Pink floyd guitar tab anthology (guitar songbook)++

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Pink floyd guitar tab anthology (guitar songbook)++

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Pink floyd guitar tab anthology (guitar songbook)++

  1. 1. Pink Floyd 0 Guitar Tab Anihology - o f i. o o ‘ ‘.1 / , §
  2. 2. Pink Floyd - Guitar fob Anthology 9 3 I i t J I 2 1 1 ' 9 3 if @ ¢——. n.u-
  3. 3. 3, ANOTHER BRICK IN THE WALL (Port 1) . . . . . . . . . . . . . . . . . . . . . . . . . .6 ANOTHER BRICK IN THE WALL (Port 2) . . . . . . . . . . . . . . . . . . . . . . . .I6 ASTRONOMY DOMINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 BRAIN DAMAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 BREATHE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5O COMFORTABLY NUMB . ... ... ... ... ... ... ... ... ... ... ... ... ... ... . . .38 ECLIPSE . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . .57 GOODBYE BLUE SKY . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . .62 HAVE A CIGAR . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . . .67 HEY YOU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76 IF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86 IS THEREANYBODY OUT THERE? .. ... ... ... ... ... ... ... ... ... . . .9O MONEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 MOTHER . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. I 22 NOT NOW JOHN . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . .I 10 ON THE TURNING AWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .I I6 REMEMBER A DAY . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . . . I 29 SEE EMILY PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .I32 SHINE ON YOU CRAZY DIAMOND (PART V) . . . . . . . . . . . .I36 WELCOME TO THE MACHINE . ... ... ... ... ... ... ... ... ... .. . .I48 WISH YOU WERE HERE . ... ... ... ... ... ... ... ... ... ... ... ... ... .. . .I42
  4. 4. ANOTHER BRICK IN THE WALL (Part I) W Testo e Musico di Roger Waters M0tI(*raI¢-Iy J = 100 P. M.lhroughuu1 wIIh clean lone PP . I I I 5-555 5-%—fr—555-‘. i—5 555 5‘55—*5f5 55I I" > > >' > > >' >' >' GIr.2 > > $ >' > >' 3 > Pu. — — » — » - — ~ — 4 ~ - — - — ~ < - — - — - — — — — - — - — - - — - - - - » — ~ ~ — ~ — — — — — — — — — — — — — — — — ~ - — - — — - » - » - » - » » » - - - - — — — - ~ » — » ~ A — A — ~ ~ ~ — ~ with clean tone and chorus 5 5 5 5*‘ 5 5 5 ’—5‘ 5 ’5—‘ 5 5 ":5"? ! 5 5 5 ‘IT ‘5““'5 5 5 fr _. .__ : _ _ _i_ _ : _ _ . - I I 1 " I cl > > . > > > > > > > I I 3 5_,3 5"5X3,,5'*‘5%5‘f5‘I55"'5“55 "5“5“5 5'55’ 5'5'*—5— 555"“555"5*{I5 55 >' > > > > > > > PM . _ _ _ _ _ _ — — » » . . . . . . . . . ..4 PM — - - - - - - - - ~ » » - » ~— I I 3 5 , 3_,5><a. ,s——5555——55 55 5-55 55-9 55———-5 s+5r+s55——5—s > > >' § $ $ > > > > > > © I980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Edilore per | 'IIaIio' WARNER CHAPPELL MUSIC ITALIANA S, p.A. - VIo G. Fora, 39 - 20I24 Milono Tutti i dirini sono riservoli o Iermini di Iegge. AII righls reserved. lnlernahonul CopyrigIII secured.
  5. 5. RV‘-_--— —--‘m >' >' > 3 >' > Drn = .ii—%= '*-—= ij - Dad — dy's own_ a—cross the 0 - cean. Clr. l anal 2 . — — _ 5 5 . _._—: j—— . 1 -1 5151151151 j—— N —— : — — — ——j: —j—: — 5 5 5 5 5 5 5 5 5 5 5 5 PM PM 5 5 5 5 5 5 5 5 5 9' '5 5 5 5 5 5 5 5 5 5 5 5 1 5 5 5 5 5 5 > > 5 5 5 > Wm] Clean [one and chums lel ring with Rhylhm fill I Rhylhm fill I (ilr. 4 Dmh/9
  6. 6. C 3' ‘--i-— 51; - t . . > > > > ___ _, _ . .__ __ . > 6 = __ h _ , .. _ _ . > . _ _ 5 > > _ _ __ Nu m. > > W , __ _ > > ,3 __ ___ > > . > E . 5, a . m -5 . 5 T I > 5 _ > > ___ . , ____ > , , w > > 5 ___. ll . . . > . > . > . >
  7. 7. (23 5 — I 15:55 55555555 5, Dad-dy what elsej did you leave: for me? .___ _-: —T-5——- :55——55__—5 -: —2————? -j5———- >' 5 > >' 5 5 >' f V withglistortism and chorus »- - , 5 "j': "'_- . xi 5 Dad—dy. whatd‘ya leave be—hind_ for I 'm_': =Z= ==$-—= --5': 1: =1 =3-55' Z _- > : » >' > >‘ 5 > 5 > 5 > > V :5_—:55?5_—— 5 VI .1-255_5—:5 :5 H -’ > 3» > > > - 11f with clean tone and chorus > P. M.- — » — 2
  8. 8. 10 "T"'K. '—T'j'-'1')- ‘Iflfln= -:‘-- _ D m 5; m just. bricks__ wall. the all All in al| A it was -— i: ‘Z—:1—11 m: —“_—‘—-3 _- nl III II If I-5 II II In I! ll’ Ill II II ‘Km--—_-2n 5 9 5‘ 1/4 5 5 55 > 5 T? ?'—7'7‘ 555 > 7 ?77‘ 555555- 1 55 > 5 > >« Clr. > with clean lone > ___9 lel ring ___? f VI 2 1/4 Livj11_Ig— -/ * © luncdln D
  9. 9. Glr. 3 and 4 "’ > > 5 9; 5—~ss ' >' 5 l__ }'? -—5 5-5-5 5'—55:55'—%55 555'—5'55 555—5—5 5—'5"55j5—55 > > > > > > > > > > > > . -7- ’ -. -:j—-—2jj—j—j2jj—-gggj j j jgj j ? jj : n:j- '. <;. _-= =l. ..I= —l: =$Il= =I- = ' — I! III . . > > > > >' > 5 >- > >- >
  10. 10. 12 5. i_. _: 5. 5 55.5555 5 5 5 ___ 5 5 ___ 5 5 5 5 _ 5””. 5 . . .5 5 —j——: j_—1u: ——1———-1 ; jjjtjjtjtx 5 $ $ § 5 > —‘—-“-221 > with schoolyard sound effects 5 > >' 5‘ V, 11 1__——1__~; :.——— ni'-=11-lj-1"-—; -: >
  11. 11. 5—5—555:5—5—5 %5- 1/21 122.’: —u1-1111-= = 3 31 1- 15.. — > I 3 1 _ 5—5%7—5'5—5—'555'—'-55
  12. 12. 14 fi j. — __ jZ—-1:. —- tj —1j-—1—_—jf_: -1 m-‘n%%'= =-—: -—------—-: —-: = % =2‘-'—: """""‘—: §" § >' > >‘_ > > > >' >‘ 5 5 >. >‘ >' >' >' >' >' >' > >' > >' m 1/4 1/4 j I Z51 LC ' > >' >' >' >' > >‘ > > > > > / / }1/ / / / x 5. £5 (g)_ )1 ' (g)_ 0 ’ ' cvcn bend
  13. 13. -rum : S 1/4 even bend 1 _l]ol_d_bcnd 5L 1 Z2j: Z————f-tj jjjj: > / > : I: §: ::: :iilII: i:; ::: -——: =IlII; ::I-IIIIlll-IlIlII-I-I-I-IIII-I-I-IIIIIIIIII-III - III - III-III-II-IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII aa- 5 § 5 > > '11. > :5 'j——. ——jj—Zj-: _21-_Z-- kI’-—“—-2- > ‘I4 9 : $ :5 9r55S5:5-‘55 5'55’—‘5—fi > $ fade out I I hold bend
  14. 14. 16 ANOTHER BRICK IN ‘I'll! WALL (Part 2) W Testo e Musica di Roger Waters Mmlerult-Iy J = 103 Um 1.2. We don‘t need_ no Verse 2 sung by children's choir 8va wgf wilh distortion -~s-~ Clr. 2 (0-lc-1'. ) ‘,2 1,2 ‘$- 7 5 ' 7 7 T 5 T‘—7 -~. ~ Clr. 3 lrlt-1'. ) > > -531, 5.)? ‘ —-—-Q-- . ME I 0 RM. Lleun lone with flanging > > 5‘ 5 5 5 5 ‘II VIN! “ i i H55 . b.l -L351-5 # we don‘t need__ no thought con-lr0l. _.555 © I930 by ROGER WATERS MUSIC OVERSEAS LIMITED Subfdllore per | ’|! u|ia: WARNER CHAPPELL MUSIC ITALIANA S. p.A. - Via G. Fam, 39 - 20124 Milano Tufli i dirifli sono riservavi 0 termini di legge. All rights reserved. International Copyright secured.
  15. 15. 17 dark sur » ca. sm55 n 0 751. J» 1/2 ~ F00 IT] . the class ; F—'-L65
  16. 16. 18 L513 5,91 J Teach kids 21- lone. them - er Icatvc 1/2 9 7:8 with till I RM5 47‘ 5 4-444 555 3 3 5 0 ? ? —7-7777 0—O—8B0'0—-9 7-'7-7?? 77?-? —-7-—7-T77 9—0—O-60"'O'—G 777?‘—7'7?-—-7-7 7—~77'-*—7?-7-77?- 999*‘-6OG—0*900—9-D ? —-?7——? *—-7?77'~7-7?? F <7-7777--F7 99-'-O—9 ? 7—7
  17. 17. 19 ‘-1-—5! TLTsa* Hey. teach-er! Leave them kids a-lone! _ ' teach— er! Leaves kids a-l0ne!5 vibrato bar , {. %/x7./ —— . All in all_ it‘s just an A #0 19- vote a—e 17 i 1' 1 1 66 we a +e so see 9 1 i 7 Mr 9— to 9 9 —7———7 2 2 2 2 l_ - oth- er briCk5 in the wall. . $°T. . 4 2“ Ictring 0-0-90 00-0-90 5- 2-: o—e——ee 25-5-5 5 5'-5-55 555-5-5 5
  18. 18. 20 at J 3" ; jr': {;: —4 -3 All in all- it’s just an — - — other brick in lhE'/ wztll. All in all- it’s just am — - — other brick in the
  19. 19. _! ===5-{$1 _, -;j l)mA ,5 ' ovvvvvw C/ I) / (0 ' ' . ‘ / - . A . — h? L. " _ ' ‘T. I _' . t - - = . /1 __ __ __ . 3 PM rake slow release 2 - - 112 ‘ 1 I ---- . xx 2’ 5 7 5 6 5 1 7" 5 ' 5 7 X 7A5 6 fi *9 i /1' 7 x EH-EI'JI%l'i'l_«! !!! I!! E'= :"' -22:‘-—j_j 1/0 (71) Rhythm section fade out with vocal ad lib. with schoolyard sound effects
  20. 20. 22 . ... £‘§'FE:2*3ia‘. <3Fr‘F. l.' FNIFr§. lii'_E v Testo e Musica di Syd Barrett 4‘ - = 86 llil (ytr. l (r'lr'('. l l)l: a|<lrl‘)l)/ (pl) l‘: Dll: Irltl‘)l; /bl) #”l* I ma H 7% % £ 1°+‘f¥: ’*I 3:1 and lim - pid green, :1 sec-ond scene. a fight bet-ween the blue :2 X $4 )G X 44% X xx 31 $1 -- M an Float » ing down. the sound rc— sounds a ~ ‘. . © W67 by MAGDALENE MUSIC Ltd. - Editore originale / WESTMINSTER MUSIC ltd. - Editore cedente Sub-Editore per l'ltolio: ESSEX ITALIANA Edizioni Musicali S. r.l. - Galleria Del Corso, A - 20l22 Milano Tutti i diritti sono riservoti C: termini di legge. All rights reserved. lnlernotionol Copyright secured.
  21. 21. 23 round thei — cy wu — ters un - der-ground. Fmujr/ rill E mt ‘ ‘ . 5 2:. ..- T MIT . Ju - pi-tcr and Sa—tum, 0 ~ be—ron, Mi- ran-da and Ti - tan - ia. L; -4-2 2—— ~9---- , . 15 2 9 2 o 2 +5 13 19 15 0-— 1 o 3 1+ 1+ +1 (:8 stars can fright — cn. .. _ -Z: jj22j—-—j-———: ?j‘—-2-: j— ? '—"'" j2_——j——_j‘-Ijnil — 2 -O! . ll Gtr. 1 cont. in slashes ‘ A5 Abs ms i-“its F5 was El;5 D5 A5 A175 «:5 His 0 r. ‘ * . . . . i 2-. lxillll fit! MIMI "CLULECLULQU l_ll! l GLKLQJLLCT —+e— is 1-2—— nj 9 ——v— +9 «- lewjae if H-—-- 2+9 9 9 1 H - - "‘ Kbd. arr. for Gtr. [Cl I! ‘ [ll I ' a ' ' I
  22. 22. J W/ Will]-Wklll & phuscr "“"’ , _ . _7hE/ EEMQ 9r—0 f3—f‘9—‘19*f9+9—19—191‘&18'—19 411'1--1‘t4I1HHt‘t“t1?1$fl11'—$1*fl‘1-‘FQH , r:__,4?~. ,,. e‘,4»—-_‘ 9 __ 49 l 74:.7s—? J.:9»7—e—? —e77—575—7—se~7—e7~+~; 2_ F2 __ i "W I _§ __ ' 0 ml trills, sound open A ad lib. 7 . J H H! 7! 4’? -—-—e/ _r:6 197 _
  23. 23. 25 l"; ni: iJTr‘| I: l7llIn; ijT/ I I: li E. » Q. ii 2 li? ghziscr & V'uh- uh off H2 E 2- V 9 1- . l. i 3 l al §: ft. 9 0 0 V 2‘ f '0 z— N-1044 1‘@'112‘t'4“2 llLLl FULL FULL FULL F'-"-'- ‘'-’'-L FULL FULL FULL FULL FULL -I-I}j1OII:1ZIIlZ-T H- 19 1913 1911 / +2 ><x+s'?2—1e / Flimjf/ l Ill Ctr. 3* * S)-nth. arr. for Gtr.
