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LITERARY TERMS
e will be using these literary terms
throughout the school year.
LITERARY TERMS:
Character Antagonist Protagonist
Denotation Connotation Alliteration
Imagery Mood Plot Tone Theme
Rising Action Climax Setting
Falling Action Resolution Conflict
Flashback Foreshadowing Point of View
Metaphor Simile Oxymoron Personification
CHARACTER
character is a person or an
animal that takes part in the
action of a literary work.
ANTAGONIST
he Antagonist is a character or force in conflict
with a main character, or protagonist.
PROTAGONIST
he Protagonist is the main character in a
literary work
an you name some famous Protagonists
that are found in literature?
DENOTATION
he denotation of a word is its
dictionary meaning, independent of
other associations that the word may
have.
CONNOTATION
he connotation of a word is the set of ideas
associated with it in addition to its explicit meaning.
The connotation of a word can be personal, based
on individual experiences. More often, cultural
connotations – those recognizable by most people
in a group – determine a writer’s word choices.
DENOTATION VERSUS
CONNOTATION
ome examples –
heap is “low in cost” (denotation) but “stingy” or “poorly made” are
the connotations of cheap
IMAGERY
magery is words or phrases that appeal to
one or more of the five senses. Writers use
imagery to describe how their subjects look,
sound, feel, taste, and smell.
MOOD
ood, or atmosphere, is the feeling created in
the reader by a literary work or passage.
Writer’s use many devices to create mood,
including images, dialogue, setting, and plot.
Often, a writer creates a mood at the
beginning of a work and then sustains the
mood throughout. Sometimes, however, the
mood of the work changes dramatically.
PLOT
lot is the sequence of events.
n most novels, dramas, short stories, and narrative
poems, the plot involves both characters and a
central conflict.
he plot usually begins with an exposition that
introduces the setting, the characters, and the
basic situation. This is introduced and developed.
The conflict then increases until it reaches a high
point of interest or suspense, the climax. The
climax is followed by the falling action, or end,
of the central conflict. Any events that occur
during the falling action make up the resolution.
PLOTLINE
Exposition
Resolution
RisingAction
Climax
FallingActionConflict Introduced
RISING ACTION
ising Action is the part of the plot that
begins to occur as soon as the conflict is
introduced. The rising action adds
complications to the conflict and increases
reader interest.
CLIMAX
he Climax is the point of greatest emotional
intensity, interest, or suspense in the plot of
a narrative. The climax typically comes at
the turning point in a story or drama.
FALLING ACTION
alling Action is the action that
typically follows the climax and
reveals its results.
RESOLUTION
he Resolution is the part of the
plot that concludes the falling
action by revealing or suggesting
the outcome of the conflict.
CONFLICT
onflict is the struggle between
opposing forces in a story or play.
There are two types of conflict that
EXTERNAL CONFLICT
xternal conflict exists when a character struggles against some outside force, such as
another character, nature, society, or fate.
an vs. Man
an vs. Nature
INTERNAL
CONFLICT
nternal conflict exists within the mind of a character who is torn between different
courses of action.
an vs. Himself
FLASHBACK
flashback is a literary device in which an
earlier episode, conversation, or event is
inserted into the sequence of events. Often
flashbacks are presented as a memory of the
narrator or of another character.
FORESHADOWING
oreshadowing is the author’s use of clues to hint at what might
happen later in the story. Writers use foreshadowing to build their
readers’ expectations and to create suspense. This is used to help
readers prepare for what is to come.
POINT OF VIEW
oint of View is the perspective, or vantage point, from
which a story is told. It is the relationship of the narrator to
the story.
irst-person is told by a character who uses the first-person
pronoun “I”.
hird-person limited point of view is the point of view where
the narrator uses third-person pronouns such as “he” and
“she” to refer to the characters.
SETTING
he setting of a literary work is the time and place of the
action.
he setting includes all the details of a place and time –
the year, the time of day, even the weather. The place
may be a specific country, state, region, community,
neighborhood, building, institution, or home.
etails such as dialect, clothing, customs, and modes of
transportation are often used to establish setting.
n most stories, the setting serves as a backdrop – a
context in which the characters interact. The setting of
a story often helps to create a particular mood, or
feeling.
THEME
he theme of a literary work is its central
message, concern, or purpose. A theme can
usually be expressed as a generalization, or
general statement, about people or life. The
theme may be stated directly by the writer
although it is more often presented indirectly.
When the theme is stated indirectly, the reader
must figure out the theme by looking carefully
at what the work reveals about the people or
about life.
TONE
one is a reflection of a writer’s or speaker’s attitude toward a
subject of a poem, story, or other literary work. Tone may be
communicated through words and details that express
particular emotions and that evoke and emotional response
from the reader.
or example, word choice or phrasing may seem to convey
respect, anger, lightheartedness, or sarcasm.
METAPHOR
Metaphor is a type of speech that compares or equates two or more things
that have something in common. A metaphor does NOT use like or as.
xample: Life is a bowl of cherries.
SIMILE
Simile is another figure of speech that compares seemingly unlike
things. Simile’s DO use the words like or as.
xample: Her voice was like nails on a
chalkboard.
OXYMORON
n Oxymoron is a figure of speech that is a combination of seemingly
contradictory words.
xamples: Same difference
Pretty ugly
Roaring silence
PERSONIFICATION
ersonification is a figure of speech in which an
animal, object, force of nature, or idea is given
human qualities or characteristics.
xample: Tears began to fall from the dark
clouds.
