
  is	
  a	
  drama	
  and	
  
   period	
  TV	
  show.	
  StylisJcally,	
  Downton	
  Abbey	
  stars	
  an	
  
   ensemble	
  cast.	
  In	
  approach,	
  it	
  is	
  serious	
  and	
  realis5c.	
  It	
  
   takes	
  place,	
  at	
  least	
  partly,	
  on	
  an	
  estate	
  and	
  in	
  the	
  
   countryside.	
  Downton	
  Abbey	
  is	
  set	
  in	
  England.	
  It	
  happens	
  in	
  
   the	
  1910s.	
  The	
  TV	
  show	
  is	
  known	
  for	
  being	
  a	
  Golden	
  Globe	
  
   winner,	
  an	
  Emmy	
  winner,	
  and	
  criJcally	
  acclaimed.	
  Downton	
  
   Abbey	
  is	
  especially	
  suggested	
  for	
  a	
  girls'	
  night.	
  
Appeal	
  Factors	
  

• 	
  Character-­‐driven	
  
• 	
  Issue-­‐oriented	
  
• 	
  Strong	
  sense	
  of	
  place	
  
• 	
  Dialogue-­‐rich	
  
• 	
  Engaging	
  
• 	
  Richly-­‐detailed	
  
• 	
  StylisJcally	
  complex	
  
• 	
  WiBy	
  
hBp://www.flickr.com/photos/jpasden/67513019/	
  
Character-­‐Driven	
  ·∙	
  StylisJcally	
  Complex	
  ·∙	
  WiBy	
  
Strong	
  sense	
  of	
  place	
  ·∙	
  WiBy	
  
Character-­‐driven	
  ·∙	
  Engaging	
  ·∙	
  WiBy	
  
Issue-­‐oriented	
  ·∙	
  Strong	
  sense	
  of	
  place	
  
          Richly	
  detailed	
  ·∙	
  WiBy	
  
Character-­‐driven	
  ·∙	
  Issue-­‐oriented	
  
  	
  StylisJcally	
  complex	
  ·∙	
  WiBy	
  
StylisJcally	
  complex	
  ·∙	
  Engaging	
  ·∙	
  Richly-­‐Detailed	
  
Character-­‐driven	
  ·∙	
  Issue-­‐oriented	
  ·∙	
  Strong	
  sense	
  of	
  place	
  	
  
    Engaging	
  ·∙Richly	
  detailed	
  ·∙	
  StylisJcally	
  complex	
  
Character-­‐driven	
  ·∙	
  Strong	
  sense	
  of	
  place	
  ·∙	
  Engaging	
  	
  
                        Richly	
  detailed	
  
hBp://www.flickr.com/photos/salim/19426212/	
  
From	
  Publisher’s	
  Weekly:	
  /*	
  Starred	
  Review	
  */	
  There’s	
  the	
  evil	
  you	
  can	
  see	
  coming—and	
  
   then	
  there’s	
  Amy	
  EllioB.	
  Superficially,	
  this	
  privileged	
  Gotham	
  golden	
  girl,	
  inspiraJon	
  
   for	
  her	
  psychologist-­‐parents’	
  bestselling	
  series	
  of	
  children’s	
  books,	
  couldn’t	
  be	
  further	
  
   from	
  the	
  disturbingly	
  damaged	
  women	
  of	
  Edgar-­‐finalist	
  Flynn’s	
  first	
  two	
  books,	
  Sharp	
  
   Objects	
  and	
  Dark	
  Places.	
  But	
  as	
  Amy’s	
  husband,	
  Nick	
  Dunne,	
  starts	
  to	
  realize	
  aper	
  she	
  
   disappears	
  from	
  their	
  rented	
  mansion	
  in	
  his	
  Missouri	
  hometown	
  on	
  their	
  fiph	
  
   anniversary—and	
  he	
  becomes	
  the	
  prime	
  suspect	
  in	
  her	
  presumed	
  murder—
   underesJmaJng	
  Amy’s	
  sick	
  genius	
  and	
  twisted	
  gamesmanship	
  could	
  prove	
  fatal.	
  Then	
  
   again,	
  charmer	
  Nick	
  may	
  not	
  be	
  quite	
  the	
  corn-­‐fed	
  innocent	
  he	
  iniJally	
  appears.	
  Flynn	
  
   masterfully	
  lets	
  this	
  tale	
  of	
  a	
  marriage	
  gone	
  toxically	
  wrong	
  gradually	
  emerge	
  through	
  
   alternaJng	
  accounts	
  by	
  Nick	
  and	
  Amy,	
  both	
  unreliable	
  narrators	
  in	
  their	
  own	
  ways.	
  