  24. 24. 26 “(L .31 9‘ Play 3 times " free time Kbd. only 3‘ band rcstirncs. :1 tempo s. f‘ 3 '3 5 r fitfiie‘ «sgéé lei FE’ _H; ..rft‘ Br fljfi H “H . , NZ. 8/ W4/n 4 a» m u 3, MA A HH 8/ W. «N H N w 4%‘9.?0 lb. .. . . oo42._. .+ +o4.4_fio oerflifi . _«o. .3.+ div . ,T. {.. l FULL FULL / FULL FULL ? LL FULL FULL FULL "*1? . Z'** ,1// ?9*t3"“t$ Ffirrmj T/ l I ll o——+a I" 2 2*22 Off
  25. 25. 27 4-‘ 4‘: flick — er flick - er blum. flick — er, flap, signs ing Blind -
  26. 26. r. 5 (Lil ' 7-I lllll . i.! U:I. — a. ._j-I | IV Stair — way scare, Dun Dare. who's thcrc? T__. ..__ green. the sounds sur — rounds the i - cy DIII/ F *D Dm *D Um ‘ D wa-ters un- der. lime and lim- pid green the sound sur — rounds the i— cy wa-ters un- der - ground. swell effects w/ vol. pot
  27. 27. 29 BRAIN DAMAGE W Testo e Musica di Roger Waters Mruleratr-ly fast with halftime feel J = 13] lntro l) Glr. I mill 2 74,- with cleam tone and flunging with pick'und middle finger throughout let ring throughout ‘ 21- ' 2 ' Z 2 T '_ I Z 9 5 . 5* j ; I g I ; -Elli) '_: '_—'I “—' -I ILd—2-— OK: llnjt-I -1 Y I P ever! Bliss. {T '—1fl15‘<?4 M D GT/ D I - - J E J 1 U ; a:J_— fil . t * Thelu - na-tic is on the rass, _. E 1 1 1 , 4 ‘ I. ‘ D‘ "IQ-——-. I ‘ II -_7‘‘ I. .- -I If - D‘ U _ k_-_—= ‘—IX ' ' 9 , IR 0 o l : ' 2 81:1 . . . . . . T '? 'iF:5— even gliss. L cw" gig“. T5 *5 T5 I I I M © l973 by ROGER WATERS MUSIC OVERSEAS UMITED Sub-Editore per l'ltalia: WARNER CHAPPELL MUSIC ITAUANA S. p.A. - Via G. Fara, 39 - 20l24 Milano Tutti i diritti sono riservoti a termini di legge. All rights reserved. International Copyright secured.
  28. 28. even gliss. {T A7 D Dsus2 _ i got to keep- the loon—ies on_ the path. _
  29. 29. 31 D CT/ D M1 is in the hall, . 3.. ,, ,,, ,,, .. , . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . ., Mach. vihruio ——*" W r——*‘ ‘ D G7/D I"lfl: .. ._ j ' 3 _ I . . ; .Lr. ..i. ..i»i. t+= ~ t Fri the lu — na~tics are in my hall. . .s are-fiezfign new éga- [EH2 . i 8"” ~ ~ — — — — — — — — — A — — — — — — — — — — — — — — — ~ — — — A I. L I nv'; ‘Ii I I 1'. ‘i - " -I . j1: ' n I I‘ . -i ~55 rt + the pa — per holds. .. .7. their fold— ed fa— ces to the floor, and Ir’ in 1" I ‘ lei « 3 7. ‘- Ii’ 1‘ It a j iI. .$i . 4.’ ”' " I “I’—’ ‘ —‘fl I A 7 7 Ml’- $. i . ' 5 ‘ 5 ““”' - -2- A 2 4 4 —4——4j -& -0- r —e w Mech. vibrato 6 ‘-0-
  30. 30. 32 (I C _ . y _ T a +~r. «e~i~e. _rre Frrerreg man— y years too soon and if there is no room up- on the hill. -- fig; fiflflw est; e% %+. ;.: Lee—* »_. i. ~‘+°*‘**i. F ii*~r*ri. rHe‘w: i@ ‘$34 1.5 J 4 ff: ?3“ai 35 ° . .Tf§2:L$. :__e+: +j
  31. 31. 33 l’ll see you in the dark_. _. side -. - of the moon. (2 Bin? Em? — A 7 “ ' $8/tr : l‘8 ~» lag’ T Ah. %7--77 . ah Ctr. I EIIHI 2 set 1%. . e Fm efigu WFQH re$a. *j$s: %.. : Tsfi«. figl@fi7F. *; slide guitar %s _ Q Q T I - 1 ~ v *5‘? ~. T evengliss. : i Tm? “
  32. 32. even gliss. TS f I) E/ D rag? we; E “ You raise_ the blade. _. you make_ the change. gm — - - - - - - - — — - - - - - - - - ~ ~f ~ — ~ ~ - - - - - - - - - - - - - - - - - ~ ~ « - — - — - - - - - - ~ — - - - ~ Mech. vibrato %%€ '2 P even gliss. To l - A7 - - D D. -iIis2 2'51! :2 — if . _- = _= ‘fit: 1- 1- 1- j you re - ar- range- me till I'm sane. Cir. I 5 9E = .-_-I§= :'. .__= z HEEIE ( l l ) (Gtr.2 repeats previous measure) i 2-? . we . —-o— —————o— —-(-e~) e— —o e —o o ' 0‘ am ----------------------------------------------------------------------------------- --1 -7: II ‘ 7 ID II 2 LN‘ —
  33. 33. 35 D E/ D You lock the door. _” and throw a—way__ the key _____ . . There's Glr. I and 2 5 , ~ §fiaJ gm _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ . . _ . _ _ _ _ . _ . _ _ . _ . _ . , . . . . . . . . "T 4) (‘T D7 D‘) G
  34. 34. A —;3:: :Dfi: _“4 EJQQ thun—der in your ear. T you shout_. and no ~ one scctns lo hear. _ ? :"—t“§g; Mmgd : ‘* 1 -2 -0- $ 0 w 0 val. » (-2-) :2— , s ,5- . 5-5 1070 And if. the band__ you're in" starts ‘FEJTFU ‘L H73 W373 { 1r 9 o —o—: ; W o -49 o +—- tr e e o o -3- o —e— -0 9 «ea -- Er +LIJs3?? :F%eW§W 5" play- in‘ dif~f‘rent tunes. I'll see you on the dark side— of the moon. ‘ J3?“-“%avs'“er‘w;4hr% 9 I .1 -9—~k 7*‘; 4% *7 °‘+ O 2 2 2 —j2—( ‘J 2&4 2=+2~) e . o s 5 9-—___ r -1 _@ Viififirfl
  35. 35. uh '| .jZj. u1 -jjjufi -jjju ’ Efiii‘. 1 ; H1"! ' Ifjjjjjjjjjijjjjjjujj L . jj$~j—.1Cjj—»~jQ. ZCjjZ jj njjfl jj njni‘ -'_. ‘;‘1——. J——L—‘. Jj‘j—-j—‘jjjj“ ; .I V? ,_, u
  36. 36. 38 €flll: l:; I‘. l.: ®l; }rl'i. ‘E. I’E€lxl‘I~t’ lti. E.FI51lIa Testo e Musica di Roger Waters, David Gilmour Slowly J = 65 Intro “In Bm with echo repeats -4 gee - I - 13;: -1 “"- l“l"“"i" -"“‘l“l Hel—lo, is there un- v— bod— y in there? Just nod if you can with long echo repeats } “ 9 , _w_, ___ -2415?? ' I _J mf slow. even slides throughout L f_F”"iF keyboard arranged for guitar § % Ig gg - LL '0’ '0' i 2 2 “ “ 9 '5- 4—- 4 1 -; *-- (} [(}/ l'‘II) Fan? Bstisfl . _ 7 I’ I -—- f 3 a l J ¥ 3 f E Ti A I . V hear me. is there an - y-once home? Come on now, ” I hear you're }EiX“‘3r% Ctr. Ifilidt‘) J: §— 1 continues simile +2 -2: 2 e— —-Oj -4 -4- ‘Oji- _, l 88 It. tltn , ..7 __3__ ___g___ _j -5 fl-‘O- © I980 by ROGER WATERS MUSIC OVERSEAS LIMITED / PINK FLOYD MUSIC PUBLISHING [TD Sub-Editore per l’| toIia' WARNER CHAPPELL MUSIC ITALIANA S. p.A. ~ Via GrFora, 39 ~ 20124 Milano BMG Ricordi S. p,A. (ex Edizicni Fomo s. r.| .) - Via Berchet, 2 - 20121 Milano Tutti i diritti sono riservoti o termini di Iegge. All rights reserved. International Copyright secured‘
  37. 37. 39 (2 (G/ FII) EH17 B. ~u. ~2 J I. 45:: :5: A I can ease your pain_ and get you on your feet a-gain. ” J *4 —2 2 2 2 ——e 2- 9 3 I2 2- 2 42 2 I 2 2 2—— 2 2 -2- o: —- xv 4 4 4- -4- I -2 2 2 2 2 —2— o——- o—— 4- 4 4 4 +— I 0- —-0 0 o —e o 2——- -2 2 4 2 2 2 I 2 o——— ---- -- ~ ' , - J. ~Il. ~4 . - as 35 J 35 I‘ ‘I W I'll need some in — for - ma » tion first. , _ A I 7” I __ with slide guitar fill I 2 -~ W ms 2 2- -2 -2- 2 ~~ — — 2 2— o W — — o —— U ICII) Em? Hm? ‘Mi- the ba ~ sic facts. , . .., can you show me where it huns‘? OIOOQGD MBIOCD Slide guitar fill I slow, even gliss
  38. 38. 40 Pre-chorus Rhythm figure I (keyboard arranged for guitar) 5 7'“; 5 7’*s— 5 7"5 1"+ I 5 5 5 5 5 5 _ WV 5 7 4 ——¥—- 7 I 7"e 1"s 7"s ? "s tant ship. , smoke §§; ‘L;1-["”'£"C Q2 = ;r5fii? —% + I E / ‘ You are on - ly com - ing through- in waves. {T ‘ %= s% ‘£—~§ 1 i fir 3 I‘ 3 ' 2 i W 0‘ ii’ I 0 -9 0 0 9' -0- 0'--9- 9 $ 3 - 8- % 1 --—1- I 1 1 -Y— Q -1 1 0 $—0 0- 9' 0 9-0- 9 0 0 -0- 0 4 2‘ f 2 2-—2—- 9 2 2 2 2 -O 5 ‘-9 9- 9-9 9 -9-3-‘ 9 5 3 ""§‘ ,5
  39. 39. 41 (CT) '*e say hear what you but I can‘t I Y- 0 -0 11-‘! 990 2 3 2--2 3-9 Q 2 3'-9 end Rhythm figure I / , to 5 . A. fc - 'er. _ had a I was a child, with Rhythm figure I 2——2- 2-2 -2 2 2 2—2 2——2 0--fi 0 o o 0 (5/Ii haI~ | oons. _ —2222~—2—22 2-223 —2—2 22 139 2 0 Qfi 0 2- Q 2 2- 2 2 2 0 0-9 9 2 2 2 6'0 2 2 2--? 0 9
  40. 40. A: T 3 *’1 - plain. you would not CX can’t — ing oncc a-guin. __ that feel 3 3- fl 00- O0*—'0- if? 93 9 »3——&—-9 woe ooe——eo—+ ooe— o~o —2—2 as 9 so 333 1~1—-o 0--0-0 ow §——§ 2 2° Lt 0 0 1-?1 1 9 G*—9 2 2‘? —9—‘‘-5 3 1-1-- 09-9 2-2‘? - 9-5 3 0 I $ 2 —-2 9 how not is This der— stand, ._ C horus (ilr. I (Sula) I) _ numb > 3 com-f‘r1a— bly A (3/3 C. ~u. ~2 E F’. ‘E - T have become_ Az<u. ~4 x. ~n. ~2 “ - l_. T rake end Rhylhm figure 2 Rhylhm figure 2 -06--9 X 9 f't2’2-2-2 XXX- 00—O0'fi-0 93*“9i9 2% 0
  41. 41. 43 vihruln hur vihrulo bur H vibrato bar %§*§% vibrato bur vibrato har vibralo bar vihrulu bar 1/ I 9~H 7 -9"‘?
