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Target-ing readers

  1. TARGET-ing Readers Teri Lesesne rhymes with insane @professornana
  2. T-A-R-G-E-T-ing  T is for trust  A is for access  R is for response  G is for guidance  E is for engagement  T is for talk  ING includes: readING aloud, booktalkING, and more
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  4. How do we…  Create those Reading Rambos?  Base our practice on pedagogy?  Differentiate for OUR kids? Let’s start with some research…
  5. The research?  Vickey Giles, 2003  Karen Sue Gibson, 2002  Replicated study from 20 years earlier, Livaudais  Recent replication, Lesesne, 2011-14  The questions? 6
  6. What could someone do to make you WANT to read BEFORE/AFTER you read? The converse: what could someone do to make you HATE to read BEFORE/AFTER you read? 7
  7. Turn and Talk Predict what you think kids in Grades K-12 indicated would motivate them to read.
  8. What could someone do to make you want to read BEFORE you read? K-12  Being allowed to choose any book you want to read 9
  9. What could someone do to make you want to read BEFORE you read? K-5  Reading in a comfortable place like on the floor, in a bean bag chair, or in a rocking chair 15
  10. What could someone do to make you want to read BEFORE you read? K-5  Being allowed to buy your own book through a book fair 21
  11. What could someone do to make you want to read BEFORE you read? K-5  Reading books for a contest 27
  12. What could someone do to make you want to read BEFORE you read? K-12  Having a classroom library 33
  13. What could someone do to make you want to read BEFORE you read? K-12  Having the teacher read a book or chapter a day 39
  14. What could someone do to make you want to read BEFORE you read? K-12  Having the teacher take you to the library 45
  15. What could someone do to make you want to read BEFORE you read? 6-12  Having the author come to the school 51
  16. Skype in an author  http://www.katemessner.com/authors- who-skype-with-classes-book-clubs-for- free/
  17. What could someone do to make you want to read BEFORE you read?  Seeing the movie or television production of a book. 53 6-12
  18. What could someone do to make you want to read BEFORE you read? 6-12  Being allowed to read books with lots of pictures in them. 56
  19. My survey results  Show book trailer  Read aloud portions of the text  Give a booktalk  Read aloud entire book  Give students choice of what to read  Create displays  Listen to part of the audiobook  Meet the author  See movie or TV show  Involve social media
  20. Turn and Talk What needs to be added/removed from the list?
  21. The late night inspiration T-A-R-G-E-T 61
  22. T A R G E T 62
  23. T is for TRUST 63
  24. Established names Authors to trust 68
  25. Turn and Talk Brainstorm at least 5 authors for your particular grade levels that you think all of us should know
  26. A is for ACCESS 70
  27. She walked into my office on legs as long as one of those long-legged birds that you see in Florida - the pink ones, not the white ones - except that she was standing on both of them, not just one of them, like those birds, the pink ones, and she wasn't wearing pink, but I knew right away that she was trouble, which those birds usually aren't.
  28. Towards the dragon's lair the fellowship marched -- a noble human prince, a fair elf, a surly dwarf, and a disheveled copyright attorney who was frantically trying to find a way to differentiate this story from "Lord of the Rings."
  29. On a fine summer morning during the days of the Puritans, the prison door in the small New England town of B----n opened to release a convicted adulteress, the Scarlet Letter A embroidered on her dress, along with the Scarlet Letters B through J, a veritable McGuffey's Reader of Scarlet Letters, one for each little tyke waiting for her at the gate.
  30.  Physical  Intellectual  Moral  Emotional Access Points
  31.  At home  In the classroom  In the school library  At hand PHYSICAL ACCESS
  32.  Not just levels and lexiles  Level of abstraction required  Literary elements such as flashback, symbolism, foreshadowing  Themes Intellectual