   The	
  reader	
  comes	
  to	
  discover	
  their	
  layers	
  of	
  deceit	
  through	
  a	
  process	
  similar	
  to	
  that	
  at	
  
   work	
  in	
  the	
  imploding	
  relaJonship.	
  Compulsively	
  readable,	
  creepily	
  unforgeBable,	
  this	
  
   is	
  a	
  must	
  read	
  for	
  any	
  fan	
  of	
  bad	
  girls	
  and	
  good	
  wriJng.	
  Agent:	
  Stephanie	
  Rostan,	
  
   Levine	
  Greenberg.	
  (June)	
  -­‐-­‐Staff	
  (Reviewed	
  March	
  26,	
  2012)	
  (Publishers	
  Weekly,	
  vol	
  
   259,	
  issue	
  13,	
  p)	
  	
  
Appeal	
  Factors	
  

• 	
  Character-­‐driven	
  
• 	
  Intricately	
  ploBed	
  
• 	
  Fast-­‐paced	
  
• 	
  Disturbing	
  
• 	
  Suspenseful	
  
• 	
  Compelling	
  
hBp://www.flickr.com/photos/zoomar/522447175/	
  
Intricately	
  ploBed	
  ·∙	
  Fast-­‐paced	
  ·∙	
  Disturbing	
  
         	
  Suspenseful	
  ·∙	
  Compelling	
  
Fast-­‐paced	
  ·∙	
  Disturbing	
  ·∙	
  Suspenseful	
  ·∙	
  Compelling	
  
Character-­‐driven	
  ·∙	
  Fast-­‐paced	
  ·∙	
  Compelling	
  
Intricately	
  ploBed·∙	
  Fast-­‐paced	
  ·∙	
  Suspenseful	
  
Intricately	
  ploBed	
  ·∙	
  Fast-­‐paced	
  
   	
  Suspenseful	
  ·∙	
  Compelling	
  
Fast-­‐paced	
  ·∙	
  Disturbing	
  ·∙	
  Suspenseful	
  ·∙	
  Compelling	
  
Character	
  driven	
  ·∙	
  Intricately	
  ploBed	
  ·∙	
  Fast-­‐paced	
  
               	
  Disturbing	
  ·∙	
  Suspenseful	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
From	
  Publisher’s	
  Weekly:	
  /*	
  Starred	
  Review	
  */	
  From	
  the	
  1936	
  Olympics	
  to	
  WWII	
  Japan's	
  most	
  brutal	
  
POW	
  camps,	
  Hillenbrand's	
  heart-­‐wrenching	
  new	
  book	
  is	
  thousands	
  of	
  miles	
  and	
  a	
  world	
  away	
  from	
  the	
  
racing	
  circuit	
  of	
  her	
  bestselling	
  Seabiscuit.	
  But	
  it's	
  just	
  as	
  much	
  a	
  page-­‐turner,	
  and	
  its	
  hero,	
  Louie	
  
Zamperini,	
  is	
  just	
  as	
  loveable:	
  a	
  disciplined	
  champion	
  racer	
  who	
  ran	
  in	
  the	
  Berlin	
  Olympics,	
  he's	
  a	
  wit,	
  a	
  
prankster,	
  and	
  a	
  reformed	
  juvenile	
  delinquent	
  who	
  put	
  his	
  thieving	
  skills	
  to	
  good	
  use	
  in	
  the	
  POW	
  camps,	
  
In	
  other	
  words,	
  Louie	
  is	
  a	
  total	
  charmer,	
  a	
  lover	
  of	
  life-­‐-­‐whose	
  will	
  to	
  live	
  is	
  cruelly	
  tested	
  when	
  he	
  
becomes	
  an	
  Army	
  Air	
  Corps	
  bombardier	
  in	
  1941…In	
  the	
  "theater	
  of	
  cruelty"	
  that	
  was	
  the	
  Japanese	
  POW	
  
camp	
  network,	
  Louie	
  landed	
  in	
  the	
  cruelest	
  theaters	
  of	
  all:	
  Omori	
  and	
  Naoetsu,	
  under	
  the	
  control	
  of	
  
Corp.	
  Mutsuhiro	
  Watanabe,	
  a	
  pathologically	
  brutal	
  sadist	
  (called	
  the	
  Bird	
  by	
  camp	
  inmates)	
  who	
  never	
  
killed	
  his	
  vicJms	
  outright-­‐-­‐his	
  pleasure	
  came	
  from	
  their	
  slow,	
  unending	
  torment…By	
  war's	
  end,	
  Louie	
  
was	
  near	
  death.	
  When	
  Naoetsu	
  was	
  liberated	
  in	
  mid-­‐August	
  1945,	
  a	
  depleted	
  Louie's	
  only	
  thought	
  was	
  
"I'm	
  free!	
  I'm	
  free!	
  I'm	
  free!"	
  But	
  as	
  Hillenbrand	
  shows,	
  Louie	
  was	
  not	
  yet	
  free.	
  Even	
  as,	
  returning	
  
stateside,	
  he	
  impulsively	
  married	
  the	
  beauJful	
  Cynthia	
  Applewhite	
  and	
  tried	
  to	
  build	
  a	
  life,	
  Louie	
  
remained	
  in	
  the	
  Bird's	
  clutches,	
  haunted	
  in	
  his	
  dreams,	
  drinking	
  to	
  forget,	
  and	
  obsessed	
  with	
  
vengeance…The	
  book's	
  final	
  secJon	
  is	
  the	
  story	
  of	
  how,	
  with	
  Cynthia's	
  help,	
  Louie	
  found	
  his	
  path…	
  
