Best of bob marley and the wailers

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Best of bob marley and the wailers

  1. 1. 6 STIR IT UP 20 GET UP, STAND UP 25 I SHOT THE SHERIFF 30 LIVELY UP YOURSELF 44 NO WOMAN, NO CRY 41 ROOTS, ROCK, REGGAE 68 EXODUS 50 JAMMING 62 WAITING IN VAIN 75 THREE LITTLE BIRDS 80 TURN YOUR LIGHTS DOWN LOW 84 ONE LOVE / PEOPLE GET READY 86 IS THIS LOVE 102 SUN IS SHINING 96 SO MUCH TROUBLE IN THE WORLD 105 COULD YOU BE LOVED 110 REDEMPTION SONG 114 BUFFALO SOLDIER 119 IRON LION ZION 124 I KNOW A PLACE 4 GUITAR TABLATURE EXPLAINED
  2. 2. GUITAR TABLATURE EXPLAINED Guitar muslc an be notated three different ways: on a musical stave, In Iahlature, and In rhythm slashes D A D E G @ (9 open 3fr RHYTHM SLASHES are written above the stave. Notes: J J 1 JA) H Strum chords in the rhythm indicated. Round ; 5 noteheads indicate single notes. E E 0 ' F E THE MUSICAL STAVE shows pitches and rhythms and is divided by lines into bars. Pitches are strings; named after the first seven letters of the alphabet. 5 l o }_2 B 0 3 TABLATURE graphically represents the guitar 3 2 i 3 i fingerboard. Each horizontal line represents a A I i__ I string, and each number represents a fret. 5 I I 4th string, 2nd fret 1st & 2nd strings open D chord open, played together DEFINITIONS FOR SPECIAL GUITAR NOTATION SEMI-TONE BEND: Strike the note and WHOLE-TONE BEND: Strike the note and GRACE NOTE BEND: Strike the note and DUARTER-TONE BEND: Strike the note and bend up a semi-tone (1/2 step). bend up a whole—tone (whole step). bend as indicated. Play the first note as bend up a 1/4 step. quickly as possible. BA Bf I B K‘ Full 1/2 J/ ‘ ll 9 9 BEND & RELEASE: strike the note and COMPOUND BEND 8. RELEASE: Strike the PRE-BEND: Bend the note as indicated. Pl-tE-BEND 3. RELEASE Bend the note as bend up as indicated, then release back note and bend up and down in the rhythm then strike it. indicated. strike it and release the note back to the original note. indicated. to the original pitch. Pre Bf‘? Bfjfi T L- ‘/2 ‘/2 Full 9 L 9 s ' UNISON BEND: Strike the two notes BEND & RESTRIKE: Strike the note and BEND, HOLD AND RELEASE: Same as BEND AND TAP: Bend the note as simultaneously and bend the lower note up bend as indicated then restrike the string bend and release but hold the bend for the indicated and tap the higher fret while to the pitch of the higher. where the symbol occurs. duration of the tie. still holding the bend. B/ B} VIBRATO: The string is vibrated by rapidly HAMMER-ON: Strike the first (lower) note PULL-OFF: Place both fingers on the notes LEGATO SLIDE (GLISS): Strike the first bending and releasing the note with the with one finger, then sound the higher note to be sounded, Strike the first note and note and then slide the same fret-hand fretting hand. (on the same string) with another finger by without picking, pull the finger off to sound finger up or down to the second note. The fretting it without picking. the second (lower) note. seoond note is not struck. smmammvum / T / -- Z_ “ ° I :1‘ E . . & 4' / ‘T / "T _A 9 X 9 11 77-49 I I B B . . NOTE: The speed of any bend is indicated by the music notation and tempo.
  3. 3. SHIFT SLIDE (GLISS & RESTRIKE): Same as legato slide, except the second note is struck. TRILI; Very rapidly altemate between the TAPPING: Hammer ("tap") the fret notes indicated by continuously hammering indicated with the pick-hand index or PICK SCRAPE: The edge of the pick is rubbed down (or up) the string, producing a scratchy sound. orl and pulling off. middle finger and pull off to the note fretted by the fret hand. tr tr f U‘ 9l- 7 MUFFLED STRINGS: A percussive sound is produced by laying the fret hand across the NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the PINCH NARMDNIC: The note is fretted normally and a harmonic is produced by HARP HARMONIC: The note is fretted normally and a harmonic is produced by gently resting string(s) without depressing, and striking string directly over the fret indicated. adding the edge of the thumb or the tip of the pick hand's index finger directly above the them with the pick hand. the index finger of the pick hand to the indicated fret (in parentheses) while the pick normal pick attack. hand's thumb or pick a$ists by plucking the appropriate string. Harm. PH. 12 PALM MUTING: The note is partially muted RAKE: Drag the pick across the strings TREMDLO PICKING: The note is picked as ARPEGGIATE: Play the notes of the chord by the pick hand lightly touching the indicated with a single motion. rapidly and continuously as possible. indicated by quickly rolling them from slring(s) just before the bridge. bottom to top. SWEEP PICKING: Rhythmic downstroke and/ or upstroke motion across the strings. VIBRATD DIVE BAR AND RETURN: The pitch of the note or chord is dropped a specific number of steps (in rhythm) then retumed to the original pitch. VIBRATO BAR SCOOP: Depress the bar just VIBRATO BAR DIP: Strike the note and before striking the note, then quickly release the bar. then immediately drop a specific number of steps, then release back to the origina DIICTI. ‘1/2 —‘/ z -‘/ z V / / w/ bar _ . . _ _ _ _ _ _ _| -l/ /2 <1/ /2 -l/ /2 4 5 1 7 7 '7 —-7 -1 ADDITIONAL MUSICAL DEFINITIONS E (accent) 0 Accentuate note (play it louder). / E (accent) 0 Accentuate note with great intensity. ___I (staccato) ~ Shorten time value of note. H 0 Downstroke V - upstroke No-I-E. Tabmme numbers in parentheses mean. 1. The note is sustained, but a new articulation (such as hammer on or slide) begins. D. al Coda D. C. al Fine 2. A note may be fretted but not necessarily played. 0 Go back to the sign (as), then play until the bar marked Ta Cada etthen skip to the section marked 6 Coda. 0 Go back to the beginning of the song and play until the bar marked Fine (end). 0 Instrument is silent (drops out). - Repeat bars between signs. - When a repeated section has different endings, play the first ending only the first time and the second ending only the second time.
  4. 4. STIR IT UP Words & Music by Bob Marley A D E ’ " 5 fl’ s fr ' ‘7rr 3211 I133 1333 Intro 7‘ . . Moderately Slow J = 74(J1 4545) “"4 ‘= W’ ""1 *"'8- '~ 3 times A A Rhy. Fig. 1 End Rhy. Fig. 1 Gix.1(clean)7 P7 [77 /77 ['7 7 /77 H7 fiv )7 w: - ___i— --~ 7% U ['11 > U Ga. 2 iclec. ) [ _ T ‘ U. ’'——'‘I _— ‘H ——7 H ‘—‘— II. .““"' I--I — ——j_ K 7 -7 - T’ P . wl wah wah an slight dist. I - Ar" T"_. jj—. —4——_- I. . l - _ | uv 1 "P P. M. throughout llli )) llill , _ . 8 I1-. . = 5-- End RiffA ‘i I I Ii it E 0 Copyright 1968 Fifty-Six Hope Road Music Limited/ Odnil Music Limiledlfllue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited, 329 Laiimer Road. London W10 6RA. All Rights Reserved. international Copyright Secured. 6
  5. 5. Verse ba Iff A, 3 times A i — tum 1.JlZ j K7. - ; 1 p. _ Come on — U A _. =,, .n. . Cult 3 w/ R / « 1 T -— K? Stir _ I j j lit — tle D . W . H t. _.. , _ . _.. ... :.. .“ M. Mr . ___ . _=_ . ... :.__: .. D A E been 1. It’s oh.
  6. 6. cmv fit’ fiv /57)? ‘/:57 , '=77 jfiv fl *Bkgd. Voc. Fig. 1 F 7 #3”? ~£urFv; fF%*4 long time since I‘ve__ got you__ on my- stir it, stir it to~geth - er. ) ‘i f‘ _ v}‘=7v/ =77 fiv r7 7 ifivfitfrfiv »=7 End Bkgd. Vot. Fig. 1 - L% :1 LE: __ mind, Who:1,__ (Ooh. ) Ti ‘ J - A F ere: J EFEEH —4—4 1—7—7—1—7——7— ses—t'r——7-1-7 —+— 5—5 4
  7. 7. wl Bkgd. Voc. Fig. 1 vfifivfivfivfivifi-«fivifivfi '. :y / ' " T" ' . ‘' -''‘~'-'-—*----——v--——¥-—= ?°lEE luvjjjgjmj jj; -j-gm _ 1 , ———-" jj ’ ’ ‘T now _ you are here. _ I say it’s so clear to A I " 3:. ’ J _ - I I‘{i'Z. i: see___ what-a we will do. ba - by. Just_ me and_ you. Come on and
  8. 8. Chorus Glr. 3: w/ Riff A, 4 times 10
  9. 9. Verse w/ Bkgd. Voc. Fig. 1, 2 times )‘=7v ,5-«fiv fiv v/573‘/ '=/ iv /5 Then I sat - is - fy_ your- all dc-sire. ii
  10. 10. ”r77 fifirfiv /5 *—%*: % ,5 7 / ‘x / U7/U57 }‘-=7 7 ute. _ ev - 'ry min Said I stir_ it, yeah, L .3 . “ 12
  11. 11. dar Lit - tie up. stir _ Chorus Gtr. 3: wl Rift'A, 4 times mm _ 3 And_ then — j Em __ 7 :7. .7 . .__u. . 7 __H 7 . . _n 7 U‘ E. __ .7 _ ___ 7 Q__ A _n _ . ._n _%_, . _____ H 7 z_. _,_ w. m_. L._ .1 _ . _ _ _ _ _ . _ . . . . . . . . _ . . . . . . . . . Slll‘ :
  12. 12. Verse fifiv /57/'77 /57 377 /57/E"7‘7v /5 #3 3-: Er; ‘—‘Ee"7 ! r— ‘-11 £ : ' quench _ when I’m thirst - y. __ 1* II it- '1 1 T tiff Come on, cool_ me down, _ ba _ when. I’m hot. _ (Ooh. 14
  13. 13. )7 377 7571-77 )3 7 /57 7 A ’ 7 Your rec fifi 7 w/ Bkgd. Voc. Fig. l 7 j . XI- | -jZ—: _ 15
  14. 14. Cho s 1'. 3: w/ Riff A, 4 times D 5.7.77 fie-/ /57 ,5‘/ ,5‘/ ,5‘/ ,5‘/ i‘: fi-/ )7‘/ fi‘7'/ )7-/ )3-1 [7 Ei—i? lit— tle dar — ling, stir. it up, .““~“ come / - / ‘. .1 / ~ Glr. 2 $7**r‘““‘““gi:1‘_'pLLj"’ 77- - , . D E vfivfiv/ ‘"775 ; }‘*77m7fiv ,5 NH fiv/77/7 ‘F74:-—*7"5$QLv V‘ fir—; E--1:—i‘; i:t: on, girl. Come on and stir- it up, _ whoa, __ lit — tle dar - ling, ‘ ' up) Instrunfiental Solo 7/F737/77/577 /7 7/57/7751 F} 7/57/57/F7727 P. M. throughout r~+— tote: :6-6 —77e—-s—— 7—1—1—-—7— 77
  15. 15. D E 7 377 777§777 77 7 777 7777777 77 7777 7777777 77 l'3'| Gtr. zw RiffB.3times End Rm’ 1! Gtr. 2 7}‘77fi77777777’77fi77E77/7777777777777 7:5‘/ )7‘/ fi'/ )77], )"7'/ ,"7-/ L57‘/ )7-/ :77 )7-/ /77 )7
  16. 16. 7 777 7777777 777 377 777577 77 t*3—i i—. ?—71 __, _,_, 7 xxx, w Outro Chorus 7;? ‘/,5‘/ }=77fi-/3%-/ )3-/ if-/ ,5 £77277 Gtr. 3, RiffB. 5 times vfifivfivfivfivjfivfivjfivfi stir __ it up. Come on, girl. Come on and Gm 2 2" . (2? £~ / MM~s~a~«aMAAM~ ii ‘ 7 ’ “ 7 7 full let ring ------- - < i full 1%2_—’/ full as»; ---------- | ::*[—j .7 ,7 *7 im 18
