The document provides information on various architectural styles and structures from the Islamic period in India. It discusses provincial Islamic architectural styles that developed in various regions including Jaunpur, Bengal, Gujarat, and Bijapur. Specific structures described include the Atala Mosque and Jami Masjid in Jaunpur, the Adina Mosque and Ek Lakhi Mausoleum in Bengal, stepwells like Adalaj Ni Vav and Rani Ni Vav in Gujarat, and the Jami Masjid and Ibrahim Rouza in Bijapur. The document includes maps, plans and images of these important Islamic era buildings in India.

1. History
of
ArcHitecture
iii

2. isLAMic
ArcHitecture
iN iNDiA
MoDuLe - ii

3. isLAMic ArcHiecture
JAUNPUR
BENGAL
AHMEDABAD
BIJAPUR

4. Provincial Styles Of Architecture
• The Provincial (belonging to some particular province; local ) Style of
Architecture encompasses the architectural trends and developments
noticed in different provincial capitals in India, but specifically in:
• Punjab (1150 – 1325 AD).
• Bengal (1203 – 1573 AD).
• Gujurat(1300 – 1572 AD).
• Jaunpur(1376 – 1479 AD).
• Malwa(1405 -1569 AD).
• Deccan(1347 – 1617 AD).
• Bijapur(1409 – 1656 AD).
• Khandesh(1425 – 1650 AD).
• Kashmir(1410 onwards).

5. Definition
Islamic Architecture can be definied as building traditions of muslim
populations of the middle eastand any countries where Islam has
been from the 7th century.
Types Of Islamic Architecture:
• Mosque –Muslim Centre, Place for worship.
• Madrasah –Public School.
• Hammam-A Structural Design for bathhouse.
• Caravanserai-A roadsideinn for travellers.
• Casbah/Citadel –A Fortress.
• Mausoleum –A Tomb or A Monument.

6. Jaunpur
(Founded on 1359AD)
• Located in the state of Uttar Pradesh
• Found on 1359, by Feroz Shah Tughlaq.
• Named for Mohammed Bin Tugluq, Whose name
was Jauna Khan.
• Jaunpur Style of Architecture.

7. Jaunpur Style
(1360 – 1480AD)
• Under the rule of the Sharqi Dynasty, Jaunpur became
an important centre for Islamic Art and Architecture.
• Most Structures Were destoryed by Sikander Lodi of
Delhi when he reconquered Janpur, and left only 5
Mosques.
• The Style was mainly formed under Sultan Shams-ud-din
Ibrahim(1402-1436AD).

8. Atala Masjid
(15th
century, Jaunpur)
• Located at Jaunpur, Uttar Pradesh, India.
• Was built by Sultan Ibrahim(1402-1436AD), Sharqi Sultan of Jaunpur laid
the foundation.
• Construction Started in 1377AD.
• A Madrasa Named Madrasa Din Dunia is housed in the central complex.
• Built on the site of Atala Devi Temple Whose Materials along the materials
of other temples were used in construction.
• The Mosque consist of a square courtyard of 54m side with Cloisters on 3
sides and the sanctuary on the fourth(western side)
• Entire Mosque is of 79m side.
• Cloister are spacious being 13m across and dividedinto 5 Aisles.
• Cloister rise upto 2 storeys.
• Two Aisles of the lower storey are formed into a series of cells with a
pillared verandah facing the street to provide accomodationto visitors and
merchants.
• The 3 entrance gateway, one in the centre of each Cloister with the northern
and southern ones are surmounted by domes

