SlideShare a Scribd company logo
1 of 11
ELEVATION OF SEATS
LINE OF SIGHT METHOD
A sightline, sight line or visual axis, is a normally unobstructed line
of sight between an intended observer (or spectator) and a stage,
arena, or monument, for example. Sightlines are a particularly
important consideration in theatres and auditoriums.
The vertical distance from a spectator's eyes to sightline of the
spectator directly behind is called a C-value. Higher the seats lower
the C-value.
D = the horizontal distance from the eye to the point of focus
N = the riser height
R = the vertical height to the point of focus
T = the seating row depth
REGULAR RISE METHOD
In regular rise method each tier of the hall has equal rise. Seats are
elevated at equal risers.
Source: Wikipedia
Source: Neufert
CINEMAS
FILM PROJECTION
• 1m of space behind the projector & at the
operating side, 2.80 m high, ventilation, noise
insulation to the auditorium side.
• Film widths of 16mm, 35mm, & 70mm.
• The centre of the projected beam should not
deviate more than 5° horizontally.
• Picture sizes depend on the distance of the
projector from the screen, height/side ratio is
1:2:34 (cinemascope) or 1:1:66 (wide screen).
PROJECTION SCREEN
• Min. Distance of projection screen from
wall is 120 cm.
• It is perforated (sound permeable).
• Large projection screens are curved.
• The auditorium should have no outside
light other than emergency lighting.
• Walls and ceilings are made from
non-reflective material.
Source: Neufert
Source: Neufert
PROPORTIONS OF AUDITORIUM
These are obtained from the spectator’s psychological
perception and viewing angle, as well as the requirement for
a good view from all seats. Head movement should be
according to following:
• 30° → no movement
• 60° → slight movement
• 110° → slight eye & slight shoulder movement
• 360° → full movement
At a depth of 24m of house → proscenium width – 13m
At a depth of 32m of house → proscenium width – 17m
Source: Neufert
SECONDARY SPACES
DRESSING ROOM
Source: Neufert
WORK SHOP CHANGING ROOMS
Source: Neufert
REHEARSAL STAGES PROJECTOR ROOM
Source: Neufert
N.B.C. OF INDIA
SOUND INSULATION
 Trees with heavy foliage planted on both sides of carriageway help slightly to muffle the noise, provided the
foliage extends for a considerable distance (30 m or above).
 Noisy rooms should be separated from quiet ones, if possible.
FIRE AND LIFE SAFETY
 All buildings depending upon the occupancy use and height shall be protected by fire extinguishers, wet
riser, down-comer, automatic sprinkler installation in accordance with the provisions of NBC.
 Automatic fire detection and alarm facilities shall be provided, where necessity, to warn occupants early of
the existence of fire, so that they may escape, and to facilitate the orderly conduct of fire exit drills.
 Fire doors with 2 h fire resistance shall be provided at appropriate places along the escape route and
particularly at the entrance to lift lobby and stair well.
 Internal stairs shall be constructed of non combustible materials throughout.
Area required: The floor area of the hall including, gangways (excluding the stage ) should be calculated on the basis of 0.6
to 0.9 sq. m per person.
Height and volume: The average height may vary from 6 m for small halls to 7.5 m for large halls. The volume per person
required to be provided should normally range between 3.5 to 5.5 m. Suitable volumes for different types of auditoriums are
given below.
Cubic metres per person
A) PUBLIC LECTURE HALLS.
B) CINEMAS OR THEATRES
C) MUSICAL HALLS OR CONCERT HALLS
3.5 to 4.5
4.0 to 5.0
4.0 to 5.5
Max. Distance from the curtain wall: In the case of theatres a person with normal vision should be able to discern facial
expressions of the performers. In order to satisfy these condition, the distance of the ‘farthest seat from the curtain line
should not normally exceed 23 m.
Stage: The size of the stage depends upon the type of performance the hall is to cater for. It would be large for theatres,
while it would be comparatively small for cinema halls which again depends on the size of the screen.
Balcony: Where a balcony is provided, its projection into the hall should not be more than twice the free height of the
opening of the balcony recess.
Doors and windows: The external noise level is high, properly fitted doors and windows should be provided. Their rebates
should preferably be lined with draught strip rubber or felt.
Line of sight: The elevation of the balcony seats should be such that line of sight is not inclined more than 30 degrees to
the horizontal.
Angle of floor: As an empirical rule the angle of elevation of the inclined floor in an auditorium should not be less than 8
degrees.
Foyers, crush halls, attached rooms: All the enclosed spaces, such as foyers, lounges, flanking verandas,
etc., adjacent to the auditorium showable be isolated from the main hall by suitable ( well fitting ) doors so
that the acoustics of the hall are not influenced by these rooms;
• The foyer area, depend on the size and seating capacity of the auditorium. At least 20% of the seating
area of the hall 1s recommended for foyer.
• For lobby and lounge, areas at least corresponding to 10 % of the seating area in the hall are
recommended.
Seating:
• The distance of the front row works to about 3.6 m for drama and it should be 4.5 m or more for
cinema purposes.
• The width of a seat should be between 45 cm and 56 cm.
• The back to back distance of chairs in successive rows of seats shall be at least 85 cm. If extra comfort
is required, higher spacing may be provided which shall vary between 85 cm and 106 cm.
• Seats should be staggered sideways in relation to those in front so that a listener in any row is not
looking directly over the head of the person in front of him.
Sound amplification system: a loudness of speech level of about 60 to 70 db. is required for comfortable
listening. For this level can be obtained, the volume does not exceed 1400 cubic m and the max. distance from
the speaker to listener is of the order of 23 m.