ALLITERATION
lliteration is the repetition of sounds, most often consonant sounds,
at the beginning of words. Alliteration gives emphasis to words.
xample: Peter Piper picked a peck of pickled peppers

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LITERARY TERMS DEFINED

  • 1. LITERARY TERMS e will be using these literary terms throughout the school year.
  • 2. LITERARY TERMS: Character Antagonist Protagonist Denotation Connotation Alliteration Imagery Mood Plot Tone Theme Rising Action Climax Setting Falling Action Resolution Conflict Flashback Foreshadowing Point of View Metaphor Simile Oxymoron Personification
  • 3. CHARACTER character is a person or an animal that takes part in the action of a literary work.
  • 4. ANTAGONIST he Antagonist is a character or force in conflict with a main character, or protagonist.
  • 5. PROTAGONIST he Protagonist is the main character in a literary work an you name some famous Protagonists that are found in literature?
  • 6. DENOTATION he denotation of a word is its dictionary meaning, independent of other associations that the word may have.
  • 7. CONNOTATION he connotation of a word is the set of ideas associated with it in addition to its explicit meaning. The connotation of a word can be personal, based on individual experiences. More often, cultural connotations – those recognizable by most people in a group – determine a writer’s word choices.
  • 8. DENOTATION VERSUS CONNOTATION ome examples – heap is “low in cost” (denotation) but “stingy” or “poorly made” are the connotations of cheap
  • 9. IMAGERY magery is words or phrases that appeal to one or more of the five senses. Writers use imagery to describe how their subjects look, sound, feel, taste, and smell.
  • 10. MOOD ood, or atmosphere, is the feeling created in the reader by a literary work or passage. Writer’s use many devices to create mood, including images, dialogue, setting, and plot. Often, a writer creates a mood at the beginning of a work and then sustains the mood throughout. Sometimes, however, the mood of the work changes dramatically.
  • 11. PLOT lot is the sequence of events. n most novels, dramas, short stories, and narrative poems, the plot involves both characters and a central conflict. he plot usually begins with an exposition that introduces the setting, the characters, and the basic situation. This is introduced and developed. The conflict then increases until it reaches a high point of interest or suspense, the climax. The climax is followed by the falling action, or end, of the central conflict. Any events that occur during the falling action make up the resolution.
  • 13. RISING ACTION ising Action is the part of the plot that begins to occur as soon as the conflict is introduced. The rising action adds complications to the conflict and increases reader interest.
  • 14. CLIMAX he Climax is the point of greatest emotional intensity, interest, or suspense in the plot of a narrative. The climax typically comes at the turning point in a story or drama.
  • 15. FALLING ACTION alling Action is the action that typically follows the climax and reveals its results.
  • 16. RESOLUTION he Resolution is the part of the plot that concludes the falling action by revealing or suggesting the outcome of the conflict.
  • 17. CONFLICT onflict is the struggle between opposing forces in a story or play. There are two types of conflict that
  • 18. EXTERNAL CONFLICT xternal conflict exists when a character struggles against some outside force, such as another character, nature, society, or fate. an vs. Man an vs. Nature
  • 19. INTERNAL CONFLICT nternal conflict exists within the mind of a character who is torn between different courses of action. an vs. Himself
  • 20. FLASHBACK flashback is a literary device in which an earlier episode, conversation, or event is inserted into the sequence of events. Often flashbacks are presented as a memory of the narrator or of another character.
  • 21. FORESHADOWING oreshadowing is the author’s use of clues to hint at what might happen later in the story. Writers use foreshadowing to build their readers’ expectations and to create suspense. This is used to help readers prepare for what is to come.
  • 22. POINT OF VIEW oint of View is the perspective, or vantage point, from which a story is told. It is the relationship of the narrator to the story. irst-person is told by a character who uses the first-person pronoun “I”. hird-person limited point of view is the point of view where the narrator uses third-person pronouns such as “he” and “she” to refer to the characters.
  • 23. SETTING he setting of a literary work is the time and place of the action. he setting includes all the details of a place and time – the year, the time of day, even the weather. The place may be a specific country, state, region, community, neighborhood, building, institution, or home. etails such as dialect, clothing, customs, and modes of transportation are often used to establish setting. n most stories, the setting serves as a backdrop – a context in which the characters interact. The setting of a story often helps to create a particular mood, or feeling.
  • 24. THEME he theme of a literary work is its central message, concern, or purpose. A theme can usually be expressed as a generalization, or general statement, about people or life. The theme may be stated directly by the writer although it is more often presented indirectly. When the theme is stated indirectly, the reader must figure out the theme by looking carefully at what the work reveals about the people or about life.
  • 25. TONE one is a reflection of a writer’s or speaker’s attitude toward a subject of a poem, story, or other literary work. Tone may be communicated through words and details that express particular emotions and that evoke and emotional response from the reader. or example, word choice or phrasing may seem to convey respect, anger, lightheartedness, or sarcasm.
  • 26. METAPHOR Metaphor is a type of speech that compares or equates two or more things that have something in common. A metaphor does NOT use like or as. xample: Life is a bowl of cherries.
  • 27. SIMILE Simile is another figure of speech that compares seemingly unlike things. Simile’s DO use the words like or as. xample: Her voice was like nails on a chalkboard.
  • 28. OXYMORON n Oxymoron is a figure of speech that is a combination of seemingly contradictory words. xamples: Same difference Pretty ugly Roaring silence
  • 29. PERSONIFICATION ersonification is a figure of speech in which an animal, object, force of nature, or idea is given human qualities or characteristics. xample: Tears began to fall from the dark clouds.
  • 30. ALLITERATION lliteration is the repetition of sounds, most often consonant sounds, at the beginning of words. Alliteration gives emphasis to words. xample: Peter Piper picked a peck of pickled peppers