  17. 17. lit - tle __H ___. ___, 7 ___ _ .7 _____ . ___ 7 . _ . Come on, come on .2. ___. 7 ___ 7 _n __ s =1. 7 a b . n 7 am fdbk. ___________. ... ... -.. . .7 ___— ____ 7 7 .7 7 A _____ W . ___ . __H ____. ___a 7 ____. ___ _n_ 7 _. .. ._. = M 7 A. __: .7 M, ___ _n ___ 7 _ . ._N E. .. , i____, . 7 A. _____: u . mm__ . Wm__ Fade Out , __= __. __ 19
  18. 18. GET UP, STAND UP Words & Music by Bob Marley & Peter Tosh cm fra ‘ Intro Chorus Moderately Slow Reggae J = 76 I q, ,,m. ,,, ,, N. C.(Bb) Cm _ ' I — I ' 5{§: =§= Get up, stand up . ff F Gtr. 1 (clean) ' ‘ ’_ . : v‘ v - jm If ' ' _ --. --1- . I '11 Stand up for_ your right. Get up, stand up. Stand up for_ your right. 0 Copyright 1973 Fifty—Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limitedl Stuck On Music/ Embassy Music/ Cherry Lane Music Publishing Company Incorporated. USA (3.13%). All rights controlled and administered by Rykomusic Limited. 329 Latimer Road, London W10 6R/ A (91751)! Campbell Connelly & Company Limited. 8/9 Frith Street. London W1D 3JB (3.12%). All Rights Reserved. International Copyright Secured. 20
  19. 19. ea. Stand up for your right. p. M._____________. , V 4 _ M. D. i>. M.-_, ._. __--. .--, Verse On’. 3: WI Fill 2, 2nd time Gtr. 1: wl Rhy. F”Ig. 1 _= I “_ _ _ _ ___ heav-en is un - der the earth. _ great God will come from the sky, think __ , ___ 1.Preach—er man don't tell _ me - 2. Most peo - ple Don't give up _ the fight. . . ___. P. M. .1 . _ . _ . _ . . _ _ . . . _ M I/ Du P. M.__. ... , p. M.. _________________________,
  20. 20. Glr. 3: w/ Fill l Gtr. 3: wl Fill 3. 2nd t. i gold. _ what is real-ly worth. He said all that glit-ter is ev-'ry-bod - y feel high. if you know what life know take a- wayev-'ry-thing and d m w o m Jah! You stand up or_ your right. a you see the light. You stand up for_ your right . ... . W. _ M. y m that sto—iy ain't my -er been you would look for yours on Chorus wIl. .eadVoc. odliibs. ,2.iidtime Gtr. I: wIRhy. fig. l W M D. P. M.--________--_. , wl envelope filter 22
  21. 21. Stand up for_ your right. Don't give up _ the fight. .1 _ M P P. M._____. --. , Verse Gtis. l & 2: wl Rhy. Figs. 1 & 2 1 1-jwj .1 _ . . . . . . . . P. M. i>. M.. _.--_-. _._. ., We know- and we un :1 Je - sus’ name, _ Lord. in dy‘n and go to heiiv-en pick and fingers - times, - ple some fool some peo man__ You can is al-might- y God
  22. 22. now we see____ the light, we gon — no A Outro Gtl’. 3 meet wl lead Voc. ad Libs. . til fade Gil. l: w/ Rhy. Fig. I So. you bet-ter Get up, Get up, stand up. Don‘t give up _ the fight. Get up, stand up. Stand up for_ your right. Get up, stand up. Don't give up _ the fight. EI£F )%vT= I —= ' -“-'-a—-—: --: '--——= =». _—= j:JII. ':= = = -. ‘ i-v-
  23. 23. I SHOT THE SHERIFF Words & Music by Bob Marley Gm Cm E56 Dm E ‘E E” E“ 3 1 ll 32] 3 333 321 Chonis J = -v-I“ Gm Cm Moderately 96(n JJ‘) 7 X? )3 7 _ 7 5 ¥ Gtr. l (clean) - (I shot the sher - if? but I did » n't shoot no V91‘ 59 Go. 4: w/ Fill 1. 2nd time Eb Dm Rhy. Fig. l ‘/ ,7[177., %)J177)r%t 7,51 7,5: Ar—3—I : :-. .=: ..__. ... ..= == -. ..-. -.-: " “ . 33:3 I 1.All ll - round in my home - town, they try - in’_ to track me down, _ 2. Sher-iff John Brown al-ways hat-ed me. For what, I don't know. _ 4. See Additi anal Lyrics . mm-_ - .1 0 Copyright 1973 Fifty-Six Hope Road Music Limitedlodnil Music LimitedlBlue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited, 329 Latimer Road. London W10 ARA. All Rights Reserved. International Copyright Secured. 25
  24. 24. . Gtr. 1: wl Rhy. Fig. l. 3 times, simile End Rh . F 1 Gm ’ "’ E| v6 Dm Gm ' 3 ' / "'r +3? say they want to bring me: in guilt time _ 1 plant :1 A f Q fi! I== =fiEFlJJI= §5£E= S=J= § 1——1:jj1 Gtr. 4: wl Fill 2, 2nd time El: Dm , /- " '. _‘--2- 155191-- — : -~Z ? kill - ing- of the dep - u - ty. _ Uh! for the life_____. __ of a_ dep - u - ty. _. kill it be - fore it grows. _ He said, kill them_ be - fore. _ they grow. _ ' ° ’ - fm. .j. g.g. gjj V 77 n<j"—jTj'—jTj1v1mr. —:* 1 ”: z'n'—. j it 7‘->q '*. . r — 1—: j <1, Gtr. 2 tacet, lst & 3rd times Citi‘. 2: WI Fill 3, 2nd time Citr. l 5 — T But I say. __ Oh now, now, oh. __ j And so. And so. Read it in the news. _ R| l’l' A End Rlfl A ‘ _ . g ' Gti‘ 3 ’“ _ > - - : —- - -'r'€£v'= %%'= =.a~'I-1 -‘.2 -—%n§; T———j. —.-- % 1lV_-T 1-— _ TZ2—: —-— * Kybd. air. for gtr. 26
  25. 25. the sher » iff. Lord knows. _ Lord, _ where was the dep-u-ty? *(I shot the sher - iff. but I swear it was in self - de—fense. ) (Ooh. ooh, Gt. r.2 Rmn A v‘ I _ . . . . I k : F7:e.1_. :.-'—-= === === "== .U. I~aIaIJ: .-I§: w.j= I.anlnl% IN’; TT: '— : i = =:2 ’—/1?? -:_ P. M __________ __. , “ No likgd. vocs. 3rd time. Cm 777/“ 777/57/51 777/M/ W17 J2! - ~ t 1- —I! Oh Lord _ Oh, n‘o<«_ — iff . . But I swear it was in - iff and they say it is a EndRIiy. Flg.2 /7777/17 /7)? ” / ''7777/”7 /5? 777/“V/7;J‘7 -. Yeah. Yeah. _ Yes, _ a. self - de~fense. Yeah, Ooh. cap - i - ml of -fence. _ ) (Ooh, ooh. ooh. __j ) , _ El| dRl“l1 "‘ A _ _ § g= §=. =:_: ..: ; __V_; i. Verse an. 1: wl Rhy. Fig. 3. 4 times Elwé Dm Gm El>6 Dm mm m_ 3 End Rhy. Fig. 3 7 fi 7 ,5 7 )7 7 fi 7 fi 7 )7 7 fi 7 )7 3 A ' P‘ . . _ ’§ '_ F '_"3—"r " - -j 3.Fi'ee—dom come my. way, one day. _ And l____ start - ed out of __ town, _ ’‘ Rllf C 1 . o o o o . —'. II- T_ .1.‘-11 1.—. 'j'—l—'j'jl 2 ZZ1*K'—.1 —v—4—. w~ta—. —g—.1V I , . _ . . ‘ ‘ ‘ . '7‘. ’ 7*’ %’I’l—I’-=2-= '—"55E-'= E,E! —jj—-72== ‘== =-"—'-'2E'= :='%': "== 27
  26. 26. Gtr. 2: wl Rift‘ C, 3 times. siiiiile E56 sher - iff John Brown m n . m E him. 0 n t m m e. m m w t H . n . .e . b I m ; d . o.. I I h . S ol U _ b a I v. . . m a e s m _ m I . m m tn m B I s I _ an int» _ I . m oh W o 2.: m s S o-. .fl C n.3, m V. “ K mm . m / / s mww _ oi.2. no I . mwoo ( m : uA . m. cm 2 . aw w. _ _ k. s . 0 m GG n O U .0 . Wm nmu d 0 _ U I m m h 0 s h S , ... VF n a W D. . . M MW. _ d I I II . m i U VJ . . m W _ We d D. S. at Coda ooh, ooh. _ ooh. _ ) I did - n't shoot no dep - u - ty. but $ Coda Cm 28
  27. 27. Gm Gtr. I tacet Cm fifiifiv /5737 fifiv/57 /7)? ‘ 7 tgjgjszgjgjgjgj 1 mi - 1 .1Ajg: .:¢:4:. :.3 rx Gm . .‘- I-I-Znjjjj'——'-K-222— -jg--‘KT . _-———71———~. —1_—1j—, —.-. ... -_. jL_. __114,-. .. , ,1 All gtrs. tacet (bass & drums only) 9 Additional Lyrics 4. Reflexes had the better of me. And what is to be, must be. Ev‘ryday the bucket a - go — zi well. One day the bottom a - go drop out, One day the bottom a - go drop out. Chorus I, I, I, I shot the sheriff. Lord, I didn’t shot the deputy, no. Yeah, I, I, (shot the sheriff) But I didn’t shoot no deputy, yeah. 29
  28. 28. . - _ . y . ____ _ = . ___. .. . ____ . . : = -, _ . ___ L_ __ . __ __m an = E . m B M . . R has . .". End R! !! A _= __ — __. . . jjjjj Tim Tjjjj t. .. _ __ ___ _ __. .2 . . _ ___ __ . ___ -v __H __ __. .. . mm. W. w m 4 . M J M. u . . A _ L-T. T T T m m: T jj. jl ml You’re gon - na __l —_l I jtnsjsj T T T End RIIIB / - n _1’. Oh! AAAAA . j mm mm II4 1/4 (3 xx 32H : Z —I 1/4 full full Words & Music by Bob Marley D r 1333 X LIVELY UP YOURSELF A). 1.. _w . n W m __ . u In N m _ W m M. I. m : mJP . 0 d 0 o — ) ) w mm 3. an im—; . a. ._. _. . u. .__—, .u . In“ c m. o .5. 0 Copyright 1976 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 30
  29. 29. G D J J 3 J J (com. suum simile) r‘ 3 ; , /7 : Chorus 31 E W. .1 __. .. W ___ M ___ _, .. . .. _ _ _- m ___ . . _ —_ __ u _ _. . -. 5., _ m . E nur . . . _ _ 3. . V G G , 3: w E m A 1 __ _ ___ . . A m . m . . A. __j . . m . v. j 1 w _ . R . u D M. _ . -. m — um __ n __ . j m T j en. - W __ T. W. _ - __ w u_ y _ M , _ . __ , :_ 3%. _ , , _ . _. M _ __ m mu W _ _ M - . . _ ___? .. n _ G __ _ G _ a _. , . . * __ _ . . am. L . A”. L . . L __; 4. _ _ A, _ ___, W _ __ W _ — V. j V. M, __ p _ P __ _ H, D ___ M _ D ___ M . . __ L . ___ % __. . . ___ % ___ __, 5 ___. 1 : . "mu - . ... - 3. . ,.u_ -". m . u.w -". .w - am . ".m . ".. "_w
  30. 30. u . ._ _. ; __ W__ W __ Z. . D , , __ = .. . . H A W ___ J. .. G. j A W, __ D ___ mm“ . Wm . "_. W End Rlfl'C o. -__ W __ - n H .1 __ W ___ H G we _ . . 0 3 . __ W ___ H __ W ___ W W __ W. l w T: k . ___ W . ... .W_ H L 7- W W — send so self, _ ‘cause I —- %‘%§w% ly up your - T — — l1ve — Verse Gen 2: WI Riff A. 3 times, simil¢ . _ F A htzo __ 2 = - : 0. I S E j m 0 U __ W D w .5 __ . __ _ _ . .. H. .. .. -r = - You come / J m. .. _.m C b m d H . v 8 n w v. so you rock so, G ‘ j. Z’ I dnp __ through my door. » ___ m __ . __ m mm m M D I A __ W / m f___ T 6.. .. L __m __ y M: U. “ . m —— av . w w__ _ . II 3 W G 771111‘ . n. ___ 7-In I S __ W s u 3. m. ___ m D w w Z. k E n G . -. . m ___ W , Y
  31. 31. _ A __ _ _ m. i. w Ty m a 1 . m Z_ w W 5. 3 . . W n b 2. W 4 ___ . . W . ... __ W A N _. _. W A . . W W . d d E 1 d d . I. n : u . ! aqua I4! m : a 3 a . ... . . . m. -I b* nun . . K e s G J J (comrstrumsimile) Chorus G11. 2: wl Riff C, simile D Gtr. 3 1 : /‘ " % v-— — C in lrve - ly up your - self, _. G1: I I I ' ; B I I I I I G - V I - - hve - ly up your - D G f live - Iy up your — self, _ x _. .. . m_ «. __. W. § self, ’cause G your - _- . D -_ D You live — ly up '- — I— LEI" You’re gon—na ' r—— 3 —I a"j: §j1:“= ..| In — 2 -—— " ' 3 — - You ' 3 = n.: u I . — L‘! .- ! -2:: f T T : You ‘1 5.“ Eu. “ T I A D G :35.- ll(S. F|Z_ 4:31»: I . .“. '1n—'j IZ —= -_= Ielring________. ‘ £ ' . _Im ‘ / D G ' . ' — . -—' D G 33
  32. 32. that I don‘! know? . Verse Glr. l: wl RiffA, 3 times. simile 2. What you got der, won — J . / I . . ' ' -G ' full ‘NV§§~U§ j 'j To D ZIZIIF-Z—= TT: Z‘j-jj_j --'-F der why you, won - der : aa: =:: g;: ::: ::: ::: ::: ::: =:: IIIIIIIIIIIII IIII. _, lIIL. ..JIIII. .AIIIIIIIIIIIIIIIIIIIIIIIIIII. .IIIIIIEIIIIIIIIIIIIIIIIIIIIII I/4 Q£'j ' ' j jI— D II I I , Ifl Yeah. , Qhhhfl "”"'! H'j. EI! G / - jzvjjjjj ‘2_-—-‘ won — l/4 13 13 I3; G Kvu________________________ __ G _ -I—Ij -V — _EI-‘Fm. ’ -I zjvjjtvjjoovu Gun 2: w/ Riff B. similc / ~/, D - 3311; I'm - 21 try ~ in’ to won — der, van I7._3“‘| - 1 Mass flu — D u. "' so. " 7-1 ‘T2--jf—‘LI- - _'-7-- letring__>. .__. . won - der why you act —-‘I -_ Z 3 3 ? full K _C _ . G r—' 3 —'1 I . mu‘ /5 j Ii _€; IiflI! !!£! !! '_ . .._ . . . .u“ 34 II4