  42. 42. 44 (L f Vthrulo bur ibrulo bur i “A £74 3:? § rukc slow. cxcn hcnd I 91* *5 :1‘ 1 ii i *0-—&**0—~—"-:0——0-—‘0 0~——0 9 $ -1“ Y 0 0 0‘ 2 2 2 3‘ 5 ‘*9 $4! 0*-23%‘ & 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 S -3*'3-9 “-9 3 6 3—*9'—'9 -9 0 9 0 0 0 0 -0 0 0 0 0 0 2 W‘ -2 2 2 3 3 5 0 9 0 0 0'0 22 99 0 3-3—&-3933 9- 0000 6 0-0-00 2 0000 *5 22*! S'9'—9'-‘S 1 0 2 3 1 0 "2 8 1 0 2 S 1 + —o—e 2 2— 9 5 »—o——o—~e— +—r ~—1 o 0 1» 2 3 ~13 C L’) (i: ~u. ~;Z C/ B A Chums . v. ~lt~4 , -, ~'I| .~2 hmc .3 I hold bend with Rhylhm figure 2 Lu». . .mT , &_, .b_ M _ méw ITL1n ilfll r, .. m fl 2 m WA o M _ Vihrulo h_ur them‘ ll be no more just :1 lit-tle pin— prick, e+oo————ew¢r 9-‘ —e—4>oo+o—o—o -2-: 22+: 222 2—j —2—42 22 2———2 4222 2‘ $9 e——oeo one 9‘ 2 2- 2 2 fl‘0 8 0 LE4 B. ~u. ~2 1 -4 il "2—22f 44-—-i—4 4II'd—'4 -2222 MP3) Em: % ti‘ But you may feel a lit—tlesick. 4-0+4-9-)HH ——53 oo——o— woo 212- 9-99
  43. 43. 45 : >lI~2 3 7 L 7 ‘F {E '2 ‘ , _ - - at , ‘ it .2 153. a stand up‘! I do believe it's work-ing. good. lh'.1I—'ll keep you J»s E 1 7*“ 23¢ a 2%’ §i3'§'_3" z J + o -2 2 2 --42 e 9 —o——o—— »~—e—9—o— 0 0 0 G ' 9 0"“? 9 2 ‘ 2 2‘ ‘2 9 2 2’ 2 2 2 ‘2 ’2 2‘ 2 2"‘ fl 42- ~49 o o — o 42 e e U E1117 B. -u. -.2 _‘i I. — f . . 77 fl , , . _,. _ I E ugi J , ,, ,, , going through the show. ’ come on, it‘s time, to go. Pre-chorus (with Rhythm figure I I $4; gig“ Q2; (. éL”AaA‘_g; :L* 1: gg g fig 5“ : ']1_4:’__i There is, , no puin__ you are, re-ced ~ ing. i A dis — t. '1nt. hip. snioke on the ho — A C/ B (I { 27‘? F . . F . E K ; F. E : __ fir‘, , ,1 ri~7.on, , You are on — Iy com - ing through in vv; ites. , , , Your -J11 @153 Kg 1;; if Q; ; Fir m~r-2; 5:5 lips move. but Icun‘the:1r, what you're say — ing. When I was 21 child I_ caught :1 I J3 j"‘ D c: CST‘ _, /7”, I}/ II ___} , I‘Ieet—ing. ., glimpse. out of, ,. __ the cor — ner of my. eye, <2 ,4‘ A A Q / s ex rx , ’ _ ___ A k I , 4 r , @ 2 S: fii£Le Li I it put my Iiin V uer on E Itumed. ., to look. bu _. was gone, A I can-not
  44. 44. A 1 L E E? J Thechild is grown. _ the dream is gone. . =_, 7- E ax . »-5‘ f I H _ . I :5 (use lor lust bur nl Rhylhm figure I) 3 — 3 &————————————-—-—————9—-n -—- 3 , _ 9 A 43 A , _ 3 I E — _ 5 4 -5- 4 5——4 5 4 5 ‘d Chorus AuI. ~4.‘. ~|| .~'.3 (I/ B (, '.u_~2 (; ,-', J “rE; ‘J; ;f—. ’+L—3_){3;'J: —-H}: have he—c0me com-f‘na—b| y numb. _ (; g.«, ¢.. |.-. ».. -M -- wi1hRhylhm figurcll of AH‘ dlvm _ wilh dislorllon “5 A5 us I)/ I-‘fl E. .. (; |V'.2(5‘0|u) , _ -J -~ »» 3 ; §€*'* ‘fir gag W ; L_: .;_J 11/2 ’ m «five ' ' ' 7 9% « 1 +9 % 2 e o 2 —x— r 2 0 A5 Q/9% J - with feedhurk ul nclavc and twelfth K. Q/ §Qr§r%% '7 (H3 '1
  45. 45. H5 En: D/ F3 Em j 1.: - 1-9: 1 at .9 A 5 I I : .. :.= =. paniul A. M. 2". 2.; 1 _ AM. Ill
  46. 46. " ¥ K —. J II 11.; rll rj-—————1n-g_: —— —-——aun4i.0'¢-—r——1:: nfl&-rwu. gr: vv1 —jnuIuE5:rr. (:I| I.. a Ll —u n: .1I—hnl—— 1:—.4.A.4 j j I 1- I: . . , .;. L,, ,
  47. 47. Em as may ml, 11 Hum W rm , , "N . % has .444 » ho . 1 H . . . W, . 0 220 h H > _ U : :.F.1_ F xh $4 hizw 151% f > >7 . .r H T > >77 A rm L. . A m; & 4.7 >. . “_ > x am > > 7 v >A >7 Jllf F44 2 > >.7 —2 > £1 )(*-? '—)(7 X e o 2 2- o %§fl§ > 1 -4- : I-‘- 2 —9——7 9 o 2 , _ 0 DIN: Fm >r , _ / go vihralo bur I I . .2 ‘ ggnsalnnnn (L3 II. .$IC flu:
  48. 48. 50 BREATHE W Testo e Musica di Roger Waters, David Gilmour, Rick Wright Moderately fast with half time feel J = 126 Enntaililv) A / i~‘II. ~‘4 A wilh helicopter (; "_ (, .], .(. .) sound effects mp with clean tone and phasing lel ring throughout EnI(au|4|‘)J A A7.vuIs4 A7 Ch‘. I (vie-I‘. .~IirIt') En1(mI<l‘)) A with echo fade in with volume pedal even gliss. Mechanical vihrnln Mechi vibrato © 1973 by ROGER WATERS MUSIC OVERSEAS LIMHED / PINK FLOYD MUSIC PUBLISHING LTD Subfdimrg per | '|! cI| ia: WARNER CHAPPEU. MUSIC ITAUANA S. p.A. « Via Gfura, 39 - 20124 Milano BMG Ricordi S. p.A. [ex Edizioni Fcimu s. r.| .) - Via Borchsi, 2 - 2012i Milano Tulti i dirini sono riservuti a termini di legge. All right: reserved. International Copyright secured.
  49. 49. U: 1 FnII: uIuI‘)) , —-———-T-T‘ ' ' ' ' A Uxthflltwl A 6 - f ‘ _’ , 8 : . J E - L Mech. vibrato ---«v-s-~s~. -~s---vs even gliss. WI I II I ‘E: II ! !‘4" . . ‘II I ! .| Um III E till . .I! in I I I Ctr. 2 (. ~‘IiII¢-) Em(n«| iI‘)) A I CH1 I I-Ii<II‘) even gliss. TR . __. — I I III III I I c 1-TTjnT—7 = == = ‘I It_‘Qd"'ii: !:1"_-: _j_—jj"__—‘T—“‘—“-_ kIV‘—— -. -f_— -__. ‘--‘_--‘__. -—‘--—‘-M- . . 3:: -—- -—- Clr. I (slide-) Em(uiI«l‘)) / I even gliss. Mech. vibrato '_. -1 'EE'—'“‘E= =
  50. 50. 52 Utr, 2I~IiiIu-I _, _“, | I‘lInIauIiI‘J; —; even gliss. :3 “I I 3 HH Emi auItI‘)) _ J Ctr. J (slide-) : “"""4 A ‘ ~: (Rd, -I cxen glint» (Imaj7 Bm7 LTFWW _ n"—'Tn W CV9" S“-55‘ W Mcch vibrato L-
  51. 51. 2'35‘ I I / I III III even gliss. g L I | | I , — _, ijvj-Tnuvaujlrtanjl Mo: j, 'It. l‘: I MM jjn I 1a TM: :4 I I _ Z: - ex Em? A A. <t| s4 A H I Breathe. breathe in the air. gm - - ‘| . x _ : ':‘l: ZIlIKI : l = | tits" ' Mg ! L'4 M L even gli-<33 even gliss. slide off fingerboard -71 1:12 o T3.- v. m-1 & - I. ‘ j j ‘I. —- . _ 9; I I 2:! IT KW‘ ‘ ’ . 2 I _ ‘ -‘ ' / Iel ring throughout 3 ‘ A »~u~/ I A | —— ‘ 2 V — — Don't be a— frzud__ to care Z <a es
  52. 52. 54 i; ;” 9 ~~ / $1 ”m%fi$ sr Mech. vibrato ‘——. ___, ;__ ‘__. even gII. s. at choose your own_. ground. For even gIi. .s. I’ I “ I 0 e 2 a I I» + ’ ’ ’ I W’ ’“’ I o (In| uj7 [—. '-‘#1 B1117 you Iive. , and high you fly, and smiles you’IIgivc. , and tears-" you‘lI cry. Mech. vibrato Mech. vibrato ‘—
  53. 53. 55 I-‘mm C or/0: I17/‘II; All you touch-" and all you see is all your life will ev - or be! __ >-e em Eh- Rf» I"? I*: *I WE fififl Efi ”“¥iE— * :3 A . ‘ 7~u. ~-I : 7 ,7 . : _ _~% 1 -I ' _ I-unt___ go — — — — — — — — V — — — — — — — — — — V ~ — — — {T3 T _ / x / — . fj‘ / even gliss. slide off fin vcrboard Mew" “bmm 1= ‘vi Em A A A A7.. ...4 . . i: ...7 A A . MT {‘*~— I T tut»? @ Dig that hole. ~_. . sun? When. “ at last, _
  54. 54. A ATs| I.~‘-‘I AT Em? Mech. vihranfi even gliss. 12- A &——-—~ 12 1-2 +2 4-2»44 I ‘é er one. For long you live. and high_. ,, you fly. _, but on-ly if, you ride- 3 i I I I I L. "W LL nivj- I I— — T I_ - i , _ the tide, and bal-anccd on-1hcbig — gest wave. race towards an ear — ly grave. * A . / v ~v~s~ "Ii" 3 "B "" " — "'"—‘_' [$2-: :=1:z1 ' g — ‘=5 --- 393* 5 Take CV9“ EH55‘ Mech. vibrato even glissy Mech. vibrant: Zr __: _T%__ ‘¢%‘5‘§f§% " 92 (1 ,2; $. _-3 '-x ‘ * Me‘, -h_ vibnuo } i Mech. vibrato 1- < even gliss.
  55. 55. S7 l3tCl’: .El? $E Testo e Musica di Roger Waters Moderately fast with half time fee] J = I30 I) D/ C Biymafl Bl7nmjT/ Si; A A7 Ctr. I lt'lI'I'. l J“'i*r—liiJlii%'L}}§J_533E'J}i mf with clean lune. flunging. and chorus lct ring throughout mlglm‘ ”l°’. l.: +*"“l“°2tl Ulr. 21 to-low. ) 11¢‘ with clean tone. Hanging. and chorus let ring throughout '° 7 l. m“”l°“”* ° l’1°*fi 1) DH} Bi>niuj7 gh I I . r l; : 7- A . L_ i All that you touch. and all that you see. all that you / —S © i973 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub—Editore per | '|tu| ict: WARNER CHAPPELL MUSIC ITALIANA Srp. A. - Vic G. Faru, 39 » 20124 Milano Tutti i diritti sono riservati a termini di All rights reserved. International Copyright secured.
  56. 56. t; l,. ..; .j: /5|; A7 I) all you feel. and all that you lE: Rhythm figure I n/ c trlmm 17 Bi; maj7/ .1; -:1 I 511 - [Q-£; _ un- T1‘! ___. love, and all that you hate. _ all you dis-trust, __ D = %%-—-=3-étjtfi all you save. and all that you give. and Clr- 3 (t‘l¢’l'~) Mechanical vibrato = , ? :,r———? q;l€ P ' with semivdislorlcd lone
  57. 57. rm: |; l,. m., '7 Hl, m4.. j7/. '.l, 7 that you deal. .,_ and all that you buy. " beg. bor— row or Mech. vibrato r/ E3 H; F air? ?? And all you crc—ate. . and all you dc— stroy. Med‘ Vihmmand Cu. ’ 1 and 3 Mech. vibrato --~‘-‘-- ya .2. m . L—}§ me l _i5-? '—9': i9)r-9- *h9 1 cH_; g : .L; g;r_g_. r + 5 F—1=_‘:1 Binua] BI7lIllJ-/ b A7 I) . — + : {@~; +_r4«; rr? —Ivrt: -rrfi . Mcchr|1;i; t[)m“‘you do. ., and all that you say. Cant‘! all thjat you Ldl L; T ; -gtjl 3'j: J_ l J V , W 7 » } V2 , l T +1" 1 ~_o-o—— , e W
  58. 58. III; |llitj d n M A a n . .. 0 2. ___ __ m m m . .- . .. u _. _a . .= pl n . 3 0 n ___ __ m U Ob ru . m 2. m y h R m . .. . . M
  59. 59. I)/ ( I . ._ - 2 sun is no — ‘ the sl» £1 but BhmujT/ rilnrd. fir . %IuIu= I:': ‘-5 ‘I111? I . ' 3 =51 Biimaj ITIOOH j 1: . D sun by I the . _
  60. 60. 62 GOODBYE BlIlE SKY W Testo e Musica di Roger Waters Moth-rately J = 109 nylon string acoustic Intro Gm] N. ('; . (I); Child: “Look mummy. mp there's an airplane up in the sky! “ with bird and airplane sound effects for approxirnatcly l5 seconds let notes ring —T -— I I74 --—“' %%Qv% j — — - IfZj‘j IZ ” r r —§| —l l 4 Q '*-I flj 4 2 5 5“ 5 5 5 5 ‘5 2 . 3 ~"‘ ‘ mi“-'3-'--'1; —— 2 ? E— Lxj ' ' 5 -«~»-% ’_¢_ -- - 4 es r47— —o 2 +je—- 4 2 . . we 9 2 © I980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editors per | '|to| io: WARNER CHAPPELL MUSIC ITAUANA S. p.A. - Via G. Fara, 39 - 20l24 Milano Tutti i diritti sono riservoti o termini di legge. All rights reserved. International Copyright secured.
  61. 61. »A. ~ ~v~ -sosososv I'll l| : I _a‘I— 71' . II _Ij X-ll ‘ 2 _'I: (‘PI 1 t _| _U _O '_U| _$| '_| —‘| iw §—4i »%§%% 5 5 " j -jjjj O 0 0 0 0 0 0 '9 - - - - . .~. . , ,~ 20 ! E . I. III -a . . —: II —| -51 ‘T V L &a let ring xx I ‘(.2 — NI I fijjj fl"TT FF‘? T let ring I . . l ' 3 l Ctr. l and 2 douhlepart 63
  62. 62. % (D) H23") (lint) (Am) (I5tnI(BIn5+) ’-’ E" - 3 1!" 5 A ‘ I - _ II. .TIZZ_Ih%I — U ' K“! ' I I Q Ooh. “‘~" annrsay svvsos . . ! _ 5 . --—- ' I 1- E. .. jj 2-jj h _ r r HT "‘-—-“-'—§¥§EE= l:i-'III= :i-'I! ='—"=5 I let ring -- -~ | ‘* 9 ’ (II) [('lII°) (Bin) (Am) (Bm)(Bm5+) I u‘ ‘I i ' f— ' -—- . ‘ I F. laI. j‘. - ! _: ‘=2 _ n ‘. -J'. %=5:' . II. . I- I -2] - ' 2)" I K“' ' I H 9 .1 I Ooh. ““"" ~«. a.-vw r I : ,.f_: _;: ;I—: .l. j1iaj-Ea-Er: -1g_g; gg= ;—= i¥= =§§= .-=5; let ring saaow I - o 49 o I e— 9 tr 0 9 2 I N. (i. I: ‘IIII (H/ A) [Ann] _ -7-. Il—. ‘ — — — W . — r, -.. -*: -'-': — — -$3; . ::_. :_. . '*'-" ' lg‘. - . ... ;; —____= I=. .%. _. l—| __ __. ... Did. did. did. did you see the fright-encd ones? Did. did. did, did you hear_ the l _O _l ‘‘l _l _O| —U| —U| —| To Coda £9 (II/ A) [. v‘m) "H - =57 §: E3------—Il—i----13% Did. did. did. did you ev - er won-der why we had to run for ? F ll W a. I _Ol _| ‘N
  63. 63. 65 (4-T](J/ .») (I)/ .-| (Hm/ .-) (D/ A) I1}/ A) | Ihn. ":+| S _ -" _‘ ’j g T -: €— __. L: . -- ‘ - ~ . 0 -5 % / shcl—ler when the min - ise of a brave_. new world un- furled be-nealh_ a clear blue sk ‘. ’_ P )‘ N. C. (D) us. 55' . .I Coda {D The flames__ are all_ long gong: but the mind Iin - gers on.