Hillenbrand's	
  triumph	
  is	
  that	
  in	
  telling	
  Louie's	
  story	
  (he's	
  now	
  in	
  his	
  90s),	
  she	
  tells	
  the	
  stories	
  of	
  
thousands	
  whose	
  suffering	
  has	
  been	
  mostly	
  forgoBen.	
  She	
  restores	
  to	
  our	
  collecJve	
  memory	
  this	
  tale	
  of	
  
heroism,	
  cruelty,	
  life,	
  death,	
  joy,	
  suffering,	
  remorselessness,	
  and	
  redempJon.	
  (Nov.)	
  -­‐Reviewed	
  by	
  Sarah	
  
F.	
  Gold	
  -­‐-­‐Staff	
  (Reviewed	
  October	
  11,	
  2010)	
  (Publishers	
  Weekly,	
  vol	
  257,	
  issue	
  40,	
  p)	
  	
  
Appeal	
  Factors	
  

• 	
  InspiraJonal	
  
• 	
  Moving	
  
• 	
  Engaging	
  	
  
• 	
  Lyrical	
  
hBp://www.flickr.com/photos/salim/19426196/	
  
InspiraJonal	
  ·∙	
  Moving	
  ·∙	
  Lyrical	
  
InspiraJonal	
  ·∙	
  Moving	
  ·∙	
  Lyrical	
  
Moving	
  
InspiraJonal	
  ·∙	
  Moving	
  ·∙	
  Engaging	
  
InspiraJonal	
  ·∙	
  Moving	
  ·∙	
  Engaging	
  
Moving	
  ·∙	
  Engaging	
  ·∙	
  Lyrical	
  
Moving	
  ·∙	
  Engaging	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
From	
  Publisher’s	
  Weekly:	
  Taking	
  a	
  well-­‐worn	
  genre—flesh-­‐eaJng	
  zombies	
  overrun	
  the	
  
   world	
  and	
  the	
  unlucky	
  surviving	
  humans	
  must	
  deal	
  with	
  the	
  gruesome	
  apermath—
   and	
  approaching	
  it	
  from	
  a	
  purely	
  character-­‐driven	
  point	
  of	
  view	
  propels	
  this	
  series	
  
   into	
  the	
  spotlight	
  from	
  out	
  of	
  nowhere.	
  This	
  collecJon	
  of	
  the	
  first	
  six	
  issues	
  of	
  the	
  
   ongoing	
  series	
  opens	
  with	
  police	
  officer	
  Rick	
  Grimes	
  awakening	
  from	
  a	
  gunshot-­‐
   induced	
  coma.	
  From	
  here,	
  he's	
  immediately	
  dragged	
  into	
  a	
  world	
  where	
  dangerous	
  
   revenants	
  are	
  shambling	
  amok	
  without	
  any	
  sort	
  of	
  an	
  explanaJon.	
  From	
  the	
  moment	
  
   Grimes	
  comes	
  to,	
  it's	
  a	
  harrowing	
  baBle	
  to	
  avoid	
  hordes	
  of	
  decomposing	
  zombies	
  and	
  
   a	
  hope-­‐against-­‐all-­‐odds	
  search	
  for	
  his	
  missing	
  family.	
  Grimes	
  makes	
  his	
  way	
  to	
  Atlanta,	
  
   the	
  nearest	
  large	
  city	
  where	
  there	
  may	
  be	
  other	
  living	
  people,	
  and	
  events	
  take	
  several	
  
   unexpected	
  turns	
  upon	
  his	
  arrival,	
  as	
  he	
  meets	
  up	
  with	
  a	
  rural	
  encampment	
  of	
  
   survivors.	
  Of	
  course,	
  as	
  in	
  recent	
  hit	
  movies	
  28	
  Days	
  Later...	
  and	
  Dawn	
  of	
  the	
  Dead,	
  
   the	
  last	
  humans	
  may	
  turn	
  out	
  to	
  be	
  as	
  much	
  a	
  danger	
  as	
  the	
  zombies.	
  Forceful	
  
   scripJng	
  that	
  gives	
  the	
  book	
  a	
  strong	
  grounding	
  in	
  reality,	
  crisp	
  b&w	
  artwork,	
  a	
  
   shocking	
  final	
  sequence	
  and	
  brisk,	
  gory	
  proceedings	
  elevate	
  this	
  book	
  from	
  the	
  trash	
  
   heap	
  of	
  pedestrian	
  horror	
  comics.	
  (May)	
  —	
  Staff	
  (Reviewed	
  June	
  14,	
  2004)	
  (Publishers	
  
   Weekly,	
  vol	
  251,	
  issue	
  24,	
  p45)	
  	
  
Appeal	
  Factors	
  

• 	
  Bleak	
  
• 	
  Gruesome	
  
• 	
  Compelling	
  
hBp://www.flickr.com/photos/dapaw/4026046425/	
  
Bleak	
  ·∙	
  Compelling	
  
Bleak	
  ·∙	
  Compelling	
  
Bleak	
  ·∙	
  Compelling	
  
 ·∙	
  	
  




