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@matthewpburgess
Digital preservation at the point of acquisition
Collecting born-digital photographs
Matthew Burgess, Digital Collections Analyst
@matthewpburgess
@matthewpburgess
Born-digital photographs
โ€ข The prevalence of digital cameras makes this one of the fastest
growing forms of born-digital content
โ€ข Custodial emphasis should be placed on appropriate file formats and
storage
โ€ข Care needs to be taken with technical specifications that affect the
integrity of the photographs
โ€ข Acquisitions must be approached on a case-by-case basis, where
specifications and standards do not apply to all situations
@matthewpburgess
File formats for digital cameras
โ€ข Low-end cameras and most smartphones will create JPEG, a
compressed file format
โ€ข Some cameras (not many) create TIFF, a file format that can be either
compressed or uncompressed
โ€ข High-end cameras (and some smart phone apps) will create camera
raw file formats (often proprietary, eg CR2 for Canon or ARW for Sony)
โ€ข All cameras that shoot camera raw will also shoot JPEG
@matthewpburgess
File formats: JPEG vs camera raw
โ€ข There are advantages and disadvantages for both
โ€ข JPEG is a compressed file format
โ€ข Every time you save a JPEG, information is lost
โ€ข Small file size, low bit depth
โ€ข Widely supported, doesnโ€™t require specialist software to view or create copies
โ€ข Suitable for access
โ€ข Camera raw contains all of the unprocessed data from the camera sensor
โ€ข No matter how many times the file is processed, the raw data is never changed
โ€ข Larger file size, high bit depth
โ€ข Requires processing by specialist software for access derivatives
โ€ข Suitable for preservation
@matthewpburgess
Digital Negative (DNG) camera raw file format
Benefits
โ€ข Open standard, based on TIFF 6.0
format
โ€ข Contains raw data from camera
sensor
โ€ข Can have smaller file size
compared to TIFF
โ€ข Self-documenting with embedded
XMP and other metadata
โ€ข Embedded checksum for raw data
Risks
โ€ข Limited support for
processing/creating derivatives
โ€ข Possible corruption when
converting from proprietary
camera raw file formats
โ€ข Concerns regarding conversion of
hidden (encrypted), proprietary
metadata
โ€ข Still under consideration as an ISO
standard
@matthewpburgess
What file format should I collect?
This depends on various factors:
โ€ข Does the camera raw file format show the artistโ€™s intent?
โ€ข Do you want to record the process?
โ€ข Will the photographer give you the camera raw file?
@matthewpburgess
What file format should I collect?
โ€ข There are different processes that photographers use based on the
file format and their own workflows
โ€ข Their process and workflow determines what you should collect
โ€ข Questions you might ask:
โ€ข โ€œDo you only apply your process to the camera raw file?โ€
โ€ข โ€œDo you export from camera raw and make adjustments in Photoshop or
other programs?โ€
@matthewpburgess
Terminology: bit depth
โ€ข Bit depth is determined by the number of bits used to define each
pixel
โ€ข The greater the bit depth the greater the number of tones that can be
represented
โ€ข The greater the bit depth, the larger the file size
@matthewpburgess
Terminology: bit depth
Source: http://www.cambridgeincolour.com/tutorials/bit-depth.htm
@matthewpburgess
Terminology: resolution
โ€ข Resolution = information
โ€ข Can refer to Dots Per Inch (DPI) or Pixels Per Inch (PPI)
โ€ข Can refer to the dimensions of an image measured in pixels
โ€ข The more pixels you have in your image, the larger that image can be
reproduced
โ€ข Pixel dimensions are determined by the camera sensor (megapixels)
โ€ข Pixel dimensions can be increased in post-production at the cost of
image quality
@matthewpburgess
Terminology: colour mode & colour profile
โ€ข Colour mode sets the colour space โ€“eg RGB, CMYK, grayscale
โ€ข Colour profiles determine how colours/tones are rendered on
computer screens and in print
โ€ข Different colour profiles can represent smaller or larger amounts of
colour (eg. sRGB is a smaller profile often used for web, Adobe RGB
(1998) is often recommended for preservation)
โ€ข Camera raw files do not have a colour profile โ€“ this is assigned for
derivatives (eg JPEG or TIFF)
@matthewpburgess Read about how we developed our specifications and guidelines via http://bit.ly/2EGNMIj
@matthewpburgess