9. Fig.1.1 Plan Of Atala Masjid

10. Fig.1.2 Front View OF Atala Masjid

11. Fig.1.3 Front Façade OF Atala Masjid

12. Fig.1.4 Main Pishtaq leading into the Iwan of Atala Masjid

13. Fig.1.5 View Of Atala Masjid

14. • Located At Jaunpur, Uttar Pradesh, India.
• Jaunpur Style of Architecture.
• Built By Husain Shah In 1470AD.
• Repeats Many features of Atala Masjid on a larger scale.
• The Entire structure is raised on a plinth 5-6m in height and approached by
steep but imposing flight of steps.
• The courtyard is a square of 64m side.
• Surrounded by cloisters on three sides and sanctuary on the west.
• Cloisters are 2 storey high.
• They are two aisles in width.
• In centre of each cloister is an entrance hall covered by dome.
• In the centre of the scantuary façade is pylon 25m high and 23.5m wide at
the base.
• The interior consist of the Nave of 12m side.
Jami Masjid
(14th
century, Jaunpur)

15. Fig.2.1 Plan Of Jami Masjid(Jaunpur)

16. Fig.2.2 Western Side Plan of Jami Masjid

17. Fig.2.3 View OF Jami Masjid (Two Storey Structure)

18. Fig.2.4 Front Façade Of Jami Masjid

19. Fig.2.5 View of jami Masjid

20. Adina Masjid
(14th
Century, Bengal)
• Located at Pandua of Maldah District, West Bengal.
• Adina Mosque Ruins Are the largest mosque ruins in the Indian Continent.
• Constructed in 1373.
• Was built during the Reign of Sikandar Shah.
• The design incorporated Bengali, Arab,Persian and Byzantine elements.
• It was built with Brick and Stone.
• It had a rectrangular hyspostyle structure with an open courtyard.
• The Structure measured 172x97m, with several hundred domes.
• The mosque’s most prominent feature is its moumental ribbed barrel vault
over the central nave.
• The prayer hall is five aisles deep, while the north, southand east cloisters
around the courtyard consist of triple aisles.
• These aisles had 260 pillarsand 387 dombed bays.

21. Fig.3.1 Plan of Adina Masjid

22. Fig.3.2 Interior of Adina Masjid

23. Fig.3.3 View Of Adina Masjid from Inside

24. Fig.3.4 View Of Arched Façade IN Adina Masjid

25. Ek Lakhi Mousoleum
(14th
Century, Bengal)
• Located At Malda, West Bengal, India.
• Also Known as Mousoleum of Jalauddin Muhammad Shah.
• Its said that One Lakh rupees was spent inconstruction hence the
name.
• The tomb is situated to the south west of Adina Mosque.
• The exterior of the building is strengthened by four octangonal
towers at the corners, and is opend by four doorways, one each in
the middle of each side.
• Pointed arches with lintels crowning the doorjams span and the
doorways.
• The ornamentation of the ek lakhi Masjid consist of braced string-
mouldings of the corner towers.
• The dome of this mosque, like all other domes of the sultanate
Bengal, appears to be covered with a round rim in the form of a
hormonica.

26. Fig.4.1 Plan OF Ek Lakhi Tomb

27. Fig.4.2 Front Façade OF Ek Lakhi Tomb

28. Dakhil Darwaza
(15th
Century, Bengal)
• Located at Gaur, West Bengal, India.
• Is a Gateway for a fort.
• Also Popularly Known as Salaami Darwaza as Cannons used to be
fired from it.
• It was erected by Nasiruddin Mahmud Shah.
• The Gateway built of brick except the piers between the doorways,
which are faced with stone up to the springing of the arches
measuring 102.5x22.5m
• Consists of a passage 4.5m wide through the middle of the
structure.
• The height of the gateway was about 14.95m of which the entrance
arch is 10.35m.

29. Fig.5.1 Plan Of Dakhil Darwaza

30. Fig.5.2 Front Façade OF Dakhil Darwaza

31. Fig.5.3 View OF Dakhil Darwaza

32. Gujarat
(Provincial style of architecture 13th
century)
• Located in western side of India.
• Gujarat experienced major Indo-Islamic architectural
activites for over 250years starting from 13th
century.
• The Indo-Islamic style entered Gujarat when the
governors appointed by the Khalji Sulatans established
themselves in the towns of western seaboards.