  33. 33. Chorus Go‘. 2: w/ Riff C. lst 8 Incas. only G EndBkgd. Voc. Fig. l l: '%_—. .='—"%= ".. £ D -nkga. voc. rig.1 7- M M C M M W _I a M M V. M 10 W A M W S m. d m 8 m C on n m v C m m h W W m 0 W m 0 V. P u IV. . . .. . W R m K ‘Bkgd. Vocs. only Interlude Gtr. 2: wl Riff C, 1st 7 measi only D ~- Z7‘J. Y1-no-{.11 fljjji Tj—2 ‘2j Come on, _ bu - by, G take you, take you. . A 35
  34. 34. .__: End Flll 2 -. = 4 I. .-- --__ ll- __ . __ . . __ __ éj . . .nw T1 : . __ W G ___; ____ =5 4 G D ---—---—-+ let nng G . .5 G _____ ____ _____ _ ___= . F I _ .2 .5“ 3.: _ ___ __ D lelnng _________. Guitar Solo Gun 2: w/ Riff A, 3 times. simile D
  35. 35. Cm‘. 2: wl Riff B. simile G Chorus -w/ Bkgd. Voc. Fig. 1 Glr. 2: WI Riff C. lit 7 meat. only D self. y0lll' _fi_ M M____ 6 g. ..“ . : A. A __ W ___ M; M Saxophone Solo Gr. 2: wl Fill l, 4 times. simile rock a n . n 0 co , m u 0 V. lelringv----4 37
  36. 36. < (‘I '1 U E! Gun 2: w/ Fill 2 Gtr. 2: wl Riff A, 3 times. similc G D G g » 7 ¥ / H ‘I (cont. strum sirnile) I - Til! !'j; %'%j 3. You rock so you rock so. ‘ J ' l -l E15" __ -E—: — -j--j ll“— “ ! l ‘- 3 1/4 T l ‘ = — u-i I H I : I D G D K’- You dip so you dip so. 1 ~ 1‘ 3 *3’ **'—‘ ‘‘ '“'’‘'l‘‘‘ l‘
  37. 37. (cont. strum similc) Outro Cu. 2: w/ Riff C, till end, similc D G that bug. D so you skank so, Gu‘. 2: WI RiffB G D IL. - | H '—— ‘ You come so you come so. , T . 5': _. ..M-. u F. ""l= -' _ ‘in’---' | ._j¥ l/4 D G noth - er bag Spoken: Get what you get in 39
  38. 38. —- you got hanging there? ‘ G 3?} bag ____ MA . _. . I . . 2 4 -__ G. ___ ¢_ 2 hou L“. .. . . the other believe you ' in g0! _)'0M G I don ‘I V‘—_ -a uh 'j What Begin Fade Il! —.I -1| - l lava I ll Fade Out 1/4 1/2 40 +5:-19$ I‘ full
  39. 39. ROOTS, ROCK, REGGAE Words & Music by Vincent Ford Em F13 m7 ‘ 7 ll ’ 9r: 342 I 3 l 2 I Intro Chorus Moderate Reggae *5 - Bm Em Bm J=63 (DJ J‘) Rhy. Fig. l * » * w A * J «A —l j= j=jm-j-gnmj —: *j'j'j—’lj= ’I—_— I. Play ‘ l some4_ mu — sic, 2.,3. Roots rock_ reg — gae; reg — gae mu — sic. (Dis — a reg—gae) Cvlr. I: w/ Rhy. Fig. |.3limes Flt m7 Bm Em Bm Flt m7 End Rhy. Flg. 1 = j ivijjfmjj . .._. ._. .;. ..£'JI: jji Playl some mu - sic, Roots, rock reg — gas} yeah, reg—gae mu — sic. (Dis — a reg— gae) Bm Em Bm F23 m7 Bm ml! =%. fl.-51:‘; - Roots, rock_ reg - gae; _ . Roots, rock, __ reg - gae; _ Play I some mu — sic, ms ' a reg'gae mu ' SIC’ Play I some mu — ToCoda I$ Ta Cada2$ Verse Em Bm Fllm7 Bm Em G". I: w/ Rhy. Fig. 2. 3 times Bm Em F1$m7 Bm Em End Rhy. Fig. 2 sure sounds good to me“: I Bm Em Fllm7 Bm Em Bm dance ’cause we are free. _ what to be got to be? Feel like danc — in‘, 0 Copyright 1976 Fifty-Six Hope Road Music Limited/ Odnil Music Limitedlfllue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. /41
  40. 40. D. S. al Coda 1 Em Fllm7 Bm Em Bm Em Fl$m7 5-‘ f F §i**-*- t—; ;;+s~e. i: a—r—~7 : -t _ Feel like danc — in’. come dance with me. ___ $Coda1 Verse Gtr. 1: w/ Rhy. Fig. I. 4 times Bm Em Bm Fllm7 Voc Fig 1 End Vac Fig 1 8m . . . . . . . . . . . . . . . ., T , :3% i loco §ifi_ttf 53g r '_U J J - 7 Play I on the R. and B”: whoa, _ want all my people to see. (Doo doo doo doo. ) We Gtr. 2 (clean) Bkgd. Voc. : wl Voc. Fig. l Bm Em Bm F#m7 2—— -3 ' = =%{a-- lIV ‘T T bub—bl-in‘ on the top one hun — dred. just like a might-y dread. Rill‘A / /’_ End RilTA Bkgd. Voc. : w/ Voc. Fig. l Bm Em Bm Fllm7 - Egg o-_. - J T . t.= «% Play l on the R. and Bug. want all my peo—ple to see. We‘re RIITB End RIITB 3 / S J / ‘ 1 9 ‘ 1 9 ‘ D. S. al Coda 2 Bkgd. Voc. : w/ Voc. Fig. l Bm Em Bm Fllm7 bub—blin' on the top one hun — just like a might-y dread. e - J 1/4 %¢n ‘INA @1D ‘IN! =; —_ 42
  41. 41. Q} Coda 2 Chorus Gtr. l: w/ Rhy. Fig. 1, till fade Bm Em Bm Fl$m7 Bm Voc. Flg. 2 End Voc. Fig. 2 . 'I. 'l-‘-rjj-‘—-I--'-'-_-—F= % In’)-_Z Zn-mjjj Play I some mu - sic, (Dis—a reg-gae mu - sic. ) Play I some Verse Bkgd. Voc. : wl Voc. Hg. 2 Gtr. 2: w/ RiffB Em Bm F3lm7 Bm Em Bkgd. Voc. : w/ Voc. Fig. I Gtr. 2: w/ Rift'A Bm Fltm7 Bm Em . . '11 —- -a ' --: ___E-E: -— -'- = _ IV‘—: — » » T‘ ‘ 21} ”CT———"—" want all my peo—ple to see. We're bub- blin' on the top one hun — dred Outro Bkgd. Voc. : w_/ Voc. Fig. l Bkgd. Voc. : w/ Voc. Fig. 2 Bm F#m7 Bm Em Bm just like a might-y dread. Play I some. .. mu - sic, reg—gac mu - sic. Bkgd. Voc. : wl Voc. Fig. 2 .41 Begin Fade Fade 011! Bkgd. Voc. : wl Voc. Fig. 2 Bkgd. Voc. : w/ Voc. Fig. 2 43
  42. 42. NO WOMAN, NO CRY Words & Music by Vincent Ford C C/ B Am F Intro Moderately Slow J = 78 C/ B Am F C F C %IiFi-'-Eziil " Two gtxs. arr. for one. <6) C c “ Bkgd voc. lst time only Chorus Gtr. 1: w/ Rhy. Fig. 1,2 times, simile C F C (G) C C/ B cry. _ No, _ wom-an, no_ cry. __ No, _ wom-an, no_ T No, _ wom»an, no_ cry: Here, __ lit-tle dar - Iin', Am F C / K F / K C (G) V5 ]' 3- ' -4”’ 7 * — #_ cry. No, _ wom - an, no__ cryj Say, say. don't shed no tears. No, ’ wom » an, no____ cry. Say, say. 0 Copyright 19714 Fifiy—Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Lalimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 44
  43. 43. _ V Gtr. l: w/ Ri{fA, 7 times, simile 9”‘ on. 2: w/ Rhy. Fig. 2, 7 times, simile C C/ B Am F C 3 C/ B . IT 3 "'—I . rx : j _' -I--. T’ I 2—'-YIVZI- ‘l ; ___. .=%= '-‘LE. -=_. === -_= ==t= .-= ':. "=-, ;=%. === ..%= =-: :.= l3' 1.Said, I re — mom - ber when we used. to sit_ in the gov-em-ment's yard- in- 2.,3. Said I re-mem . her when we used. to sit__ in the gov-em-ment‘s yard- in- G‘ ' min End Rift'A . ',7_ _. _s___ __‘-_-. ==. -".7_-7:-. .-—‘ ' "'-' uiijimjjjmnjnij-njijj fir» 2) Rhy. Fig.1 End Rliy. Flg.1 C CHI _, / , ttj 32‘ . _ '1 ll jj jj'mj1'~jjm rm‘ m ufij Z 1j= :m< ‘e-' let ring -------------- - -4 let ring --------------- - «-4 1511708 """"""""""""""" ' ‘ ‘I of '"-" ' " "“'j"j _Trench- town. _ 0 - ba, 0 — ba, _ serv - ing the_. hyp- o - crites as they _Trench- town. _ And then Georg - ie would make a fire- light, as it was would min—gle with the good peo ~ ple we met. Good friends_we had, _ on log-wood bum - in’ through the night. Then we would cook corn — meal good friends_we've iost_ n - long por - ridge, _ of which l’ll share In__ this bright_ fu - ture you__ can’t for - get your_ past. My feet_ is my on ~ ly car - riage. 1. 2 To Coda Q} C C/ B ¢{‘3-, Am F Am F $ fiJ£ifi : JJ4E‘_-r;7rJ__: EL_Ci So dry your tears____. . I say. And So I’ve . got to push on through. But while I'm gone, l’m mean - a. .. 45
  44. 44. (F) (Am) wom — an not cry. _. no tears. __ (N0) wom — an__ Am Eéiig 5‘ 1 don‘t shed No, no C/ B 46 I 7 al . right be__ > Am C J; L; e:ra; ;—e Oh, my lit- tle sis - ter, Ev - 'ry-thing is gen - na ___. - . ..__ _ . ... .. . _. m . __. .4 M. .. . . . . __ . ._ . A . . Ha. m A _ _____. _ . __ m . _ . . mimm 1. _—_1.m —m M __ = ._ . .. .. __—. .m . _.= _ . W. _ M e ___. .. . 7s 1: , u.. . E _= _ _ . .m, . . ,w m __ . _____. . . .. _____ , .. ___. _. ... W : ... . E . ... n» m = m _ o m . = . . m __. = . _ m M. M d . . W ____ . . . __ . m _ _ m M _____. ... ... ._. .__. ___. _ ___= ... ___. .. _ _= _. M. ___. .u M. .. . . . l. n n ___ ____ W _____ , .. ___. _____ . .. . v. 3: , E :1. E E 2.. . . ___. ._ . ._. . 5.“ .5“ .5,“ . ... m C/ B E as ¥ no cry. (G) git Gtr. 1: w/ Rhy. Fig. 1, 2 times. simile wom - an, Chorus
  45. 45. Guitar Solo F C / T R. ’ 2-Z- Z££', ".'§' 3 fullvuamwmmh full vwws H J «M» 9_ _ no — ' 1a-—: m_-. —j "-49 A H I Rl| y.Flg.3 7 E! 3 -I I g—— = —- —_—= _._ '. ‘—— “T A F to =12 — , HE! ~ let ting throughout ; .4 o #3‘ o c Gtr. I: w/ Rhy. Fig. 3. 3 times. simile C C/ B Am F i won. %%-%%= %€ i¥. jj= E——. £=§=1ii%¥—§§. _—2--u-2“2—'-'X"'- -2 —- m ’: -1 = == : éZ_= Zj1.1:.1ZZZj$j 7' . flflflfl mum QDQQOO UUUUU — r9 . . "j""""“""""' ‘ End Rhy. Fig. 3 “it _I —’i - E . l -"-Z-C C / J F C (G) ; * ’ we “ ll ’ j I! -I I 1-! ._j*"‘—* -7 Z_T‘ J J - ‘ . "_. . Qgsfififlflm -. -ul C- Lg 3 = -_--_—_ 3 full 1/4 full 1/2 full I/2 l/2 fun n I I " ' ' ' ' ' ' ' — ' ‘ ' ‘ _ _ ' " V“ ~J 15 J E 3 W W C U ‘j. _ . . . A 147
  46. 46. 1gl. n:3.'. '.. —-jr $ Coda Outro Gtr. 1: w/ Rhy. Fig. 1. 5 times, simile C C/ B Am F f r—x—- . Lu V-Z mm ‘ rm 3 TI (G) U‘ 7 " : ._= -_—= §n; —; A through, but while I‘m_ gone. .. C No _ wom - an, _ no cry. _. . —— ‘-‘j —— " I c F A c (G) C C/ B ~% v No, wom - an, no: cry. _ Oh, my lit- tle dar - lin’, say_ Am F C F / C (G) Lt—— «g 7 Li ‘ . / don't shed no tears. _ No, wom - an, mm cry. j Eh! 48
  47. 47. shed don’t lin’ dar Lit - tle (G) cry. no an, wom No, tears . I10 shed don't ter, sis Lit - tle (G) (G) Am C/ B let ring throughout ‘Two gtrs. arr. for one. 49
  48. 48. JAMMING Words & Music by Bob Marley Bm E7 G Film D 13nl"‘ G‘”‘ Fa m7 Em A5 > X > >‘ 0¢ ‘X xx f x_m xxx A 7“ xxx 7“ xxx 9" 0‘ xxxx ‘Mr .121 213 211 111 111 111 132 132 231 13 Intro ModerntelyJ = 124 N. C. TBm7 E9 G Film ‘Two gtrs. arr. for one. tChord symbols reflect combined tonality. l I. l 2. Chorus pg, “ End Rhy. Fig. 1 wan ~ no jam 0 Copyright 1977 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road, London W10 6RA. All Rights Reserved. international Copyright Secured. 50