  64. 64. >. m__ > __ . . . _. . - . . __ r l . gnu: wm . ___. .__ F jhde out m w _ C UNI I4 L. ., —_ > , . > um I 0 Il 2 g A. _. _T _ D __ W. 2. A7 I I ) (nah «U/ D T —j —‘ ------ bluc —j—‘a I}! _j‘i= -—f A W , 5 C -1 b a _ .0 0 D % 7 E. 7 0 C. _. V. 5 h _ 0 0 a 0 we 0 V: m. . . __. nvum
  65. 65. liE. §T: l5lE r$E'E. &l‘R Testo e Musica di Roger Waters 67 Rhylhm figure I end Rhylhm figure I Rhylhm figure 2 X )(——)(j)( X '3?‘ ii if» x)<———xX —e—’ "’— —+’ 2 L 4 3+" 3 +<——x X X 0' 0 992‘ '9—0-' 9 fi © 1982 by ROGER WATERS MUSIC OVERSEAS LIMITED SubEditore per | '|talia: WARNER CHAPPELI. MUSIC ITAUANA S. p.A. - Via GrFara, 39 ~ 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured.
  66. 66. N. (I. . O ___ 8 m "- .5“ B5 and Rhythm figure 3 Rhylhm figure 4 J
  67. 67. 69 : e with Rhythm figure 2 end Rhythm figure 4 e. e.. ... sfl: £3 E J? l Come in here, dear hoy. ._ have a ci - gar. .._ you're gon- na go far. You're gon- na with Rhythm figure l (2 U2 times) C Daddl] you're nev-er gon— na__ die. _. you’re gon- na make it if you try. they're gon—na Rhylhm figure 5 end Rhythm figure 5 , ;j_ , _ ——2 —2— 4-: 4—— % Fifi? °——+ 3 5__ N. C. (Em) -hzj T —jI -—- T—"'-'-'-= %~—= | ove__ you. __ Well I've fx T-< rm. 2 , (la .1) Lia: . ' with Rhythm figure l (4 1/2 times) 8 R
  68. 68. 70 °Lf LQ'i—%V 5‘ F 797+-vi-5+ jg al— ways had a deep re-spect. and I mean that most sin - cere — Iy. osavwvws it -i= -mi C ? 3?_1 | __ 3_j r_ 3_] / R l)atlill l éfi @§E; ;E: :£éEd; ::{ F FE: jL; ;l£%: f:_“; L l F 5 : E;§; —{i ; =g§ l ? xv £3 3% band is just fan~ta. s'— tie. that is real-ly what I think. oh. _ by the way. which ones with Rhythm figure 5 n ‘“ F’ ‘l: l i F % L N1}. (Em) Pink‘? And did we gt Eb T“ ‘T’-““T‘ a - wE5§—E*: + ': l 5 E % V DHIIIA9/1] tell you the namei of the game. boy? We call it “Rid-ing the gra — vy aw—a1_flrg”fi -4 - - ,1 —J-—‘J J 3‘ (D00 or 0 «re o——o- 2+ 9 -1- 1 ++ e—- e —e—o o—e— 2 2 re 2 ——g 9 ———-as 9- lfl évouvy qmu» 4:
  69. 69. 71 C”: To Corfu 0 Ln 1?; :r——j3a_/ ,_ ’ 55:; - train“. A :9: Fl , ,‘,55% __»_ / - qt - L - 5 = la: : 1 it We're. ,< T ft ’>'“”“ E 7.1 l ' JF- end Rhythm figure (3 with Rhythm figure I (4 l/2 times) B R B Ll5"‘”"°’l3”'”3 : _1.‘J§F_—i_+_~: i—fi—i; LL. _l'#: r i. 5: #4 just knocked out. . we heard a— bout the sell- out, you've - 7% 55%; - 5l: at. «;i? §:55E-55:: 3 _; 411 %_a'r:4-2’¥4=>4z= o2=? =e-> J C Dtultlll . ‘; ~ *5 r 3:9 ~ it §—i 5 L: LLLLJLLJ got-ta get an al— bum out, you owe it to the peo-ple. we're so hap—py. we can hard — ly with Rhythm figure 5 - T _ l '_ i L. __l_
  70. 70. N. (1.llCinl 3 _ / . Ev—‘ry~hod~y else is just green. . have. with Rhythm figure H4 H3 limr: ) B 0.0. R ( 2 i at i- 7% 1 Q’; gr El'_F_l_‘ EU E‘ Q mg; It's a hell of a_ start, , it could be made in-to a mon — ster. if we with Rhythm figure 5 L " ‘ ’‘ _ ‘@553 j: __ Datlrlll V (‘. (Em) Q "I Cod" J 9-55‘ ¢ = i_ F LL’: ti all pull to-geth-er as a team. __ And did we + ‘E -g l“'1!-5“Ei%' with Rhythm figure l (2 times) a R F‘ % I 1-("$'2A0 Cu~.1Sol. .) . ‘v'. C. (Em) 3%. ? with Rhythm figure 4 e pith Rhythm figure l (7 U2 limes)
  71. 71. /— ~. -~* 8"‘ ---------------------------------------------------- —- % ’ Si ? g Turn () ,5$-~ F vfiir EL 1 E B 3 hold l3t? nL. l' - ~ ~ — — A —~ 8 R fi, “jM- ie: ‘+s——-:2 | r+s””—‘—“‘ —n= z=+ea —e«»— »ra++— :95 —+s +4
  72. 72. with Rhythm figure 4 R B *2 B A42 — ris +4 as wrest’ I I I I ’(T"t‘. T"<»'I‘ R 3 Fl B R IE! !!) E: 5; '5 A4 if with Rhylhm figure l (4 U2 tiniest
  73. 73. with Rhylhm figure I (I 1/2 times) R ——+2— +2 12-- xir—~x—-+2—x——i2 —+e—x——xv2—x-xie——ie +2’7"—u—? —l with Rhylhm figure 4 B 3 B 42 —12 x—+2—><- x n>— re i-iC‘+2—i¢ie v2— —+2 ——x—q2 x— —x—+2— +2 «Wot v C ~. ~.. ..-. _t. ,ddenf; ,de ‘-——i—__, »oo»a»AAr~ , e"- -’ , rj. -1“-‘I . ..-. ~ : 'I'. - - - fade out
  74. 74. 76 HEY YOU W Testo e Musica di Roger Waters Moderately with half—time feel J = 112 l nt ro ‘ (. 'llnI(mIII‘)) nm(mM, )) actual Itch: Eni(: nl: l‘J) Dm(mM9, . .@L§agta I Ctr. l (acoustic steel string)(Capo 3rd fret) I 0 0 0- e—— 2—— 2~ 2 ~42 ' 4 G 6 6- 6- -6 -4 —E—+——3 4 : € . uj°—4—— 4 6 er 5 s 4 4 _‘ (. 'llnI(mI4I')) Bni(urfd')) EIII(a<l¢| ‘J) ' l)m(atltl‘)) 1 (. 'llnI(¢uId9) 2. Em(a¢Iil9) % out there in the cold. get—ting lone - Rhythm figure I 2-’ -9‘ 4 © l98O by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editor: per l'| tulia: WARNER CHAPPELL MUSIC ITALIANA S. p.A. - Via G, Fara, 39 - 20124 Milano Tutti i diritti sono riservuti a termini di legge. All rights reserved. International Copyright secured.
  75. 75. 77 *‘ (fftnt mid‘); F. tn| mItl‘)) sland- ing in the aisles? with itch—y feet and I".1d- ing smiles. can you Eifil Lil l‘_L—E_f Ll_L_Ll LEE? l 4 + -0 — e 9- I ' ‘-7 6 6 fi 7 6 6 6 ‘L. 6 -6- M7 9 I I I I 6 6 6 6 6 e I I . A I GIIIII H Hm I) '4‘ ———. — ‘IS 37; - I 1: 2?? 2 H I L, x) fecl_ me? Hey. you! , Don‘t I E B . -I IT>_. , _I F (; D (2 . I I "5 4 .5 1g”’t% - I help them to bur - y the lighl. , fij, ,_, CIIHI Ftm (. '#m( mI4I'I) Hm . —n1 I‘ltIItmI<l‘)t L_—3T1 + l- J>~ J Jig t A I Don't give in_ with—nut at fight. end Rhythm figure I 0
  76. 76. 78 Hull ruIrI‘I) I)n| ( ; t<IrI‘)) l I* T7 l Hey (itr, 2 meoustio: steel string) %%IImw_Lm%: I;II I; II“? dii. ~i _, m —o— 2- + 2 -- ———» 4 3 -3 +—-—e -6 4- 4 4 4- e 6 4 a I. __. . . _ _ . rapt» olf lnI(tuItI‘)l 7%? 37 JV; .lf’f. L/l; ‘_3‘ F5 iviffrl 3 3 out there on your own. _,__ sit—ting na - ked by the phone. would you wilh Rhythm figure I But EtntattI: I9I Hcy. _ VOU. with your ear Btu . . . . — ‘ y $1 L, a—g: .tinst_ the wnll. . wuit—ing for. some one to cull out. would you touch" me? , § / / v . _j_,
  77. 77. 79 Dsusfl I Ij 3 . ;fi (Q I) (I J3-. ,-rv«—_IE3_rI‘; —L-3§II% 3 5 ‘ ‘ Hey. you’. ,,, _ Would you help me to car- ry the stone‘)- . . . ,, I I I Ctr. 1 (c-Irv. ) e f with distortion Ch‘. (Solo) Ctr. 2 (l‘lQ‘l'. ) = "l: j I E j I I. . “II . .I I E, El El II Wttl IILI II . . _ ‘ __ _ 7 ff DJ E. ,.. ,.f Gm 1 l"""“l Solo figure I ! II2 1 1f2 -7- 1 -«vvv saaoaoano --- --~ Ch‘. 3 (('Il‘(T. I . / / « KT / / ‘ re fl ‘F - 1 3- - K‘ . 1 . . I 9 I551:-j: jm= mE1'-_: j -717’: hI, Id bend I _ with feedback at octave f‘ slow. even releuse I hold bend SIIIWI cw“ ICICQW ' " ' ’ ‘ ’ ' ‘ ‘ ' ’ ' ‘ ‘ ‘ ‘ ‘ ‘ ’ ’ ‘ ‘ ‘ ‘ ' ‘ ' ‘ ’ ‘ ‘ ' ‘ ‘ ‘ ' ' ' ' ' ' ‘ ' ' ' ' ‘X H 9-'9- 5 + P
  78. 78. Al I ---~s aaaanaa ---- “"**- Iv‘: E ' - E m 7 - P ' m K“ — j . — — j . '“ ” . — 7 . 7 7 7 ‘I r Lu’ T v T r [J T r [. .I I’ —— I77 I ma-I 3 2*? 2 - 9 2 2 ' ' ' . ' ' ‘ ' IT A T / / / go If / ex :7. "I : . H ' ' Li‘: " hold hcnd " 1/2 1 -mt t/2 Ctr. It-It-I'lri4' slitlrj Hm with Solo figure I (2 times) steady gm‘ Am ' ' ' ' . r T 3 ex - uvufjrm j j mam jr: am i 3 I-try-u. . %w-%% z= * --~ --%~%- _ ~99s~@ . _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ / ' ~v‘~‘~ -s--aAaao-- ~g-~ ’“ ' ' ’ ’ ‘ ‘ ‘ ' ' TI: 7 1 / / / T" . ’—‘ f‘ 2': / «%§Q&&»%&‘§3§ (1) ' 3- ’ (l) (1) ' -"I jIjjjjZ Ijj‘_ljmlZj—C j 1 7.Zj_—jZZjZ——jj_—j—jjm‘j. £m : La; mjj': hold bend I'I0lCl bend ll2«~~s«~s~~ 1!! 1n 1I£____: _-«_»f_~: _r _ _ > ‘ _ >_ ‘
  79. 79. 81 ¥'I" I F F rnyf‘/ FI (Cf n Gtr.3H¢-lt't'. l If ‘ U2 1/3 vibrato bur dive E 19"-r7—eo— Er >>>>>> H20 A I fig Ctr. («let-tr~i«-sIi¢l«-)n 7‘ _ - I. _ - —I j. fi: steady gliss W E I fem
  80. 80. 82 (itr. II IiIk'UlIllk' steel striugl . -I Ifmlrll I E Burldll .4 (I I) C I) (I I', S:r': I.«L4 4fi: —IJ? fiir- E I / ' 7 ' II I I» 7 V I But II was on — Iv fan — [as — y , , (Sir. I and 2 tucottstic steel stringJ(C: tp0 3rd fret) -ab L“~<'»»ii_ LL? *1 ‘I u: I><I> YIN‘: _iO. E*. _ . I%it_ fi was too high as you can :3 air‘ I ea e E d let ring let ring + 19- e - ——o— 2 4 E 5- -4 2 4 4 4 4 4 -2- ———s— 4 i .4 Burltlll I-1 ”"'D"”’ (I D I)sti. ~'4 C J 251.4; ]«: a Ji’. L:I. f'1fiJ_g ,5. . eh’ V~—-~LI ('7 14" V [.4 F I’ see. No mat » ter how he tried. he could not break I3 I33’ IE1 £4, #3.; 3?. leg’; I E lel ""8 let ring 0 0- o o——o o— 9 o ~o- o o 0 tr 42 2 9- 2 2 2 2:12 2 2 4- 4 5 4 2- 2 1- —2——2 2 2—2 2- ——2 -4- -4- a4 2- 2 + 1—2 2—2— 2- —e- 4—- 4- ‘ 4- ‘E and the wonns ate in » to his free. J. [,1 . I— , .. I . Li J o—o——oo— o 49— o—oe——o o 2—2—22—— 2—2—2——-2- —2——2—~4—-4 4- —22——2—2 2~2—2—2— —2-4——4——~ ~4- 2:22—2— —1—2 2 -2- 2—44 4 I I
  81. 81. 83 1!! . P lct rung throughout j ‘ (. '#rn(mI: l')) . BIn(u¢Id9) l‘lnI(uI| <l‘)) Dm(ud<I‘)) Ctr. 3 (acoustic steel string) III III '--. .-: -1;-1:. -nslflrla-I= Clr. l (acoustic steel string) T-—’
  82. 82. 84 F. nI(; Itltl')) Hm ‘ I , f KT / éx - L qr - r .11 - - kII j ‘ . 3 , you. out there on the road. 111- ways do- mg what, youére told. . . . can you help me . ’ . . , _—— 2 -'33 I , , , I 7 I’ Tl 7 . 1- ' V z' e jg? WW, , it’ E- t: .. _. p— -: - . t n: - . : . n__L” * 3: - ‘e , uf—*. I I with Rhythm figure I l er E E Emln<| tl9) f‘ / s I: 3 _{ E—-L} E9 LL_i’—”: j ; E 3 T [ f j Hey. “ you, out there be ~ yond the wall. ., break ~ ing CH‘. 1 lt'I(‘('. ) " I: ' Jffir _J_/ . 4 >1 with dI. ~tortior‘if" + 5 6 -? — '‘II- 5 Ge? 9 9 *0 5 >
  83. 83. 85 ' U ]) (1 mm: r _ ["7 / The 2 36 F_ i 5 : _—i-F43; r —w {Gs "-5: : l T; Q Hey. you! Don‘t tell me there‘s no hope at all. -51in Sgt 1’ :2 II? ’ —‘ k“V$_, . 1’: ‘ Q! ~. / I ‘ Em 5 with echo repeats 4 iaigsrlir ; §:: a~? r:_m': :r; a To — geth - er we stand. di— vid-ed we fall. steady gliss $, ,§l; ,‘l
  84. 84. 86 El. ‘- Testo e Musica cli Roger Waters J = :00 I‘: Gtr. I [: u~ou, ~.) were a swan, were the I-I C ' Ft: B7 werea good man“, - I'd talk with youf more of- ten- than I werea good man“- . I'd un — der-stand- the spa-ees7f_ het—ween , __ 9+ 2- -———2 o 1 t——1 +4 e——-a——- —e2 2 2 9 a—- —+ 4 o 4 +1 a——— -4-4 42 2— 2r—— © I97I - I930 by ROGER WATERS MUSIC OVERSEAS LIMITED SuI: rEditore per I'ItoIiu: WARNER CHAPPELL MUSIC ITAIJANA S. p.A. - Via G. Faro, 39 - 20I 24 Milano Tutti i dirilti sono riservoti o termini di Iegge. All rights reserved. International Copyright secured.