33. VAVS At Gujarat
(also known as Stepwells of Gujarat)
• They are one of the unique architectural features of Indian Traditions of rain
water harvesting.
• Old saying, the wells were built to get the gods to come down from their
Abode and sipe water in these stone vavs.
• Architecturally, The wells were builtso that they can resist earthquakes of
great magnitude.
• Mainly built to collect water for weary travellers.
• Most of the stepwells were built in the 5th
and 19th
century.
• The ancient city of mohenjo-daro itself had 700 wells in just one section.
• Two most famous vavs
– Adalaj ni vav
– Rani ni vav

34. Adalaj ni Vav
(also known as Rudabai Stepwell)
• Located in Ahmedabad, Gujarat, India.
• The stepwell at Adalaj, named after the nearby town.
• It is 5 storeys below th ground level and well over 75m in length.
• Octagonal in shape.
• Surrounded by intricately carved pillars and columns.
• Walking down to the deepest end to find water stored in circular well, which
is open to sky.
• The entrance has staircase leading from three directions to the first landing.
• The landings are surrounded by four fabulously carved balconies or
Zarokhas.
• Walls are carved with intricately carved with Hindu and jain dieties and
islamic motifs and flowers.
• Built in sandstone in the solanki architectural style.

35. Fig.6.1 Plan And Section Of Adlaj Ni Vav

36. Fig.6.2 View of Adalaj Stepwell

37. Fig.6.3 Adalaj Stepwell view

38. Fig.6.4 Details of stone carving at Adalaj Stepwell

39. Rani ni Vav
(Queen’s stepwell)
• Located in Patna, Gujarat, India.
• Near the banks of river saraswathi.
• Was built in the Complex Maru-Gujara Architectural style, Designed as an
inverted temple.
• The east facing well is about 64m in length, 20m wide and 27m deep.
• A stepped corridor compartmented at regular intervals with ornately carved
pillared milti-storeyed pavilion.
• There are more than 800 elaborate sculptures in the seven galleries.
• Below the vav is a tunnel 30km in length, leading to the town of sidhpur, this
tunnel was used by the king to escape during war.
• It appears that the walls were built of brick and faced with stone.
• From this wall project vertical brackets in pairs, which supported the
different galleries of the well shafts.
• The Bracketing is arranged in tiers and is richly carved.

40. Fig.7.1 Plan and Section Of Rani ni Vav

41. Fig.7.2 Sculpture of lord Vishnu on the walls of Rani ki Vav

42. Fig.7.3 View Of rani ki Vav

43. Fig.7.4 View Of Rani ki vav

44. Fig.7.5 Scketch Of external view of Rani ki VAV

45. Sarkhej Rouza
(Indo-Saracenic style built in 14th
century)
• Located in the village of Makarba, Ahmedabad, Gujarat, India.
• Is a Mosque and a tomb complex.
• Fusion ofboth Muslim and Hindu principles of architecture
• Azam and Muazzam were the Architects.
• Was Once a prominent centre for sufi culture.
• The complex spreads over 72 Acres, surrounded by elaborate gardens on
all sides.
• Entring the covered eastern gateway on the northern bank of the sarkhej
lake, the building stands on the right with a handsome stone pavilion in front
of it.
• The Mousoleum of Shaikh Ahmed Khattu Ganj Bakhsh, the largest of its
kind in gujarat.
• The complex is interpreted as being composedof both ‘jism’(body) and
‘ruh’(spirit), giving it the qulalities of a human being.