  49. 49. 1 Gtr. I: wl Rhy. Fig Bm . ___ . _ . _._. . ._. __. _ __. _ “___. __ _"__ ___. M j ___H __. _. . _ ____ 7 it 1 Ain't no rules, _ PM. ... -_-. _______. _.. , Endltmn We're . __ 11111 mm__. __ mm . =___ __. . n__ . _u_ . __ . , . .. _: _ __ __. _ _n. . . __ 5 Fm“ EndR. hy 1-‘-3.2 ,5 7 3 ,5 7 > 5 I‘-3 ‘_j _- 'Cause ev-er - y - m %$'—'$-"-L-. '§ — ___ . . . ... ._. _ . r h u . __. W __. _. M 7 5.3. _. __. _ n__ m .9 - ___ . E . _. __ . __ _ , .. . - I. /.. __. _. ___ . . . ___: ___. - 7 ___. “. u__ ___ - ___. W ___ . - __. . 7 __. ... .. _ . __ . __ ___. 7. __ . . 7 >. . . _. ___ 7 W __ . ___. .. ____ . m __. . M . . 3 __= m = .. ..= m . __= h m I: I -. __. I ___ _. _ __ . .__. __ . . 7 __. . .2 __ ___: __ 7 .5 __. . __. . . .. . _. ___ 7 ; . . __. _ _. an. E . n no 7 . . ___ ___ . .__ __ __. H . M 3 . =___ n . . ___ . . . . __. __ __ 1 . ... .m _ . m 7 W. _ . . m . ,.. . = 7 , __ . __ . . ix. ___ . .___ . _ 7 __. _ __ W. _ . . ___ . ___. M ___. ___ . .. __. _ - __ ___. . -.. . -I - H . l -I PM. ..‘ ------—---4 E211 3' mint Verse Gt: 1 wt Rhy Fig 2 Gtr 3 w/ mm; Bm day we pay the price We are the Gtr > £-‘T= "-%- = Z‘£'2=': -T. I Zlmj U’): - A_““_ M. _m_ ___. ___. . . ___ . f__ . . . __. __. D 7/. ___. . . ___ D _ ___ . . _ . __. “__ . ____ ___ . . . it co . . . __ __i _ __. 7 . __ __. _ __. .. ___ __ - __ __ on/ .. . .._. ___ __m . _”__ . . .2. u. .. . , . ___. M __ . _. M. .. . .___: ____ . __ . ____ m . ..m_ . . . mm . ._m. . .m. am t no vow, we can do hj m jj— P M __, mtttojjt Z*j‘jZ mm
  50. 50. Bm‘"‘ E7 0"" 1=4im7 Rhy_Fig_3 End Rhy. !-15.3 G7»: )7: )7 : )7: )7 : )7: )7 : )7: )7 $ $ $ $ $ 5 $ $ / ‘ J . f jam-ming. To think that jam-ming was a thing of the past. _ We’Ie Gtr.2 / ‘ . aljgvj Z = _—— . _-. .__. j_-. _- _- __-j E : -_. -g§§, == "/ even)-----«I 3 full mxzmj-T-—-—--— 017.3 _ 2 . n ’ _ ' ' ' —'l u lm 3-vg _ _ V _ _ _ t7:-°-= -'= -Egan--—--= ==—EEEEEEi§§E? .fi: =.i§§ T -— 31? -__ 2-- . ‘ ‘-1:3“ H 9 9*’ cu. 1: w/ Rhy. Fig. 3 Bm E7 G 1=iim7 / T ' it 1j-1-jrfielrj j j: . :1 . , . ._. ‘= :=-—= —== -'-= =——= === ==+'-—‘= =: | uvj’ ': j$? —**—j'jmj$ I jam-ming, and I hope thisjzim is gon-na last _. 2 No I / T > ? > > : — _EE£, . Ij-.1‘. .= "== =.. - = =: Verse Gtr. I: w/ Rhy. Fig. 2. 2 times, simile Gt: 3: w/ RiffB, 2 times bul-lets can stop us now, we nei~ther beg nor we won’tbow. Nei-ther can be bought nor sold. _ I 7 T [fi _ _ . _4 , ' _' L4 52
  51. 51. u - nite, Gtr. I: w/ Rhy. Fig. 3, 2 times (jam - ming, We’re .1‘ — jam - ming right straight from chil - dren must Chorus jam - ming, __ ___ __ ___ . _ ____ . :__ __ 2". . _¢ - ___ __ ___. ____ ___ . . ___ . . . _" ___ ___ - 2 ___ mi 4 . ... _ . m We’re Lord. __ we’re Jah Jah the in the name of d n 7.. . . m. all jnm- ming M. 0 on We we're life IS worth much more than jam-ming, jam-ming. ) and Gtr. 3: w/ Riff A. lst 3 meas. only A E r
  52. 52. Zi Iy Mount Interlude Bm G77. 1; / H . , ; Ho Gtr. 3: WI Fill l Fiim r: 3 % llV*I’'-'_-—‘I all _ = - 3 __. ... __. . _ _ -42- fl and rules_ K F— Z i We’re jam ming, . 2 . . . . I/ > — . — —'— Gtr. l: w/ Rhy. Fig. l. 2 times Gtr 3. w/ Riff A Bm t —'J- 2 K jjjlj j —- T Bop-chu—wah-wah - wah. (Bop - chu-wah. ) Mount 21 - on _. 7 E . r_ . m s 7 IV 3 m j . . _. m 77 _ m as m mm m 1| M mm M. m m n H l.2 E T . ../ .7 . ... ._. .._. . .7 . . . . B > G I 2 F. M.m W SI . . . .. MMMB -- 7.7 Iii mm» 5 mm. TJJ Gd l1Tf— _ cre— it - tion. Yez1h, we’re, G K 7 N/ . I .3 7 . -. .7 «I . _. 7.. - __. __. - 3% T W . . _. _ . ... . M. .. F“ 5“ 51¢
  53. 53. = = II ___ __. _ ___ ___ . . __. " . __ __. . A __. __ % m 5 __. _ ___. _ . F - __. . -__ ____. _ ¢&. .-= —— - . 50 too. : keep you sat - is can’t re - slst 7 ““__ )6 . ! M j 5% 1 4 M E. ____ __. ._ . . N . __. _ M ___ W M __. M G . __ __. ____ . m . 7 m . . _ W __ W __. _a_ G W. . .._/ ..h»/ .> .5 : n . n _ ___. W . . . __: : =. M m. my. 1 . __. M __. ". M m M 7 a 7 __. " M . __ m m W xw/ m E m m . .5.-. — ___ W , . . m __ . m . 1 1 H J . 7 h m .1. -= m . __ . ,.. .. H M W __ W I E «I .1, pm. __ M M T _ . . __ M . __". ___ W - M! .r , . M __. _ J. W _ . . . . W m _ 7 __ W . ,v. 3 _ W m V . _ M M 3,. _ _ m M W H J7 S j. . s m w . m W? W _ H . .n. ..% P V . ._. . 6.. ... . . ... u_“ 55
  54. 54. Cvlr. 3: wIFill 2 GVII I / '3 7 1 /5 7 $ $ . __. ____+__% —-“j; ;- I want to jam it with you. _ I %%1— —‘ j Bmvlx 3 / W 7 I )5 7 $ $ _£_. jam-ming. jam-ming. ) — T I 2 .2 m .1 ; . u . .u. Chorus Em : I/ ,5 7 3 1;’) 7 $ $ . . ‘ j I I'll‘ h K“'_C——"'V I (jam-ming, jam - ming, yeah. G Gtr.3 : "-V“. . lfiiiifiiiii. ... :.. ... """""iiiiiiiiiiiiiilii 56
  55. 55. 1=nm7 13m‘’‘‘ 3 ,5 7 I ,5 7 3 )3 7 I )W 7 > $ 5 > : . ''‘’’“ *3—" *3—* I.1v—juu*ujjjj. j.j. jjujj. j.j Id’ uj?1jjjjjjjjjjjj -1 . We‘re jam- ming, we're jam- ming, we're jam-ming, we're jam-ming. we're ~wwMw ‘ / / > I (1. -. 'E. _ e-——_. :. ‘ II. - A—. — ll' WT _ llll fill 7 III! 1 —'x mu Ti. .. v. —n-t'jj'ujjjj'j Kfitiujuejjjj j T ‘ E7 G Ffim 3 / h 7 3 » 7 3 » 7 3 » 7 3 7 3 / h 7 $ $ $ $ $ $ vj 3 en I: -— 3 '-'—fi re 3 *1 , j 3 j‘ 7 I ’ ‘ —j. j ‘ T jr 51 u. .-i= '.; %%%%%%%%'%i'—----'25 —F‘—"’I‘Jr'—T'%-% lU' —‘ ——j-—$ : jam-ming, we're jam-ming. we're jam—ming, we’rejam-ming. Hope you like jam-ming, too. __. _ We're 57
  56. 56. 17- I want I want, I I want to jam it with you. ) — - ‘ Z = —1 julu 3 . __3___. We’re jamming, we're jam-ming. jam - ming, jamming. (J am-ming, jam—ming, we’re jam—ming. ming. ‘nj — jam -__ 7 . _ 7, __ 7 __ __ 7 1 mhx -. we're ming, . . 1 E- Bm7 1 /5 7 3 /5 7 3 We're jam EC _]€| l'II with you now to , _j_. 58 want _ 7 . . at ‘O6 a . . . . 7 . .. — ,7 _“7 __ . __ ___. 7: I __. _ 7 . . _. _ . n7 7.. . El .7 1711.: ;, -.. w .5“ 5“ 5. . ___ ___ E E: j V. “
  57. 57. ,5 7 Bm7 / *7: I hope you like (j am-ming) Hey, and too. ) (Hope you like jam — ming . __. .__. .__ . __ _ . __ 8vu~-------- . :u . .u. _. 7 __fl_ . _. _ __ A | fi? j. j jo j jj‘ I ll 3 -1217: U . A5IIHIIIIIFIIIIICIIIIIIIIIIZIIIIIIIIIIIIIIIII | uIjj. I.jj"jjo'j o"jj-ojji to jam it with you. want I (I want to jam it with you. ) can SC jam-ming, (jam-ming) hope you (jam» ming) gm. .-. .._. ..-. ... _.. -.. ..-. .__. _, 59
  58. 58. I00. I hope you like - a jamming, / “ v )* 7 I like, I hope you, __ Bm7 : )i7: __ __= ___. 7.. . 7 7 ___. 7. ___ __. _ 7, ___. 7 ___ ___= 7 ___.77 77 ___ 77 __. .. __. _ 7 __. . __. 77 . __ 77 7____ . _ ___. __ __. _ . __; ___ 7. ___. ___ _= ___ 7 A. .. . __ __. 7 . . 7 7 . __ __. 7/ ___ 7. 7. __. _ ___ __. 7. __ 7 ___ 7 __ . __. 7 7 . __ 7 .7 ___ ___ 56/ L. .. ___ __. _ 7 7 __ , .__ _ . __. .. 7 7 __ ___. A. ... . h/ __. 7 __. _ __ 7.. 7 7.. .. :7 7. : __ 7 __ 7 __. 7 __ , _ 7 3/4 I want to Jam 1!. run full
  59. 59. N. C.(E9) Gtr. I lace! (Bm9) 1 - __ ___ _ . .._ . ,._. _. . __ um .5“ .5“ .5. Freely _. ___ %___ __"__3 ___ fl _ . __. _. _. __ “___. m__ ___ ___ _. ._ ___ . __ __. _ T __ A . % _ . __ V _ ; _ 1 _ j . M ___ % % j jjj -vjj-~? j‘—£ (G)
  60. 60. WAITING IN VAIN Words & Music by Bob Marley Abmaj7 Dl7maj7 XXX 3 2 I 24 I Intro Moderately Slow J = 78 Spoken: One, two, one, two, three. Abmnj7 D| >maj7 Al= maj7 Rhy. Fig. I GU‘-1(°1=fln>‘I; ‘/J‘/ J‘/ J 7}‘/ J‘/ )7:‘/ J‘/ J‘/ J‘/ J f : .": .-'1'. : a= _. ... ._. j__. ._: .. GL1 2(clean) RmA '13- —2:l"X7-: "_"*K; ' v liar‘ x_v. a.——$: -'-"“'-%"‘= %§'E'%= ’5'= uE"'I%x: ‘§’E: 'iEIi—’—= -TI'Cf— 1' P'. M _____________________________________________________________ .4 PM . ... ... ... ... ... ... ... ... ... ... ... ... ... __4 I‘ _— Gtr. 3: w/ Rhy. Fill I Dl: maj7 Abmaj7 Dl>mnj7 0 Copyright 197'] Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. Intemationat Copyright Secured. 62
  61. 61. Verse Gtr. I: w/ Rhy. Fig. 1,5 1/2 times / -5m3j7 Dl: maj7 Gtr. 2: w/ Riff B, 8 times Alamafl Dlrmaj7 Abmaj7 lb /5 §‘h"’”*_BLL»J'£_-E2’: F‘: L’ - it vuifut my_ heart says_ fol - 1ow_ through. But I know now that I’m Dl; maj7 3 A| >maj7 Dlzmaj7 ii. 1 «I * way down on your line, _ but the wait - ing feel is fine. __ So don‘Ltreat me_ like a pup-pet on 21 string, Dlzmaj7 Abmaj7 Dbmaj7 ‘H-4- thing. Don't talk_ to me*_ as if you think. I’m dumb. _ Abmztj7 , _3_1 Dlwmaj7 ' 1 I wan — na know when you're gon — na come: See, Chorus Gtr. 2: wl Riff A, 2 limes Alzmaj7 Dlamaj7 Al: maj7 *Bkgd. Voc. F'g.1 _ E dBk d. V .17‘ .1 , ’ v - . ' . . _ . r‘: .2, H g at '3 _ . .2‘. -« ' --—'-:5. XJ = flZ. — 8-3‘ I don’twan. na wait- in vain__ for your_love. I don‘t wan - na wait_ in vain, _ on 3 ' ' - . - ' , . ' . v 1 , _ jijggjn - _ I - alfli nf P. M . ... ... ... ... ... ... .. . .4 '5 *5 ‘5 *3 ‘5 *5 w/ Bkgd. Voc. Fig. l Dlamaj7 Al. vmaj7 Dbmaj7 r-43"‘/ x r--3:1 I don‘t wan — nawait in vain_ for_ your love, _ ’cause if 63
  62. 62. Db Eb Cm7 Bbm7 DI: 3 El: ; ' : L r' . 3 , j i / S ‘ . sum - mer is_ here, I'm still wait - ing__ there. _ ' ' Gtr.2 . "= ' “ ‘ ‘mil’ . _(. ,,. :nI-. :1_: _ . ——-. 9 . Guitar Solo Gtr. 1: wl Rhy. Fig. 1, 2 times Gtr. 2: w/ Riff B Cm7 B 5 m7 Abmaj7 Dbmaj7 "Ir-g? g'-_“_—’ _: I / I . ‘ Gt! ’ 3 I ' f = I '. -I‘. ': ‘a ‘ I— - Tm r ‘H ' ‘M _——'—I7—; ";—x———2-— -- ' - ms-T: -in __-H I --—--r= ——--—— 6 full 64
  63. 63. Verse Gtr, 1: w/ Rhy. Fig. I. 4 times Gtr. 2: wl RiffB, 9 times and I still can knock some it’s been- three years- since I’m knock-ing on your door, _ Dlzmaj7 Dlamaj7 I want to know now in life __ I know _ Ya __ see, I to knock some more? for _. , .u. , , ~____ _ A____ . __. AAAAAAAAAAA : my_ wait - ing_ for wait - ing, _ while I'm 65
  64. 64. Outro Chorus Gtr. I: w/ Rhy. Fig. I til fade Dbmaj7 / A Abmaj7 Dl: maj7 4:9 7 %’_EF‘ E}5fl ? ' —I See. _ I don’t wan — na wait_ in vain __. _ for your_ love. Gtr. 2: w/ RiffA Gtr. 2: WI Riff A w/ Bkgd. Voc. Fig. I, 2 times A lamaj7 Db maj7 , r—: * 3 '1'“/ fi _ V I , — 0 A) : - —= j.—. —.= —'—--: ' K_— ‘ l-—_—— I don‘t wan - na wait in vain __ for __ your _ love. _ , . ' . ' . —Pjjj -:2;-: :%. —$. jIjImI'j-223 _*__ - --v-j--—-j - T I don't wan-na, I don‘t wan~nz1, I don‘t wan-na, I don't wan-na, I don't wan-na wait No, /I ”‘ Efiqtt ' - ' 9 ‘I’ —-:4: I A 1-2 15 66
  65. 65. Aiamaj7 Dbmaj7 Bkgd. Voc. Fig. 2 E"“‘ '“‘3‘’' V'’‘‘ “P 2 jj V I don’t wan-na, I don’t wan-na, I don’t wan-na wait in w/ Bkgd. Voc. Fig. 2, til fade A l'amaj7 Di-maj7 love that I’m___ wait - ing on, __ it’s my love thatyou’rerun-ning from. _ It's your TS _ Fade Out Ala maj7 K Dl>maj7 ,5 love that I'm waiting on, _ it’s my love that you’re run-ning from, _ Oh. __ 67