Bleak	
  ·∙	
  Gruesome	
  ·∙	
  Compelling	
  
Bleak	
  ·∙	
  Gruesome	
  ·∙	
  Compelling	
  
Bleak	
  ·∙	
  Compelling	
  
 ·∙	
  	
  




Bleak	
  ·∙	
  Gruesome	
  ·∙	
  Compelling	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
From	
  jinni.com:	
  	
  The	
  mood	
  of	
  Village	
  of	
  the	
  Damned	
  is	
  scary,	
  
suspenseful,	
  and	
  atmospheric.	
  The	
  plot	
  centers	
  around	
  evil	
  
aliens,	
  a	
  family	
  in	
  danger,	
  and	
  supernatural	
  abiliJes.	
  It	
  is	
  a	
  horror,	
  
sci-­‐fi,	
  and	
  thriller	
  movie.	
  In	
  approach,	
  Village	
  of	
  the	
  Damned	
  is	
  
serious.	
  It	
  takes	
  place,	
  at	
  least	
  partly,	
  in	
  a	
  village	
  and	
  in	
  a	
  small	
  
town.	
  The	
  sexng	
  is	
  England.	
  Village	
  of	
  the	
  Damned	
  happens	
  in	
  
the	
  1950s.	
  It	
  is	
  based	
  on	
  a	
  book.	
  The	
  movie	
  is	
  known	
  for	
  being	
  
criJcally	
  acclaimed.	
  
Appeal	
  Factors	
  

• 	
  Atmospheric	
  
• 	
  Creepy	
  
• 	
  Sobering	
  
• 	
  Suspenseful	
  
hBp://www.flickr.com/photos/crankymediaguy/3825217645/	
  
Atmospheric	
  ·∙	
  Creepy	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Creepy	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Creepy	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Creepy	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Suspenseful	
  
Atmospheric	
  ·∙	
  Creepy	
  ·∙	
  Sobering	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
Review	
  from	
  Billboard:	
  Fipeen-­‐year-­‐old	
  pop	
  sensaJon	
  JusJn	
  Bieber's	
  first	
  
Billboard	
  Hot	
  100	
  single,	
  "One	
  Time,"	
  was	
  an	
  insanely	
  catchy	
  ode	
  to	
  young	
  
love	
  that	
  immediately	
  won	
  over	
  fans.	
  And	
  so	
  were	
  his	
  second,	
  third	
  and	
  
fourth.	
  It's	
  no	
  wonder,	
  then,	
  that	
  Bieber's	
  debut	
  album,	
  "My	
  World,"	
  sJcks	
  to	
  
the	
  formula.	
  His	
  vocals	
  are	
  as	
  boyish	
  as	
  they	
  are	
  disarmingly	
  mature.	
  With	
  
genuine	
  swagger	
  on	
  the	
  nimble	
  R&B	
  track	
  "Bigger,"	
  Bieber	
  sings,	
  "I	
  was	
  a	
  
player	
  when	
  I	
  was	
  liBle,	
  but	
  now	
  I'm	
  bigger	
  .	
  .	
  .	
  and	
  all	
  the	
  haters,	
  I	
  swear,	
  
they	
  look	
  so	
  small	
  from	
  up	
  here."	
  The	
  ballad	
  "Down	
  to	
  Earth"	
  (a	
  song	
  he	
  co-­‐
wrote	
  about	
  his	
  parents'	
  separaJon)	
  reveals	
  a	
  deeper	
  side:	
  "So	
  we	
  fight	
  
through	
  the	
  hurt,	
  and	
  we	
  cry	
  and	
  cry	
  and	
  cry	
  and	
  cry/	
  Then	
  we	
  live	
  and	
  we	
  
learn,	
  and	
  we	
  try."	
  Judging	
  by	
  the	
  delivery	
  of	
  those	
  poignant	
  lines,	
  it's	
  hardly	
  
a	
  stretch	
  to	
  imagine	
  Bieber	
  racking	
  up	
  more	
  hits	
  in	
  the	
  next	
  decade	
  to	
  come.	
  
(Billboard	
  via	
  MetacriJc)	
  
Appeal	
  Factors	
  

                    • 	
  Moving	
  
                    • 	
  Feel-­‐good	
  
                    • 	
  Upbeat	
  
                    • 	
  Engaging	
  
Wild	
  Magic	
  
Test	
  
Upbeat	
  ·∙	
  Engaging	
  	
  
Feel-­‐Good	
  ·∙	
  Engaging	
  	
  
Upbeat	
  ·∙	
  Engaging	
  	
  
Feel-­‐good	
  ·∙	
  Engaging	
  	
  
Feel-­‐good	
  ·∙	
  Upbeat	
  
Moving	
  ·∙	
  Upbeat	
  ·∙	
  Engaging	
  	
  
Upbeat	
  ·∙	
  Engaging	
  	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
From	
  The	
  Sixth	
  Axis:	
  	
  Pros:	
  Likeable	
  characters,	
  the	
  baBle/
Paradigms	
  systems	
  are	
  great,	
  looks	
  fantasJc,	
  some	
  of	
  the	
  music	
  
is	
  wonderful,	
  hunJng	
  monsters	
  can	
  get	
  very	
  addic5ve,	
  lots	
  to	
  do	
  
outside	
  of	
  the	
  main	
  story.	
  