46. Fig.8.1 Plan of Sarkhej Rouza

47. Fig.8.2 Ganj Baksh’s Tomb within the complex

48. Fig.8.3 Outlet of Sarkhej rouza tank

49. Teen Darwaza
(Indo-Islamic architecture 14th
century)
• Gateway to Bhadra Fort, Ahmedabad, Gujarat, India.
• Historical gateway on the east of Bhadra Fort.
• The gateway has 3 Arches which leads into a large enclosure, forming the
outer courtyard of the palace called Maidan Shah.
• A fountain and Raised Terrace in the centre.
• The roadway in the central opening is 5m wide and that of each arch is 4m
wide.
• Has highly decorated butresses on the faces of the piers between the
arches.
• The height of the Arch is 6m.

50. Fig.9.1 Plan of teen Darwaza

51. Fig.9.2 Inscription on Teen Darwaza

52. Fig.9.3 Teen Darwaza(Present)

53. Fig.9.4 Teen Darwaza (1880s view)

54. BIJAPUR
(Provincial Style of Architecture (1490-1656 AD))
• Location –North Karnataka, India.
• Under the Muslim rulers in th Mediveal Period.
• First City to experience its Islamic Architecture in the end of 13th
century under Allaudin Khilji and later under Bahamani Empire in
1347.
• Bijapur was decked and dotted by Adil Shahi dynasty in 15th
Century.
• Capital Of Adil Shahi Dynasty.
• 15th
century, greatest period for art and architecture in Bijapur.

55. Plan Of Bijapur
Fig.10.1 Plan of Bijapur

56. Style of Architecture
• Influenced from the reginoal culture of Turkish origin with that of
India culture.
• Was also famous for its sculptural elements.
• Plastic art was used to decorate the patterns on buildings.
• They usedCornice,a characteris architecturalornament which is
famous for their remarkable size and projection.

57. Architectural Features
• Main feature was the Dome in buildings of average proportion.
• Alomost spherical in shape.
• Rises out of a band of conventional petals at its base.
• Ornamental finishing srmounted the principal angles of the minartes.
• The specific Bijapur curve was fuller in its curveand had four centre.
• They used one the most famous pattern, The Arch Spandrils,
consisting of vaulted brackt holding a medallion, and above the arch
was a foliated finial all singularly graceful.
• Sculptures were either carved in stones or moulded in stucco, few
elements were hanging lamps, running borders, and interlaced
symbols.

58. Jami Masjid
(Bijapur)
• Located in Bijapur, Karnataka, India.
• Built in the reign of Ail Adil Shah.
• Structure covers a rectangular area of 138m X 69m.
• A square Courtyard of 43m side.
• Square nave wth 12 arches with 22.8m diametre.
• Interior Scantury of large hall measuring of 63.4m X 32.6m and is
divided into 5 aisles by arches.
• The arches intersect at top to form octagonal cornice to support the
base of the dome.
• The structure was never complete with lack of 2 minarets.
• The entrace gate way was added later by Emperor Aurangzeb.
• A wide and deep cornice supported on brackets projects above this
arcade.

59. Fig.11.2 Interior view of Jami Masjid

60. Fig.11.3 Floor Design
For Permorming Namaz
Fig.11.4 Overlapping Arches

61. Fig.11.5 arched Hall Fig.11.6 Over Lapping Of Arches

62. Fig.11.7 Arched Facade

63. Fig.11.8 Front Façade Of Jami Masjid

64. Fig.11.9 Central Fountain In the Courtyard

65. Fig.11.10 View Of CourtYard From Terrace OF Jami Masjid

66. Fig.11.11 Gateway OR Darwaza Of Jami Masjid

67. Fig.11.12 View OF Jami Masjid

68. Fig.11.13 Present Entrance Of Jami Masjid

69. Ibrahim Rouza
• Located in Bijapur, Karnataka, India.
• A Mousoleum, situated outside the city walls on the western side.
• The mousoleum is 137sq.m, while the tomb building is 35sq.m.
• Two Major buildings present wiithin the enclousre of the mousoleum having an
oblong terrace 110m long and 46m wide.
• Area between the two is occupied by a ornamental central pool and fountain.
• In order to achieve symmetry both buildings are haves been balanced in stye in
volume.
• Tall Minar shaped tirrets rise fromeach corner of the building.
• The enomously ornamentedand bracketed upper storey is the crowning feature of the
structure with the bulbous tomb.
• The entire structure is profuely ornamented, especially the outer wall of which every
part is covered with ornamental carving.
• The Masonary of the roof was joggle jointe, which meant that the ceiling appeared to
float without any apparent support.

