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(Guitars   bass - drum) - metallica - rock score
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(Guitars bass - drum) - metallica - rock score

  1. 1. n I V‘. n - 1’ --%j E‘ ] a yr rt Ii ‘ or ‘ 1: r l ‘v. f ' «V I i ' j i l I *~ is , i l‘ l l u - n j / n :1’ in i, To 1 n : ‘/ ‘ I ~7 V77 ___ , _- a«— ‘if’ '1' 1:; F i 2.. .? i ,3?‘ __’__y_, _. Wise Publications London / New York / Paris / Sydney / Copenhagen / Madrid
  2. 2. Exclttsive Distributors: Music Sales Limited it/5) earl. Street, lllltdtm WIV 5 England. Music Sales Pty Limited 120 Rothschild Avenue. Rnsebery. NSW 2018. Australia. ‘nits hook »c cupyngiit I993 by Wise Ptlllllcallllns. Order Nti. AM91076 ISBN (L711‘}34()7»X Music arranged and pmcew. -ti by Barnes Muuc Engraving Compiled by Peter Evans Photographs counesy ul Bcmhztrd Kuhmstedt. Neal Prcslun Reina Piclurcs. Guy Wade. Todd Kaplan EL Bnh Leaf: Slarftlc. Musi ‘ales complete catalogue lists thousands nl titles and is free from your local music shop. or direct from Music Sales limited. l’ll'aSt' send a chcqucl postal order for £1.50 for postage to Music Sales limited. 8/9 Frith Street. London WlV STZ. Your Guarantee of Quality: M pllhlishenl. we strive to produce every book to the him-test commercial standards. All the music has been freshly engraved. and (‘he book has been carefully designed to / minimise awkward page turns. and to make playing from it a real pleasure. Particular care has been given to specifying at. -id-free, neuual-sized paper which has not been chlorine bleached but produced with special regard for the environment. Throughout. the printing and binding have been planned to ensure a sturdy. attractive publication which should [five years of enjoyment. If your copy fails to meet our high stnndnrds. please inform us and we will gladly replnce it. Unauthorised reproduction of any part Ill this publication by any means including photocopying is an infringement of copyright. Printed in lhc United Kingdom by Halslan & Co limited, Amersham. Buckinghamshire. .. ,_ _
  3. 3. I / I I I % CREEPING DEATH 42 “ JUMP IN THE FIRE 86 LEPER MESSIAH 28 ONE 62 THE SHORTEST STRAW 7 , I R4 NOTATION AND TABLATURE EXPLAINED 4 ‘ I % KEY TO PERCUSSION NOTATION 6
  4. 4. Notation and Tablature Explained Open C chord Scale of E major High E (1st) string / B (2nd) string G (3rd) string D (4th) string Bent Notes: A (5th) string ¥ Low E (6th) string The note fretted is always shown first. Variations in pitch achieved by string bending are enclosed within this symbol 7 _ -7 . If you aren’t sure how far to bend the string, playing the notes indicated without bending gives a guide to the pitches to aim for. The following examples cover the most common string bending techniques: _. ... .. —, «--«I -9.3: l Example 1: Play the D, bend up one tone (two half-steps) to E. Example 2: Play the D, bend up one tone to E then release bend to sound D. Only the first note is picked. Example 3: Fast bend: Play the D, then bend up one tone to E as quickly as possible. Tremolo Bar: Alter pitch using tremolo bar. Where possible, the pitch to aim for is shown. a) Play the G; use the bar to drop the pitch to E. b) Play the open G; use the bar to ‘divebomb‘, i. e. drop the pitch as far as possible. Mutes: a) Right hand mute: Mute strings by resting the right hand on the strings just above the bridge. b) Left hand mute: Damp the strings by releasing lefi hand pressure just after the notes sound. e) Uiipitched mute: Damp the strings with the left hand to produce a percussive sound. Example 4: Pre-bend: fret the D, bend up one tone to B, then pick. Example 5: Play the A and D together, then bend the Bstring up one tone to sound B. Example 6: Play the D and F! together, then bend the G-string up one tone to E, and the B-string up ‘/1 tone to G. Hammer on and Pull ofi': Play first note, sound next note by ‘hammering on’, the next by ‘pulling ofl’. Only the first note is picked. Glissando: a) Play first note, sound next note by sliding up string. Only the first note is picked. b) As above, but pick second note.
  5. 5. Special Tunings: Tapping: Sound notes indicated by tapping — hammeringon with the picking hand at the indicated fret. Natural Harmonics: Touch the string over the fret marked, and pick to produce a bell-like tone. The small notes show the resultant pitch, where necessary. Pinch Harmonics: Fret the note as usual, but ‘pinch’ or ‘squeeze’ the string with the picking hand to produce a harmonic overtone. Small notes show the resultant pitch. Quarter-tones: A downwards arrow means the written pitch is lowered by a quarter—tone; an upwards arrow raises the written pitch by a quarter—tone. Non-standard tunings are shown as ‘tuning boxes’. Each box represents one guitar string, the leftmost box corresponding to the lowest pitched string. The symbol ‘-‘ in a box means the pitch of the corresponding string is not altered. A note within a box means the string must be re-tuned as stated. For tablature readers, numbers appear in the boxes. The numbers represent the number of half-steps the string must be tuned up or down. The tablature Vibrato: Apply vibrato, by ‘shaking’ note or with tremolo bar. As vibrato is so much a matter of personal taste and technique, it is indicated only where essential. Artificial Harmonics: Fret the lowest note, touch string over fret indicated by diamond notehead and pick. Small notes show the resultant pitch. Pick Scratch: Scrape the pick down the strings — this works best on the wound strings. Repeated Chords: To make rhythm guitar parts easier to read the tablature numbers may be omitted when a chord is repeated. The example shows a C major chord played naturally, r/ h muted, 1/h muted and as an unpitched mute respectively. Tune the low E (6th) string down one tone (two half-steps) to D. relates to an instrument tuned as stated. Chord naming: The following chord naming convention has been used. Note that chord symbols show the overall harmony, sometimes simplified, and are not intended to indicate a suitable accompaniment. Altered Sths are shown as ‘dim5’ or ‘aug5‘, whilst alterations to added notes are indicated by ‘K ’ or ‘b’ . cruel Cam; CdlIn5 Cuugs C6 Cmc Cmu|7 C7 C1nug5 c7dIm5 CIII1 Ciri7dIiIi5 calm Cmm C9 Cm9 C755 C159 cadas CIBE siiiitaaisiiseseaiiaseis Where there is no appropriate chord symbol, for example when the music consists of a repeated figure (or rill) the tonal base is indicated in parenthesis: ii [El 3 2,s_i, ,:, % Where it was not possible to transcribe a passage, the symbol ~ appears. __ ~9—-—v6#~—T: -—»
  6. 6. Key to Percussion Notation closed hi-hat open hi-hat crash cymbal ride cymbal J J A L [ cowbell 3*“ r r i % L low-timbale high—timba1e low-tom med—tom high-tom electric snare rim~shot snare drum bass drum Specific percussion techniques: Cymbal muted by hand. Flam: two hits in rapid succession. Hit with both sticks at the same time. Open/ closed hi-hat, i. e. hit open hi-hat with stick, close with pedal. ll"
  7. 7. THE SHORTEST STRAW Words & Music by James Hetfield & Lars Ulrich. (J = 126) E5 F5 55 / / is :5 F5 E5 as is E5 is Voice ' 1 Z‘ _F . __ i ii " ' —l ' l ' I ' l iarii) ' i ' i ' —i— ' - 4 — J - I - [Tul_>le_tr_acked throughout i TK §iT| :g‘Ii 5 3-”; :. ' ‘i . .—i; t; ;.lh—-r I_IV my uviul U B“ ’ *J*: HH»J. ri: i:»J . ’el. t»*** 2.-¥. ,_l_, ,7¥¥. ,l,7.. .,, .1743}. .. I_lV LIVI_IVl VV L4 [EL 5u'l= r 17~aL? i:5:'—Wl3.' View © Copyright 1988 Creeping Death Music. USA. Polygram Music Publishing limited, I Sussex Place. botidoii W6. All Rights Reserved. International Copyright Secured.