  85. 85. 87 . . l‘ - 4 - do. friends. 0 _e __ . ,, . . 40 W -0-‘ 0——*—* ‘-9- 0 4 *1 V ‘T i 2 2 2 2 & 2 2‘:0 1 1 2 1’ 1 7‘ T If D . M- 3-‘ E£l+ l . , l ' J _ 3 7 g If I. ‘ . were to sleep, T I could dream. If L -_. were a - Ion} I would cry. and F. Cit" I-‘ll B7 —: rl'l J fetslfavagl if L_. ., go in — sane, please don‘t putyour wires in my if I- 9 go in A sane, willyou still let me join in. with the
  86. 86. 88 . __. ‘___ . __; ____ -> 2° ad lib. brain. Ctr. 2 [("It‘('
  87. 87. D .5132 ljijn- werea . W'2II'I. ——— .7 I‘d be gone. I D L . .,. . 7 l__: I P l 0 "'; ::_T"'“ ' were a train, . I'd be late of a — gain. 13:13.13 ffl-7383'? t"@j'lI§1gI_Q371J3E3E -9- I 2 —»~- 2 ~- e o o I 3 9 9 3 q 1 I t‘ 1 I «2 2- 2 2 4 0- 2 I 2 2- I e —& Ito o I I _ E (:37 H: were a good man, *1’ E: l= °‘fl §? fiIt
  88. 88. IS THERE ANYBODY OUT THERE? W Testo e Musica di Roger Waters Slowly J = II‘) I N. C. (A5) m -'— jjj nit. ’ I television and traffic sound effects ' for ; ippr(>ximate| y I0 seconds IS there an - y - bod - y out there‘? , /5 T L‘ I -'— iI. .: i zj ‘l I I — 1 1n _ *"‘ synthesizer drone P M . /? E . Z : IL. —‘_—MMj--—_—- ‘MMT‘--——— LlI“nj‘ Mjnjljlx Is there an — y - bod - y out there‘? Is there an - y - bod - y out there‘? , /5 lI. : IN‘ j (C/ F) f. . , I‘ 1: Ah I , /5 IV '7'. “ | l 1 E‘: 3 . - © I980 by ROGER WATERS MUSIC OVERSEAS UMITED Sub-Editoro per I'IIuIia: WARNER CHAPPEIL MUSIC ITAUANA S. p.A. - Via G. Fara, 39 ~ 20l24 Milano Tutti i diritti sono riservuti o termini di Iegge. All rights reserved. International Copyright secured.
  89. 89. 91 Double time feel N. (I. (Ami @§§— i A 9 out there‘? ny lon string guitar I: rrj_; g; iI—. t I_. i II ; I""37 — PP . syntheswer drones the A note 2 J‘IJiJ*¢f”; d;**4*s”la’i”i i "If > let notes ring lhroughoit > > 9 —-*O- -6 --9* ~ f 9 V‘ —1—- 1 F -1 ‘-1 2 2’ 2 -—2— "9-‘ -2- 2 2 '—-2‘ 2 2 2"‘ i *2‘ 9 tire‘ I 9 ‘ 3 | _ _. .._ > > > > > > > QLQ7 Ww we? § 1” > mp >
  90. 90. 92 (PIE 3 . -m/ I) FFQQF 1 V Am/ Ii Am/ D A. ../ c An Am _ 'r— -7. _j_1 T E f’ 3 "W > > v+ 1-6 v 0 +0 1725 7 -2 r 2 —r «H- 2 -o- 2 2- > > > > > . > nmrd. oto a are > T : :=: E
  91. 91. 93 MONEY W Testo e Musica di Roger Waters F Moderately with sliilffle feel ( N: J )3 = 124 Intro Ctr. 1 (t’]1*(‘. ) TV. (.. . . I: ’“ — - 5 i 33 §— 1 ‘$573. _ _ . .._= Ki? ‘ i 3' 1% =1 - n : I=—'-Igtjul with cash register _ ' _, , ‘“ _, “’ sound effects mflm. » . » » - — . . . . . . . . _ _ _ — _ — — — . . — . . . 4 . . . . . . . . V V . . throughout m m ' 1/4 1/4 I - 6+}- —: . ~— . -' -—, " : 2 —2 x—— V —2—o— 5 2 2 2 +— 5- Gtr. 2 (§t'lIli-l“§l0l'lt'tl) ' ' (llr. 3 (wilh full Irrmulo) 1/! V4 © 1973 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editors per | 'lta| ia: WARNER CHAPPELl MUSIC ITALIANA S. p.A. - Vic G. Fara, 39 » 20124 Milano Tutti i diritti sono riservati u termini di legge. All rights reserved. International Copyright secured.
  92. 92. Mon—cy. you get u — way. ..__ You get a Mon—ey. you gct_ back. _. I‘m_. .. Mon—ey. it’s a crime. .. h Share_ - _ , _ good Job - with more pay and you're O. j_ K. Mon- all right. Jack. keep your hands off - a myu slack. Mon - it fair ~ ly _ but don‘! take a slice of myj pic. ,I Mon- ? .'; '.i£l % : —:: L83.‘-'1-—j--u : ———jJ—j-%%-: "E= }:}%:1-1-%’= %€-%% ( J " ( ) " N N ‘/11; 1/4 N N 1;‘ 1/4 I I'll‘ —j —j - V. -an-7.¢.1:.4'§. .-1o. .': £.. jja jjjjjjjo rI. .u-mhljoj Qjzojjjj nuts T)" $/ 1/I 1/‘ II‘ , _ _ — — -—?7‘—-
  93. 93. :; i l l l — cy L its a gas Grah. — cy it‘s a hit. But don‘! — Ly so they say. is‘ I . _ . I ggttg illll __. . = lIIIIIll: llIIlIIIlI . ____. ... nu , ' ‘__, / < ) —- ‘__ 4 ) ~-———« NM. N. H. 1/4 114 1/4 1/; #777 V 4 . ____ + ® ? . _.7L. . 2 2 5 -2—+o—) 5 2 2 f {F 2 ¢—o~)~5 ill W E -lt-int ls iii 4-‘. 2=*e. ' 2 'l' -+-s r 37“"r*£'% that cash with both hands and make a stash. _ give me that do goo— dy good bull - shit. ¥ l'm in the the root of all e — vi] to - dayw ‘-1~ :2 its ( E9 N. H 1/4 "‘ 4} “___ 2- 2 i _ ' (-0-) fr 2 -icing-~ / -- 5‘ n '7’. -in: : = _ ' T; Li? W - ' ‘i U. / 1/‘ 1/4 1/4 77-* ?7— 7' 7‘ 7 47 72-7 T ? -—-' “7‘_/ —7 7‘ —T—*
  94. 94. 96 F: m_‘_ To Coda -$ Em ? .'. 'E'5 — —u 3' "tj n II. . I — _: IV ' ‘ In New car. CitV- i— ar. four - stair day-dream. think l‘ll buy me a fool - bull high it - dcl — i» ty first class trav- ‘ling set and I think 1 need a Lear But ifyou ask for a rise it‘s no sur - — prise that they're giv - ing none 21- mi‘ - —-I u— T E--jfif--‘E1--in _, / ' ' 2 ( _ - . / m 1/4 1/4 1" * Play on verse 2 only Stixuplioiie solo
  95. 95. 97 V WAX “IV
  96. 96. ‘ cit . ,. . l.. .u 2% >>>>>>>>>>>> —l 41Q‘444—4—‘44
  97. 97. (iii: |1.': -Ioi lead guitar | till l'lL'k‘llill'| lL'lIl xihrtilo / —-—-----~ V. 3-7 I‘ with distortion and long Llcllt)‘ with Rhythm figure 1 (4 times) Rhythm figure 2 Rhythm figure 1
  98. 98. 100 lz V?3/ l'ini / ‘f‘ %~ (3) - E} 1 even bend J I / "4 I l I/ : I / 7/ F<—7+—+tr recite E 2 war '9 *2 i‘ ~»“‘““‘” i with Rli: ‘ll1lill‘IgtlrC3(: times) 9 >. ? ~ ~. .~. ~. _x %E‘i*’Tr: i? Li? rr"l? ~*§" > > 7' i I _ — ' 7- 7-» I ve- ts-t—q— 9 -6-) -4 9 ' 3 3 in‘; L I 9 I AE ‘! A- <gA/ / -- / 9 " 9 ii”: " / M‘ r §i U if ‘ EJ lr -a 9 I hold bend ‘L, ‘ 1/4 I— » 1/4 -“ 1/4 I, ‘ H W m I “’ ‘‘‘° -3" +’ tr“ E, /e ‘E l— _ 93 Sr 7 ‘7’ 5 . ; I r 5 $35 .2 Lfi 3:7 3: E l7 -1 I W ' PM RM. L ' (-74- it 7- 7 — r 7 7— 12 ' —e o o + 9- e o " 32 5 9 J‘ 3“? 3 L4 “L3 3 I~ ‘2— _o_ o_ 7- o__ 7- —7 7- 1 7 _7 7-
  99. 99. 101 with Rhylhm figure I (Z lllllt’. I ? with Rhythm figure -1 she %? Fri @4E, ::>fl6éT%fi end Rhythm figure 2 '_V_‘ xx *1‘ IT- l I 2 all xiltx Rhythm figure 4
  100. 100. ‘V 5 . V . ____ . 1%. H 1.. . X__ , V__ is s__ W ___ : __ I lead guitar 2 -—_‘—'-'1 3 slow bond 1 — ——_—‘_—‘—: . ; r- f . ¥ , . . I J . . lead guitar I , .., () 5", j/ :7- / () LJ Ctr. 2 Hm —I——‘—_‘‘_‘— kIV“‘ ij‘-———“— ‘- ____—_ ) . _, _.. ( L? with heavy P. M. throughout with Rhythm figure 2 Ctr. 2 (Solo) _ > -'. I I| ———— —- ' ID _IZ""“‘—" II ‘I—‘‘-‘_-— echo off M__: S“. fiww
  101. 101. , I (‘WI 7, , _, J. ’ I, ., ,. ,_. , . _ , _ . .. v . . . .,<. _,. ,,, .. . , .1 —j jjjT: j—j-— . j"'jKT'—' f W , I-. _ «.97 z*'—
  102. 102. Bin .6 1/2 ------—-------—-—»»~—»~ F137/vii . . : _ 2 Hm T >_ 4 . __= > . . X __. 1/4 r ___ ’_ 3"‘ > —7— 47?‘ — > it —1%%——’%%%%' 7% -9-— 9 >£- / é > ‘ _ ‘OW X 41’; _—_ — — > ; v- TO TTEE: - W? -J33 g, . .~. . 3% - . . Ivrllj 7.15-j IL-2 Luv 1/4 > —a— +2» 4-
  103. 103. 105 lead guitar I :5 J‘ T 1! T1 __ . ... >" . ... ~>*é"—F ~ - / s / / / /~/ 7' W“ i I‘ g‘—1 . .:. _._—_—-_v.1i‘1?Zljijj. ..1_jl%—. _.. _..1:—_. ... flI' T I ‘ _ ‘ I — 1,2‘ with echo 1“ 1 I1 I _ I _ I I I I _ _ = 124 99 I I I . ... ... .~. ... ,. 2% / T "$-. -i ‘ I I 1/21 1/4 1 1 11/2’
  104. 104. with Rhylhm figure 3 (2 limes) / *TIOjj, T.'—1.'—= jI-l1I. ljjj! j'j __ _ - o - . ‘l‘ ‘l‘ a 7:7 ——7 ' F 7} ~_, , 7 7 7 7 —7¢L x x X +9 7— 7 -7- ———; ——7— 77’ ><—7—- 9 —x— (-7-) I 19"’ J . J . / . r. -ii! -1.. -’—‘I-‘. !3‘X€3‘3°'. —"-'°E, %J3=l3-'g"L'= '-"-"9 AI 1 u E 7? L(iiIl-Z531-f%-E1=-"inf? -—-’ m m . 1/4 _ o e,4—>< >(— 19 X X -9?‘ >(--—(--? '--) hold bend straight eights I ‘ ICI ring I with Rhythm figure I (2 times)
  105. 105. 107 D. S. ul Coda $ I I , _,7, : n—. Q.l; .'. —:l e - _ _ _ - Ii navjjjjjlns T1 i
  106. 106. %§fwfiw: fifiq£E@%§ I*I‘”55r, o5Z/ —j: ["2£s5_1.: ..’s£T+““ss——2»—sg’3 $ ? % f&'j @?5flqfi? ?Efi? mvg§ ’——; ~“—s5r—e5i I‘”+51_fi. _+_ 2~:5-'52--0.-5/J $JEh<%v—%: %€v%: sFs3:§*—: a5v% L as: :9; an: s: —; H: r? arj 3| 2 I ‘gl vocal ad lib. silnile with background wnversaliun effects I j j Q§§% Q%%% -'. :l' 4 T j- j—_j j— ‘ fij gr . < ' L AM. 114 gm, ‘/4 P. M. "‘ P PM. "‘ 4vs- ~s- Z -vvvv . ; -- 2 —. 'r s-2 o——5— 2———5— 5 2-—o- 5 2- 5 5 2 e—s- 2 5—5—-2- -0 -5- ; ——--3/-—-1, . I , 4.. . . .. -I ' Tj -jj -2- —'j—' """ N = = 9 - —I
  107. 107. 109 ads J? J HI; 5% ; J7sj@ _ V m PM. m P. M. M 7m ‘ PM. ‘In J i: __-4- . / a . ... . 5 2 5*‘? 2 G 5 5/ 3 flyfifi-EIJ§*mfl= ;j. @?‘lM—fi3UJ §”£r3::3fi Spoken: "I dun‘! know; I was drunk :11 the time. " 1/4 III 1/! 1/4 E A 7 M, . . . . .(. _W_W,7_' T‘ -- . I/ k -- . / -- . ‘1 ~»- . __ ' E 2 5 5"2 0 5" 2" *5 5 2 9"“5" 5 5 2 0 5 E 9 _ 5 5 ? 0 5 ' A . ---- W~‘r“1 ------~ V . ;x _ , -A A? E ‘~; ;*>“': <:3fi 3 'f’-_: _—_—_ I hold hcnd
  108. 108. no - ,1 F liv. l.l'” f‘. ltlflllil . lfl[‘tl. v.‘. Testo e Musica di Roger Waters % M it? “ . . R" A _ 7 gate r: r-'— tgLa'_L~: ;w P: r—J~ a . 1 Fuck all that. we‘ve got to get on, ,, with these (fuck all Not now John. we‘ve got to get onf with the film xhow Hang on John. I've got to get on- with this ——e g e 0 E 1 ‘ 4 11 _ U 5 ___- axéél I ————l— ¢rota I ‘f l ‘ l ‘i 5 L. ___ Jir Jcfigfgtjf 7751 fuck all that). We've (got to get on. got to get on) (got to get on got to gjt on) I ~ 0 , , , _ _ _ M1 7 I ____ . , . . , -9- — 9 7 ' — 3 + + 9 J 7~ — — — 7 -5- 1 —— Sol Re Mini got to eom- pete- with the wi - ly Jap — un- ese. #_ Hol — ly ~ wood waits at the end of the rai'n—h0w (end of. the don‘t know what it is but it fits on here like ***, 9 -9 —-l -1?‘ _D U 11 GH u E tee + T © l9BO by ROGER WATERS MUSIC OVERSEAS l. |MllED Sub-Editors per l'| talia: WARNER CHAPPELL MUSIC ITALIANA S. p.A. - Via Gfara, 39 ~ 20124 Milano Tutti i diritti sorto riservati o termini di legge. All rights reierved. ltiternotiovnial Copyright secured.
