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GEC-22-Chapter-1.pptx

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GEC-22-Chapter-1.pptx

  1. 1. Prepared by: Buenaventura M. Raygon Jr. INSTRUCTOR 1
  2. 2. How do you see it? 2
  3. 3. 3
  4. 4. CHAPTER 1 * It is an active and creative process. * When reading the visual, we draw on our general and specific knowledge, tastes and habits, our personal context to make what we see, and to make sense of it. 4
  5. 5. Understanding visual art is context- dependent 5
  6. 6. Three main points in seeing as reading 6
  7. 7. 1. We see things we are actively engaging with our environment rather than simply reproducing everything within our line of sight. 2. Every act of looking and seeing is also an act of not seeing some things must remain invisible if we are to pay attention to other things in view. 3. The extent to which we see, focus on and pay attention to the world around us. (Three actions are inextricably linked, depends upon the specific context in which we find ourselves). 7
  8. 8. Seeing in Context 8
  9. 9. Cultural Literacy - refers to a general familiarity with, and an ability to use, the official and unofficial rules, values, genres, knowledge and discourses that characterize cultural fields. In this sense, is not just familiarity with a body of knowledge; it also presupposes an understanding of how to think and see in a manner that is appropriate to the imperative of the moment. 9
  10. 10. Cultural Trajectory -seeing something from a cultural perspective. 10
  11. 11. Techniques of seeing as reading 11
  12. 12. Selection and Omission * every act of looking and seeing is also an act of not seeing. 12
  13. 13. - every act of looking and seeing is also an act of not seeing. Selection of details and omission of others helps to constitute and make the visual. By paying attention to and focusing on something, the viewer effectively constructs a frame around the scene. Selection and Omission 13
  14. 14. Selection and Omission- productive in two ways 1. Suggest a set of relationships between, and stories about different aspects; and 2. Establishes a hierarchy with regards to the potentially visible… And these lead to evaluation….. 14
  15. 15. Seeing in Time and Motion 15
  16. 16. Number or elements contribute to or facilitate the process of suturing the world to make a text. a. Color b. Shape c. Movement d. Texture e. Distance f. Light 16
  17. 17. Text and Inter Text 17
  18. 18. Text- the name of a group of signs – a collection of signs which are organized in a particular way to make meaning Sign- is anything that is treated as a meaningful part of the unit that is the text. Intertextuality- the use of other texts to create new texts. 18
  19. 19. Text and Genres 19
  20. 20. Genre- text-types which structure meanings in certain ways through their association with a particular social purpose and social context. - They are frames and references what we use to negotiate, edit, evaluate and in a sense read the visual as a series of texts. 20
  21. 21. How do you interpret the following Visual Arts?

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