Scoring	
  Final	
  Fantasy	
  XIII-­‐2	
  is	
  almost	
  irrelevant.	
  For	
  every	
  person	
  
who	
  nods	
  their	
  head	
  whilst	
  reading	
  this	
  review,	
  there	
  will	
  be	
  one	
  
wondering	
  just	
  what	
  on	
  earth	
  I’ve	
  been	
  smoking.	
  I	
  absolutely	
  
love	
  the	
  game,	
  and	
  found	
  myself	
  totally	
  absorbed	
  in	
  everything	
  
it	
  has	
  to	
  offer.	
  The	
  Paradigms	
  system,	
  the	
  monster	
  hunJng,	
  even	
  
level	
  grinding	
  was	
  enjoyable,	
  encouraging	
  experimentaJon	
  to	
  
put	
  together	
  the	
  best	
  possible	
  team	
  and	
  Paradigms.	
  2012	
  has	
  
certainly	
  kicked	
  off	
  with	
  a	
  bang.	
  
Appeal	
  Factors	
  

• 	
  Intricately	
  PloBed	
  
• 	
  Atmospheric	
  
• 	
  HaunJng	
  
• 	
  Strong	
  Sense	
  of	
  Place	
  
• 	
  Compelling	
  
• 	
  Dialogue-­‐rich	
  
hBp://www.flickr.com/photos/emmey/2627001610/	
  
Intricately	
  ploBed	
  ·∙	
  Atmospheric	
  
Atmospheric	
  ·∙	
  Compelling	
  
Intricately	
  PloBed	
  ·∙	
  Atmospheric	
  ·∙	
  HaunJng	
  
                    Compelling	
  
Intricately	
  PloBed	
  ·∙	
  Atmospheric	
  ·∙	
  HaunJng	
  
         Compelling	
  ·∙	
  Dialogue	
  rich	
  
Intricately	
  ploBed	
  ·∙	
  Atmospheric	
  ·∙	
  HaunJng	
  
               Strong	
  sense	
  of	
  place	
  
Intricately	
  ploBed	
  ·∙	
  Compelling	
  
hBp://www.flickr.com/photos/jaydolan/4061626108/	
  




                                                      hBp://www.flickr.com/photos/typefiend/3908178622/	
  
hBp://www.flickr.com/photos/pasukaru76/4167388178/	
  
Ques5ons?	
  
All	
  slides	
  and	
  Handouts	
  will	
  be	
  made	
  available	
  on	
  
  my	
  website:	
  hFp://www.kabergeron.com	
  and	
  
  eventually	
  at	
  the	
  MLA	
  website.	
  
Special	
  Thanks	
  to:	
  
•  S.	
  Labelle	
  
•  E.	
  Fisher	
  
•  K.	
  Tait	
  
•  B.	
  Bolek	
  
•  J.	
  Hart	
  
hBp://www.flickr.com/photos/eyesore9/7120986551/	
  

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Going Bananas for Appeal Factors