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  25. 25. E5 F5 E5 5 E5 F5 3 Z5 - E‘? ‘&Ll'~! T E'_FF- I -er-ty. chal-lenge lib downed by law. fh1?5FBJ 43”35‘: 'aafim n u | u u Li 1 3 u 3 o 2 ii ? I n u n n u #1 l_l g_: L_J I | _L_l_l | _J I L4 Eu nfifilrfix J'? "~5'I‘u3JJ1fi1 LTI= IJLL_iT LJ"u*LwLJ'gJ - 1- F J J 1 L’ LL: iJLE; L' _g _H' _r J4’ % % F5 E5 as abs E5 rs E5 E5 rs E5 as abs E5 F5 is ET - Lr-5“LH a'_H: yg: Livein - fa—my, rub you raw. Witch-hunt rid - ing through. Shorteststraw, this EH a%11*aima%*a= .:= r 4 iwfasaar LI‘? -'~*Luru; H-flu? *"* me jEiDfi1rfT3Jf1”‘*r*3'n3J. ‘3aE‘i Ill IEIJLDII I3 ELI] | I0llfl~ll ml | _LJ_Jl_J| l_l VL_J mg u. _Jg_p gt I vrE%§%: m9ta%%§‘€: E”EgaJ”Tfi§? E‘? Q: 11 % as F: as as Fits is as :5 :5 as rs as 1r_+5Egf 5%’ : - F*; ’fgT sa short-est straw has been pulled_ for you. Pulled for you %*$‘}= '?E?73§ 25-553 '{§7$: t""H 5~ i. fi._j, ,_, in ma
  26. 26. _ . :._ . ,.. ;_ _m_ 2 & 2,, A : T ’. ---r . , . . . . I 5. . ., _s 1.. . J. ., . . , . . , /N _ , . _ . ,, , , , . : . : . , , _ ,3. , , . ,, . . ,, u . L , V , , , _, ,, , , .. . . , , _ , 7.. ., . L, .2 1. , ,_ , _ , , _ ‘ _ , .. , M . 5 / , _ : _ . , . {CL . . , . . , ., , « , , , , I _ , , . _ — ’ , , . ,_, ,. . j'. _' _, “ -2 2 V. x; ' ‘E 1| ‘ _ , : -, — . ,'; ‘ 1 —. fl— 1 1 -— WI"-7. , A V‘”“"'"' . ,H. ,_. m.. . W, . _ L. _. .‘.5,m- : w': ‘l-ill! l%— I ; I XI, —I; .
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  28. 28. Voice Backing Vocals Gir_ (E Guitar 3 (Electric) Bass Drums 28 LEPER MESSIAH Words & Music by James Hetfield & Lars Ulrich. CC" Copyrixhl 1985i Creeping Dcalh Music. USA. Pnlygram Music lmhliahing limited. 1 Sussex Place. London W6. All Righls Reserved. International Cnpyrighl Secured.
  29. 29. NC A5 E5 CSIG E5 F5 G5 C5IG E5 ’—G’uiiai2_diJubles as / / E M» Mgx fl@¢ . . iTH. ... W Lari T 4 F5): as E5 T3] 3 i V "3 DTTT 7‘ | _l_l_i 7 0 J 1 3 D’ ’B— ; l_1_l rite G5 E5 Ll jjid U ‘L? :5 irtii :5 irfli 34 4 i. r.}J". lJIi, ’£jj? TEEQJT 1 9 3 - . . l4 ' . i ; L F'U~J—Ti 7. WW i; T. J J 7 F385 65 Fits E5 Ti . .. . . .. Eu @. Ti. TT. TT. wT. TiT. .Tr u n“ umm usLT mwmw iwmw. _~ [ ITTJTTLI ah. i Tl! T a. nu ui% . U:. ._. . M. .. U Tu; r Q n W, iii W , a T . Si iii: iT 44 :4.. . 2 mnumwu. cw ¢ Bs Dr Ga 3 B5 Dr GLr.3 Bs Dr Gtr 3 ' Bs Dr 29
  30. 30. *Ewnwi rw§%%: H¥%%%% * U‘”Ji3_‘J’ Erwin‘ i*u*u%iuiiE lOII—£II-tIl"IZ1i—IIIflfi: -IIBIII3312LI| |l| l:ll| l—fi‘IIl| L. i_i_ii_i i_| |_L| _JLJ_| _l| _1 L_JL. J_l_| |_LI_Jl_l| _l| l_J| JTJJJ JJJ JJJ JJJ . IJJ. J1AJ1JJ)“’ rial irlrfilrl i'r"Li'J°Jfi—fi§UTD'T7LE } ; : gig}: [H i T»fl¢#auuu4uuu~%~emJ Ll u i u I T l ! __fl U‘uLi"u mi u~ J J J J J J A J J J J - D’‘[ r r 7- [r F 1' F i % W % A trill A - _iFb5u: r—r - at suit i Spine-less from the start, sucked in - to_ the . Mar-vel at_ his tricks, need your Sun - day .
  31. 31. (El irtli ‘ - er EAL Tl- STT‘I‘3ii'T E*”7tt””~+ Cir-cus comes to town, you play the lead clown. Blind de — V0 - tion came, rot — ting yourTT_ brain. Guitar 3 and Bass repeat last 4 bars 3 times EH .4 J J J {i J J .4 {J J J .4 J J - Dr. f f _ 1' f 7 I f F F ' " " " F l r l r V r W 1% % % [El trill ,5 ,5 f 4" T . 7 vi L: if i let 1;: gt 4 L’ e— T- T Please, please, spread-ing hisT dis-ease, liv - ing by_ his sto - ry. Chain, chain, join the end - less chain. Ta—ken by his glam V our. six. _ 1; = y- - 3 -T T? ,T. TT as m : Please, please, Chain, chain, J J J J J J J J J J J J J J 7 J5 J | Dr. _ 3 , r“f r L! e - 2» 2 § } [El [F81 VX‘ — K 1? £ E r " F F : lg? ' ' ‘T: TET Knees, knees, fall—ing to yourknees, suf-fer for_ his glo ~ ry, you will. T Fame, fame, in - fec-tion is the game, stink-ing drunk with pow - er, we see. r 1 r t I - i * TT-T Knees, knees, Fame fame, d$. iJJJ J J J . i.i. iJ . i J ii Ti Dr. f 1 V f _ Vi _ if T VETTTVT F Jr“ } % iI2DJ Gtr. 3
  32. 32. :5 085 as cits as nits us cits nx 2% / N _ / T r vx-[§’L. f£Ty%F’ arr iiruitifriarir it Time for lust, time for lie, T time to kiss your lifeT good — bye. _ Make a con-tri-bu - tion and you’ll Send me mon-ey, send me green, hea - ven you will meet. e T he . r; _ _. ,.r_ LlEi3L. H;l l_l. -.iWLl' Lug ma Ll Ei= i=ig Ea;
  33. 33. i Ll_lJ iL’Fi ii} JIJ: Hf3.. »§JE !2J0ILTT2LJ; fg - JJ J l' % rii as rt): :5 C516 E5 A5 E luc 3 llflliii iiiiiifl i4i_iH_i l *‘i£_i_i % l 33
  34. 34. .___TT TT___ TT Ts T T. .. T . ___ , T,T= =T
  35. 35. ' El= i=l' Ei= L|' El= l-=1’ lgl-_-l' $14‘ 2%‘ l= L-. -l= l '3 new new i LE4} l= l=l= l' l= l=H' ttui my my omi el= l=l' n HT: rm: {H71 H11 n11 % % ea TL it rm fit J‘ *9? i l the sheep are er - ing. T ___ T____ __- I I | *| 3 ‘l*J"J'J—3—gm5—5—i_5—g; _| EEi= i ' ‘ ______ __ ii‘ = iiiII1-a: -§§F— I-I‘—| —| ‘ t 5-‘ ‘ i—: -i 1-! 1*} 3 El= l=l l
  36. 36. Lt? ’ % la’ U7 1 E‘ H Wt i ' H S I the trap, T hyp no - tize, T w you fol low. ““’ i'i? .ffl%‘smi's‘miEfiii‘a% WRMT‘ l I I u ii—n—n I)-I-I) I‘! -ll ruin u~ii~I o—ii—u I-I-I viii i—t—i i—I—I i—i—i Eli! :—a—: 3-1-5 54-5 5-5! inn: i1 nwnfinwijjrjni, rims‘ lcriiuiul r_r«