  109. 109. 111 SH‘ _': =* 4-3 E; I :3: —_f if —_l'_ 3 There's too man — y home ft ~ res — bow) Who cares what it's a - /35 Come back at the end of the trees. kids go (as long as the kids+ pissed. “J? =1? _‘l 5 ‘O’ E 4 P—§§ if E (fuck all that). So fuck all that, we‘ve got to get one. _ with these _ go). So not now John. we've got to get on. ‘ with the But not now John. I've got to get on‘- with this $133‘ 11? —% l0 get on. _ with these). Can‘t stop. lose job. mind gone, sil ~ i- con. to get on_ with this, got to get on). ‘E 35 E % E
  110. 110. 112 r er“ 1 F_"‘I‘f«—e»—. .f rt. day. make liay. breake down. need fix. big six. i ~ I . 1 5 1 ft ' s3-«_ 5 J “ "5 " . . _ H - . no‘ M Bin — go """" M (bin — go . ., ¢._V—_ , - Mm ). .: .__ " ""' _ ‘ t N . _ _A 1 ’ . %$ _g , J_ IA ; J E ‘ _ 5 Vibrato ha‘ I I _ L" ‘ I s — l l e I l 9 o _ , I __ A Hall"l'einpo Do/ Mi 3 “int? Rn-/ Mi Mini fiat ‘l__; C 3: l: ..t. ‘f 2 - *- 0| — p U’. + rel: F “ii: J «>—“~ 3 '1 ‘- Corn: 6 ‘ fi Make them laugh. .. make them cry. ’ make them dance. in theaisles. l Hold on John. ” I think there's some— thing good on. I used to read books but * ll ah - . 1 e l - .8 We be is e I2 string F E , ——— _ i ea: 0 3 I 4 l s e 5 I
  111. 111. 113 Du/ Mi Mini? Hi-/ .'li Mim B l . . jj —'HI_‘—n—‘K— g 7 I . r.J. —I: I:-iii , 1‘ E :6 if rig} i ]—! ”;ll- - I Q C make them pa_v_ make them stay. _ make them feel 0. K. could be the news. .. or some oth-er am~ Lise - ment. it could be re- us - a-ble shows. I’: 1.. . til '7'. ‘ I I :4 “iv In VlbI'ill() b(lF ~ ~ — — — - — ~ ~ — — ' Vihrmu bar I g A . _ L . "’. "I. _ _ _ __ i mi? / _ # ,5 3 XX ' v I u , . . ’5-"iE= —i%_Ci—§Ew—= w:——--—--5-5-= -3 Vibrato bar ‘J Vibrato bar I ‘-2 ‘V5 J 15 _ . *5 *2 J” L5.
  112. 112. 114 9 ; T’ 1 A j__ fil 7 . + T H—) 4 a»—- e——«g_ 1 e W3~e— 52' _ - e~—. .,: - l"‘_i'%f _*. /A / _ / E / 94: #315’ vl‘ii°’ ‘”—: VihfIlI0 hilt Vibralt bar 1 1/2 1--- 1 1 ‘ 91-I-I-I-I-4+9 I “"71 ‘ . cub: 2L? ) _ ff‘ , . / X ‘(S *- ' . _f. .E l LE? i ii‘: __l; :} .19 Eb ’; Vibrato bar Vibrato bar Vibrato bar ' ; / r«>—j_iAe: 3 xx‘ D. ul $. rlu A it 3 mid sigrw
  113. 113. 115 Rt‘ ‘ . liiii _ ' . . ; :p 1‘, : " “ “ '1 _. . J ‘ . .. ' 1 ‘ ‘ __. _L 4- * r ; _;‘: fi‘ 3 . .I. -. ‘ Fuck all that we've got to get on with these wc‘'e No need to wor— ry a — bout the Vi — ct ~ nam — ese. 0. _ - . - 9 " - i 8:‘ , -_: ; l " " ‘ l . 9 ‘ U E , .. 42.. .- _ _ - 3. _ I __ . o -. *; - 3 I e 4 >6 — I -— 1 1 5 -7 Lfl _ - 0 -. - ‘til , § Mini / _§ — _l’ 1 ' ‘_f': ""i"wW_’ L. _.. .f: .7 R1‘ to com- pete with the wi ~ ly Jap— an — ese. -._ Well to bring them Rus— sian bear , to his knees. 3 g 5 . W __ . . 2 -. . __ . . . -.. 3, . . 3 r3 . 3 I . . . . . - e K —« o — 2 - —— —— i —— ~— . 0 ~ —— 0 —~ 0 ~ - — — i ~ #- x— — x ——~ i —-— —— ~— 3 , 9 __, ,. . . _ -. .'ul Mini V x’ .3! * ‘Tie are : : may— be not the Rus ~ sian hear. maywbe the Swedes. We Make us feel tough and would— n‘t Mag—gie be pleased. _, 8‘ " H __ ’ mi , :_ _ N 9_- _ I1. . ii; 4 1r n ' ‘m U U U 3- -2- ~ I E 3." F » i . 4 g . V + -2 J o -o— —x +~ — — —~ l ti -— —~~— 9 — — Sol H4- A , , Min» Ad I”). to fade gL4it_—f4:r ‘ri33}Ia": -.-4 showed Ar- gent — i — na. now__ let's go and show these. . Na na na na. . na na na. 9* be I we at _9 _ 1 _ ‘:1’ <‘—‘ ‘ __ ' V‘ U U U r _3— _ 3 if 7' -_ ‘7__-_ : 5 -, . . ,1 0 - _ - , ,-, d
  114. 114. 116 ON THE TURNING AWAY Testo e Musica di David Gilmour, Anthony Moore f ,4f‘V'”‘l-fl 3 >1“ fl r'“: 'w . - I ", $2-« 2f7s~: r*Ex. bvr- 1 ugbrrw; J L frmv ‘ _A On lhc 1um—mg#_ u » way lmm thc pale and r 621 /3 r'”-“[1 3 3‘ ‘ ‘V ‘_ V > _ 1 . «'“E. E}7!- 1- tJ4 J}j: LE’f{F~: '.- 7 A“ . .__ ‘ ‘tr ' 7__ . ‘ 3 3 down - lmd—dcn. and the words, they say which we wun‘I un — dcr—. sIund. 23%‘ F ‘ I _ E E . ' '“', .__. """“‘f5 £17 . I i£F E E I JE7‘ 3- 9 __ L *5 3 44 “Don I uc— ccpl that what 5 hnp — pcn— mg 15 Juhl a case 01 olh—crs . ~ul — lcr— mg. I: :3 _fi r"——~ (, ——__j 3 F’ 1: /1 ; ; . C -2.‘ -- N -2 , “ Lé 2 . ;j—= *2 “ ’ 13.3’ 3" é " 3 ‘ J ‘i 3 » or _ynu‘H find lh'. ll_ you're join - ing in J lhc 1urn—ing a — w'. n_"" It's :1 sin lhul sonic ~ A to-Inpu J = 50 U (}nmjT(} C F. m 1) G3 (I 1,; ‘ r-‘H 3 . _ —»_> »—V , —-~ _ 7: .1-» 13 pg? ’ £232 11 —] F’— 4' . 3 .5 hn‘vy light is Chung ing to shad-ow. and casting it‘s shroud ov—cr all we have know. .lr. tun-nu~lir) 4 3 I’-"r‘ ' » _ . t " - I T; — 2 7*» " 4 " i 1 - I : _ - 3 i H H 2 in Ilgf 3 tr Rhylhm figure I 5 2 3 5 9 ¢ 2 3 -5 0 9- 0 —-0 0 e 9 0 -0 o o~ 4- o &— 6 3 5 3 V 1 1 1 + 4- v— 0 0 0 1+ 9 0 0 0 o 2 e - e 1% O 9- ——9 o——o—0—« — + 9 0 0 e 2 2 2-2 2 2 2 2 0- J 9- 2 2 2 -- 2 2 2 2- X #<——>< X X 6 2 2 2 2 -2 2 3 9—— 9 9-3 J3—«&— 9 9 3 9 9 0 0 0 0- o 0 9-— ~ © 1987 by PINK FLO‘/ D MUSIC PUBLISHING LTD Sub-Edilore per | '|va| ia: BMG Ricordi S. p.A. (ex Edizioni Fame s. r.| .} - Via Berchet, 2 - 2012i Milano Tutti i diritti sono riservati a Oermini di legge. All rights reserved‘ International Copyright secured.
  115. 115. 117 Iiin HIIIT (I (J Iini ICniT 1} (I Un — :1 — wurc how the rainks_, have grown. driv-en on by u hezirt til‘ stone. r—3—i i—: t"7 = - j 2 9 9 9 9 9--3 e 1 9 9 3 1 1 -1 9- E r -— 9 9 9 9 -9 9 9 9 i— 2 2 2 2 2 r 2 9 I 2 9 2- 2 2 9 tr -9 X I 2 9 9 9 3 9 (L C I‘: IIl7 D G (L Hui I) (55 f: 3?} 3 fr 3 / “I 5 Q ‘Q I «'1 ‘: I E 3.: H 3 J 1 I 5 3 3 we could find that we're aII_ a - lone in thedrezimof the proud. On the wiiigsof the 5 I‘ 3 fl 1: :3 % uvoaoucla 1‘ Q. Him: end Rhythm figure I 000$ C. ‘ E‘ 9 a 3 2 9-9 9 -9 2 3 r 3 5- —-9 9 3 1 1 1 3 9 3 3 9 9 9 —9-9 9 9 9 9 r 9 2 9 9 9—- 9 9 2 2 2 2 --9—— 9 L 9 2 r 2 2-2 9 3--9——2 9 9- 9 9 3 9 G (I 1'71} I ' G. ’ (I I in ii '_ 3 —‘ 4 [iii rd’ 3 __, _.l I) 3 ) 3 ( p 1 £41! 911’ L9}? ! -+5‘: 1 . j__. ..J. I[Ef= I £1’ v*‘r! .I 3 :5 night. as the day-time is stir- ring. where the speechless u — nite in il . I-IL‘t1l1IC~CUrtI. with Rhythm ligure I Iiiii H1117 C (I Em E1117 (I (I i? .t—fi [i3_‘ 3“? Iv _L§_, t__r 1*; £3 7 E 3 A _, ’ _ 3 . Us — ing words you will Iind ,2, Lift: strange. HICS-I116!‘-IZELI as they light the Iizime. U C F. ni7 D C I? -‘*‘*‘l . -'”3’‘’'7 3 F 7 ~ §_I 7 “ZI $3 = r 3’ - _ / I {I _ , , m-azf Egg V 3 teel the new wind of change“ on the wings oi the night. *3 »; e_; ) 31', ’ pi; ]iitc-, rIiul1- I25 I) tjaultl‘) C5 D5 Hm I) . v. 'i
  116. 116. 118 . .v m I)/ _- K3 / .. I o E I ' 1 33 3 ‘Z _ . U U rlim. ,. , I L 5 4 435 7 7 1 x yea" 7 ' 1 5 t5 7———7 2 2 bf: 7 9- | _ er I &— o w 7 I -2 Hm I) ()5 C5 C . ’ lint I) {3/I . .I I/ .3/‘ ' I». -rt 52’? “Ir I (ilr. :1 / ‘ ' L ——: t—— —- L» —_: t{1 with Rhythm figure I L. -54 I No more tumqng :1 ~ way from the wcuk and the wcur—y. no more turn-mg :1 - Hm (.5 (I I——. -t‘-I (I (:5 Q ' f F 4' 9 3 3 E », _*r —E; _rI‘I. . E I E 1 j 3 3 3 3 way from the c0ld~ncs. s in- side. Just a world that we all , must share. . ' 55 ‘ii E. -4 -1 —-9 0-‘ 0'-* 0- ‘2 -2 X 9 3 9 lint? C (I C Hm (I I) (725 rj" -'5 2| 3 r—‘ 3 *1 .2 . a 13'] 3 3 I l J at l- WIN 2 :25 tn -D1477 3 vfi « ~* I E ____, / 7 I5 l/ _ ’ F 2 ’ 7 K K . ’_ 7 l—_— .1 -W2 1, I; }I, -,, ,. .‘ tt‘s not c— nough just to stand and stare. Is it 011- ly a dream‘: thutthcrc'| l he no nmrc tunrmg £1 — . '5~ 7 .1‘ * 3 WEI") _ Q ii a UH’. I5 - r
  117. 117. 119 (Lt-2 t. ‘. .l. .I ‘I-13 I-1 11 I-15 Duulrlr IIll1t‘. J= I00 I5 with Rhythm figure I (I E5
  118. 118. 120 I) 1/ K ‘J W8 wIB_ with Rhythm figure 3 5‘ 3 --~s-~ I t§F1"'7') A ' E I 0 (2 %/ Ir” LL I~. w“MMEr with Rhythm figure 2 (3 U2 times) ~vs«-wssosv —'HE_ L '. m_T— t‘-iml —_"-I. ‘2I: ' =
  119. 119. I131’ +9 ~——-—-~- I ' : --w/ ’?v2+/ ? I t; .'. _ hold bond (1 E3 l) / T ~. ---~. awvvvvvvvvvsarss _ fmlv nu!