  66. 66. EXGDUS Words & Music by Bob Marley fwl phase shifter K. 6 E 6 M __ . J ~% V. .. w.m m moA P. mm- . .u E G U Gm. I 6‘: 2: w/ Rhy. Figs. I J: IA. 4 times. simile 2 play 4 iimex Am h a 1 f 0 ol n W. V 0 M < v . . U 3.. 0 e - he F V. . h R . m > E > . >. > > >- 1 he F . J,. R = __ _____ _____ 0 Copyright 1977 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimor Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 68
  67. 67. M a . h n . . a. — , h m _ 8 a, m H 3 . n ,6 M. m ; M w w _ w m m _ m Y. ; , . a. I _ . n 4. . W H , , . um . .. m m a m ac H . m . n m __ > M m ). _ . ./u . ... .. . a m. m. 2. a . ' .1] A . e 1 . n 1. u M . d I m . h . F n 0 m y. . M M M. R. S R C m . _ s w m r w — e i o. .. . U . W we H. C W M . m G W s, H m u an» R U . d P M o 1 VW _ _ . .,. _ w m . 0 m . S O m . m by. w. m . .v. . M m n, .m x A w e n __ w . c E _ i ( n V I D" O m m. .m . n. . . , __ . Tm , _ a . , . e 111 um. U M ) . _ e 7. . m u. . k . m m Y b P e _ . % _ . m V. M v S .1 A l. . n M . _u . _ _ m _ . m m m . y e e W M. m y m h 1 w > m . m . m m __ y ; _ m t : 1 t h, 4 . m.. ___ m T M m 9 O . .u fl . I . 3 u m T. m .1 . K ___” . u a D 0 , _ 0 .1 . u ___ , , . M u. s W . .n. . u t w m m H . m.. b m M w. ..n. . n. ... 12 u 3 fl m m 1.1 0 1 0 . .u . 1 . .o . n V. e x mm . __ w _ u w W M ) v. . v. . d . m 2 M k. e. .n. n M , 8 o I R R — . e ( b p mm m m u. m e I. .. : A M 5 . mum m ___ M a . , . ... .m. A m we: ___ 1 m _ L W . m . . . . 3) P . m . . .1 ; w m .0 69
  68. 68. Yeah, yeah, yeah, well. Oh » 916») of J ah peo (Move - ment life you're liv - ing? ) (With the - ther- land, fa I0 OUT we're go - ing Bab leav » in’ Dm9 C6 Am/ B of J ah peo ment (Move er End Bkgd. Voc. Fig.1 an 0th A er broth s u d n e S 1 W9 F m V . G. g k B . . _ m V. .n, O ). W P of *Bkgd. Vocs. only wl Bkgd. Voc. Fig. l. 4 times Send us an - oth - er broth-er from a - cross_ the Red Sea. 70
  69. 69. Interlude Gtr. 2: wl Rhy. F1112 w/ wah-wah ' Clavichord arr‘ for gun Gt. 2: WI Rhy. Fig. IA. 25 times. similc End Rllf B G11. 4: w/ Riff B, 2 times Am/ B _ _ _ . _ _ _ End Bkgd. Vnc. Flg. 2 ‘Bkgd. vocs. only I 71
  70. 70. Gtr. 4: w/ Riff B. 6 times wl Bkgd. Voc. Fig. 2, 3 times Now, _ now, now, now. Oh, _ yeah, , ._. .._—. T.__. — 11111 Z "-1 u 1: ‘:3 ‘-9 I Al » right. Spoken: One, two, three, four. Bridge Gtr. 4 lace! Am7 Move! Move. Gtx. 5 (clean) 1-1 --: :1—1 111111111111 111 1 I. .1-1-1-1'11-I911-11---vnvz-av-v-v1-1'1nv: r1 --r-11-1 v . a1. PM. ------------------------------------------------ - - 1 PM. ------------------------------------------- - — 1 w/ phase shifter 1~— ——- i1—— 1 111111111111 1 1- 11111-1-1---11'-yr-11 — 1 ‘ Produce random harmonics by gradually moving from nut up the full length of the neck ‘i’Gl‘ddll. 'liiy move from upper frets toward nut while lightly touching open 6 string, while lightly touching open © string. Gtr. 5 meet / - 1' ‘ ‘ J I‘ _- S! "' '-= -"" and look with—in. Are you sat« is - fied_ with the 1 1 ' - P14-I‘-. - ‘—Z4-Z4214 I‘ — n:191'91',1'91¢19!';1;1;g; E'; §!Z§. ;!E! Z1;1 ? fl > > V > > > > decrexc. ‘ 1’ 72
  71. 71. Gtr. 2: wl Rhy. Fill 3 life you’re liv-ing? We know where we’re go - ng, we know where. we’re from. We G A C (‘D @ © 55: 7:: fr — lon, yah, we're go-ing to ur fa - t. her’s land. Chorus Gtr. l: w/ Rhy. Fig. 1.49 times. sirnile Gtr. 2: w/ Rhy. Fig. IA, 9 times. simile Gtr. 3: wl Riff A, 52 times, simile Am (Ex - o-dus. ) Al - right. (Move-ment of Jnh peo - ple. ) Bm C6 Dm9 " / /1 (Ex - o - dus. ) (Move — ment of Jah peo - I. "l'. l.[v': .1.l. E££ II. .1 1 ‘'1 111- 73
  72. 72. Verse Gtr. 5 meet Bridge Gtr. 5: wl RiffC, 3 1/2 times. simile to break down 4. Jah come Wipe a - way rule e - qual » i — ty. Chorus Am -11:2:-.2‘-é---I dus, : - — E 0 . X peo Jnh Gtr. 2: w/ Rhy. Fig. IA. 25 times, simile ple. ) p60 Jah of ment (Move No, no, no, no. EM. --~-----—-—--------------«--~----------—----__. ; 4 . _ . . _ _ . . . . . . H . . . . . . . . . . . . . _ _ . _ _ _ . _ . _ _ _ _ _ . . . . . . . . _ _ . . . . . . M. P wl ad Lib lead Voc. Outro Play 8 Times and Fade (Bm) (C6) (Dm9) Gtr. 5: w/ RiffC. 2 1/2 limes. simile wl Bkgd. Voc. Fig. 3, 4m time, 5 times Bkgd. Voc. Fig. 3 End Bkgd. Voc. Fig. 3 N_C_ (Am) play 5 times‘ Move. Move. - ple. ) of J ah peo (Move - ment 74
  73. 73. THREE LITTLE BIRDS Words & Music by Bob Marley A D E xxx A xxx xxx 5“ Ea? 211 132 I32 @ Intro Moderately Slow J = 74 cu.1<c: ean>7 t 7 7 J 7 J 7 J 7 J 7 J 7 J 7 J , _ . (timbales) I-My 3 -'-"me-I 'J. JlIIZ I I I U. I ‘ I I — I I '4 I I I I ‘W1. I I I Don’t 55 I I I I I I I I I I -! i I I ‘ I I I I I I Glr 3 (clean) _ _ "mini. I ' ' ' I I 1.1-1 131111 1 1 1'1 ' I . I II. .1I1_111 11- - 1.1111111: L_ I I I "f I- ‘ II! C Chorus A Rhy. Fig. I ‘I J ‘I J '7 d ‘I J ‘I J 7 J ‘I J ‘I J ‘I A 7 J ‘I J 7 J . - ii _ _ - lI'. . 5* 1]. : E 17- ' K“! I : wor-ry £I - bout a thing, _ ‘cause ev - 'ry lit-tle thing’s gon-na be (‘I - right. _ T Rhy. Fig. IB O Copyrighl1977 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mounlain Music Limiled. All rights controlled and administered by Rykomusic Limited, 329 Latimer Road. London WID 6RA. All Rights Reserved. International Copyright Secured. 75
  74. 74. End Rhy. Fig. I D A 7 J 7 J ‘I A 7 J 7 A 7 J 7 A 7 J I1*'—3*1I t ¥— ev—’ry lit- tle thing gon-na be nl — right. ._ 1.Rise up this 1 End Rhy. Fig. ll! $5 7% 7fit j —Lj: i—Ij 76
  75. 75. Gtr.3tacet A E Girl‘/ J‘/ J‘/ J‘/ J‘/ J‘/ -J‘/ J7; ‘/ J‘/ J‘/ J‘/ J ‘ € 1 -. «.. --i=5 - 3-g. _. - g‘Q=7= 9 morn-in‘, smile_ with the ris- ing sun. Three_lit-tle birds, _ pitched by my GI. r4(clean) ‘ ‘ . _ / ’ _ = grab? is ‘ "ff Gu.2 Q5‘-5: ;1§: !4I' 7 E; a -I —e_$°rEm—v~ door-step. Sing-in’ sweet songs. ofmel—odies pure and true, say-in’ E 77
  76. 76. Gtr.4: wl Fill l,2nd time D A as-2:; i 7 sag “This is my mes - sage to you, whoo, hoo. " Sing—in’, don’t Chorus GtXl,2 & 3: w/ Rhy. Figs. l, 1A & IB # Z— 7 Li 7 7- : wor - ry a - bout a thing, _ ‘cause wor A ry a - bout a thing. __ wor — ry ‘bout a thing, no. D A f / — fail-1171.1: __ - —. . .1 lI. ;-_TTe"“'1————? ——1‘_____1—' nu _I__1 ev - 'ry lit - tle thing is gen - nzi be al - right. __ Sing—in', don’t Ev » 'ry lit - tle thing gon » nn be .11 - right. _ Don’t wor-ry sing-in‘, don’t 78
  77. 77. wor - ry, don’t wor — ry ‘bout a thing, _ ’cause wor — ry a— bout a thing, _ I won’t wor - ry, 1:1. II2. D A A / ‘ A ‘ V I " ' ffi / W fig‘-. ‘.-. "'. E!! !2i2.'. —_'_! I!Eii= 7 = ev-‘ry little thing gen-na be a] - right. _ 2. Rise up this eviry lit-tle thing gen-na be 21] — right. _ _ Hmm, don't Chorus Cum. 1. 2 & 3: WI Rhy. Figs 1. IA & 113, l I/2times, sin1ile A wor . ry a-bout a thing, _ 'cause, a - ev-’ry 1it—tle thing is gon—na be :11 — right. . A 2 1:3? r—_? " 3 __ Iwon'twor»ry. Bu-by, don’t wor-ry a-bout a thing, _ ‘cause G .4 lr # 4 . . / . , '3- '—' 7 7 1 "f .3‘ D A A Begin Fade ’ E r $3.? 3 r u r ev-'ry lit-tle thing is gon-na be al — right. _ Say, _ don’t wor-ry a—bout a - , - (’bout a thing. - > ‘ . / . . / # . #4 4iim‘L$ v Eitcf . ,»E-rfmsv E4 = = 5 7 I 9 7 5 ‘ thing, no girl, ‘cause ev — ’ry lit - the thing is gon - na be 211 - right. #— ) . / b ' / ’ : §’*~: :_f 7 E sz— 7.; 7 L 7 '3 /42 14 12 19 / -9 ——-—7— 6 1-2 14 79
  78. 78. TURN YOUR LIGHTS DOWN LOW Words & Music by Bob Marley Am/ D D G DIF3 Em C Bm A Em‘ C‘ Bm' Am‘ D/ F9‘ Em“ xxx xxx In fr8 x fr7”' frs fx f fr14 " fr|2 " Intro N. C. Am/ D D Aml D D w/ clean tone Gtr. 2: w/ Fig. 1 (x2) 5 5—5 5—? ——: ——-| —5 5—5-—— —1 5 5 5-——7 5 5-5 7 5 5—5~7 5-——5—5——7 0 0 0 l 0 0&0 I I Verse D/ F3 Em C Am l. Tum your lights down low, and a pull your win-dow cur- 2,3, Tum your lights down low, nev - er try to re ~ sist, . __ ffi Gtr. 2: w/ Fig. 2 (X16) Gtr. 3: w/ Fig. 3 l l 12 12—10——-j——B 8 7 7 5 l 7 7 7 8 l 13 12 12 10—j 7 7 7 7 4 | 7—7 7 9 l 12 9 . 9*--—e—-7—-7 5 1 Fig. 1 Am/ D Gtr. 2 (elec. ) w/ phase: P. M . . . _ _ _ _ _ _ . _ . . . . _ _ . . . _ . . _ _ _ _ _ _ _ _ _ _ _ _ _ _ . _ . _ _ , _ _ _ _ _ _ _ _ _ _ . . . . - - 4 0 Copyright 1977 Filly-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykurnusic Limited. 329 Latimer Road. London W10 LRA. All Rights Reserved. International Copyright Secured. 80
  79. 79. Am(Dbass) G D/ F“ Em“ Oh let: jah moon come_ shin - ing_ in, Oh let my love come_tumb - ling_ in, *Play ad lib. sim. throughout Fig. 3 Gtr. 3 (elcc. ) G D / Ffi Em by 7' er 9?“ Full 10-
  80. 80. C‘ Bm" Am* C‘ Bm* Am* o 7 ‘1 3 .7 p I-j H ' I-i in-to our life a - gain? Say-ing ooh_ it’s been a in-to our life a — gain. __ Say-ing ooh_ I love _ E 5 " 3"begin fade 8 7 7 7 5 l 8 7 7 7 5 8 7 7 7 5 l 5- 5 5— 7 8 7 7 7 5 : _A 9 7 7 7 5- l 5:5:5—7 7 7 7 5 —& l l J C‘ Bm" Am‘ l ‘n 0 - . r - I § . ; 1 1 Q g r E Q fin, «1 3 4 long long time, I kept this mes - sage for you girl. W_ you, and I want you to know. _ right now- 7: FLI Full Full 1 H‘ J J . 8 ‘r 8—1o_—‘:1u——1o— 10 8 82
  81. 81. C‘ Bm* Am’ C‘ Bm* Am’ But it seem I was nev - er on time, _ still I want to get through to you girl- Ooh, I love you, and I want you to know? r T1 right now. ‘Cause I, _. D ‘cause LO -_. _.j} fie - lad Gtr. 2: w/ Fig. I (x2) 5 5 5 5 5 5 5 5 T 5 5 5 7 5 5 5 7 A 5 5—5 7 5 5 5 7 E 0 O 0 -—-L 0 0 0 " _J Chorus G D/ F5 Em C Bm Am #9" _-:7" 9 I A i W ' - - H 7'? .: , 0 P i ’ '7 I want to give you some love, I want to give you some good, ‘ good lov—ing. Oh 1 E 1 kg fig E ii‘ Gtr. 2: w/ Fig. 2 (x8) 12 1210 8 8 8——B T: a 7 7 —5 7 7 7 8T 13 12 12 10 10101010 A ‘Q! g ; 4 7 7 7 9 I 12 9 9 B : l I 1* G D/1=#* Em“ C Bm Am Play 3 times 7-} DJ 3 g F 3 J ‘I ‘ r J n 2% L‘ . - if, _‘*__L' i ' I1 I, oh I, oh I say I want to give you some good, ._ good lov—ing. /§ J‘ is éiéifg fit f E’ 1 5 E E; ‘ V 14 14-15 12 14 14 14~15 12 10 10 8 l 8 —T 8 15 15 12 15-1515 13 12 12 1o 10 10 I 3 14 14 12 9‘—| 9- *B L.
