Fortellerteknikk

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Fortellerteknikk:
Et godt manus er viktig for at historien skal bli bra.

• Pitch
• Synopsis
• Dramaturgi
• Manuskript

Pitch kan svare på:
•
•
•
•
•
•

Hva handler historien om?
Hva er hovedkarakterens dilemma?
Hva setter historien i gang?
Hva fører dette til?
Noe nytt og uventet skjer?
Hvordan slutter det?

Synopsis (Outline):
• Videreutvikling av pitchen
• Kortfattet handlingsbeskrivelse uten
replikker og tekniske løsninger

Dramaturgi:
Er fortellingens form. (er læren om hvordan
dramatiske fortellinger er oppbygget eller
komponerte.)
• Den klassiske fortellermodellen.
(Hollywood-modellen)

Den klassiske fortellermodellen:
Aristoteles formulerte en måte å beskrive formen
på en dramatisk teaterforestilling i boka
”Poetikken” (ca 2500 år f.k.). Dette idealet brukes
ofte også i dag i Hollywood filmer og lignende
Også kalt 3-Akt-Struktur:
• En klar begynnelse
• En like klar midt del
• En klar avslutning

Begynnelsen:
• Innledning / Anslag:
- Vekke seerens oppmerksomhet
- Presentasjon av personer og konflikt
- Skape sympati for ”rett” rollefigur
- Gi inntrykk av hvordan filmen vil bli fortalt

• Presentasjon- konflikt oppstår:
- Utdype forholdet mellom de viktigste personene
- Etablere hjelpekonflikter
- Vise oss de viktigste miljøene handlingen utspilles i

Midt-del:

• Fordypning:
- Grundig utvikling av konflikter og karakterer
- Spenningen dempes

• Opptrapping:
- Spenning øker igjen
- Del-konflikter løser seg

- Hovedkonflikten hardnes til
• Oppgjør / Klimaks:
- Point of no return

- ”Oppgjørets time”, en ”vinner” kåres

Slutten:
• Oppklaring / Løsning:
- Svar på uavklarte spørsmål
- ”Vinneren” får det som han vil

• Avtoning:
- Reaksjon på at konflikten er løst
- Det har skjedd en bevegelse fra starten til nå.

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Fortellerteknikk

1. Fortellerteknikk: Et godt manus er viktig for at historien skal bli bra. • Pitch • Synopsis • Dramaturgi • Manuskript

2. Pitch kan svare på: • • • • • • Hva handler historien om? Hva er hovedkarakterens dilemma? Hva setter historien i gang? Hva fører dette til? Noe nytt og uventet skjer? Hvordan slutter det?

3. Synopsis (Outline): • Videreutvikling av pitchen • Kortfattet handlingsbeskrivelse uten replikker og tekniske løsninger

4. Dramaturgi: Er fortellingens form. (er læren om hvordan dramatiske fortellinger er oppbygget eller komponerte.) • Den klassiske fortellermodellen. (Hollywood-modellen)

5. Den klassiske fortellermodellen: Aristoteles formulerte en måte å beskrive formen på en dramatisk teaterforestilling i boka ”Poetikken” (ca 2500 år f.k.). Dette idealet brukes ofte også i dag i Hollywood filmer og lignende Også kalt 3-Akt-Struktur: • En klar begynnelse • En like klar midt del • En klar avslutning

6. Begynnelsen: • Innledning / Anslag: - Vekke seerens oppmerksomhet - Presentasjon av personer og konflikt - Skape sympati for ”rett” rollefigur - Gi inntrykk av hvordan filmen vil bli fortalt • Presentasjon- konflikt oppstår: - Utdype forholdet mellom de viktigste personene - Etablere hjelpekonflikter - Vise oss de viktigste miljøene handlingen utspilles i

7. Midt-del: • Fordypning: - Grundig utvikling av konflikter og karakterer - Spenningen dempes • Opptrapping: - Spenning øker igjen - Del-konflikter løser seg - Hovedkonflikten hardnes til • Oppgjør / Klimaks: - Point of no return - ”Oppgjørets time”, en ”vinner” kåres

8. Slutten: • Oppklaring / Løsning: - Svar på uavklarte spørsmål - ”Vinneren” får det som han vil • Avtoning: - Reaksjon på at konflikten er løst - Det har skjedd en bevegelse fra starten til nå.

9. Fremdriften i 3 akt-modellen:

10. Fremdriften i 3 akt-modellen:

Fortellerteknikk

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