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A Crisis of Capacity - Adam Moriarty

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At the Auckland Museum, we are looking at how can we harness the power of a global workforce, free software, and social media to embrace the changes made by the digital revolution. Can we use the “gig economy,” machine learning, and the power of the crowd to solve our backlog problems head-on? Can these new ways of working help us to free our time for the more creative and innovative aspects of our roles? Is it better to have an AI-created record online than no record at all? What are the ethical implementations of automated, computer-generated content for museums?

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A Crisis of Capacity - Adam Moriarty

  1. 1. KIA ORA
  2. 2. Adam Moriarty @adamrmor Head of Collection Information A CRISIS OF CAPACITY
  3. 3. “Biggest issue facing the business of museums and public history is not dropping visitation numbers, but a crisis of capacity.” — Taylor Stoermer
  4. 4. 163 Years and Counting Auckland Museum, Princes Street, interiors, Richardson, James Douglas, 1877-1942, photographer, PH-NEG-14817
  5. 5. Is it better to have an AI record online, than no record online? Office computer. K E Niven and Co :Commercial negatives. Ref: 1/2-240175-F. Alexander Turnbull Library, Wellington, New Zealand. /records/22759460
  6. 6. NOT A replacement for cataloguers - simply tackling the backlog head- on & allowing our staff to work more efficiently.
  7. 7. Caption Confidence Tags A living room filled with furniture and a fireplace 94% Indoor,living,room,table, window,furniture,ceiling, wood,wooden,view,chair,filled, fireplace,looking,area,large, decorated,place,television, dining,red,flat,fire,bedroom, white
  8. 8. Caption Confidence Tags A person holding a baseball bat. 14% Person,building,outdoor,baseb all,white,holding,child,black, photo,standing,player,young, bat,little,boy,woman,wearing, girl,ball
  9. 9. ….the people who coded the algorithm hadn't taught it to identify a broad range of skin tones and facial structures. — Joy Buolamwini
  10. 10. Is it better to have an AI record online, than no record online? Office computer. K E Niven and Co :Commercial negatives. Ref: 1/2-240175-F. Alexander Turnbull Library, Wellington, New Zealand. /records/22759460
  11. 11. GIG
 ECONOMY Haystack (band) at Wairarapa College) : digital image Frances, Neil : collection (11-27)
  12. 12. “GIG” Online micro-job costing between $5-$50 USD completed by a freelancer using an online marketplace.
  13. 13. • Embrace the changes brought about by the digital economy • Reduced costs by only paying for the working hours required. • Gain access to the expertise we need for a fraction of the cost. • Lean and agile problem-solving. • Created skeletal records available for searching online.
  14. 14. BUT… Petrol Stop, HWC08-SO105, Kete Christchurch
  15. 15. MA Code Of Ethics 2.2d “Provide appropriate financial rewards for the duties specified…”
  16. 16. ICOM Code of Ethics 8: “Principle - Members of the museum profession should observe accepted standards and laws and uphold the dignity and honour of their profession. They should safeguard the public against illegal or unethical professional conduct.”
  17. 17. SO WHAT? Tool kit. K E Niven and Co :Commercial negatives. Ref: 1/2-227480-F. Alexander Turnbull Library, Wellington, New Zealand. /records/22811084
  18. 18. aucklandmuseum.com @adamrmor THANK YOU

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