  • 1. Going  Bananas  for  Appeal   Factors  in  Mul5-­‐Type  RA  
  • 2. Kathryn  Bergeron   Systems  Librarian   Baldwin  Public  Library   All  slides  and  Handouts  will  be  made  available  on  my   website:  hFp://www.kabergeron.com  and   eventually  at  the  MLA  website.  
  • 3. #mla12  ·∙  #deweyinthed  ·∙  #librarianthuglife   #monkeyingaround   #lifechanging  ·∙  #RAwesome  
  • 4. Caveat:  RA  is  so  much  more  than  just  appeal   factors.  
  • 6. MulJ-­‐Type  RA   •  FicJon  Books   •  NonficJon  Books   •  Graphic  Novels   •  Movies   •  TV  Shows   •  Music   •  Video  Games  
  • 8. “We  have  found  that  most  readers  are  usually   not  looking  for  a  book  on  a  certain  subject.   They  want  a  book  with  a  parJcular  ‘feel.’”   Joyce  Saricks   Reader’s  Advisory  Service  in  the  Public  Library  
  • 9. “Appeal  is  what  takes  us—and  readers—beyond   mere  subjects  and  plotlines.”   Joyce  Saricks   Reader’s  Advisory  Service  in  the  Public  Library  
  • 10. “The  elements  of  books  to  which  a  reader   relates  consJtute  the  appeal  of  a  book  for   the  reader.”   Joyce  Saricks   Reader’s  Advisory  Service  in  the  Public  Library  
  • 11. Joyce’s  Categories   •  Pacing   •  CharacterizaJon   •  Story  Line   •  Frame  
  • 12. Novelist’s  Categories   •  Storyline   •  Pace   •  Tone   •  WriJng  Style  
  • 14.
  • 15.
  • 16.
  • 18.
  • 19.
  • 20.
  • 21.
  • 24.
  • 25. Descrip5on  from  iTunes:  A  stately  country  house,  a  noble   family,  and  a  succession  crisis  are  the  backdrop  for  Downton   Abbey,  an  Edwardian  spellbinder  by  Oscar-­‐winning  writer   Julian  Fellowes  (Gosford  Park).  The  series  that  took  the  UK   by  storm,  Downton  Abbey  stars  Hugh  Bonneville,  Maggie   Smith,  Elizabeth  McGovern,  and  a  house  full  of  revered   actors  in  a  producJon  that  brings  a  gliBering  bygone  era  to   life.  
  • 26. From  jinni.com:  The  mood  of  Downton  Abbey  is  stylized  and   cap5va5ng.  The  plot  centers  around  masters  and  servants,   social  differences,  and  power  rela5ons.  It  is  a  drama  and   period  TV  show.  StylisJcally,  Downton  Abbey  stars  an   ensemble  cast.  In  approach,  it  is  serious  and  realis5c.  It   takes  place,  at  least  partly,  on  an  estate  and  in  the   countryside.  Downton  Abbey  is  set  in  England.  It  happens  in   the  1910s.  The  TV  show  is  known  for  being  a  Golden  Globe   winner,  an  Emmy  winner,  and  criJcally  acclaimed.  Downton   Abbey  is  especially  suggested  for  a  girls'  night.  
  • 27. Appeal  Factors   •   Character-­‐driven   •   Issue-­‐oriented   •   Strong  sense  of  place   •   Dialogue-­‐rich   •   Engaging   •   Richly-­‐detailed   •   StylisJcally  complex   •   WiBy  
  • 29. Character-­‐Driven  ·∙  StylisJcally  Complex  ·∙  WiBy  
  • 30. Strong  sense  of  place  ·∙  WiBy  
  • 32. Issue-­‐oriented  ·∙  Strong  sense  of  place   Richly  detailed  ·∙  WiBy  
  • 33. Character-­‐driven  ·∙  Issue-­‐oriented    StylisJcally  complex  ·∙  WiBy  
  • 34. StylisJcally  complex  ·∙  Engaging  ·∙  Richly-­‐Detailed  
  • 35. Character-­‐driven  ·∙  Issue-­‐oriented  ·∙  Strong  sense  of  place     Engaging  ·∙Richly  detailed  ·∙  StylisJcally  complex  
  • 36. Character-­‐driven  ·∙  Strong  sense  of  place  ·∙  Engaging     Richly  detailed  
  • 38.
  • 39.
  • 40. From  Publisher’s  Weekly:  /*  Starred  Review  */  There’s  the  evil  you  can  see  coming—and   then  there’s  Amy  EllioB.  Superficially,  this  privileged  Gotham  golden  girl,  inspiraJon   for  her  psychologist-­‐parents’  bestselling  series  of  children’s  books,  couldn’t  be  further   from  the  disturbingly  damaged  women  of  Edgar-­‐finalist  Flynn’s  first  two  books,  Sharp   Objects  and  Dark  Places.  But  as  Amy’s  husband,  Nick  Dunne,  starts  to  realize  aper  she   disappears  from  their  rented  mansion  in  his  Missouri  hometown  on  their  fiph   anniversary—and  he  becomes  the  prime  suspect  in  her  presumed  murder— underesJmaJng  Amy’s  sick  genius  and  twisted  gamesmanship  could  prove  fatal.  Then   again,  charmer  Nick  may  not  be  quite  the  corn-­‐fed  innocent  he  iniJally  appears.  Flynn   masterfully  lets  this  tale  of  a  marriage  gone  toxically  wrong  gradually  emerge  through   alternaJng  accounts  by  Nick  and  Amy,  both  unreliable  narrators  in  their  own  ways.   The  reader  comes  to  discover  their  layers  of  deceit  through  a  process  similar  to  that  at   work  in  the  imploding  relaJonship.  Compulsively  readable,  creepily  unforgeBable,  this   is  a  must  read  for  any  fan  of  bad  girls  and  good  wriJng.  Agent:  Stephanie  Rostan,   Levine  Greenberg.  (June)  -­‐-­‐Staff  (Reviewed  March  26,  2012)  (Publishers  Weekly,  vol   259,  issue  13,  p)    