More Related Content

Similar to 2 auditorium.pptx

auditoriumfinal-140407113634-phpapp02.pptx
auditoriumfinal-140407113634-phpapp02.pptxauditoriumfinal-140407113634-phpapp02.pptx
auditoriumfinal-140407113634-phpapp02.pptx
RUSBMSTUDIO
 

Similar to 2 auditorium.pptx (20)

AUDITORIUM DESIGN(1).pdf
AUDITORIUM DESIGN(1).pdfAUDITORIUM DESIGN(1).pdf
AUDITORIUM DESIGN(1).pdf
 
Auditorium Architecture planning
Auditorium Architecture planningAuditorium Architecture planning
Auditorium Architecture planning
 
Litrature review on auditorium
Litrature review on auditoriumLitrature review on auditorium
Litrature review on auditorium
 
Amphitheatre.pptx
 Amphitheatre.pptx Amphitheatre.pptx
Amphitheatre.pptx
 
Auditorium Acoustics.pptx
Auditorium Acoustics.pptxAuditorium Acoustics.pptx
Auditorium Acoustics.pptx
 
Architectural acoustics
Architectural acoustics Architectural acoustics
Architectural acoustics
 
auditoriumfinal-140407113634-phpapp02.pptx
auditoriumfinal-140407113634-phpapp02.pptxauditoriumfinal-140407113634-phpapp02.pptx
auditoriumfinal-140407113634-phpapp02.pptx
 
acoustic and viewing angle analysis of an auditorium building
acoustic and viewing angle analysis of an auditorium buildingacoustic and viewing angle analysis of an auditorium building
acoustic and viewing angle analysis of an auditorium building
 
Auditorium Acoustics
Auditorium Acoustics Auditorium Acoustics
Auditorium Acoustics
 
Theater design
Theater designTheater design
Theater design
 
Acoustic Details of Theatre
Acoustic Details of TheatreAcoustic Details of Theatre
Acoustic Details of Theatre
 
Auditorium Desktop Study
Auditorium Desktop StudyAuditorium Desktop Study
Auditorium Desktop Study
 
Acoustic design process
Acoustic design processAcoustic design process
Acoustic design process
 
shah auditorium Case study
shah auditorium Case study  shah auditorium Case study
shah auditorium Case study
 
auditoriumdesignppt-190202054512.pptx
auditoriumdesignppt-190202054512.pptxauditoriumdesignppt-190202054512.pptx
auditoriumdesignppt-190202054512.pptx
 
Auditorium design ppt
Auditorium design pptAuditorium design ppt
Auditorium design ppt
 
Case_study_on_Auditorium_(2)[1].pptx
Case_study_on_Auditorium_(2)[1].pptxCase_study_on_Auditorium_(2)[1].pptx
Case_study_on_Auditorium_(2)[1].pptx
 
Acoustic Analysis on Permata Pintar Auditorium (presentation)
Acoustic Analysis on Permata Pintar Auditorium (presentation)Acoustic Analysis on Permata Pintar Auditorium (presentation)
Acoustic Analysis on Permata Pintar Auditorium (presentation)
 
guía para ubicar parlantes (Speaker placement)
guía para ubicar parlantes (Speaker placement)guía para ubicar parlantes (Speaker placement)
guía para ubicar parlantes (Speaker placement)
 
Radioghrapic imaging Room.pptx
Radioghrapic imaging Room.pptxRadioghrapic imaging Room.pptx
Radioghrapic imaging Room.pptx
 