  82. 82. ONE LOVE / PEOPLE GET READY "One Love": Words & Music by Bob Marley "People Get Ready": Words & Music by Curtis Mayfield Bl: F El: Gm X 6fr r 8f' 6fI 2 I 1 I 32 3 3 3 231 Intro , ,_ Moderately Slow J = 7s(J1 ‘J ah) Gtr. l(clcan). /Bj. /J‘/ J7;7F)-/ J‘/ J./ J‘/ E}. /J. /Bi. /J ll f (percussion) J; —': E. Gtr. 1: w/ Rhy. Fig. 1 End Rhy. Fig. 1 Let's get to-geth - er and feel .11 - right. _ Hear the chil-dren cry-ing, hear_the chil-dren (One love. _) El: Bl: F Bi‘: 7 7 % E E E E , ?3—-1 E _ A E 1 1 Say-ing, give thanks and praise to the Lord and I will feel al - right. _ Say - ing, (One heart. _ ) El: Bl: F Bl: Gin 1 ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J 7 J ‘/ J t let’s get to» geth - er and feel al — r1ght, _ whoa, whoa, whoa, whoa. "One Love‘: 0 Copyright 1977 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Lalimer Road. London W10 6RA. ‘People Get Ready‘: 0 Copyright 1965 Chi’ Sounds/ Warner-Tamerlane Publishing Corporation, USA. Warner Chappell Music Limited, Griffin House, 161 Hammersmith Road. London W6 BBS. All Rights Reserved. International Copyright Secured. 84
  83. 83. Verse cm. 1; w/ Rhy. Fig. 2. 2 1/2 limes Bl: Gm Eb Bl: Gm Rh» Fiz- 2 End Rhy. Fig. 2 ‘I I ‘I J ‘I I ‘I J ‘I J ‘I J ‘I J ‘I J *3‘; A -E I _i_ 3 I J ea‘? pg ; fie 35Efl' 1. Let them all _ pass all_ their dir - ty re-marks. There is one- ques — tion_ I‘d 2iLet’s get to - geth - er to fight this ho-ly Ar-ma-ged—di-on. So when the man comes there will (One love, ) Eb Bl: " Gm Eb Bl: $i;4a2€E. r*fi EE H “i ' l 3 .7 V .7 U real - ly love to ask. Is there a plaee_ for the hope-less sin - ner who has _ be no, no doom. Have pity on those _ whose chan - ces grow thin - ner. There ain't _ (one heart. ) I. (one Sou ) Chorus Gtr, 1: WI Rhy. Fig. I, 2 times Gm Eb F Bl; Bl: I jj1I_T-- : , 4—? j_: ' >——— _, 1 _. hurt- all man — kind just to a-save his own? _ Be-lieve_me. One love, T no ‘_ hid — ing place. from the fath - er of ore - a-tion. Say - ing, One love, what a-bout<a - what 2|-bout»a - Lg one heart? One heart. .. :____ What a - bout oh! get to - geth - er and one heart? One heart. O. What a - bout let's get to — geth . er and (one heart _ ) (Let's get to - geth - er and F Bl: F feel al ~ right. _ As it was in the be - gin-ning. So shall it be in the ends Al - right. feel al - right. _ I’m plead - ing to man » kind, whoa. Whoa. _ Give feel al - right. ..) (One love, ._ ) (one heart. _ ) (Give Eb Bl: F Bl: El: Bl: Gl. r.l 7 J '/ J 7 J '/ J 5 3 Praise to the Lord, and I will feel :11 - nght, _ yeah. Let's — a— get to-geth ~ er and thanks and praise to the Lord, and I will feel al - right. _ Let's get to-geth - er and thanks and praise to the Lord. ) (Feel at] - right. _) feel al - right. _ One more thing. feel al - righti_ Give thanks and praise to the Lord, and I will Fade Out 7137 7131» . /E127 731» ‘/ F7 . /Bl-7 et 3 eé£J: Qi‘v é‘ emu feel al - right, __ so, let’s g to-geth » er and feel al — right. _ 85
  84. 84. IS THIS LOVE Words & Music by Bob Marley am" 13421 DV Ciimw Cm ‘st. ’ ‘. m " I333 l342l 13421 I E l333 Film D A E/ G1} Ciim Bm xxx xxa Eu 0 xxx X”. P. 9" xxx , - "I X §7“ lll I31 123 I31 lll lll lntro -5- Moder-atelyJ = 122 (D = J J1) ‘Gus. 1 Gt 2 N. C. (Ftim) (percussion) ‘Composite arrangement (Gtr. 1 clean elec. , Gtr. 2 acous. ) (A) (D) y: '.| wan - flil you right. ___. a_“_ ____. ___ ___ *Bass plays 68 0 Copyright 1978 Fifty-Six Hope Road Music Limitedlodnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. lntemational Copyright Secured. 86
  85. 85. 3 Gtr. 3 wl Rhy. Fig. 1,3 1/2 times Fit m jjmjn T j We’ll P. M._____. ter 5 _ the shel - / : ’ — __ We‘| | share W. E—’—_= -'- fl W} _"" PM. —'lilfu1mmjjjjj- jm | :v m—jj IT P. M.
  86. 86. Film D C} F La av IAN: )7 i_1=‘§I_| ;:T§»——1tr’—i’LE§L@F . : i: ;Ef—i __ room, yeah, oh, Jah pro - vide our bread. _ '1 «M4 (5/’~J t -= 4: - fi: Efi1‘£&E% ‘—i— 3 ————| |——— 3 _. ___i q *__i 7 *4 love, is this love, is this love, IS this love that I'm feel - ing‘? (Love, love, love. love that I'm feel - in g") / ~ / ~ (‘J 3 -‘K MIA-fl _. ,.. ._ _ __ 37 - u. full full full 88
  87. 87. I’m that love this is love, this is Ctim this love, love, ) Gtr. 3: w/ Rhy. Fig. 2 love, Love, End Rhy. Fig. 2 2;‘ 7 this A - . __. .. a . __ __. _- . .. __ __ . ___ . ._ - . ._ . __. _.“ -Iv t( j Lmvnu . .P. W) _ 2(w . s. C B M hm : —__ M W as m J . . W m a__ — A 2 . . m___ . 2. W W . . . .. a . T . . 3:; m4J T t . _ . ,. __. __ My _ . _ . .= 1 II . . __ . _. a T — cm W. m M 6.: M i. m. ._ 11 m 3 I )7: : // — / R j lflljzz‘ = V -—-, J —'V—— full fl/ W‘-=3 W o ___ - M . My mw___ V d _ . . _ m w. .--_- W , __-- IIIII , _ W . _ __. . M m _ . B . - . m% ma __ . ____. . _ _ _ . ... .. .. n.. ."_mw . ..mw . ..mw . _.mw . ._. mw
  88. 88. L Hm) (cm (0) (E) (Cairn) IE3: '1 % """"" ''= We got to know, got _"-: I - : I: : - Endkirtn ' Z ' - --—-j - _: t_ C. j 1/2 Gtr. 1 Lace! — ble, so I throw my cards __ on your - (com. in slash) Verse Gtr. I tacet Gtr. 3 lace! Gtr. 3: wl Rhy. Fig. 1. 4 1/2 times at“ 7 ) / h 7 )7 ¥ #777 A) (cont. innotation) wan « na love
  89. 89. sum- ya Ffim Bkgd. Voc. Fig. 1 Th. .. m___ Tm ___ M T__ H ___ 4.. ___ _ __% A 4._m_ TH W . ._. ._ Ffim treat you right. _ I wan-na love (Love and treat__ you nght _) “ Cults. 1 & 2 ‘composite arrangement Gt: 2 wl F111 1 A E/ Git —-2- :3- . % : : We'll be to - geth j 3"_'—' _: T Tf_i jjZ D End Bkgd. Voc. Fig. 1 our heads. r. C V . O 91
  90. 90. wl Bkgd. Voc. Fig. I Fflm Gtx. 2: w/ Fill 1 Cu’. 4: wl Fill 2 , m m I t -d M m m E m C .1 ) m s m M m .5 ) . v., 3 mm m m mm R3m} Ia mzm u. mc. GGN. love, is this love, is this _l/ .I. S ; Z j_U. .. _ w 2. “ 7. Tm. M . T.. .. T. nu . , 2 times this _ _ Chorus Cu. 2: wl Riff A. simile Gt: 3 w/ Rhy Flg 2 the sz1me_ room, yeah, Gus. 1 & 2 ‘V We’1I share Bm 92
  91. 91. (Cllm) (Bm) (Cllm) (cent in notation) (D) (E) _ __ _ ___“ i __ 30 . . vn . / 7 E3) . »O¢ 2 . _u. G ) rt 1-jt j jIZhZ: j semi harm full full ? {J an-I — jjt jrjxj (com in slash) ll Cm Bm n0W. Cumiv )3 7 know Cllm I know, yes, Yfis. Gtr. ltaucl know, I Gtr. ] / ~/ / / - / , _3_. , I V 1 / ~ ’ / K'-lfl -‘—-‘1_‘j‘2- - '. ' j: ---T9‘: -Z——‘— II. - “-2- v -<j full full ‘ " " w full . . . K - Gtr. Z : "-= .‘ . :"' . ._ —zI n_'‘-_ ‘ Oh yes, Gr: 3 lace! 93
  92. 92. b We'll lj__. ... _3?. .__. _l | _____; j_l full full . . . . ; __. TTTTTT”T __ ___ A. ___ TTT_____w __ _ __ T____TT ___m _ T . T j___ __T_“— . .T, shy. __ T. ._= k. E. __j _T. ___ TE TT ; _= T T. .. __ ___ __ T __ T y_ . . T. __T full ev-er - y night and treat _ 1 av -er y love wl Bkgd Voc Fig yn Verse Gtr. 3: w/ Rhy. Fig. 1, til fade wl Bkgd. Voc. Fig. l Film ___ ___ _u_ __: T M ___: ___ __m E m__ ____ TE. T: .____ m. Tm ‘composite armngernent wl Bkgd. Voc. Fig. 1 Gt. 4: wl Riff C, 4 times, simile our heads. a V . 0 94
  93. 93. wl Bkgd. Voc. Fig. I semi-harm. Begin Fade Fade Out E/ G13 _‘ E T j sin — wl Bkgd. Voc. Fig. 1 Ffim = " ter full full A 5 95
  94. 94. SO MUCH TROUBLE IN THE WORLD Words & Music by Bob Marley VII Am Dm Em Dm7 Am ‘ F E7 F9 G9 H 7lr fr 8‘. r [[ fr “[ 1orr I11 321 321 214 241 .141 Ill 11] Ill Intro ModeratelyJ = 78 Am Dm Em Gtr.1(clec. )‘/ /, 7 7 / I 7 7 / _ 7 7 / . 7 (drums) _ _ f Gtr. 2 (acous. ) f PM. throughout wl clean tone Am Dm Dm7 7 J 7 J 7 J 7 J 7 J 7 J 7 ,5 5 J ‘Bkgd. Voc. Fig. I ‘ . . . ' . End Bkgd. Voc. . Fig. 1 So much trou - bit: in the world. G" 3 RHTA End RHTA fiflfifi.5.-’-5.3.1_ai7J. £5.iv~ $, E“’ »effi—; a—-t—= fl I ' 2— 2 —2 2 ' . 3—4 . *Bkgd. Vacs. only Verse Ga. 3' wl Riff A, 4 times Gtr. I: w/ Rhy. Fig. 1.3 times Am Am Rhy. Fig. I End Rhy. Fig. I r , §— L ‘F 2 - 1:1 1' Ed’ 9' Q” G 2 1.Bless-my eyes. this morn - ing, _ Jah‘s_ sun is on the Ir. § ' J? * %** ‘ ~ -’— 6 6 6 —6— 9-6 3-8 —-)(—)(—-X— X: X X-—X X 'F--—7 7 -7— 9-9 9—9 5 . i_ 0 Copyright 1979 Fifly-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited, 329 Lalimor Road. London W10 6RA. All Rights Raservnd. International Copyright Secured. 96
  95. 95. Dm Am Dm T The way. eaI1h — ly_things are go — ing, _ Am Dm 7 :1Q' an - y - thing can hap - pen. You see, _ men P| ‘°'Ch°l'“5 Vm Gtr. Ztacet Gun3:w/ RiffB,3times. simile Am F Em Rh ‘Am: y. g. GU17J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J‘/ J tjjj sail » ing on their e - go trips. Blast off on their. space - ships. G"'3“‘l. ZII'fIl _ _ _ _ _ , _ I . Emininn -7. . E’_. .g_. -—= .g-_ iii. ... _n i __ V __ 7 1 - Gtr. 1: w/ Rhy. Fig. 2. 2 times. simile F Em End Rhy. Fig. 2 Am F E” Mil - lion miles from re - al — i ty, no Chorus Gtr. 3: w/ RiffA. 2 times, simile wl Bkgd. Voc. Fig. I. 2 times Am