  • 41. Appeal  Factors   •   Character-­‐driven   •   Intricately  ploBed   •   Fast-­‐paced   •   Disturbing   •   Suspenseful   •   Compelling  
  • 43. Intricately  ploBed  ·∙  Fast-­‐paced  ·∙  Disturbing    Suspenseful  ·∙  Compelling  
  • 44. Fast-­‐paced  ·∙  Disturbing  ·∙  Suspenseful  ·∙  Compelling  
  • 47. Intricately  ploBed  ·∙  Fast-­‐paced    Suspenseful  ·∙  Compelling  
  • 48. Fast-­‐paced  ·∙  Disturbing  ·∙  Suspenseful  ·∙  Compelling  
  • 49. Character  driven  ·∙  Intricately  ploBed  ·∙  Fast-­‐paced    Disturbing  ·∙  Suspenseful  
  • 50. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 51.
  • 52. From  Publisher’s  Weekly:  /*  Starred  Review  */  From  the  1936  Olympics  to  WWII  Japan's  most  brutal   POW  camps,  Hillenbrand's  heart-­‐wrenching  new  book  is  thousands  of  miles  and  a  world  away  from  the   racing  circuit  of  her  bestselling  Seabiscuit.  But  it's  just  as  much  a  page-­‐turner,  and  its  hero,  Louie   Zamperini,  is  just  as  loveable:  a  disciplined  champion  racer  who  ran  in  the  Berlin  Olympics,  he's  a  wit,  a   prankster,  and  a  reformed  juvenile  delinquent  who  put  his  thieving  skills  to  good  use  in  the  POW  camps,   In  other  words,  Louie  is  a  total  charmer,  a  lover  of  life-­‐-­‐whose  will  to  live  is  cruelly  tested  when  he   becomes  an  Army  Air  Corps  bombardier  in  1941…In  the  "theater  of  cruelty"  that  was  the  Japanese  POW   camp  network,  Louie  landed  in  the  cruelest  theaters  of  all:  Omori  and  Naoetsu,  under  the  control  of   Corp.  Mutsuhiro  Watanabe,  a  pathologically  brutal  sadist  (called  the  Bird  by  camp  inmates)  who  never   killed  his  vicJms  outright-­‐-­‐his  pleasure  came  from  their  slow,  unending  torment…By  war's  end,  Louie   was  near  death.  When  Naoetsu  was  liberated  in  mid-­‐August  1945,  a  depleted  Louie's  only  thought  was   "I'm  free!  I'm  free!  I'm  free!"  But  as  Hillenbrand  shows,  Louie  was  not  yet  free.  Even  as,  returning   stateside,  he  impulsively  married  the  beauJful  Cynthia  Applewhite  and  tried  to  build  a  life,  Louie   remained  in  the  Bird's  clutches,  haunted  in  his  dreams,  drinking  to  forget,  and  obsessed  with   vengeance…The  book's  final  secJon  is  the  story  of  how,  with  Cynthia's  help,  Louie  found  his  path…   Hillenbrand's  triumph  is  that  in  telling  Louie's  story  (he's  now  in  his  90s),  she  tells  the  stories  of   thousands  whose  suffering  has  been  mostly  forgoBen.  She  restores  to  our  collecJve  memory  this  tale  of   heroism,  cruelty,  life,  death,  joy,  suffering,  remorselessness,  and  redempJon.  (Nov.)  -­‐Reviewed  by  Sarah   F.  Gold  -­‐-­‐Staff  (Reviewed  October  11,  2010)  (Publishers  Weekly,  vol  257,  issue  40,  p)    
  • 53. Appeal  Factors   •   InspiraJonal   •   Moving   •   Engaging     •   Lyrical  
  • 55. InspiraJonal  ·∙  Moving  ·∙  Lyrical  
  • 56. InspiraJonal  ·∙  Moving  ·∙  Lyrical  
  • 58. InspiraJonal  ·∙  Moving  ·∙  Engaging  
  • 59. InspiraJonal  ·∙  Moving  ·∙  Engaging  
  • 60. Moving  ·∙  Engaging  ·∙  Lyrical  
  • 62. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 63.
  • 64. From  Publisher’s  Weekly:  Taking  a  well-­‐worn  genre—flesh-­‐eaJng  zombies  overrun  the   world  and  the  unlucky  surviving  humans  must  deal  with  the  gruesome  apermath— and  approaching  it  from  a  purely  character-­‐driven  point  of  view  propels  this  series   into  the  spotlight  from  out  of  nowhere.  This  collecJon  of  the  first  six  issues  of  the   ongoing  series  opens  with  police  officer  Rick  Grimes  awakening  from  a  gunshot-­‐ induced  coma.  From  here,  he's  immediately  dragged  into  a  world  where  dangerous   revenants  are  shambling  amok  without  any  sort  of  an  explanaJon.  From  the  moment   Grimes  comes  to,  it's  a  harrowing  baBle  to  avoid  hordes  of  decomposing  zombies  and   a  hope-­‐against-­‐all-­‐odds  search  for  his  missing  family.  Grimes  makes  his  way  to  Atlanta,   the  nearest  large  city  where  there  may  be  other  living  people,  and  events  take  several   unexpected  turns  upon  his  arrival,  as  he  meets  up  with  a  rural  encampment  of   survivors.  Of  course,  as  in  recent  hit  movies  28  Days  Later...  and  Dawn  of  the  Dead,   the  last  humans  may  turn  out  to  be  as  much  a  danger  as  the  zombies.  Forceful   scripJng  that  gives  the  book  a  strong  grounding  in  reality,  crisp  b&w  artwork,  a   shocking  final  sequence  and  brisk,  gory  proceedings  elevate  this  book  from  the  trash   heap  of  pedestrian  horror  comics.  (May)  —  Staff  (Reviewed  June  14,  2004)  (Publishers   Weekly,  vol  251,  issue  24,  p45)    