  37. 37. Gtr. 1 Gtr. 3 % L ’ is. .. , i*. i=. i., r.enfi, @h_. ;*'Lr'= 'i'"__m ' '1“ J»? N - 3 z . ‘ u 5 33% (L577 njfini , i H H71- is JTJJTTT ”’[bi: i'* wieiul ul *7 i’ r**' T LE? ??‘ % } E‘ Gtr, 1 Gtr. 3 ifisfimfirfirmmiai i T. Ti 7 =1 ! slat? 0 0*0—0 I—0*0 0’0’0 | |'I ill I 0*0 0-0-0 0 0-0 0-0 L1 l’| ’l | *l*'If ‘*1’! 1717i JDJJJJ JJJJJJJJJJJJ J7; mfiflf ( f f _ji' if! r——Lfi' J 37
  38. 38. Hi -7“t= 2-“ ii i L_l= lL_HI__l= lLl= I I_HLl= lL_lJl_l= lI: I-HLQI—I= ILI; I VI’ ‘ “ts ' IJ"fiJ’fiJ—_fiJ'—§I L Ti. » Hi . . I l_uL_l= lI_l= |l_H l_Ql_LJl_l= ILlJ | “V7 I D i i JTT7 Hi i nJ3‘Ti,4i>i JJ " r I Hi‘ 7 LI” LT I’ tit I-_i"Efi7I'H % % Gtr. 3 B5 ' :9 lo an {J 7‘ fi‘. /————? %. I L, J nnfin 14'
  39. 39. Bs. 6 ; -Le _ T: K I u 77 7 I 9 1‘? Tjnl’ 2 J is D. T[; H”33J333{$'JJ1J H71? ’_5;xIJ NJJIH cw’ Leon’ mg‘ Leer“ I-J’i'_L. f' r“ % % in a rim r GM 3:: :4 sizrslsi mmmm'mJ: iimJ-Elitemm It i : ll I-Z-I mmmmmfiifimiiwmfim i fl3J"£, J’"£i’ zal -i mg I= —— I 2 1—2—z 2-2-I iii i: l L. I=I LJA I_I= I LE 0 II-I-ll 0-I-I 0-0-0 I-I Lg LU A Es. TIT I 5 5 5 5 5 5 5 5-5-5 5-5 1:5‘ 5-5-5 5-5-5 5-5-5 5-5 L3 J-J-I A - A 7 Lia | _l= I Lia Ll= I Lia LL-_-I T-‘T, T,T, JJ LIA J J L912’ T4 J J J J J J i J J J 1 ’ J J Lofty” % § niis in cis E5 Dis 95 ciis / f' / / _§ / - F 4:? ’ 1 -i-E i'_U 1“ B’ iZ_; fE‘f; ?>I”? J ‘-~—TJ_‘Tl’T»“: for lust, _ time for lie, T time to kissT your lifeTT T good - bye. @ita_r_2_di)ubles it era is $5 ii i “E z i E i "5 Th TT if if 1 T3-T-1-; a*‘d; Ii‘*; " iii-_ ls - Iv - I J; itrtuifiui 1 J4. l' ITELU 39
  40. 40. is 0335 as ens Send me mon-ey, send me green, hea-ven you will meet. :5 D35 us ct: as Makea con-tri-bu - tion and you'll get a be1~terseat. ;% %” 1% ‘ 4 *afi=5% {W ' I l I [J J : —a—i 1-: J—: g j—: —a 3 : Q 3 3 3 1 E H EH4‘ Ei. =l=4' l= I=Q' l= l=l-=1‘ F E’ ‘ V lie, ‘ , lie, lie, lie, lie, W 3 LT EU“! 1' K E‘ % F 3 J2? iv TT 1 lie. lie, lie, lie, lie lie G113 I; - , e 4;” _g. _ _L, _ J . LD'LJ'J . LU'LLI 1.Z°LJ't_"u'. L1u"L'u3.LLJLLJ! L.U"L1J . Lu: 'Lu°1_uLu: Bs. 9!; — "ii: 1:: =' : “ : ' E: 7 | —a—n I—n ' I-I-I I—I—l ' I-rn ll-I ' n—o—n I-| -S 3-: ' 0-»; I)-I-1» ' n~-—; n—n "Irv; n—n1 . Lu. L_uL. u.ua . Lu. Lu. Lu. Lu. .L_u. Lu. L.u Lu. Lu. Lu. Lu DL. L:J#: LA: :A:4.J:4.J4 Is -_-I I! ’ ‘in’ Is’ '-_7l' '5' "! 'l' 'I'g' ‘ii Is’ ‘El’ 5' ‘E’ I-.7 '5' ' 4o
  41. 41. 1 4 1 1 4 Wm WE mufl uufln HH uuu nflufl 3 I I 3 LI % _. l J 1' -1 1,/11 ig_/ a L J 1 1 1 if 19 UI um {I fig zza. .V kfi V .4 02‘ l J1 3 Elm I34» L- - J17 . ,, g V r ¢ L]! 45,. 3 L. 2| . .| Iafr 4.1 | .|¢-I 3 u L‘ . . : 2| l. ;| H an ivl I ‘I lxul EL, H. +L - L; D: r 5.. an E LE1 Iv: 1 fl 42'. . 2|. Jr 5 l #T . . L . [F81 E5 3 3 wwwumm@w;3u 4% ¥T__g-‘Lg-‘Lg-EgrEr§'. "LiE)‘l§1"§§4*‘ gflififififivé E13 Lflflafii (J = 136) "_y"J= r .5 iaziazura i E Pass‘;
  42. 42. 42 Guitar 1 (Electric) Guitar 2 (Electric) Guitar 3 (Electric) Guitar 4 (Electric) ‘3i? ;EEi_}fNif3 DEA TH Words & Music by James Hetfield, Lars Ulrich, Cliff Burton & Kirk Hammett. (J:5184) D5 E5 D5 T l - l r r~ l - i -i - , ' i ‘ i ' Tfi i ' I ' i ‘ ' 1 ‘W ' i ‘ 4 ' 1 ' l ‘ gr r J - I * iv) - i - I - r l - i ~ i - 1 - i - I - 1 = :-'-7i - —-a-"-" v :3 ~ g 7 ii %LLU"v7’; iE’ “i"urui27"“ iuuu"'u1’cJ£’ | u_iJv7iJ" 4111:? ?? iJ: t33.t>’= Lr‘F° Jr E: : n n I I I77/it” in n I n Ij7_': i:' in n n o 077/}, in n o o I‘r77§Ai l_i_. L.JV ' LLIJV U | _|_l_lV ‘ V U . . - L 4 _ z _ - A oi - - s 5 " III II 5 -= == III . - i<, Cupyrighl HIM Creeping Dcmh Music. USA. Pnlygram Music Publishing Limited. Clissex l’laL'P. hondon Wll All Rights Reserved. lnternaliona npyright Secured
  43. 43. -—'— —s—. .,, v.. .,_. .__ ' ‘, -
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  45. 45. Gtrll llllllll0lBlli0l| II77IIz: "iiiiihi-Illlflflflllfl-ll’ '7 ii-'72—'»~'2'B'ri | -J E| =i= l " ‘° ""'""‘—' JJJJJJJ%[fiJJJJJJ$ Dr"T" '/0. ' Lr 52., /_——fi. i., ,,. ———4.. ; . § ,5 Bs fie 9 , Jq_; -_J~J—-J d_JJ_. ;)i —r} ’ ” ' TTVTQ2 L172, . " I
  46. 46. Gtr. 4 I 54 427 g! “ I' Z5 " J= H'~—f’ —. -’'’‘~ It EEK 9+ % it fiér r z 1 Slaves He-brews bom_ to serve, to the phar - aoh. _ , _ Now let m peo ple go, _ land of Gosh - en. _, 1 rule the mid night air, _ the des v troy - er. _T, Bs. ll—40"I I——I I 11* I I——I D A JJJ J J J J J J fa J J Jr J J J J ‘T "7 Whit’ 5* rirjv 7 Lt’ ‘ % % [: <»‘**— P fa? “fr 1- E at " —§ it : *- Heed to his ev - ’ry word, live in fear, Go, I will be_ with thee, , bush of fire. , Bom I shall soon_ be there, dead—ly mass, Gtr.4 7 g i 3) 3=_i gr -1, 33 i§ 343 : ,i 'g' “in I 5 I I I ' in I ' I ' 3 1 n in I I I I in -IT; -I-73»; ' I-37" LL_i_J | _i_L_. J u_L_W—‘ i= l=la _. l_i_l LJ_. l_i l_l_| _J BS‘ 3 V o ' 4 4 .4 4‘ '7) o 4 *Il*~I--I! I I I I I LI I I I 4' 1-‘ 'Wi_'2‘ ” i I I I I 077: I VI to I——I —I 1"? Z V3i~‘Z_'9 L1_i_l L-J Li. _l_l L. |_l_l L4 DEJ_J J J JJJ J, J,MH, J_J J Agj 3! 1 it e’mr= Lu~ users *9“ = ' % % vx. [@‘- E’ A "‘&A"e t- g5 r : Faith of the un - known one, _ the de liv - ’rer. , Blood run-ning red_ and strong down the? Nile. l creep the steps_ and floor, ti » nal dark ness. GtI.4 ’ 3 3 ii 3 3 I I " I I ' I ' i—I I —' I 3 3 ' Hz ' I I I I I ' in I I ' ' '' iziild Li_. i_l l_i_i_J | __Li_J U gLl_i _l_i_| L-‘ I 1 3 1--I I‘ I fl""I I I I I 'I" L zfzii -1 3 I II I I ' ' I’ II— I~—I—: I I I I- in I I 0 H | _|_i_| |_J. _i_. ||_L1_l‘—-i . iJgJ, J J JJJ JJ, JJ, ... J,JJ, fl! ’/or i'Lf-V L(i'9p F1-_fi' i