  120. 120. 122 MOTHER Testo e Musica di Roger Waters Mmlerzilt-Iy with IiaII'—time feel as = 134 J G w _ H I '_ J . schoolyard and phone t. ‘IIt‘Cl. tor I _ _ —« III-; pmxmI; .1.-| _II | _(, M», -I. II; i (Sigh! ) Moth- er. do you think they ll drop - , the (Ztr. I (in-nii. ~li<') . — . I - -i Q U 7 mp > _ > >/ Rhythm ligure I > > > 3 3 5 3 % 3 9 -9 f r 3 3 3 3 3 3 3 3 <0'-*-----I———- 0 0 0 B 0 0 if 0 9 9-‘ 8 0 0 0 O W 0 0 X X X -— 3 5 ‘ 8 . 1 . . *1 >3 Ictring > > 0 0 0 0 0 ‘-- 0 0 9 1 4 T 1 I 1 Y I *'-+ 1 I 1 ’$"“‘9 0 0 0 0 9 0 0 0 0 9 0* 0-2 6 2"“ 2 2 2 0.4%‘? 2 2 2 2 2“ 2 0 6 fi 9 3 9 9— 3 9 S 9 5 9 5 © I980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub—Editore per | 'Ito| io: WARNER CHAPPELL MUSIC ITALIANA $, p.A. - Via G. Fara, 39 - 20I 24 Milano Tutti i diritti sono riservati a termini di Iegge. All rights reserved. International Copyright secured.
  121. 121. 123 (I lhe"| l like U~u. ~-I 2 i 2 9 my you think the)/ ‘H lr_v, , A § § 3 § > > e w 1 — I ~ 1 do M0lh- er. U1’) I)~u>‘. ’I) halls‘?
  122. 122. 124 m0lh— er should I build the wull'. ’_ Q qr-= T~= V VI. E a nth» ‘ 5’ _ I , POQTV V( 9~7~ : ¢-o 0-of ‘rT? T“‘V v«ug_ 3; L / um aav Vfl l . raéol fi_ woo Q “Q43 raroo-AGVVQ wwo—: $ fir Jmm cu ¥XX ( L *4 ~ ——— > . . im ring > end Rhythm ltgurc I 3 5 — > 3 3 r 3 3 9 3 9 -9 W -* *3 3 3 3 5*“ ' *9 -9 % 3 3 3 3 ‘ 0 0 6 0 0 9 9 0 G 0 0 0 0 0 0 0 0 '9‘ 9 fl 0 0 0 6 0 0 '_,2 2 f 3 9 *4!)/ t'i 1 5 ( . 1 3 / /- K I ' f-‘_l ' r J ( L1" 3 ii. .. . * Moth~ cr should I run for pres - i - dent‘? .1uth-cr. do you think . hc's goodfl e — nough 'lp"‘"“"" 3”] ‘"““ for inc‘? tl)_{('t (1 I 1: 3 / It 3 L .1) " E‘ 3 - - 3 cf *4, Moth-er. shnuld I trust the gov - crn — ment‘! Moth- cr do you think she's dun - ger — ous to me‘? ,, t; _ 1: 4; I __ I . 4: f IT :4". r -'+A: EP’L: J 3-l Moth—cr. will they put me in_. the I‘ir ~ ing line‘? __ Moth-cr. will she tcair vour lit» tlc hm‘ . , , ,_ at — art‘? . . P (,2 —+ 4% 3 it L . . . ‘U . . $—/ Ah IS ll _| USl LI wustc Oi time‘. ._ Ah: moth-er will she hn: -ttk my hcnrt'. ’,-, .
  123. 123. 1 - 0. C ‘ __ I wilh Rhylhm lill I 1 , 7 y > > (l’l: i_vcd by I2 string iicouslic giiitur). (doubled by iu. 'oustiL' guitar It > > > — —~——— —»+ 3 3 3 3 3 9 3 8 } ‘ ' fl 0 0 8 8 3 0 0 '9'“*"“0 "X )6 X “ 3 5"“ ‘-- 3- " t F ; L—J_. M; i— m; i's gon— l'1Llr11L1lC '. ill_ of your l’lil- m: i‘s' gon— l]LlL’hCL‘l‘ out, ill] your night- m1ll'L‘. ‘ conic true: girl—t’ricnds‘ for you. hcr witig. Shc M; i»in; i's -__'on— nu kccp _ou right here iin—dcr act in. Mii~ mii‘s gon» nu put ll“ of her tears in- to you. Mu-ni‘. i‘s‘ goo» nu ‘: Ill up un» til you l*1ai-iiiii'swoii‘t lct_ ill] ~ y-one dir~ ty get ‘through. Rhylhni till I
  124. 124. 126 1 , 3 ‘I E —_/ . . . - . , _ _ 4 ’a won l 101 you IE0 but she might let you sung. Mu ~ man will :11 — — - — ways find out where y0u‘vc been. > > > + 1 1 , 1 1 4 1 1- 1 e 9-——9 & 0 9 9 9 1 1 1 1 -1 1 1 1 1 1 1 1 r 1 4 1- 4 H ----2 2 2 2 2 2 2- 2 2- 9 9 9 w 9 9 9 13 _ —9:— 9 ---—-9 9 3 9 9 9 9 A2 42 2 2 2 2 2 2 2 . 9 9 9 9 —— 9 9 3 3 3 9 3 43 9 49 9 9 - —1 1 1 1 5 5 5—- 5 5 ‘ I ( G E 8 '3'" 3 3‘ ' _____. _$ . gun-nukccp bu—by_(. ,.. _.. cos - y and warm. . gun-nu keep ha-byé__ hcullh — y and clean. > IlhRh_Vlhl'l‘l1l”2 > > > + 1 1 1 1 0 0 [1 “*3 -3-3 3 33333 33 3 3-%% 1 1 1 1 1 1 1 1 1 3 33 ’9—3—3’ 2 2 2 *9 2 0 0—0—‘0 00000000 0 0 9 9'——3 3 ‘3 2 2 2?? 0-*0-0-‘0$-0*00—‘00 0000000 5 8 5 9 9 2 22?? 2 22? 2 2—22 1 1 ‘F 1-‘—-1- 9 3 S 9 3 3 S 9 3 3 8 9 S Rhylhm fill 2 Dflbg
  125. 125. 1 27 1;. ¢: ... I.. {1} ‘I huhc. uoh lcl ring (L Ooh. hum. ’ of course Ma~ma's gon~ nu help built the wall. 1/Ill’. (Solo) / ‘fa. 3 33 3"9 3-3 9 3-3-5 3 2-2 0 2 2 2--22' 3% 2 0 0-0 0 0 000 2 2-2 5 3—9 0f 2-2 3’3 0 1 0 2 3 8 (1 SF’ 7 J‘ v / xx ‘ ~Ic: ILl_-‘ gll. .. %%%1§ QQQQ _. i’ A __. . A 9 ti 9 sum ii 1 3? ~ 33-9 060 3 0 3 '0 3 0 3 0 0 0*00 2 -9- 0 00-0 1&2 3 9 0000-000 22‘2‘2-22—‘22 9~*9S89S3S 2 6 2 3 2 3 2 3 2 9 2 5
  126. 126. 128 c cnI'clc'.1sc ILS. :1] Carla $ (1 2 3 2 ~—2 9 3 ha — bv ‘ll :1] - ways he VOU Ooh. huhc. X 3 8 S 3
  127. 127. 129 REMEMBER A DAY W Testo e Musica di Syd Barrett J = an E5 Fifi C5 A5 ES I-‘#5 C5 A5 E5 F35 GS A5 E5 I-‘#5 (25 A5 . .. am ~~~~~~~~~~~~~~~~~ | .1(«| u.J. . '_3_I V - , _-_ * WE _ ""——'= '_; —.'—: .¥. ~:s. :; w/ slide & slight overdrive XE 22"€‘————s Glr. 2 (rlc-1-. ) W/ .lighldiSlOr1iOn I ’ 14 +2 ‘M y H E -2 4 5 7 9 , A 1 7 1 9 to 12 9 16 1-2 I 9 2 3 5 < * Plano arr. for Glr, sim. jpitf‘ 3$’: "‘. /“. " “ 7 2 ‘Zn’. - —I I © 1967 [Renewed], 1980 by WESTMINSTER MUSIC LTD. , london, England - Editore Cedenfe Sub-Editors per | ’|to| ia: ESSEX ITALIANA Edizioni Musiculi S. r.l. - Ga| |eria Del Corso, 4 - 20122 Milano Tuni i dirini sono riservcni a termini di @994 All rights reserved. International Copyright secured.
  128. 128. 130 E I) A E . ,.. _ KT. o . §””f4r, .H1LLr'r ~iFt9": ‘{L; ’;-. lr-%%: ;‘fi Rc— mcnrbcr 21 day be» fore t0—d: .ly. :1 day when you were young. . , Sing" LL songthulc'. m‘l be sung. with-out the mom— ing kisxe Climb your fa—vou — rite up-ple tree, try to catch the we " E iron: Q‘ if E314’ i _i W 'i'ir_5fl! @mvr#%fl Free 1o__, play a-long, with time. eve— ning nev — er Queen you shall be if you wish, look for your King. Hide from your lil-lle bro — ther's gun. dream yourself a — , .— H5V%~T-i Elmulil‘) Ffiln/ E C/ E A/ E F. maild9 Ffiln/ E C/ F. A/ E Ffifi: +‘1"Efi”‘“*i , com. in slashes (Ar. 2
  129. 129. 131 (, D Em A (, I) Em : . _/ § -0- . can’t we play to—day‘. L . , Why can't we stay that way’? can't we reach the sun‘? Why can't we blow the years a » way‘? w/ slide over p/ ups ‘~12 Repeat ad lib. ‘if V LILFQJ FL. -VLf*’= f.f ~-~%"~ -W-———? iurpromisv freely to fade Blow a - way. Glr. I w/ ad lib. slide effects
  130. 130. 132 SEE lEF. i.‘I. .lF. ‘i. ' Fl. .11.’ Testo e Musica di Syd Barrett J = 122 [Am] Glr. l (t-lI't'. i ’“* /5'1‘-‘j": “ Glr. 2 (t'l¢‘l'. ) aagf W/ “llde 8‘ '*"‘h"7 7 7 played w/ slide over p/ ups‘ W/ »““Ehl dl5l"“l°“ ‘ tab. shown 8vb for referenyce 7 7 7 ffi ~+2 ““= -—o— 12 —-+2 ‘*“—-—e 9 3 ‘*0’ ‘L9 _2_; ___j -3 5 5 rr 'F5- -9? Glr. 3* 2 _! i_j_3'“ L +H— 7-5-7-5-°? ‘fi ‘lr 5 95 . '>. ;—‘s * Orgzin arr. for Glr. :9: Ba“ an. ’ "Or Gm © 1967 by TRO - ESSEX MUSIC LTD. - Editore Originale Sub-Editore per l’ltalia: ESSEX ITALIANA Edizioni Musicali S. r.l. A Galleria Del Corso, 4 - 20122 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured.
