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Regan Forrest and
   Katherine Sutcliffe
Interpretation Australia
Today’s Workshop
              
• Shock and ORE

• Themes

• Practicing storytelling for your site
Shock!
               
           Don’t think!

List five objects from your collection
ORE
               
• Organised
• Relevant
• Engaging
When good museums go bad
          
Relevant?
   
Organised
   
Organised?
    

TORE, T=Theme
             
• Sam Ham

• Building blocks to good storytelling and
  effective engagement
Themes
                 
If you only remember one thing about Tilden,
know this:

       Information is not Interpretation
Themes are:
                   
• Full ideas

• Complete sentences

• The ‘main message’ or ‘take home message’

• The point of the exhibit/presentation
Themes
                   
• help you work out what to say

• help you work out what not to say

Public access rights to Britain’s open spaces were
eventually won following long-standing disputes
between landowners and ramblers which came to a
head with the landmark mass trespass protest on
Kinder Scout in 1932

Our right to roam was once a fight to roam – and the
most famous battle took place right here on Kinder
Scout




Source: TellTale Interpretation, UK
Why say it when you can show it?
              
Objects and words together
           
Now, you try
    
Interpretive Planning:
             Finding your way
                                     
 A map
    where you are now (current experiences, strengths and weaknesses)
 An inventory
    what you have (people, places, collections)
 A destination
    where you want to be (intended audience, visitor experience)
 A compass
    how you’re going to get there (media selection, implementation plan)
 Signposts
    evaluation, maintenance and ongoing review

 Extra resources through
   http://interpretationaustralia.asn.au/resources/sample-documents

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Interpretation 101: making your collections meaningful

  • 1. Regan Forrest and Katherine Sutcliffe Interpretation Australia
  • 2. Today’s Workshop  • Shock and ORE • Themes • Practicing storytelling for your site
  • 3. Shock!  Don’t think! List five objects from your collection
  • 4. ORE  • Organised • Relevant • Engaging
  • 5. When good museums go bad 
  • 6. Relevant?
  • 7. Organised
  • 9.
  • 10. TORE, T=Theme  • Sam Ham • Building blocks to good storytelling and effective engagement
  • 11. Themes  If you only remember one thing about Tilden, know this: Information is not Interpretation
  • 12.
  • 13.
  • 14.
  • 15. Themes are:  • Full ideas • Complete sentences • The ‘main message’ or ‘take home message’ • The point of the exhibit/presentation
  • 16.
  • 17. Themes  • help you work out what to say • help you work out what not to say
  • 18.  Public access rights to Britain’s open spaces were eventually won following long-standing disputes between landowners and ramblers which came to a head with the landmark mass trespass protest on Kinder Scout in 1932
  • 19.  Our right to roam was once a fight to roam – and the most famous battle took place right here on Kinder Scout Source: TellTale Interpretation, UK
  • 20. Why say it when you can show it? 
  • 21. Objects and words together 
  • 23. Interpretive Planning: Finding your way   A map  where you are now (current experiences, strengths and weaknesses)  An inventory  what you have (people, places, collections)  A destination  where you want to be (intended audience, visitor experience)  A compass  how you’re going to get there (media selection, implementation plan)  Signposts  evaluation, maintenance and ongoing review  Extra resources through http://interpretationaustralia.asn.au/resources/sample-documents