  • 65. Appeal  Factors   •   Bleak   •   Gruesome   •   Compelling  
  • 70.  ·∙     Bleak  ·∙  Gruesome  ·∙  Compelling  
  • 71. Bleak  ·∙  Gruesome  ·∙  Compelling  
  • 73.  ·∙     Bleak  ·∙  Gruesome  ·∙  Compelling  
  • 74. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 75.
  • 76. From  jinni.com:    The  mood  of  Village  of  the  Damned  is  scary,   suspenseful,  and  atmospheric.  The  plot  centers  around  evil   aliens,  a  family  in  danger,  and  supernatural  abiliJes.  It  is  a  horror,   sci-­‐fi,  and  thriller  movie.  In  approach,  Village  of  the  Damned  is   serious.  It  takes  place,  at  least  partly,  in  a  village  and  in  a  small   town.  The  sexng  is  England.  Village  of  the  Damned  happens  in   the  1950s.  It  is  based  on  a  book.  The  movie  is  known  for  being   criJcally  acclaimed.  
  • 77. Appeal  Factors   •   Atmospheric   •   Creepy   •   Sobering   •   Suspenseful  
  • 79. Atmospheric  ·∙  Creepy  ·∙  Suspenseful  
  • 81. Atmospheric  ·∙  Creepy  ·∙  Suspenseful  
  • 82. Atmospheric  ·∙  Creepy  ·∙  Suspenseful  
  • 83. Atmospheric  ·∙  Creepy  ·∙  Suspenseful  
  • 85. Atmospheric  ·∙  Creepy  ·∙  Sobering  
  • 86. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 87.
  • 88. Review  from  Billboard:  Fipeen-­‐year-­‐old  pop  sensaJon  JusJn  Bieber's  first   Billboard  Hot  100  single,  "One  Time,"  was  an  insanely  catchy  ode  to  young   love  that  immediately  won  over  fans.  And  so  were  his  second,  third  and   fourth.  It's  no  wonder,  then,  that  Bieber's  debut  album,  "My  World,"  sJcks  to   the  formula.  His  vocals  are  as  boyish  as  they  are  disarmingly  mature.  With   genuine  swagger  on  the  nimble  R&B  track  "Bigger,"  Bieber  sings,  "I  was  a   player  when  I  was  liBle,  but  now  I'm  bigger  .  .  .  and  all  the  haters,  I  swear,   they  look  so  small  from  up  here."  The  ballad  "Down  to  Earth"  (a  song  he  co-­‐ wrote  about  his  parents'  separaJon)  reveals  a  deeper  side:  "So  we  fight   through  the  hurt,  and  we  cry  and  cry  and  cry  and  cry/  Then  we  live  and  we   learn,  and  we  try."  Judging  by  the  delivery  of  those  poignant  lines,  it's  hardly   a  stretch  to  imagine  Bieber  racking  up  more  hits  in  the  next  decade  to  come.   (Billboard  via  MetacriJc)  
  • 89. Appeal  Factors   •   Moving   •   Feel-­‐good   •   Upbeat   •   Engaging   Wild  Magic  
  • 96. Moving  ·∙  Upbeat  ·∙  Engaging    
  • 98. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 99.
  • 100. From  The  Sixth  Axis:    Pros:  Likeable  characters,  the  baBle/ Paradigms  systems  are  great,  looks  fantasJc,  some  of  the  music   is  wonderful,  hunJng  monsters  can  get  very  addic5ve,  lots  to  do   outside  of  the  main  story.   Scoring  Final  Fantasy  XIII-­‐2  is  almost  irrelevant.  For  every  person   who  nods  their  head  whilst  reading  this  review,  there  will  be  one   wondering  just  what  on  earth  I’ve  been  smoking.  I  absolutely   love  the  game,  and  found  myself  totally  absorbed  in  everything   it  has  to  offer.  The  Paradigms  system,  the  monster  hunJng,  even   level  grinding  was  enjoyable,  encouraging  experimentaJon  to   put  together  the  best  possible  team  and  Paradigms.  2012  has   certainly  kicked  off  with  a  bang.  
  • 101. Appeal  Factors   •   Intricately  PloBed   •   Atmospheric   •   HaunJng   •   Strong  Sense  of  Place   •   Compelling   •   Dialogue-­‐rich  
  • 103. Intricately  ploBed  ·∙  Atmospheric  
  • 104.
  • 106. Intricately  PloBed  ·∙  Atmospheric  ·∙  HaunJng   Compelling  
  • 107. Intricately  PloBed  ·∙  Atmospheric  ·∙  HaunJng   Compelling  ·∙  Dialogue  rich  
  • 108. Intricately  ploBed  ·∙  Atmospheric  ·∙  HaunJng   Strong  sense  of  place  
  • 109. Intricately  ploBed  ·∙  Compelling  
  • 110. hBp://www.flickr.com/photos/jaydolan/4061626108/   hBp://www.flickr.com/photos/typefiend/3908178622/  
  • 112. Ques5ons?   All  slides  and  Handouts  will  be  made  available  on   my  website:  hFp://www.kabergeron.com  and   eventually  at  the  MLA  website.  
  • 113. Special  Thanks  to:   •  S.  Labelle   •  E.  Fisher   •  K.  Tait   •  B.  Bolek   •  J.  Hart