  47. 47. Wait, some - thing must_ be done, four hun-dred years. _ Plague, dark - ness three_ days long, _ hail to fire. .. Blood, lamb’s blood, paint - ed door, I shall pass. _ Gt-4 5:». "i= EE= ‘1_--_-' “ «~ I — “‘ ~ n I j " 5 J __i__ 1.; Ln; _i. i"". ""; “". i__1-0 _ i_ “L, III JJ_J__J Dr’ “T3?- ! I I I I I I ii I 2 2 2 z 1% J I I J | —I I 2 2 2 2 2 2 I L. _J l l_l ‘ i_| __l_| |_i_l_i l_J l l_l ' | __l__l_| |_i_iji _ 5 J 3 A L J_J J J J - Dr _ -_ , -_, r EJtr%gi'E'__; g;*; ;-JI % % as E5 as E5 Fifi as E5 as :5 Fits 9“ —l 3 3 3 3‘ a 5 I I 3 I I 3 L I 2 2 2 2 2 2—-i—I—I—l I I 5 L I 2 2 2 2 2 2 H l_l i l_l | _l_Li | _l_l_i I l_l i 441:! ;L. _.L. ._i Bs %= =E= *== r_Ei---- . J 51 J i E5 o I I’ I I T I I 2 2 2 1 2 2 i—I I f I II T E I 2 2 2 2 2 2 ii
  48. 48. as ’ oi; as {T F5 as Vx. a'_. L.£$”i' - pr-igr_LL¥@’F~ area; r4§o__let it be writ — ten, so let it be done. I'm sent here by, 3rd time iifigha. : L£‘1.§‘. i=. l‘. l‘.1ji : - um FU So let it be writ — ten, so let it be done. _ I'm sent here by, gTi"‘i7Li| k1 L5 5 T7 C5 Vx. {$A! T 4:7‘ @‘“r- i - it, -i; _.Lefi‘r '” 5% I the cho-sen one So let it be writ » ten, Bivxi no II uh’ i Ii _ 3 -_ gt H II M 4 / —f 7 the chosen one. So let it be writ » ten, Gtr.4 kg Lg F 35'
  49. 49. 3711 time to Coda $ as is :5 cs 05 as cfls rfls {T / s / § To kill the first_, bom phar-aoh I'm creep-ing death. B. Vx. sz / yz so let it be done, To kill the first_ bom pha: -aoh . I'm creep-ing death. Gtr. 4 Gtr. 4 u I n n I n u u u n n n I 2" 1‘: _‘1_z--01-! o u u n n u u in o o I I 3 zflikuifl n u n u z I z; ?‘_‘Z“_n_H | _|_l_l l_l_L_| I444 1-‘ Elsa I_L_Ll Ll_| _J l_| _l_l H H= l=4 n4_14 '—' H= l=4 AJJJ JJA JAJ JJ3_ JJ5 r Wsm U: : mar %« Ea 49
  50. 50. .. - , I in-11—|7—I ": ;I u—I§-‘I’: -I H! Il—£I
  51. 51. [5] (W4) 3 3 J -l 1‘ l4i'l 3 J Graig I , , J. -ELLE 531 | y/ _h. ... ".V 12-: 1': II I) “ .1: . _.u . .4i. Ii uJr& .4} 4:] . 3 1: “"7"”: '1 1[E‘zIi—| Z 12-15-12 1: ' u u—12 12 u u _. , LL} JJ 1 .7 .7 3 5 #7514133 £1? ' fl? %F~—E4 Sill 1 I ’L_ *5‘ r —-+- J J E JJ JJJ : r7[Lr7LrV % y < ___ ___ ___. ——— —7 Ga. 2 . .—— -——— ——— ———: ——n —a— . ll . j1——| -— ——————————— I? -P--— nu-jv--urn: rv All 1 1 1 1 1 1 1 * Z — >1 Jul l'I 44 _ II--II. _=-uyflll . .. . . ... .. .. .. ... ... ... ... ._. —-. .._ I‘! I ''l II P I I l I I I II LA-I LI I44115-CZ.44.£ZiIZIvlZCCCZZZZj—ZTjj#. _—— ' ' 1 : ZZZ Z—I Z111 1*‘ Z1: ___——— ___ ___ ___. ——r ___ 5 -*0-— 'ru 1' L; 7-7-7-'I—I-7-l_l-I‘I‘I‘I'I‘I'IiII'l‘II‘I'I ' H-1 11-! !! H= l=| G114 ' I . . 3: B5. K. ‘ I. -: L444 44 Q
  52. 52. TJ E D 1211 H H _l_L_| U % V (J l J i_ 7!hD‘_, J.= , % 9' 4!] i’ T J § 4‘ b .11 ¢ 1 I I A 7 13 J ? 3 mm’ 1u; :uu: :- 4.1. 1 1. “ sol 1.4 ala! I u A A9; 1 ll. .. !1L1lO. ||_ H 1 F -1 m I1! 1 H law. lob lllfi 1| I. ._l . , JF av .49 . . 2 I. U m H ml JLM4 {W In JE 2 z 111 | xF% Fl n. H D 2 . .. Ital- 5 , ... ..W . . 5.3.1! . Li A V HDY In 9. L H, 141 and a J: 4.4. 1.41110 Jim F 4 F3; H4 LJF N Mflatr Ho Lm um .5 AL? .3! l 13 AT1. T111117 znl . 4%! J11 s 1.4 11 .1. s. z.. | . MI H .44 J-4 mJ C. % Vwihl WM .1n1l1 1 .2 . _u 4 Va éF, + JL :4 , 34. J1+ a no , , o ul x 1| /4 441% l_l [m ,1 at 4/ Bs Dr tz Gt! 4 B5 Dr. G11 2 Gtr 4 Es Dr
  53. 53. C5 D5 F5 E5 Gtr. 4 Gtr.2 3- 5 .9 3 5- .9 — 1311?? ’1z—1s? 'I? -11-1§:1i? '12—1E:1j¥1'z 17:ii3iI—17—1s—1a—17—1s—14—17~1i—u—~1]~1s—14—n—1_s—u~1f: —1s—u—1y—1p—13—1p— 17—1s—n—1.7—1.s—1s—11—1p—1p—11—15— I I I I I I I I I I I I I , 7, Gtr. 2 III I! I7 III I! 17-—H III I! G114
  54. 54. as F5 :5 F5 as as as rs - , It - Vx- ii I I C: !:’T3' -7 g {_y 5 gfj Die by my hand, _ I creep a - cross the land, B. Vx. ' f’ f {if 1- fiefiiéj Die! (Die! ) Die! Die! Die! Gtr.4
  55. 55. (J= J) 6“ -- i i”"= I _ _ _ 0 1 _ _ ; _._r: ._. _. _ _ _ n _ H _ _ an-"'. ""'. .| LE l_| _l_' u_. L_u ‘-1 I_L_I_: LLJ_. | u_L: =5 2 3 I I I I I I I I I I I I H I I-I: I—-I I I I I I I I I I L_J F % 44;; JLJ JJ ”"r V ’rU~#_r'w? $:’ E Gtr. 4
  56. 56. E1? 8 ——— ESII E5 F5IC “%— E; r D-”%r‘*——% s E LJ % gm" z 13;: U .53 1=LtA____1J L I G“ . _ 3: 5'2 , ,l_| —f_I , , 1 5 5 . 3 3 _U i as. -‘'‘--= -' = - :5: *-I-= i — ’””-——— ‘ ‘ ' '5‘L:1_r": j_;3 f-, _;j_j “1_i_*: *7
  57. 57. (Eva __ _ F _ — -9 _ _ _ G= r2‘riE'r g fi$‘ Er {J E I: |i—_I1_—T5 11-1 11 ‘ :1 flxiliu E: I: i ‘ ll: l Iglizéj - ~ * — It : ‘I I. ““—I. I2~l1 “ “—‘2—“ | . ‘I ‘Z "*| .’" ‘1—" 3 l_l I—[ , l -1.1‘ . _ Gt: .4 3 : 5 1 4:QLa%H:1 ! § n_u17 +11I1l1,1L. nJJ21II’#lI333J§5|o"l‘l§E3l .4444 JJJ J_JJ J- JJJ ”"r+” W$%DtE: r7 % E5 FSIC E5 ESIB Gtr. 2 Gtr. 3 Gtr. 4 : —-: —z—2—| —: : —a—: —:—: —:—s—s Dr.