More from OnkarLagshetti

5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
OnkarLagshetti
 
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
OnkarLagshetti
 

More from OnkarLagshetti (20)

5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
5 ANATH RAJE CASE STUDY By, ONKAR ANIL LAGSHETTI.pptx
 
2 Ar. RAJE CASE STUDY on indian architect.pptx
2 Ar. RAJE CASE STUDY on indian architect.pptx2 Ar. RAJE CASE STUDY on indian architect.pptx
2 Ar. RAJE CASE STUDY on indian architect.pptx
 
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
1 Ar. ANATH RAJE CASE STUDY Indian architect .pptx
 
ANATH RAJE on INDIAN ARCHITECT CASE STUDY.pptx
ANATH RAJE on INDIAN ARCHITECT CASE STUDY.pptxANATH RAJE on INDIAN ARCHITECT CASE STUDY.pptx
ANATH RAJE on INDIAN ARCHITECT CASE STUDY.pptx
 
color scheme 5.pptx
color scheme 5.pptxcolor scheme 5.pptx
color scheme 5.pptx
 
color scheme 4.pptx
color scheme 4.pptxcolor scheme 4.pptx
color scheme 4.pptx
 
color scheme 3.pptx
color scheme 3.pptxcolor scheme 3.pptx
color scheme 3.pptx
 
THEORY OF DESIGN 003.pptx
THEORY OF DESIGN 003.pptxTHEORY OF DESIGN 003.pptx
THEORY OF DESIGN 003.pptx
 
color scheme 2.pptx
color scheme 2.pptxcolor scheme 2.pptx
color scheme 2.pptx
 
0000064734 color scheme.pptx
0000064734 color scheme.pptx0000064734 color scheme.pptx
0000064734 color scheme.pptx
 
ppt-on-bamboo.pptx
ppt-on-bamboo.pptxppt-on-bamboo.pptx
ppt-on-bamboo.pptx
 
ANANT_RAJE.pptx
ANANT_RAJE.pptxANANT_RAJE.pptx
ANANT_RAJE.pptx
 
ANANT_RAJE.ppt
ANANT_RAJE.pptANANT_RAJE.ppt
ANANT_RAJE.ppt
 
2183872_Enigm.pptx
2183872_Enigm.pptx2183872_Enigm.pptx
2183872_Enigm.pptx
 
le_cor_villa_savey.pptx
le_cor_villa_savey.pptxle_cor_villa_savey.pptx
le_cor_villa_savey.pptx
 
ArtNouveau.ppt
ArtNouveau.pptArtNouveau.ppt
ArtNouveau.ppt
 
case-study-of-group-housing.pptx
case-study-of-group-housing.pptxcase-study-of-group-housing.pptx
case-study-of-group-housing.pptx
 
1. Gaudi.ppt
1. Gaudi.ppt1. Gaudi.ppt
1. Gaudi.ppt
 
TOD PPT GROUP 3.pptx
TOD PPT GROUP 3.pptxTOD PPT GROUP 3.pptx
TOD PPT GROUP 3.pptx
 
I-_UNIT-_CURVES.pdf
I-_UNIT-_CURVES.pdfI-_UNIT-_CURVES.pdf
I-_UNIT-_CURVES.pdf
 

Recently uploaded

Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
AnaAcapella
 

Recently uploaded (20)

Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdfUnit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
 
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
 
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
Sociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning ExhibitSociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning Exhibit
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)
 
Spatium Project Simulation student brief
Spatium Project Simulation student briefSpatium Project Simulation student brief
Spatium Project Simulation student brief
 
ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
 
Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdfUGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 