  131. 131. CV ____ 1 1 ____ 1 1 ____ 1 1 ____ 1 . .u” 1 ____1 ____1 1. ____1 ____. . _._ ____ 1 1 ____ 1 1 ____ 1 1 ____ 1 an .1» M T m . _ .1 ___. .. 9 . - . . mam“ Ti ‘‘ W‘ to bor - row ‘ in sor » row ' for — er and — no—ther way. er 1y) it 3 w. m _. . o m in - clined w/ slide over p/ ups mor - row. 9 try tries, _____ dark. ‘ ‘ e —1" ——— —_M 1‘ . of - ten go - mg through trees on a l'1V - _ — let ( mafl Ctr. 2 : =_ T ooh) she's ooh) ooh) float n - T M er day, 0th 2 H0 Ctr E — mi — ly Soon af — ter Put on Am/ E (. .%—% % stand. (Ah — cries. (Ah - ground. (Ah - gm ——. ... ... . Ctr. I g''‘‘ M
  132. 132. 134 E I) Dsiisfl + Li’ 5 E’? J! ‘ 15* F” ‘i lose your mind and play? free J J J1 j 1.4: . . . 4 1 A 3 . v‘ , _ — . __ it. -. ' ‘ l l 7j 1 EEIR l ‘ W (Ar. 3 gm — — ~ — — — — ~ — — — — - — — - A — » » ~ A — — ~ - A ~ — — — A-. F” 1 IV‘ E . . 3 E 2-—j. :11:1.:1j| MI '- ‘ - E Q - ' if to. ' 3‘ r _= — ! !.! _-_! I-; -E! .§i! _¥'. ... ... .._. : — — w/ fun , slide effects. echo, distortion * **“* ’5*9'” *5" . l—I -3- l jihl H is HIT5 '9 ' ' —-. 'e— ' +2—+i-—ie—1-1- ' 5 ' . "‘ I I ‘w: I __. _,_ I Ctr 2 [Am] Gtr. I cont. sim. 8/" * ' * * * V * cleaner sound V5 V5 “*7 i-V °‘ .4
  133. 133. 13$ 5” " ’ ‘ am - - - - V » - » - - — - — — — on». I _/ _/ FULL T 25 "W" H 7 «~‘« Pm Pie FuLL F"'-'- "”'-‘- FULL FULL FULLPI" Pf “)/ 0 O 1,‘ 5,, ‘ 3 0.55‘ al Coda G} "" 4 " WM“ 4 W i 3 1 FULL , :'¢ Gtr. I : ad lib. Iremolopicking w/ slide over pickups : * J -7-_— 595 5 5 l5-9“‘5" 5 5 D 'm'uI fmI: '.' I713 . I ' I = 7 I , mi‘: - Glr. l {-7 , - r. - ’ UK F U1‘ F IL. I ' kIU I w/ fuzz com. sim. , random picking R1-pea! lo fade
  134. 134. ”“ sum: on You CRAZY DIAMOND (mm v) W Testo e Musica di Roger Waters N. C. (Gm) (C17) HI)() 3“ ‘ ‘'—£-: —E ‘- Re- mcm— her when you were young. you shone like the sun. Now lhcrc‘s_ 2: look in_ your eyes. like black holes in the sky. _ © 1982 by Roger Waters Music Overseas limited. Subfdiiota per | 'lOo| ia: WARNER CHAPPELL MUSIC ITALIANA S. p.A. - Via G. Faro, 39 - 20124 Milano Tutti i dirini sono risarvoii a termini di logge. All rights reserved. Inlernulionai Copyrighl secured.
  135. 135. 137 I-‘. '. r: l.. :. I)? » (:5 ribs 5 / T I t«‘ A M tfi; _., B ‘Jig ; -- tr rt’ 1' g Shine on. you era - — zy " - . You were _ Z‘ qt” “tr? ++~ keyhourtlsz Um _, 6. Cl“/ Fii A ‘m/ I“ . (IT/ Oi; /I‘: rfrff rW~rT7n; ? rrr i%; :_ 1 caught in the cross-fire of Chlid- hood and star-dom. blown on the steel breeze. I-ll» E“? Bl; /F I). .. n rrrrsErrrr: gr'yjpgguerkegt come on. you tar - get for fur- 41- waylaugh- ter. come on, you strun-ger, you leg-end. you mar-lyr, and gt‘ 5.1 1.. .r*r—i'. =—J+—. + Ly .1 Vfr's3“F'i"'efifi“l’flj Rhylhm figure 2 , ,,, ,,,9 _ _ _ _ _ _ _ _ _ , _ _ _ _ _. M ,1", _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 7 _ _ _ _ , end Rhythm figure 2 I e 1 1 —2 4 4 I + —2—~ a er 3- a -3 3J3 e 9 3 3 e 2 2 1 5:35 5-‘2 3 3 end Rhythm figure Ia . L» 4g» 1. . ~l
  136. 136. 138 kcyhoatrtlsz El. lib/ I) C. .. ' C. ../ Bl. F =2.-' Ki‘: L. -S. i T3?‘ -~«nuv vv, - . e%Et_r‘—‘. ~ 13 ? LL -
  137. 137. 139 N. (I. ttlmt ml». BL» w? T I? . — J I. i f —_-. .__-e — AI fee E-. »_-. f—$~f {_-f"i . rT—- . ._ s-g-ti? + if IT » reached tor, the so-eret too soon. you cried for the moon. I -~ P .3? Fa. .. lg; it ‘I I . 9 .4 I 5 ,5 ~-~-—- J 7” 3 3 a——9— : I 5 + 2 ‘§. ”i—; $— J; r—- I ___ 1 _I 1 -1 1 ‘F t~: l,s I) ( BL 7 ? FHF: =E‘---#"5‘€: - t A Shine on you cra - zy din — mond. I3- .1. I I ~ +15 5“ é 4£7?F¢a‘Q3U. 43%, l —: + J? 3. l. _ I i in , N, t1.(t, 'mt ml» Bi; r“r'f; .r-53@J E7—w‘—“-“ mew ewe fire Threut—encd by, shad-ow. ~._ at night. ’ and L-x—poscd in thelight.
  138. 138. 140 G. .. Cm/ Fll 1,‘. ../ r (IT/0i»/ F. T ’ ' xx». teeter at «Mt r . =—_af’ _. In r r: grx; -W’ i wore out your wel-come with r2m—dom pre - Ci-sion. rode on the Steele breeze. d. .,Le; @“? * %afi; *€e“fl F I; e Rhythm rigttrc I F Er $41.. Ll . ., .i. ..'—«_"= . . El; E“? Bi: /F D. .. l) W7 5%’ r‘= :d; J‘t‘F +7 mfiicfiei Come on. you ray-er. you se-er of_ vi—sions. come on. . you paint—er. you pip» er you pris- on- er. and with Rhythm figures 2 and 2:1 Suxnplmrw Milli Gm (}m]3 2
  139. 139. 14] 1) Eramiret trsr sr gt» Epitar Douhlc time §': "'-'-‘. 'if: Efi§ play 6 limes and jhrle out begin fade - IlI= Il: I'-32%?
  140. 140. 142 WISH YOU WERE HERE W Testo e Musica di Roger Waters, David Gilmour E1117 (2 Glr. (I2 s| rin; :} fig J L) ‘J Rhylhm figure I a«3s——9—— 3 3 9 ass 33 as 3 9 oaeeoo we 2——-— oo —-——o: — ova as 9 EH17 G F. In T . -T. ~‘us-1 © 1982 by ROGER WATERS MUSIC OVERSEAS LIMITED / PINK FLOYD MUSIC PUBLISHING [TD SubEdiIore per | '|ralio: WARNER CHAPPEU. MUSIC ITALIANA S. p.A. ~ Vic G, Fora, 39 - 20124 Milano BMG Ricordi S. p.A. {ex Edizioni Fama s. r.| .) - Via Berchev, 2 v 20121 Milano Tutti i dirini sono riservcni a termini di Iegge. All righés reserved, International Copyright secured.
  141. 141. 143 §l wilh Rhylhm figure (first 9 harst Ch‘. (u¢'mI. ~Iir) Em? : ‘T. ~u. ~ ‘I__—_2— ‘ _ II-‘C ' 0. 'j——. : hold bend R I)/ HI heuv- en from hell. so you think you can lei] 3! S0_. _‘_ P. M. P. M. nu. .-» v. u.———»~~—-- P. M. 0 1- *t = thumb (ilr. (1'I1'1‘. ) ' L E 'I' wilh slide H
  142. 142. can you tell :1 green am. PM » A ~ ~ blue . ~.kics_ from puin. ,___E A 111/ I‘) ! I _-t——- K I Did they get you to trade_ ' T: — _ (2 = =% PM. nj 1 Z‘ I 3-: 42 & {K s C-2 -j—u2 1 : j:: .1 sm1lc. __ 1mm .1 1191]. ’- $1 2.. .. i— = Zn“: 2* : o o 0 0 ——o— o——o 9 o e 2 r -2-— 2 2 2 I 9 E :1 RM. and Rhythm figure 2 _ Do you think you can tell? II- 1>u1.». —- re I d _fi, ._ _ . . —'" I. -II. ‘ A 111 -'ll 7. . T‘- .5-. ,II, x'—L _ . . . . 5.“ K in
  143. 143. (5 D/ Ftl I / ' /3 _ 7. j . j.j. jj-W- - II. .— ‘ _‘—“‘ — “‘-——— KI'Z-‘—- ‘T — - __(‘_-_, i,_. .. your he ~ mes for ghostaj hot ash - es for trees. _. “" {——§ / —§ _ Z rgij 2‘ 1 with Rhylhm figure 2 wnh slide 2 5»-47* I Am/ F. C Tie f‘ . o‘; : TR A “ V. ‘ --I--— . . - - II. . ZZZ‘-_-———- *“'-= ==' — 5!; -21 ' — * hot air_ for a cool_. _.. # breeze. ~ }‘ cold- com—fort for chungc'. ’_ I . /-jx , — : ,v'nE F '5 Tjjjjj II‘. . 'jij. " L 7 —— —: —j G ' Luv a walk— on _ part} in the war- 7 - Lrx I - E for a lead___ role in a cage? __. .-— —" ___ —2 19+’ 12 I Gtr. (at-nntstir) 7‘ f — _ : Kr. ‘I ' _ “I —Z EM. 3 1 9 ° I -2- o _,2- I
  144. 144. 146 Tu11ett)ttper1Ci.1I3‘ I) "55 2 (L : I) C}. : (3 7.2‘ = I} I-I/ ‘ : I) dnhro ((IUlII'IIL'LI by . L'11l ocuI) 71117 I""3?I / with Rhythm figure 2 my: (1 .8 T r . _ . . __ I 7. ’ " 7”" 7.3- ' 5 3 — ' I ‘I at How I wish. . 7__. how I wish you were here. we'reju. 'l Am/ Ii ex SF gem * g I : T; 4.? I’1=_I; ;su. ; lost two, , souls awim— ming in :1 fish - bowl. __. ., . year at‘ — tcr year. I)/ ks A (2 PS 7 T I I: 5 I 1:: 3 Run- ning 0 » ver the same, old ground. what have we found‘. ’. . . The same old. a r I g@ ; x . VIlIIRIIVII1lI| I‘IgllfC I (Z limcxt fears. . wish you. . . _.A were here. " '
  145. 145. 147 (lohm (doubled by seal voeul) with slide z‘T: ~'| |.~4 C , Em begin fade fade into sound oflbrls X71111:-'4 (. 2 8 with Rhythm figure I (first 8 bars)
  146. 146. "8 Ii'I2I. I:‘. «3I? I:‘I; .r; ‘:0 mi: mr": m:I. I«iE Testo e Musica di Roger Waters Intro synthesizers and sound effects 13 String gum, for ;1pproxin1ute| y~I7 seconds E, "lmMt)) 2 (ItnajT 2 I‘Ill‘| [iltI(II)I 2 Keyboards’: E111 (" ; Wel- come _ . we| — come, the ma- chine, Iim / J.‘ 3 ('1 / Am A ""I"‘ EJ£: E"HI rwLf= %l3% . . Where have, you been? It's all, right. we - Em —. Z‘ _ 3 (' __ f {x know, where, you've been. you've been, in the pipe — line fill-ing intime. , , Iim fi _. . pro— vid — ed with toys, . . and scout—ing for boys. . © I982 by ROGER WATERS MUSIC OVERSEAS UMITED Sub-Editore per | '|taIia: WARNER CHAPPELL MUSIC ITALIANA S. p.A. - Via G. Fara, 39 - 20l 24 Milano Tutti i diritti sono riservati a termini di Iegge. All rights reserved. International Copyright secured
  147. 147. 149 bod - y‘s' fool. LP-EiF_E_r—3~ know you're no to pun-ish your mat} and you 21 gu1- tar_, , like school. You bouflht n’! and you did . 'm I- $ $ "' _I, - I So T _ , .. , , to the ma—chinc. , > > > > > > 9 9 9 9- 9 —-9- 9 9 9 9 9 I 9 9 9 9 9 9 I 2 2 2 2 2 I :9 9 9 9 9-—-9 9 I ——— 4} 1: E - ! Z’4F‘l’jd'jdFT u- 1’ I I I > > > > > > 9 9 9- 9 9 9 9 9 9 -9- 9 4 4 4 4 4 -4 2 2 2 2 9 9 43 9 9——9 . -'j=3‘_‘_" .4. J > > > > > > > 9 9 9 9 9 9 9 9 9 9 9 9 -9- 9 9 + 9 4 4 9 r 9 29 > —9—9—9— 8 > >+F%%23 a. 4 a> > 4 LI _ I 00%23 . ... .. . > >e%9.r4. > >. ... .. . _. ___. 9 92 > >9_. .. . o e , >99,v29 . .> >e. ._. . _ I > >. . . . . . 94325 . _ 9092.7. 0.. .. . , _ 4.- Inf! m 992.. M m M. > > . . m m w , C w H um . . a> >5.. . . , to IIL
  148. 148. 150 (jun nj'. ' U! r. (n'| w*. ) E1 . ... __ + EnI(aul4l‘)) .4 . b g’ if 3;: *r~a*¢"T 2 2: : -2--§~rfl_L iii’? ?? ‘:1- 3;: 9 § Ofi yr -11% as»: 1&5 coat. .. +, ... ... ,_%. .. . .H_, .+f #4. o anew H. ” EH11 alId9)
  149. 149. Em(uu| <|‘)| EH14 : ul«l‘)| 5; gm % 12 string Glr. I and 2 I0 wel—come_ my Wcl- c0me_
  150. 150. What didé you dream‘? It’s all_ right. _ we told you whmA lo§_ Em(u: |c|9) you dreamed_ of a big F. m(auM‘)) he played_ a mean gui- tar. _ He loved to drive; in his Jag - - u‘ar. _._ So wel- come to _ the ma—chine. _ HIn(m| d‘)) Synthesizer solo Phi)’ 1 1 It'll? !’-9 with simile rhythm on rcpcals and fade’ into sound eflbtls
  151. 151. nnemr n I - vm Vlwe s Sanasnu 7 - II-’ I800 szawpanu In ‘IuIa - Pwtea r My — Impnme an | taI>e zoo: ANOTHER BRICK IN THE WALL (Part I) ANOTHER BRICK IN THE WALL (Port 2) ASTRONOMY DOMINE BRAIN DAMAGE BREATHE COMFORTABLY NUMB ECLIPSE GOODBYE BLUE SKY HAVE A CIGAR HEY YOU IF IS THERE ANYBODY OUT THERE? MONEY MOTHER NOT NOW JOHN ON THE TURNING AWAY REMEMBER A DAY SEE EMILY PLAY SHINE ON YOU CRAZY DIAMOND (PART V) WELCOME TO THE MACHINE WISH YOU WERE HERE Prodotto e distribuito da La/ z?rc% NUOVA CARISCH sJ. I. VIA CAMPANIA, 12 - Zona Industriale Sesto Utteriano 20098 S. GIULIANO MILANESE [MI] UFF. CIJENTI - Tel. 02-96.221212 www. carisch. com ISBN 88-8291 -753-3 9 788882 917531

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