  58. 58. ___ FNC Li E5 _——:5 C5 35 T» ‘ C5—'—II A5 C5 Gu.2FUr I. E: = : fi‘rL G“; J7~L<*_ J1 73% U -51» E. II I: u—: i_ —II M I1 11 III I: — | —I__‘[ 11 II II H 1:7 141‘ '. -'Jl1:“i ~~H uz7u”F* mfg“ J JJJ AABA 4.1} "'I[9"+ ’v_rjb" Lr7#rr~u$’"‘§r1'_r‘J % % Gtr. 2 GtI.3 Gtr. 4
  59. 59. E, M cs .5 Sim ca as A5 cs '-. _ I F = — - ! ———= - El—-- I - ‘ EEIKELF —‘ J .7 J .7 3 3 3 3 3 J 3 J ___, .__ . - ‘1( NO
  60. 60. Gtr. 3 Gtr. 4 Gtr. 3 Gtr. 4 J” 3 3“? H3 21 3 V it’ I VT mg;
  61. 61. . Bs -. -—— J: -, Ljfifi, a 9 ha , 3 1 j 7nd, -r, ,., pvi_f»I>. v: h»7i1J N’ - 41 N .1 A A m«; —:g- II, ;UJ; p:: a,, ,4 % % 3311"-1 : j_’LF ELLLJ *1 1 E , Ln 4. low E __ :1—1—zj‘= :I' G“-2 E1—; "— B-7 L, _ H ! 7 3 ' I 7 ' 7 9 u . . , :3 wt_. l_1_r ; 1 LI r-L H 3 I’ I’ *5: 3'? “ 5}/5}/5 ; J em; %- T§L 3 H E E ’ U H vs = ~' : 2 J: I1. J I I « I . L. ,_ , , , , fl 5 5 9 L A Bass pedal and triplet rolls _ Dr. _ r 433.: } K A; :I_- _§—_: '. H 61
  62. 62. lIl? l~. lE Words & Music by James Hetfield & Lars Ulrich. (J = 108) Warfare sounds for approx‘ l8 seconds. Im GI! -cl? Im 0-n-I7 Backing Vocals Electric Guitar 1 Electric Guitar 2 Electric Guitar 3 _, T. I I let ring Electric Guitar 4 Acoustic Guitar 1 Acoustic Guitar 2 Bass"l'l‘l'l* Dmmsi'l'l'l'l* C Copyright [988 Creeping Death Music. USA. Pulygram Music Publishing limited, I Sussex Place. lnndnn W6 All Rights Reserved. International Copyright Secured. 62
  63. 63. nun 5 , —, . “nut: _ . _ . ., _ . _ _ _ . i. um . .,. v.. n ; M an
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  65. 65. Gir°. “2 ‘B [341 W J hi {JJ 1; 7 lb [5 dis“: 2 o"n I i’? [ . I. 3 ? sue H 2} Bs , i J I 4 f [§, J_/3% , lJ_/ ? /——S, 3 , 3 i / — / — ? l_l J7 [7 J J J’? J 1 J7 J7 9‘ E3“ ‘ '1 E E r i '1 E l f 7 ' l f i D V 17 17 .14’ é % $33 In: Gnu}? Bin Grnufl vxfiéii-x . H JJJ H nos‘; LJ :1; I l can'tre—mem -ber a ny - thing, _ can't tell if this is true or; dream. Back in thewomb it's much too real, _ in pumps life that I must_ feel, J—J LaL— J—J_/ J la J F. ‘ J . U 4'7 } l I can‘tre-mem -ber a - ny - thing, _ can’t teU if this is true or: dream. Back in the womb it's much too real, _ in pumps life that I must_ feel, iEt)_ust'ic_Guitars doubles " T»Ji“ZJi~_J‘3~57J3'-M25» ll-HF. ) T l’ r r_ T F r r _-1 BA l I-1 L L1 BAJ l= l 1| 1L: HA I 2 3 I I I I J 4 ; I I I I I 3 II I I ll 3 I f I ljl ': ‘ -7 + E; /» «VL-L: b my-1 U. 2 a ,4 Li J I EKT1 1/*7"‘1 I111/i~: 3 I I 1 I i3"T: §1 I
  66. 66. IIII7 urfi: Dccpdown in-side I feel to scream, __ this ter - ri-ble si - lence stops_ me. but can't look for - ward to re - veal, _ look to the time when I'll_ live. M. rfi 1-; +; ;:_—_ $7 7 in? 31-4: of T . I Deepdown in-side I feel to scream, _ this ter ~ n-ble si - lence stops_ me. but can’t look for - ward to re - vea1,_ look to the time when I’ll_ live. letting 513.“; .fi3@ 1. T, . . Lag? ’-1I—i Al——l—Fl—’l: 3’1iFr In any with m: I'm waking up, I can - not? see in me, _ just like a war-time no — vel - ty; 33:: i E J 3 Hi’ Jim 1 ‘ —/ ¥—' Now that the war is through with me, _ I'm wak-ingup, I can - not_ see Fed through the tube that sticks in me. _ just like a war-time no - vel - ty; Elec. Gtr. 4
  67. 67. am DIA an-n|1 uc -F3_—J", llI JTT‘ I7 33” 7$j. l E that there's not much lefi to me. T Noth-ing is real but ain_ now! tied to ma-chines that make me MT Cut this life off m_ me! B. vx. i . -i. —| :i—— 5% i=3 535; J —E that there's not much lefi to me. T Noth—ing is real but pain_ now! tied to ma-chines that make me be? Cut this life off from_ me! EICC --‘--II _ [firing j = - = am mawmmsgqfi .5‘ P‘, I I I 1"“ I I: f I T I ' 1 I 2 B. ‘. ‘E; ."'. E.j§ . _ , ._ _/ J1 l—Tl]_/4*. ‘ jj‘. lE,3. }3_% E‘; 1 z 2 L? /_'I I 1 I l H J.7J—. l 3 3 (""32 an 1 24 A L-_-l_l LL14. . , J3 E on As as A5 as alts as AS I5 cits as As no Vx. 1. . bJ J J 3; F11? ‘I .5 r 3, r g I-Iold my breath as I wish for death. Oh please God, wake Hold my breath as I wish for death. Oh please God, wake Backing vocals 8vb to end : ’:. .". .'. -=. —J: ——---j: *- — an BVx . _,i. _.. __. a. Zljh 5., 11 35 L -Ef r E Hold my breath as I wish for death. Oh please God, wake Hold my breath as I wish for death. Oh please God, wake distortion multi tracked Elec. .": .'". :-—j. 9 —~» — —— Gtr.4 -. '«. .-_--= j-S-3 z fidfl J 31 E 5. T 8' '; .——l—i—l— ——i I: 3 I I I I ' I f I I V I I I 3* £E'E= j:''EE'= :jEIjjE¥ E; I 2 I , _.' 1 2 I 2 I) E 3 I & *i**v*i: —.* I V r = Dr. =: j_ §__ §_ _ — — -5
  68. 68. 2 . onus a run: Em c Em - I ~ 11'1" ~33?