2 auditorium.pptx

  • 1. ELEVATION OF SEATS LINE OF SIGHT METHOD A sightline, sight line or visual axis, is a normally unobstructed line of sight between an intended observer (or spectator) and a stage, arena, or monument, for example. Sightlines are a particularly important consideration in theatres and auditoriums. The vertical distance from a spectator's eyes to sightline of the spectator directly behind is called a C-value. Higher the seats lower the C-value. D = the horizontal distance from the eye to the point of focus N = the riser height R = the vertical height to the point of focus T = the seating row depth REGULAR RISE METHOD In regular rise method each tier of the hall has equal rise. Seats are elevated at equal risers. Source: Wikipedia
  • 3. CINEMAS FILM PROJECTION • 1m of space behind the projector & at the operating side, 2.80 m high, ventilation, noise insulation to the auditorium side. • Film widths of 16mm, 35mm, & 70mm. • The centre of the projected beam should not deviate more than 5° horizontally. • Picture sizes depend on the distance of the projector from the screen, height/side ratio is 1:2:34 (cinemascope) or 1:1:66 (wide screen). PROJECTION SCREEN • Min. Distance of projection screen from wall is 120 cm. • It is perforated (sound permeable). • Large projection screens are curved. • The auditorium should have no outside light other than emergency lighting. • Walls and ceilings are made from non-reflective material. Source: Neufert
  • 5. PROPORTIONS OF AUDITORIUM These are obtained from the spectator’s psychological perception and viewing angle, as well as the requirement for a good view from all seats. Head movement should be according to following: • 30° → no movement • 60° → slight movement • 110° → slight eye & slight shoulder movement • 360° → full movement At a depth of 24m of house → proscenium width – 13m At a depth of 32m of house → proscenium width – 17m Source: Neufert
  • 7. WORK SHOP CHANGING ROOMS Source: Neufert
  • 8. REHEARSAL STAGES PROJECTOR ROOM Source: Neufert
  • 9. N.B.C. OF INDIA SOUND INSULATION  Trees with heavy foliage planted on both sides of carriageway help slightly to muffle the noise, provided the foliage extends for a considerable distance (30 m or above).  Noisy rooms should be separated from quiet ones, if possible. FIRE AND LIFE SAFETY  All buildings depending upon the occupancy use and height shall be protected by fire extinguishers, wet riser, down-comer, automatic sprinkler installation in accordance with the provisions of NBC.  Automatic fire detection and alarm facilities shall be provided, where necessity, to warn occupants early of the existence of fire, so that they may escape, and to facilitate the orderly conduct of fire exit drills.  Fire doors with 2 h fire resistance shall be provided at appropriate places along the escape route and particularly at the entrance to lift lobby and stair well.  Internal stairs shall be constructed of non combustible materials throughout.
  • 10. Area required: The floor area of the hall including, gangways (excluding the stage ) should be calculated on the basis of 0.6 to 0.9 sq. m per person. Height and volume: The average height may vary from 6 m for small halls to 7.5 m for large halls. The volume per person required to be provided should normally range between 3.5 to 5.5 m. Suitable volumes for different types of auditoriums are given below. Cubic metres per person A) PUBLIC LECTURE HALLS. B) CINEMAS OR THEATRES C) MUSICAL HALLS OR CONCERT HALLS 3.5 to 4.5 4.0 to 5.0 4.0 to 5.5 Max. Distance from the curtain wall: In the case of theatres a person with normal vision should be able to discern facial expressions of the performers. In order to satisfy these condition, the distance of the ‘farthest seat from the curtain line should not normally exceed 23 m. Stage: The size of the stage depends upon the type of performance the hall is to cater for. It would be large for theatres, while it would be comparatively small for cinema halls which again depends on the size of the screen. Balcony: Where a balcony is provided, its projection into the hall should not be more than twice the free height of the opening of the balcony recess. Doors and windows: The external noise level is high, properly fitted doors and windows should be provided. Their rebates should preferably be lined with draught strip rubber or felt. Line of sight: The elevation of the balcony seats should be such that line of sight is not inclined more than 30 degrees to the horizontal. Angle of floor: As an empirical rule the angle of elevation of the inclined floor in an auditorium should not be less than 8 degrees.
  • 11. Foyers, crush halls, attached rooms: All the enclosed spaces, such as foyers, lounges, flanking verandas, etc., adjacent to the auditorium showable be isolated from the main hall by suitable ( well fitting ) doors so that the acoustics of the hall are not influenced by these rooms; • The foyer area, depend on the size and seating capacity of the auditorium. At least 20% of the seating area of the hall 1s recommended for foyer. • For lobby and lounge, areas at least corresponding to 10 % of the seating area in the hall are recommended. Seating: • The distance of the front row works to about 3.6 m for drama and it should be 4.5 m or more for cinema purposes. • The width of a seat should be between 45 cm and 56 cm. • The back to back distance of chairs in successive rows of seats shall be at least 85 cm. If extra comfort is required, higher spacing may be provided which shall vary between 85 cm and 106 cm. • Seats should be staggered sideways in relation to those in front so that a listener in any row is not looking directly over the head of the person in front of him. Sound amplification system: a loudness of speech level of about 60 to 70 db. is required for comfortable listening. For this level can be obtained, the volume does not exceed 1400 cubic m and the max. distance from the speaker to listener is of the order of 23 m.