  33. Kohlberg  Preconventional  Conventional  Post-conventional Moral
  34.  EQ  Maturity  Response  Triggers Emotional
  35. R is for RESPONSE 81
  36. R is for Response (Rosenblatt) Not just one type Interpretive Personal Critical Evaluative
  37. Personal/Emotive  WHAT IS YOUR “GUT” TELLING YOU?
  38. Interpretive  If I were the main character…
  39. Critical  Analyze and dissect
  40. Evaluative  Is it GOOD or BAD?
  41. G is for GUIDANCE 93
  42. Reading ladders Begin with where they are Build reading experiences slowly Move readers “up” with assistance 94
  43. for instance… 95
  44. E is for ENGAGEMENT
  45. Cambourne’s Conditions for Learning (1995)
  46. Learners need to be immersed in text of all kinds.
  47. Learners’ interests are sparked by what they see and hear so that they want to learn the new skill.
  48.  Genre  Form  Format  Length Some Factors to Consider
  49.  Historical Fiction  Realistic Fiction  Traditional Literature  Science Fiction and Fantasy Genres
  50.  Picture books  Graphic novels  Poetry  Short stories  Drama Forms and Formats
  51. IMMERSION: TAKE 1  Picture books with motifs and archetypes
  52. IMMERSION TAKE 2  Laddering GNs
  53. IMMERSION TAKE 3  Textless Set
  54. IMMERSION TAKE 4  Genre
  55. Learners believe that they can achieve competence (expectation)
  56. Expectations of those to whom learners are bonded are powerful coercers of learners' behaviors. "We achieve what we expect to achieve; we fail if we expect to fail; we are more likely to engage with demonstrations of those whom we regard as significant and who hold high expectations for us.
  57. Rigor vs. Complexity  Rigor Complexity
  58. Complex Texts  But accessible
  59. Just Right Books  that are also complex
  60. Learners are able to make decisions about how much they will attempt (responsibility)
  61. Learners need to make their own decisions about when, how, and what "bits" to learn in any learning task. Learners who lose the ability to make decisions are disempowered.
  62.  Narrow choices and set some limits  Genres  Award winners  Forms and formats How do students learn responsibility? Choice
  63.  Booktalks  Read Alouds  Displays  Peer Suggestions Provide Guidance
  64. Allowing students to choose their own texts fosters engagement and increases reading motivation and interest. --Gambrell, Coding, & Palmer (1996); Worthy & McKool (1996); Guthrie & Wigfield (2000)
  65. Differentiation (Tomlinson, 2000) Content Process Product Learning Environment
  66. Some “Choice” Selections  IRA Choices Lists
  67. Choices  CHILDREN’S AND YA CHOICES
  68. T is for TALK 120
  69. Reader's Bill of Rights By The Readers at Book Chat Central There are many versions of the list below. This one comes from Book Chat Central. Use what you like, adapt as you need. Enjoy. 125
  70. 1. You have the right to read in exotic settings. You have the right to move your lips when you read You have the right to read anything you want. 2. You have the right never to apologize for your reading tastes. 3. You have the right to read anywhere you want—in the bathtub, in the car (preferably at stop lights if you're driving), in the grocery store, under the porch, or while walking the dog. 4. You have the right to read in bed. Under the covers. With a flashlight. 5. You have the right to carry books in your briefcase, luggage, and pocketbook at all times. 126
  71.  . You have the right to laugh or gasp out loud and choose whether or not to explain.  You have the right to read the good parts out loud to your nearest and dearest, and when you're not near your book bunch, to strangers if desperate.  You have the right to read and eat at the same time.  You have the right to read as many books as you want at the same time.  You have the right to throw any book on the floor and jump up and down on it (the Dorothy Parker Rule). 127
  72.  You have the right to ignore the critics at the New York Review of Books.  More importantly, you have the right to ignore all critics.  You have the right to read the book spine of the person sitting next to you, even on a plane. And if you can't make it out, you have the right to ASK.  You have the right to stop reading a book whenever you decide it's not worth the effort, or that you simply don't like it.  You have the right to refuse to read any book anyone else picks out for you. Even if it's a birthday present. 128
  73.  You have the right to read the last chapter first.  You have the right to read the last chapter first and then put the book back on the shelf.  You have the right to refuse to read any book where you don't like the picture of the author.  You have the right to ignore all of these rules and do whatever you please as long as it's civil...hee hee.  You have the right to buy as many books as you want despite the size of your TBR stack or what your significant other has to say!!!  New Rule: when you find that you're dawdling on your way back to a book, ditch it. 129
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  75. I Need a Good Book by Steven Layne I need a good story, I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate All by myself. 131
  76. I need a good novel, I need a good read, I probably need Two or three, I need a good tale Of love and betrayal Or perhaps An adventure at sea. 132
  77. 133 I need a good saga. I need a good yarn. A momentous and mighty Or slight one. But with thousands And thousands And thousands of books, I need someone To tell me The right one. John Lithgow
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