  69. 69. 51:2. rsfia its fl§—a: L_~st-W E 59755 gm? I T" _ — tr‘ F‘ *: ,ie£3,, F3.! 1:! » ij. E9.l_ll: .i v I» D-” 7-! » FLU , l"1[fl: l?""'i‘ as 1 l ' V43?-tatvnajt it J ef”-me” 1 M14"? ! - ’£*fl~= ”s 7-= —lfQ3;l—lf‘4'—l_—ll_T""-fllgi ‘it * je l “> E Elm--. it ) [ [ L Al E1 *3" E Q) E- in
  70. 70. !. .- ’ 94-’! W. gi>. I"i Fl. Ivt. .I—1—Fi—4 : E1—j_-Ig= =l ’- ‘- -. ’ ’ (Hm I gficé E, ;__'-iiiijjt-T1--= :'= ':: i=-= "l'§= __ . l- 1 I6 " " " _ u n—u—us II. III I I I I __—1.i= !I! !|| _ 5 E 4 I at: -2 U I 1 J9 W” l E. 6 1:51: 1 I I I J! ———’ i £71 1% E l: .: E I I -- A Z _ . — l Bs. =a = =. ._ I U —- : /—‘-: 3 I I I"'~I 1 I l ’l_‘"5 5 5 El
  71. 71. I% I7 97 ; I;t_g : .§_r “E jfl F5 ’ 8”“¢_V 6 am § 6 9 I ll? t r . 'I .9 J 3 J 3 l‘I: I7V: i5:-1'I-: II: lfi: lZll-I7-II! -II-I1-I3-2I>1] I: an I: Ii; Iz¥'i‘i4iz-i; —Ii-; i’: i;i':1Iz . . I .3. J— L 3 J % } IE as as as Is as F35 as A5 as czts as A5 as cfis as Is as A5 as Vx. .534 it fiigg +457 gr 5% . .E. ",t, E theworldisgone, I'm just one. Oh God, help me. I-Iold my breath as I . fl _ B. VX. ;ba’1l % '/ -131’ Q {g}. La; 3 Now theworldis gone, I'm just one. Oh God, help me. Hold my breath as I distortion muiti tracked
  72. 72. F985 as A5 as ctls as A5 as cfls as A5 B A5 G5 Hts as -‘- I . ‘ — . film saw a E % I”? wish for death. T Oh please God, help me! T { my «Ir a I - wish for death. Oh please God. be p me’ T Elec. Gtr. 4 2 3*’ |1.c2s.3 H4.“ 7 7 distrotion
  73. 73. r I - = I - E ' I - I - E - I - I - E s I ' = l'—E - I - = H - E - T - I - E $: =‘_lfiIWT3:»! ‘”«J'E3=} DIE
  74. 74. [E] F5 [E] F5 [E] F5 E1€C- 3 -1 -9- .7 .9 s 3 J 5 5 a 3 Gtr.4 3 H 3 3 I—I—I—I—I—o—3 I—n I I I—u I I _[I—I—II I II—I——i I—I—I—I—o—II—z—I—Lo—u—o—n—o—I—i ? — — — — — —LI; I | =l= l_l= l=l ‘ g=1_u. _.1 | —| l= l=L. .HA ' l= lA_| =l= J ‘-1 ' .7 .7 .7 3 .7 .7 .7 3 ll? ‘ J4 4 W I—II—o-II—I—II—n? n—II—I—I—I-II-II—I; l—II—II—I—I—II—o—I I-0 I I I II—I I [| l—ll—l 0 II—II II n l I-I-I—u—o%IJ EELEH ' | =l= Ll= H LJ ' l—-1 EE| _l= |=l ' J D, J JJ J JJ B5. .7 3 6 eeuaaw JJ J1 iggfiegrl’ % 452 % 510 [E] F5 [E] -. ’-'. . 1" 9 L3 ' i—_ Vx- - E L—_f ’i”§—Q; F 5 '»*—Ll'J 5 1/ = ._f &U LL44? Dark — ness im-pr'I«son-ing me, all that I see, ab-so-lute hot-ror! I can-not live! I can-not die! Land - mine has ta-ken my sight, ta-ken my speech, ta-ken my hearing, ta-ken my anns, ta-ken my legs, GEICC4 SP 3 — 3 ———’ 13$ 3 ’ $11 3 3 3 3 3 r u-_ . .s'- ' l ——= —— . —“—-"5'. :———— . ——-—— I ’—— —— “’ : : . J; 3 33 ‘ T‘ 33 7."- T I T T i l. T l I I i. .. L: T T l T 2.1’. 1. T T T T I T l T T T T :1. l. T l T I i N! 35- 92' —u— a — — -. ‘ : a ’ : 4 — -. ‘I 1 lg . I—I-l-l—ll~0-UL| |—I-I-0-I-0-l£J—0—0-I—0—0#I*I 7 II—II—II n—II4n-II I Ln—II—II 7Il*ll’| l’lI 4L——n: n—o—o—II—II4II-il-3 ; gglhyv glJ_gJv gJ_gw 5394+; u gJ_l= g.v l= Jl= l_l=3l= l.V 1 D __ E J J J J J J Q J J J l I " ‘t: —'@EV qwf 5 ggzgm flaw’ LQEJ’ % % “E1 A Vx. Trappedin my — self, bo-dy, my hold-ing ta - ken my soul, left me with life in Elec. Gtr. 4 n—I—I~I—I—I n—o—u—I—I—n .7 .7 .7 3 .7 .7 .7 .7 B5. 1—I s~I— I—I—o—I—II—I—I—; I—I—I—II«II—I—I—I I»: -I—I—n—n P o—I—u—I-I—u ] :9 J 3 .7 3 3 3 3 3 3 3 3 Dr. 75
  75. 75. [T2, / a E: vx I. ' E-bi F“’ ‘1 hell! Elec. 3 9 3 .9 3 Gtr.4 i7:: IIlfl0Il0zDflI)‘1>lIVllllg lllll§J | _l_lLl_J Lu l_J_l u_: I :31 him $94 o—n—n—u—oAu‘? I-I-I-l~I*I 7 ' J: -ll-I)-ll-ll-I-I—? j*lI*I)'l*Il*II—I 5 1 : flF I E II II II II 0 ll 0 II LII ll ; II II I 0 I J H= Ll= LJ H= Ll= LJ *4 QJEH ELLLH L-I | —3U | —,U ‘ | —L| L,1—| ‘ | —,1J ' 33 33 33 33 JJJJJTJJJ H A Dr‘ I: : I I I : nj : : : : : -— I : : : : I njv : - - - -n :1 V F { 1 5:: is =1: «+-= [Hm =1 [$33539 sauzqwaawzs iT$3'“aaa“F%33;133f’i33a” t 7 '1 mm? min‘ mi [mmp uytgup guru‘ ' mm, 533% Tfi1m; a’fi1Tfi1fi11_W IDIIIIIBI III IIll— IOII Lflflllflllt Olilfll 7Illl| I.[—W L, uL, U* an em‘ H, -J’ , V . V '—J—‘. V J J J J J J J - - Dr‘KE&r' F f WEE! 76