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Digital collecting, photography

  • 1. @matthewpburgess Digital preservation at the point of acquisition Collecting born-digital photographs Matthew Burgess, Digital Collections Analyst
  • 3. @matthewpburgess Born-digital photographs โ€ข The prevalence of digital cameras makes this one of the fastest growing forms of born-digital content โ€ข Custodial emphasis should be placed on appropriate file formats and storage โ€ข Care needs to be taken with technical specifications that affect the integrity of the photographs โ€ข Acquisitions must be approached on a case-by-case basis, where specifications and standards do not apply to all situations
  • 4. @matthewpburgess File formats for digital cameras โ€ข Low-end cameras and most smartphones will create JPEG, a compressed file format โ€ข Some cameras (not many) create TIFF, a file format that can be either compressed or uncompressed โ€ข High-end cameras (and some smart phone apps) will create camera raw file formats (often proprietary, eg CR2 for Canon or ARW for Sony) โ€ข All cameras that shoot camera raw will also shoot JPEG
  • 5. @matthewpburgess File formats: JPEG vs camera raw โ€ข There are advantages and disadvantages for both โ€ข JPEG is a compressed file format โ€ข Every time you save a JPEG, information is lost โ€ข Small file size, low bit depth โ€ข Widely supported, doesnโ€™t require specialist software to view or create copies โ€ข Suitable for access โ€ข Camera raw contains all of the unprocessed data from the camera sensor โ€ข No matter how many times the file is processed, the raw data is never changed โ€ข Larger file size, high bit depth โ€ข Requires processing by specialist software for access derivatives โ€ข Suitable for preservation
  • 6. @matthewpburgess Digital Negative (DNG) camera raw file format Benefits โ€ข Open standard, based on TIFF 6.0 format โ€ข Contains raw data from camera sensor โ€ข Can have smaller file size compared to TIFF โ€ข Self-documenting with embedded XMP and other metadata โ€ข Embedded checksum for raw data Risks โ€ข Limited support for processing/creating derivatives โ€ข Possible corruption when converting from proprietary camera raw file formats โ€ข Concerns regarding conversion of hidden (encrypted), proprietary metadata โ€ข Still under consideration as an ISO standard
  • 7. @matthewpburgess What file format should I collect? This depends on various factors: โ€ข Does the camera raw file format show the artistโ€™s intent? โ€ข Do you want to record the process? โ€ข Will the photographer give you the camera raw file?
  • 8. @matthewpburgess What file format should I collect? โ€ข There are different processes that photographers use based on the file format and their own workflows โ€ข Their process and workflow determines what you should collect โ€ข Questions you might ask: โ€ข โ€œDo you only apply your process to the camera raw file?โ€ โ€ข โ€œDo you export from camera raw and make adjustments in Photoshop or other programs?โ€
  • 9. @matthewpburgess Terminology: bit depth โ€ข Bit depth is determined by the number of bits used to define each pixel โ€ข The greater the bit depth the greater the number of tones that can be represented โ€ข The greater the bit depth, the larger the file size
  • 10. @matthewpburgess Terminology: bit depth Source: http://www.cambridgeincolour.com/tutorials/bit-depth.htm
  • 11. @matthewpburgess Terminology: resolution โ€ข Resolution = information โ€ข Can refer to Dots Per Inch (DPI) or Pixels Per Inch (PPI) โ€ข Can refer to the dimensions of an image measured in pixels โ€ข The more pixels you have in your image, the larger that image can be reproduced โ€ข Pixel dimensions are determined by the camera sensor (megapixels) โ€ข Pixel dimensions can be increased in post-production at the cost of image quality
  • 12. @matthewpburgess Terminology: colour mode & colour profile โ€ข Colour mode sets the colour space โ€“eg RGB, CMYK, grayscale โ€ข Colour profiles determine how colours/tones are rendered on computer screens and in print โ€ข Different colour profiles can represent smaller or larger amounts of colour (eg. sRGB is a smaller profile often used for web, Adobe RGB (1998) is often recommended for preservation) โ€ข Camera raw files do not have a colour profile โ€“ this is assigned for derivatives (eg JPEG or TIFF)
  • 13. @matthewpburgess Read about how we developed our specifications and guidelines via http://bit.ly/2EGNMIj