  96. 96. .. .. "__ . ' "‘ at . —g = .. ~ . ._. .._-_. ._ _j So much- trou - ble in the world. ___ All you got-ta do is ‘I ’ '" ___‘ ‘I ‘Y ‘I I 1-: give a lit-tle, take a litetle, give :1 lit-tle, one, _. more time, _ yeah, (Give a lit-tle, take a lit-tle, give :1 lit- tle more. GIL2 .1 . ,, -ris-: : IQ? = ‘. §:. 'V — 7 94" "'* 7 '* '7 Gtr. ] dI'vi. 'i . ._ yeah, T yeah, T yeah. Give a lit - tle, take a lit - tle, give a lit- tle. ) v‘ u -:1 KVVFIV ' -1’ . 99-1! ‘. ._ g -3 IE :13’. Fig. 3 A A / K End Rhy. Fig. 3 _w _L J_ I End Riff C ‘Gtrs. 2 & 3 98
  97. 97. Gtr. I: w/ Rhy. Fig. 3. 2 times Gtr. 2 & 3: w/ RiffC, 2 times Verse A Gtr. I: w/ Rhy. Fig, I, 4 times Gtr. 3: WI RiffA. 6 times Am Dm the day, 2. Mm! We've got _ to face Am {'3 7 Dm " I I I’ I I . I - v I I I‘ ll' IF. - Ooh, wee, come what may. End Rhy. Fig. 4 Gtr. 2: wl Rhy. Fig. 4, 4 times We: the street peo - pie talk
  98. 98. Am 6* $ £ej: 3 yeah, ___ we the peo — ple strug - gling. __j. _._ We the poo - pie strug - gl - ing. ) Synth Solo G"-17 ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I ‘I t - ——l r “E: - 3F : — brag Now they're. Pre-Chorus Gtr. I: w/ Rhy. Fig. 2, 4 times Gtr. 3: w/ Riff B. 4 times. simile Am F Em : sit - ting on the time_j bomb. (Ha ha ha, ha ha ha) Am J1]: Em Am Now I know your time has come. (Ha ha ha, ha ha ha. ) What goes on up is com-ing on down. F Em Am F Em (Ha ha ha. ha ha ha. ) Goes a - round and comes a - round. (Ha ha ha, ha ha. ) Chorus GU. 3: WI Riff A. sirnilc, till end wl Bkgd. Voc. Fig. 1, 4 times Am Gtr. l 7 J ‘/ J '/ J ‘/ 1 (cont. suum simile) W5 " F So much _ trou — ble In the world Am Dm7 So much _ trou — ble in the world There IS Am Dm7 much _ trou — ble, 100
  99. 99. {T End Bkgd. Voc. Fig. 2 -" II I e I : E A I Ea’ ! ¥ #— so much- trou-ble, there is so much. trou » ble, there is (So much in the world. ) -" ~ -I v V . V - en V - ~— '- '- '- ——- . . '-= -- _ ~_--: ='- -2 Q fifi - ca 1! LI: 5 5- *Bkgd. Vocs. only wl Bkgd. Voc. Fig. 2, 2 times . /“‘ 1' - I - — E(‘iij~-jj'_’ ' J E— jg f f fl —‘l so much trou — ble In the world (There- is. ) / Z D full Begin Fade Am Dm7 PM _____________________________ __ . w/ Bkgd. Voc. Fig, 1. till end Fade Out Am 6- wwM~w 101
  100. 100. SUN IS SHINING Words & Music by Bob Marley Em Am Em7 Eml3 ) 7Ir ’ an ‘ ‘ 7n ’ ‘ 7r: I342] 3241 l_‘Il24 1312.: Intro SlowlyJ = 72 Verse Em Am Em Am Em Em7 Eml3 Em I i f 1. Sun is shin-ing, the weath—er is 2. Sun is shin-ing, the weath-er is é_ (2nd time simile) ‘Wind piano arr. for gtr. Em7 Em6 Em7 Em6 E E 7 57 57 57 5 7 57 57 57 5 . —3—I Em7 Eml3 Em Make you wanna move_ your danc-ing feet, now. Make you wan-na move _ your danc—ing feet, yeah. Am b. _/ r__3____| ll ' E I ij 1 jj 1 j jjjijtjmjj nu‘: ” : ‘—: 'C'—'j’j‘— 5*” " the res - cue here I am. Want you to know, y’all. _ Can you un - the res - cue here I am. Want you to know, just if you can. Here I Jvu _ _ . . _ _ _ _ _ . . . . _ . _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ . . _ . _ _ _ . _ _ _ . _ _ . _ . . _ _ , . , . . . . . _ _ _ _ _ _ _ _ _ _ _ . . _ _ . . . . . _ . . _ _ _ . _ . _ _ _ _ _ . . . . . _ _ _ _ _ _ _ _ 0 copyright 1970 Fifty—Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 102
  101. 101. I’m a rain - bow. too, . To the res cue, 4: :15‘ Jr : Zfifii-'e_: am. Want you to know, y'all. Can you, can you, can you un A der- stand’? Interlude 103
  102. 102. , , Em7 Eml3 Em Am , if - , , , _ _ . . ' "=3: '- ' - ' 2); : 3 : "1 %= i i f— = = 5 : = : _—i§ l‘(““ j—T Z / - T5 f'— / T _ _ . . 2.‘ / _ 7 D. S.alCoda -''-f T L - 1 - ES‘: flé : : . f ZT T‘ f 14 43 14 1a -11-—1er I I I I I $C0da Em7 Eml3 Em7 E11113 GM7 E/ "$7/%7)fi7F/ n"= $7/57/37/$715/Ha 1, '_‘_' - AT - 41% L_ Em7 Em 1 3 Em Em7 Eml 3 Em 7/$7 /57/57)? 7/57/57/57/57/33 - r"3"' "3-, - 1=L; Q'%J£- H Can you un-der»stand me, now, bzt - by’? _ Do you be—]ieve me? #, _r_‘¥ ~j; %“~”-‘r%: B . ,EEEF_}_‘fl 104
  103. 103. COULD YOU BE LOVED Words & Music by Bob Marley Bm XXX D G ) 5{r 7r[ r ) 321 Em Film ' ‘arr 3111 1333 312 213 Emw A X§ X3‘ X5" 213 32] Intro ModerateiyJ = 102 Gtr. 1 (clean) N. C. "(Bm) (E/ B) (Bm) (E/ B) (Bm) (E/ B) (Bm) (E/ B) (Bm) (E/ B) (Bm) (F/ B) Chorus D c. ,27;—7—77;—7—77;—7—; v;—77 Rm A1 Could you be loved? I C ‘Ii? .2 ' we ‘er ii ill» ii ill! 0 Copyright 1980 Filty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 105
  104. 104. _ _ _ _ _ 7 : ____ m _ 3:. ul . . Did RIHAI j_i; :. : *'——j:1v—_x'j yfl. yil , /:71 1111-"1-2-"Z__I'j _, _ jsfihjzxrj-V: 11-r-1-—1-—j school re - ar range --, ... -1——"—"-‘me? -' 2* - WE . __ em. " __. _" ___. ; _ H. _. .__ 7 .3 __. _ _ 7 _. = . . 7 7 ___ ww . __. .. __ - . m_ _ n__ m_ e _, 7 _. __ 7 - 7 _ , _ __ __. .. ._ _ _ , _ __ 7 . .. _ _ um 7 = .. 7 __ E _ . M _ 7 . 7:____ , __ __ __. _ . 7 _ _ __ . m ___ . m . ._ . _ __ 7 7 ___ 7 ____ . X. .. : . ._. 7 __ _ 2. ___ . _ - _ _= 7 . ___ 2 Eu _ __ . 7 . 7 ___ 7 7 7 mm . 7 _n__ , 7 ___. jjg __. _ P ven try ven 7 ____ : __ . an _ «I M 7 . _ . Ya. W17 r or e . .,. o 7 , o7 _ - _ _ ___ _ HIT. 3 E _ . _ 7 fie _ . __. E _ ___ _ . .. . .. ___ . ul -. = . . — ul . . ul Jn_ . . _ _ E E. - : . 7.7 E . . __ . 7 . __ 7 7 . “___ 3 . u__ . __ . .. ___. . o7 __ . .7 77 ___ _ M E H E .7. E . . . __ 7 ___= 7 _ __. _. % . m. ... .“. _ . ... ... . . ... ... . . ."“ . .m“ . .u“ . .u“ . .u“ . ."m loved them fool_ them change- -—i%'= _-!7=: :l¥= ::= ;__- 1 Don’t let 2 Don’t let Zjjijji-TgjamZjijwzi-22-ZZTZI-Izmjjijuu —*jZ—*3*Z-E—_: ¥‘&-1 1 rjjtrxrj Ivjfi: . _ 1 n m ul 7m 7 _ 7 G j 7 . n. 7.: . . .7 on . .u“ Verse Gt! 2 7
  105. 105. ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J ‘I J , 3 -1 "‘ Z7——‘ l‘G! lZ'Zmm= j'jj'ZjjZ‘1‘Tm'1—j~ ‘T T’ " a mind of our own. _ So, go to hell if what you think - in‘ is not right. the life to live. : (Ooh, ooh, ooh. ) They say _-‘g. ':rj_——j. e __ _ E — . . : _j——:7 ,2? ,2,__, ,., . yam V. Z|—ZZ'ZZ'2 . .. . . x_T_. ‘-_'_“‘_.1-222)-_2"*)d'-j-2:—: '-—K—. —-V‘A’-—2 '~~_T"— '. (s; W——"—"—_=5' ' ' 5"" """ "i7-'. "u'. ‘-’= '='= ==5'%= =='%= =='%= === '= 7}Tv}""7'_? v)—v_'7v)_'v_7 rm 7 7 ’ ‘ I’? 3 m r- 3 "i / -— 7: 3 ——w ",1 3.17: V V V E : '= T Li‘: ‘T-' "' 1 = =j if Love _ would nev - er leave us a - lone. Ah, in on - 1y, . —»—: .T"2 ' ‘j m I L. “ mm - mm-—»—jj j’-j—j—_2~-7 -7--7 --~—-—~-~ ~—-—~ Z_~—---— -j —"‘mZ" nuvjjjjjjjjjjjjjjjjjju-——-—ujjju—-—-—jjj Chorus Gtrs.1& 3: w/ Rit'fsA &Al,2timcs Now, could you be loved’? T Whoa, _ 107
  106. 106. G D _ Bm End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2 7;—777;—777)777;w7;—7fi7;—7'7 Spoken: Could you be loved, now, could you be loved'! _ Female: The , End nuns ¥‘d7 —_ . _jxv—. —-r—j—, ,_ ———— , ___, -~j. —j. —1v: - II 'j. |jTT: —— 1'jjjK"'“ ’*i: j--j1"j_"j——Z'j""—j——j: -j 1Z"Z~—_T? jjj ‘wfijjjzjjr zjl m‘ “J 2jjj2j1Z‘m2‘—jKZI— road of life is rock - y and you may stumble. too. _ So, why don’t you point your fin - gets at some-one else that's judg-ing you. Bob: Love_ your bro - Lher, man. _ (Could you be, could you be, could you be loved? ) (Could you be, could you be loved? ) D. S. al Coda Bkgd Voc. Fig. 1 End Bkgd. Voc. Hg. 1 CE jg Er « ‘: (Could you be, could you be, could you beloved? ) (Could you he, could you beloved? ) $ Coda Bm G Film cu. 2 7 J 7 J 7 J 7 J 7 J 7 J 7 , ' 7 J ’ / /— R , j_ 3 j, T‘ 554 C‘ no 3 ---l jH — — I- , E E = EE-'-'--117-_? .'E. '.= G I on — ly, on - ly the fit - test of the fit - test shall :1. J‘ '4 __ C = ;jj= :jij: j== F '. ’uv“"**“: T..1""*“ $1 1"" %" -C'‘'-$'— 1123: 108
  107. 107. I u. .—i—j_: .——. _jv. .——-——: -——-—___( 1 —¥I luau uj Z" jjj2Z —jjjj'jjk*l Chorus Gu's.1&3:wlRiffA&Al,2times Bm G Gt. 2: w/ Rhy. Fig. 1 f‘ ; / Q Gtr. l: w/ RiffB. 6 times on. 2: w/ Rhy. Fig. 2 til fade G D Bm __ yeah. Then he loved. (Ain't gon-na miss the wa - ter un - yeah. Girl! j_. til the well__. runs dry. ) (And no mat-ter how you treat the man, he'll m. J 1 J - w/ Bkgd. Voc. Fig. l,2times nev-er be sat - is - ficd. ) Say some - thing. Say. .. something! Say some - thing. (Some- thing. ) Say some - thing. Say some - thing. (Could you be loved'! - , _ . _ rx rs . . I'. .'7=j_ ml‘- . j 1 =1 I. .gj—n2:v—: -—: -Kin-jnajzvzj uv j-1gj1:—-ii to-jg-1221f Say some—thing. Reg - gae, reg - gae. Say some-thing. Rock_on, rock_on. Say some-thing. (Could you be loved? _ Begin Fade wl Bkgd. Voc. Fig. l, 2 times - - _ 1 CIT 1 flo141.jjVZojgjZCIj13jjo -C-jj j In j Say some ~ thing. Could you be loved? Say some — thing. Come on! Say some - thing. Say some - thing. Say some - thing. Say some - thing. 109