  76. 76. |1- Ill» 5%‘I4@maw 4:’: yaw 43’33:"fl43’: ;~‘a: *'3a‘;3f up up" J‘; ° ff’ mu I " v " Lu P ’ J 3 J ' J 3 _ _ : _1'_F; c=rr gwsggrj IL: ;L; ;fl 3 .7 3 3 3 .7 .1 3 3 % [E F5 % «W26 65?: -66666666h§g§69é§éggggypéy Elm 9 "94""! '4—T: d’F 9 tr. G3 3 3 3 3 3 3 3 3 3 3 3 3s %; 3333 333333 I! II I5 I! I2 I! I5 I! I1 I5 19 I2 I! I5 I! I! I5 I2 I! I5 I2 ZI I512 Zl1.'I II I) I5 I2 I! I5 I2 2! I5 II E |5I2'Zl15IZ N I5 I1 —- ‘ y ‘ 1 f 1 11!IiIlI2*I! IEIZIBIEIBI5IZI519l1*I! I5I2%! |5*I1 ’ x I I 3 J .7 3 5:9 " = ‘r = s* 1 {J51 Jr) 6 4 G4 535% 534;? ?? am? 533? g 333 ‘ mam 1-31 I; -1:14 mu Irhm I n n o o n o n I o J I n n II n or n I o~—u n n n n77n'" | I , we Law Lu‘ , , » ,4 J J J J J my __ J J J Dr- ( r 7 1, ’ 2;, 1 y 3 3 3 3 3 .7 3 1] I5 2II1IIa12*NlII2NIi’NIZ II ZI*IZ’2fl IS II II I1*I] I7 II I1 II I1 I! II I1 II I] I1 I] III I1 III III I1 I] III 11 II III —I— II— II II III II ‘III II II I! II III I] II I9 ‘'3 II I0 I] II III I3 II I3 I0‘ I J 3 3 3 3 J aasaglih T333"? | _|_4 L_3i4| ;3|_: » ij? J|ocJJ ooadII'J' I o73_oIn7o’nn nun: L314 L, n_: ' | _3|_l¥
  77. 77. 9‘ V9.. _€€_‘. .6.. I g: :s3$W§*r *1 it {*5 Mr 6?-LFf—%“1‘ 1% E. -53’ '%_T. "‘I: ’ 5.1‘ Ti. .." " " '1 '1 " " " " "_l g+g+664_+ fff“1'1—1_-3-1 —t_, LJLL_l—| -Er‘ 5*-°€@? ;a’2%: a fflfié? ma: Lmmrw :1 L. z . .-. .-: I.. ... ... -.‘”wQ T_j_T'; |_1J'I_LJI t_: l_! L5l_JPL5|_J
  78. 78. F5 G5 Elec. :1; " " " " Egaglw‘ e 1% I E I“ g GU53 4?‘ ‘ * , 3 3 «': ".-+: ‘-— u"—"'. s"—"‘ a': ‘.*-; :'. *~. .a': '.-; :.-—. ‘ I 1- I £15 : E. ;?; ~. T .23.. T . :f; . T i. ;f; . '6 *4? ms «E *5’? 4'§3fiar Luau 3 Tmfij; H4 1473-1437, J 11 } [as] Aias F5 § (8[t, *a)T_: ' J 1 513?, -i, Q”F %f F 3 ' 5'} Ii’—"'1‘§"-"'1"4— I5 3 4”. ‘ '5 '-"‘; "-. ,_"‘-3_” , _. . > . _ , _ _ V . .. . . . ‘I'D F I II‘117_’_l"“|7. 1§’I7’| |5 III ‘'5 ‘J". §'I3‘|2‘I3.j| Z IFHTII ‘bu; I-J ' Q4 +4_1_+a I J%—i_J -7 3 3 9 W” my-5; 14:24:24 {mm as H 1:13:33! Laaami ‘Laaamai I [.1.. ..i L. J_JL1_J | _1_w v “E %~E ~ E fl #2 .1 F a . ___g_. . -3- . __, _. -.1 _}3_ Y, ‘ r__: f f)___] H__ Abs rs mus 7'‘ M’ "55’ am If _f”€’j H % «» Ja +1-Egj : :—1 .12. r“ r——* *’“e= ~ u—Iz——u—n—u—u-1|-Ina “-1! II u>v1—1 urn-u I1 12 12 u cf I} 1': 9 531,354‘ . !. * -3 L, :P1' gm 4° ‘r H «r -12 -- H -1- .7 .9-
  79. 79. Elec. GB. 4 Dr. *mm*m@%¢3¢wWw@mw¢3 3 3 fi‘1»a’1+J J31’1W| J‘§‘JJ rm nnunnnu”n4nIJLIn| n I? :J: _:: ::755§l_s5§"‘7?37?V1Z1fl L_uJ L_1_| L|_J| T_'| '_TJ | _|_| |_| _l_V J’J’JJ’ ’JJ’J ’ ’- — J r V *9’ ’w'_: '”*, f'V*5fff’CJURLI'LUfl a 3 ~9r 9 9 3 Jazzaél ssainin 1775 1E. 'Ii7§L1'%V! _.'l2l1%nz_ . |;. I [ . E I T air '5"! 3 at :1: 5 1: .9 sis 9‘ {§3i333 {Q3 3 J {§$§T {3§i333 33 a 5 T: g 7 1 . ... J .3 . ..in. .1 . .. 5 [nun . ;;1 *;7:4:ifT1 J. .3‘* H4 HPJ' EU 144 ’ EU ' HU an ’ L+J HM ’ U4 ‘ '. ra’= .J= hJJ1%*r3:hLJi1rJ‘H"7J'i*; .1’? ! ’ . r3mv' mmJwflwwWwwJwfirw“ J J JJ ’JJ JJ J J . J JJ J r V Lv 4%‘ ““v *f+*J 81
  80. 80. Elec. Gtr. 2 Elec. Gtr. 3 Elec. G114 F___“: 3 i‘I—Il) I FF”? 515-0 7 l—l 7 1 7'——i I—"-'1"i 1 1'; 'i: -"S-5-ji': '): 'z—s—: 2 1'"i ': 5 5 5 I". "5 1 —— 7:'5‘: ‘:—5 Dr. ¢ ¢ Gt. r.2 3 3 , J r , 3 f 3 J ETJPZF LL, 1 é<°“’: “ JJJrLL‘m; :JLf'L, u: LLI: uJ’JH; wJ 5:3 9 J'—, U r J ~fi1,Err 5 ra LL? [’1j}—J""" L; Q’LjH'[; '|? ""| Elec. 3 1» .1 : .9 .7 s 3 : - EEEE? E3 433% $3. $33? HEIJEJQ 33$ llllllllllllll Illlmfllfllnlfll I 3 J‘ .7 3| 3 LJLJ JJJJ JJ JJ J JJ JJ 1 , F 1- F Phi fr
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  84. 84. JUMP IN THE FIRE Words & Music by James Hetfield, Lars Ulrich & Dave Mustaine. GMIF ante cs alas Voice Backing Vocals Guitar 1 (Electric) Guitar 2 Drums pi) III. .1 I JJ[JJJJ JJJ QJ | rr ‘FF’! rrr rrr ¥_—r—F Polygram Music Publishing limited. s x ce. London W6. All Rights Reserved, International Copyright Secured. 86
  85. 85. GMIF Gull! ; fiMM§}fi%fl~ ~= , ‘1LJ‘i_i; l' J, _,_, I I , , LuEEfiEEW%uMUfl%mUL* “ywwwnywwfifii -rJ- L. i3.E$iia5* Lfi3EJ5wfi= r 7777] 7*r*r 7f‘r, _ v. _ L72;-7T.7.*r.7_.7—1 iiii iiii J J DDDDVVVV JNJJ777 J711JJJJ#171J1¥_ J'J'J1[’J'J77J7TJ] i'Fri’ Fr" Fri’ Fri % F5 HiLmuuV* J111J111 J7: JJJ§JJJgJJJ1 tic? _Frl"¢"Lri' EH‘ EU % liifigf _I °‘. _.J j, :@, § " EA 7"“: r— w I I ' I ' F :7WHEmEbUL“ W J
  86. 86. am cs »% Lg 91 937? K - 1 Down in the s of y fie - ry home, the summons bell_ will chirne. _ depth m Hell in my eyes_ and with deathin my veins the end is clos — ing in. Jump by your will- or be tak-en by force, I'll get you ei « ther way. % % am :55 J, rs A am cs abs 1‘ F Vx. i i I —f__'l‘—E U '1 9 Q "{_ §_f {J 1 i i_F ] Temp! - ing you and all the earth, to join sin- kind} There’ Feed - ing on the minds of men_ and from ir so . with—in. My ' - -' keep the hell-fire lit, _ I'm stalk - ing you as prey. Liv-ing
