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Tom Dawson
University of St Andrews/The SCAPE Trust
Coastal Heritage At Risk: Combining Digital
Technologies with Community Action
@coastarchwww.scharp.co.uk
What is at risk?
Coastal Surveys
12,500 sites recorded
Prioritising Action
Scotland’s Coastal Heritage at
Risk Project
www.scharp.co.uk
Moving from this…
…to this
ShoreUPDATE
Coastal Zone Assessment SurveysCoastal Zone Assessment Surveys
• 849849 surveys submitted
• + 1600+ 1600 site photographs
submitted
• c.c. 250250 volunteers involved in
ShoreUPDATE
• 833833 volunteers involved in
the project:
37% new audiences
23% young people
• ++40004000 additional face to
face reach through
walks, talks and other
events
SCHARP at 2 years: some numbers
SCHARP activity map to date
ShoreDig
@coastarchwww.scharp.co.uk
Moving from this…
…to this
•Community-
led
•12 projects
around the
Scottish
coast
–Interpretati
on…
–Survey…
ProjectsProjects
Wemyss Caves
www.4dwemysscaves.orgwww.4dwemysscaves.org
@CoastArc
Jonathans Cave
boat
George Deas 1926
Animal representations: Jonathan’s Cave
(now destroyed)
Andrew Gibb, 1867
John Patrick
1902
1987
National Museum of Scotland staff taking casts of
Project aims
• Create 3D record of the Wemyss
Caves and their carvings
• Record surrounding landscape
• Create an exciting, realistic virtual
experience of the caves and carvings
• Make data freely available on the
internet
• Involve the local community in
everything
Landscape and cave
•Structure from motion (at landscape
scale using mikrokopter)
•Phased based laser scanner (Leica
HDS6200; data captured at c. 1mm
accuracy but processed to c. 3mm
accuracy to reduce mesh size)
Individual carvings (Sub-millimetre
meshes required for analysis of rock
art)
•Phased based laser scanner (c. 1mm
Techniques
• Staged survey using all techniques
• Basic data processing done on-site
• Minor adjustments to the survey
methodology to ensure the highest
possible accuracy and data coverage
• Follow-up visit to provide clarification
and new data.
Methodology
http://culturalheritageimaging.org/
Interviews
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
http://www.4dwemysscaves.org/
• Surrounding landscape and cave recorded with
two different techniques.
• Individual carvings recorded with four different
techniques; including two detailed meshes (SfM
and SLS).
• The advantage of multiple meshes is that any
artefactual objects in the data (which could
have been caused by tiny variations in the
process) can be checked on other meshes,
preventing misinterpretation (for example as a
new carving)… if the thing is visible in more than
one mesh, it is probably real.
Results
The interface is effectively a Beta version. We need
to work on providing:
•Full screen display
•Access to an enhanced mesh of the cave walls
(although we are constrained by internet speeds)
•More data download options (for example, high
resolution meshes)
•More use of animation and sound to make the
experience more realistic .
For phase II
Decision makersDecision makers
p, Cabinet Secretary for Culture and External Affairs, David Tor
 Political engagement
 Meaningful local inclusion
Impact of Wemyss Caves 4D
A better future for the caves? (We’ll see)
Highly commended in the British Archaeology Awa
 Local confidence
and capacity
building
 UK-wide recognition
http://www.4dwemysscaves.org/
http://www.scharp.co.uk/

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Coastal Heritage At Risk - Combining Digital Technologies with Community Action: Tom Dawson (University of St Andrews)

Editor's Notes

  1. Raising profile of heritage Developing audiences Engagement
  2. £36,000 in 1991 worth £54,000 today.
  3. Not new. Every generation re-discovers the cave and wants to do something about them. Uses the technology available to them at the time.
  4. It’s been 150 years exactly since James Young Simpson recognised and first documented the ancient carvings in the caves of East Wemyss. 4D Wemyss caves is just the latest in an 150 year old tradition of recording the Wemyss Caves. Let’s meet the archaeological and antiquarian pioneers who came before us.
  5. Cabinet Secretary convened a Wemyss Caves Working Group which included the local community Evolved into a management group for the Caves, which includes representation from the local community