  108. 108. REDEMPTION SONG Words & Music by Bob Marley d: T Verse ' G Em C Bin L* “fig § E-_; °:___' L5 4 : +? fi‘L'’U_; '7€ p 1 pi - rates yes, they_ rob I, sold I to the met — chant ships. free our minds. (2, 3[%'])-pate your - selves from men—tal slavery, none but our - se1ves_ can 0 Copyright 1980 Filly-Six Hope Road Music Limitedlodnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latirner Road. London W10 um. All Rights Reserved. International Copyright Secured. 110
  109. 109. Am G Em 3 - coru. sim. 3 is I e 7 H ~ » - 3:” J is - J Mi—nutes af - ter they took I Have no fear for ato — mic e - ner - gy, ’eause none of % +*_,5:L _I__ 5 7 7 5—7 2 C G(Bbass) D G _—-—7—3 _ . > ,2 H 4 : §‘°~r« “git (‘FEW from the bot - tom — less pit. But my hand . ._: was made- them can stop the time. How long shall they kill our pro - fits 1‘? 537%‘ 3 F11: I I I K 1 _B* 3 3 3 2 2 2 ,5 5 3 5 I 5 3 :4 0——3 C Bm Am '. . J '" ' 7 . _ __ 4 _- fv *-' E g 9"+: . F 775% by the hand of the Al - might - y, for - while we stand a - side and 1ook? _.? __ _ * * .9 £1 7 e 4’? *1 firs}-3F*% L. i 2 3 3 3 2 2 2 | o o 3 o- Em C G(Bbass) . J 1;» ii. 7 . z ,2 7 “H Li this ge - ne - ra - - — tion tn - um — phant- it’s just a part of it, we’ve got to ful - fig the book. _ -3 j ; i}J‘J_1_‘f—_'§fl_4I'b_j 111
  110. 110. - 1y. All I ev — er havem Won’t you help to sing? CIZ Chorus G C D G Gtr. 1 3 - Q 1 cont. sim. git. : - H ~_. ~e>. .J5:; J 75 it J ~ __ these_ songs of free - dom. [_ these_ songs of free - dom? C D G C D G To Coda 63 Won‘t help me sing_ these songs of free- dom? Won’: help me sing: re - demp - tion_ songs? (3, £4’) All ev - er have_ Re demp - tion_. songs. Re-demp - tion_ songs. 112
  111. 111. E m Am Em Am J 3 3 3 com. sim. All I ev - er have re - demp - tion_ —i 45 +1? 1” El 1 I I I -1- 5 7 —5 l— a 2 o 4, Repeat to fade C D G C D J 3 J : J - 3 J 3 J
  112. 112. BUFFALO SOLDIER Words & Music by Bob Marley & Noel Williams A Film D Cllm E Film” Fllmv E7 Cl1m7 ’ 5rr rr ‘ 7:7 ’ ‘ 4n ’ ’ ‘ 9r: ‘ so 6!r ’ 7l'r 321i 324 333 321 132 241 .124 34! Intro Modcratelyd i124 (D ‘J‘3}) l. Buf-fa - lo sol - dier, dread — lock Ras — ta. tak - en from Af - ri - ca, brought to A - mer — i - ca. ou.2 . MA NV“ - _*— T ‘___ Gtr. 1: WI Rhy. Fig. I, 3 times, simile A I Gtr. 2: w/ Riff A, 3 times heart of A » mer — i - ca. Stol - en from Af - ri - ca, fight-ing for sur - viv - al. Said, he was a buf - fa - lo sol - dier, Film A brought to A - mer - i - ca. Fight - ing on at 7 riv 7 al, dread - lock Ras - ta. Buf - fa - lo sol - diet 0 Copyright 1983 Modar MusiclLongitude Music Corporation/ Music Sales Corporation. USA. EMI Music Publishing (WP) Limited. 127 Charing Cross Road, London WC2 ($6.661)! Campbell Conneliy & Company Limited, 8/9 Frith Street. London W10 3JB (33.31o%l. All Rights Reserved. International Copyright Secured. 114
  113. 113. fight - in the heart n M ’a»w L . . e A __ W mam m H . m . W n - mm W __ M % . . ___= . ___ M __>w : A ___ am __ . . D 7 mm mm . N m ml. .. a 1% __. W a M» $5 h. . x = :.. m = )9 m) _ . ._ .2 s __. _? N; _____, ____, . M j _mv/ A m __ N . _ m _; non _ ___ W M T W". h_m ___. ..“ Mm _= _ E N M 3 ) 3 . . m 1 SM " . ... .= _ W. __. m _H m . mm __. _. w H um _ 4 - sa Ewwm M : . rut . . 81% .3 x0? . __. m m x ___, __ 1 . Mn . F an m mA am m . . . . N A. _ ému . m cm W m __ M % M W n(% . ~00 % )0 n. . 2. ‘. E J gm Km v% m
  114. 114. r"" - "= mi 1 fight - mg for 5 fight - ing for sur - viv - . CE£; iZC! ,!Z! ZZT1—. - ur - Viv ‘ a1. Szud, he was the buf - fa - lo sol - dier, n1 Driv - en from the main lzmd Gu. 2: w/ RiffC T0 204“ $ trod Whoo, whoo, whoo, 116
  115. 115. would - ’ve na. he said 1 . . _ . . . . . . . , . . . . _ _ _ _ _ . _ . . _ . . . _ . . . _ . . _ _ . . . . _ . . . . . . . _ . . H M. P B j m L j: m na -__ 1. . W 1 N 1 m __ a fl jinn . wn j — — C C in - n na, P-{M1 D. S. at Coda Q} Coda Verse Gtr. 2: wl Riff A, 4 times out -mer-i-ca. S. Driv - in‘ through 117
  116. 116. cut in » to Ja - mai — ca, 21 buf— fa - 10 so] - dier. : ,M: ,'7: )7: , "‘Q: )7:)7:Fjm‘; :f)7 A 7 al. Fight-ing on an‘ - riv ~ :11, fight-ing for sur-viv - : ,’7:)7:/7:)7:, "7:)7z}7:)7 $ Buf- fa - lo sol - dier, dread - lock Rns - ta. Gtr. 2: w/ Riff C, 2 times : )7:)7: )w: F2:)7 , yi - yi‘? Why, : yi - y1 - Be in Fade 5;7:i"*7:’”: fi7:;7:; '7 Why, yi - yi - yi — yi - yi - yi » yi? Why, yi - yi? Why, Wm E7 AFade0ut : F; 1 )7 z )7 z )7 1 )7 1 /7 §‘«%1i: j=a—r gt? i i _ yi . yi . yi? Why, yi . yi . yi . yi . yi . yi . yi? 118
  117. 117. IRON LION ZIGN Words & Music by Bob Marley Bm Bsus4 D xxx xxx , ( 32! 341 1333 Intro Moderate ReggaeJ = 70 N. C. D ‘Gtr. I 13421 Em ' Bmvu / K 7 fr 134111 " Kybd. arr. for girs. D Em D 4; § +3-— —- %—“— ii “ ' U 5 7 L 7 8- 7 o i‘ 9 7 v——'1‘- 9 I 7 I_ 5 7 I I 5 0 Copyright 1992 Fifty-Six Hope Road Music Limited/ Odnil Music LimitedlBlue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 119
  118. 118. . . Verse Gtr. l: w/ Rhy Fig. 2, 3rd time Gtr. 2: wl Rhy. Fill 1. 3rd time D Em N. C. (Bm) 1. Yeah. I'm on the rock, and then 2. I’m on the run, but I ain't run like a fu - gi—tive, _ End Rhy. Flg. 1 (cont. in slash) ximile 2nd & 3rd time Bm Bsus4 Bm Bsus4 err-iiI)tI)1)tI)¥I)t’)tI): .) I check a _ stock. I had to run like a fu - gi-tive to save _ got no gun. See, they want to be the star, _ so they ooh God. just to, just to save the life I live. Gtr. 2 Rhy. Fill I Gtr. 2 {T »-{C 7 7 9 B 120
  119. 119. Chorus Bm Bsus4 D A t)t)%)£)/ / __ the life I live. I’m gon—na be fight — ing tri-bat war. And they say-ing i — ron like a li - on in Oh now, I'm gon — na be JJ_——QT’a*1 . $4,. .. Gtr. 2: w/ Fill I, 2nd time Gtr. 2: wl Fill 2, 3rd time BmVll D 121
  120. 120. To Coda$» Gtr. 2: w/ Fill 2. lst meas. 3rd time A Bmv" N. C. (Bm) / / (cont. in notation) fig: — Zi ~ on. Rlffli End Ritl'B li—on divisi Rifllil End Rilt‘Bl Sax Solo Verse Gtr. 1: w/ Rhy. Fig. l. simile Gtr. 2: w/ RitTA. simile Em Bm Voc. Fig, I End Voc. Fig. I ‘ g 3 I 7 I l - ron. li - on. Zi ~ on. (Li—on. ) 3. Yeah, I’m on the rock _ h (Run-nin’, and you’re run-nin’. ) See you pop. 1 take a stock. no town: 122
  121. 121. D. S. al Coda Voc. Fig. 2 End Voc. Flg. 2 (no repeat) $93’ _ _I 41:‘ ¥__ ; P (Run—nin’ like a fii - gi — tive. _._) 4. I had to End Rhy. Fig.2 $‘ Lair * W—% iizeéei i i _/ ” letring. .__I leiring_, _.I 1 7 7?? ——7- I ——7—- 7 7 7- 7/3— 7 7— 7 I 7 -ell 7/‘ 9__ -7- 9_ 9 9 -7- I 9—-7 7? 9 7 I Ffi 9 ————9 7 $Coda Il. , 2. I 3. Outro Girs. I & 2: w/ Riffs B & BI Gtr. 2 meet N. C. (Bm) D Gtr. If t I §%E£~ 47 I233; —e— I — ron. ll — on. Zi — on (Li — on. _) l — ron like a Play 6 Times and Fade Bkgd. Voc. : w/ Voc. Fig. 1. 3rd 5: 5th time Bkgd. Voc. : w/ Voc. Fig. 2, 4th & 6th time A Bm / / / Ii — on in Zi — on. Gtr. 2 $ 7—; Jfi I simile on repeat: 123
  122. 122. I KNOW A PLACE Words & Music by Bob Marley & Rita Marley Em C G Am D I. .. m. . We Ir, .. W. ' E % E @ E J: 121 Intro Em §*e- : -+~; »--i. t r Lrrbg g H Ba, dop, scoo - ba, dop, scoo — ba doo - ba, doo — ba, doy. O0 O0 @¢DQ~l Otbmfl Oy, oy, oy, oy. _. mm 1.3. When the whole. . world (2.) people like you, ooh, 8 8 Tr. 3 2 —B 10 10 C G # It -" 11 § ' IV‘ ‘A 3 I} " .5 . are I ' ' ' 1' ' 7 37 . ___ lets you_ down, _ and there‘s no - where for you_ to turn. ’Cause people like me, I people need to free. There’s a I: :- 7 7 7 7 I 8 8 8 8 7 7 7 7 —3 8 3 3 I 3 3 3:3 9:9 9 9 f 9 9 9 9 I 10 10 1o 10 9——9 ———9 9 I 0 Copyright 1977. 2001 Fifty-Six Hope Road Music Limited/ Odnil Music Limited/ Blue Mountain Music Limited. All rights controlled and administered by Rykomusic Limited. 329 Latimer Road. London W10 6RA. All Rights Reserved. International Copyright Secured. 124
  123. 123. Am é‘-ctr ‘ t r"‘ir * r r if -J inj _ your best friends let you down, downm place in the sun where there is love for every one where we can be free. I I ‘I II. E:*t__tr. . . .I. ..7I; I:—I I I 125
  124. 124. Am 0 dtkofi-lvo 0 d -_ rah i~_-reafilaa arses " rt? drift. _ through just i” Chorus G L ‘A B Olin car can we where ~e~iaé% euemee 2; know 4 —i *7 ‘I a 9 _ where 2 1 F i know a place f. $4 an 7.575 if ieeeueeuea Licsii? On, car - can we 8890 8890 88%W 8890 7879 7879 7879 7879 8890 126
  125. 125. car can we car can we car can we Yeah. _ 2. And it’s 7879 Repeat and fade in 4 Ad We can car — ry on. 317%-Iljl: iii: £ 3 fii ii 3/02 (43024) 127

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