  87. 87. f J51’? U7 J, H i% _ job to be done and I'm the one, _ you peo-ple make me do it. , Now it's «ci-ples all shout to search you out_ and they al-ways shall 0 - bey. , Fol-low your life as me, _ I am you, you see- There's part of me in ev-‘ry - one. , So, reach Q 1 ii iii F tr. ‘J’ IQJ-C_i‘3 J; % % Gm abs rs GM as obs , *, 1,J1p: T vx. 1§', ffi'%g, l- 'J, I_+—lj time for yourfate and I won't hes - si-tate to pull you down in - to this pit. So come on! _ me now, my child, not the meek or the mild? but do just as I say. down, grab my hand, walk with methrough the land, é come home where you be A long. , . j , j , , >( f-‘ B. Vx. ___ _ ' l ' ——l———. '_, _ ; ‘;—i- _ So come on! , Gtr. 2
  88. 88. obs LLEQ Jumpin the firel_ Bs.3a§V‘-E-Y‘fi_! ‘fi"I L3-ifi-iJ3-1.57 lT; }'I‘E, _7_‘E“lJ_-_-l—¥J. ~ -2.1-r‘%E-J"r‘_-J. 7‘[—. V'2_7_~7 1.-L, _ -z. _ | V V T -1” I ’V’v’V'Vi)VV'V % % om smmb om/ F cs abs ,5 . p / “ Vx. F ‘ 1: i : ' I: - ‘I1 g J I So come only B. Vx. - i - J - i- 7 5 LI“; I So come onl_ '3IJiigvpgW£7fi §g7f#H}J. inljj i4 ii 1- ii
  89. 89. am am mIE cs :55 Vx. ' ' F E E E Jumpin the fire! _ B. vx. ' j| — ' —| " } Gtr.2 l 5 11. 1 1 l 1':41'sLfl3|3aE3sai"u . ,.. .;, ;- . .:. by ‘h, v_‘g1—-11-5-; —_[: g,_-, £7 fiJ_§v$t§v 1-1. 1,. g g I 373-; 37‘, z‘~/1-/ [_'-ro7.: u7~{-rt -r, _ V V V V V V V V V V V V ' ' E77131} 111] JJJJJJJJDJ .14 ' :1‘ r? *r' ? r F rFr r1 % a. .. comb enur 3,¢fimwM ! = Wlth '; fi:fl_ 7?: 3: 7?: I T 1 7—j'-_? fl3LJ- ”L_, . fl , LJ; ]_‘f_J‘I .7.'z.7.-1"/ ‘_1_| 'z‘-/ [‘r, _ ‘L. ._ fir, ‘ 7._ fl uwvv vvuv ' ' ‘ 1 m1nW#1m 11 - _ z - D“ 1'“FrF Fr % ! _-E: ’=: .. —uI-I 2- $2, 3} 11/1 §E'; LU'1"LW M13L11m11L111=L5:~11i L1”1iLUfi—*1'V’LJ' JF%: éErirJ
  90. 90. F5 as abs ' M33313?? ? *mmmm’ 3 repeat last 4 bars until D)? _l f‘ repeat last 4 bars until D3 ~r p-—- J 1 M V I repeat last 4 bars until DJ! é‘ Gtr.1r IllilIllllI| I!—l—| §3§! §§3!! §§§§§! § §§§i§! §‘i3!§i§§§i ggagggageg gaag=1=1a=1=1L= |=g £=1=l= ll= EJaH= l=lEH= l % A| >s abs % its _ JV 3 as _ fl . . Gtr.1 4 L ; Z __, 3 ‘"3 J . .. .. 7 ‘nh ‘: i"". i _. ._ —— ‘f ‘ __ L1 ‘El 1; : _~: 1 ’ I if - 1 13-1
  91. 91. Abs obs as % % D Q a! Coda F5 05 ~ 1-“ ‘fin , _ . l5(I1Hl I7 15 % ; 3:24 $ CODA cs :55 am anus GMIE cs abs Vx. .-. So come on! __ Jump in the tire! B. Vx. So come on! _ Gtr. 2 B5. l 1 Dr. % % Gm amlalv GrnIF cs Vx- f- -11‘? U1 — So come on! _ B. Vx. - f ‘ J - [H 3 § LE1 I I i So comeon! _ 0“ E = §-'s= E5aIrig IE‘; Bf; '1 I , ,=—! —’LJIL= MI, ,3-’I4I’[s-= ’s-; [7%: 71?: -I Bs_ "L1" ‘JJJ = ‘&, v_;5¥‘g-r‘5v L, E'r£1;b1.L44b@~'17§g7f: °cfL_h—J. —v--J. 4,
  92. 92. am am anus cs abs F 1 - j— —r_1:Lri Jumpin the fire! _ ~ 1 t L - 1 3-1 13+_§-z—, g_Tfi1fi’:1P§+—‘-E‘-i‘§4: T_J. — 1 731": 7—{ 7'_v7.'z1:*/ -%, —-/ ._ | 112111 111% '1 1'1 1 1 Dr 11111111_ }11:111:111l11111{ 3 rFr-W F11‘ 1?r F r Fr 1 3 um om/ ab mnlr cs , _‘ab5 f 1 - E - W 5~E5=E—‘q Come on, jump, _ ha-by, now! . E7~%1Hi *3? 11 = 1 . :~ 1 1:1 1 1 H 1- ~-1 1 ~ I‘ 17” —1= * 1= 3 “§—¥}}¥—}__‘1jY; %_'l £11341 .57 1__Er;5v; —_5_y;15'LF1 J. !J. H
  93. 93. V‘ Gtr. 1 Gtr. 1 Gtr. 2 repeat last 4 bars to fade repeat last 4 bars to fade 4 4 —. ---—r» '1 15:1!-Ii—Is—‘v; %‘7'—Ii4II—Ii—II—n J A J T_: L’n'_yi: '
  94. 94. Gm cs obs am abs rs F. p g . _ . . . ,_ 4- _ G1x.1 p I7 | ‘5lEI§I'I‘15l5I§ 2!-IiI515IIHISI515-TliI‘5IE| i'III5IE-I5 zI'I: 'I'a-Is Is I‘| ‘I's-Ia Is III‘; 1615'! ‘ ‘I545 I5 21115115715 22-15 1515 2II"I'sI5I5II l515I5I'7‘-1‘iI§I51'l->I5I5 Ii ’ I I ' ’ I I +e~{, ._§, § 5 E J 3 2 +1 sis 5 I % % Gm cs obs Gm abs F5 (M) 2 _ _ , , , = 1 L F ' 1 7 GU11 J F % C : zII'I’5I5IaIi‘I'5Ia I5 I71-§15I51I“l‘5 I515 IIHI5 ‘I ‘.5 II--I: §~1i: "I"§ " IE I'l>I§'II"I§ "IL, II-I5IIl‘5nI51‘-I51?l‘§"I5li>I§'lI | ;:; ll 13:21 7 fill-115". IEI; -270 ' J I _ 5. J J J_ J J J J J J J. J J I I I p ; ’°J % (‘; o“: n‘: € cs nl»s Gm abs F5 2% gag-I, _. ‘_ , _ _ __ Gtr. l $L’§: EJ'— 5-. H V '9' _ = -I Q» Hi 1 3 '_3BI1 | -J-I15 t~I7;§" E11'*I5ul111 | !I7|§>T—3§—l‘iI5H‘l1i; flfij: {7—IfA JJJJJ JJJ}. iJJ_JJ, JJJJJJJF Dr’ 1 , _§'_§' jfW é % obs Gm abs F5 8 Gm cs nbs GU1 g4f£f3E FJEEF-Jag: JJJaJ. .J-‘_'H'uFu' 2 — — - II II ' Is " ll I715 ' . —: " , 1§'|7|7'I! -I7 | §-‘I7'I§" I5 I5 I57” I! ‘ 171! 1719 1719"] I1 I5 . A I, ‘ Ii-I1 I I1 —I —I7 I I] 15—I3— 15-1: I5 I] 1.5 I_: I I: I: ‘J ‘ IE I7 7 1 Gtr. 1

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