70. Fig.12.1 Plan Of Ibrahim Rouza

71. Fig.12.2 Section Of tomb in Ibrahim Rouza

72. Fig.12.3 Interior view of mosque at ibrahim rouza

73. Fig.12.4 View of corridor in the tomb of ibrahim rouza

74. Fig.12.5 Use of arch and rose window in the corridor
in the tomb of ibrahim rouza

75. Fig.12.6 Persian Inscription on the walls of the tomb at ibrahim Rouza

76. Fig.12.7 Central water tank and decorative fountain

77. Fig.12.8 View of Tomb from
outside the complex
Fig.12.9 View of the Mosque
from
outside the complex

78. Fig.12.10 View of Mosque from the tomb at ibrahim Rouza

79. Fig.12.11 Oranamental Design at the capitol
of a column at the Mosque, Ibrahim Rouza
Fig.12.12 Ornamental corbels and stone
chains on the mosque at ibrahim rouza

80. Fig.12.13 View of the tomb from inside the complex

81. Fig.12.14 View of the tomb from inside the complex

82. Fig12.15 View of the tomb From Mosque at Ibrahim Rouza

83. Fig.12.16 Ornamentation of corbels on the entrance gateway

84. Fig.12.17 Ornamentation of corbels and
façade treatment on the mosque

85. Fig.12.18 View from the entrance

86. Fig.12.19 View Of Ibrahim Rouza

87. Gol Gumbaz
• Located in Bijapur, Karnataka, India.
• Gol Gumbaz is one of the biggest single chamber structures in the world.
• The central dome is the second largest in the world.
• Its internal diameter is about 38m abd external diameter is 44m
• The structure is composed of a cube of 47.5m on each side.
• The structure is about 51m high.
• The walls are 3m thick.
• The walls are 30.5m in height.
• The internal measurement is 41m on each side.
• Inside the mausoleum hall, isa square podium eth steps on each side.
• The real gravesare in the basement, which can be accessed by a staircase
below the entrance on the west.
• The south door is the main entrance to the tomb.

88. Fig.13.1 Plan of Gol Gumbaz

89. Fig.13.3 Interior of gol gumbazFig.13.2 Sectional Elevation

90. Fig.13.4 View of the minaret at gol gumbaz

91. Fig.13.5 View of the Whisper Gallery from floor at gol Gumbaz

92. Fig.13.6 Whisper Gallery at Gol Gumbaz

93. Fig.13.7 Lotus petal ornamentation on the dome of gol gumbaz

94. Fig.13.8 Front Façade Viewof Gol Gumbaz

95. Fig13.9 View of gol gumbaz

96. Baro Shona Masjid
(15th
century, Gaur)
• Also Known As The Great Golden Mosque and Baroduari.
• Located in Gour, India.
• Completed in 1526.
• A gaiganti Rectangluar structure of brick and stone.
• It is 52m long by 24m wide and has an 6m high parapet forming a long
shallow curve.
• The Name means 12 doors but the monument has 11 entrances.
• Two Butresses, Four towers and a spacious courtyard of 70m diameter
• The building is placed in plain stone and the doors would originally have
been framed by mosaics of glazed colored tiles.
• The roof was was strewn with 44 hemispherical domes
• The domes were gilded and hence the mosque got its name.
• These domes are arcaded, half in brick and half in stone.
• Eleven Arched entrances of the east open into a long domed verandah
formed by wide piers on the east and west sides.

97. Fig.14.1 Plan Of Baro Shona Masjid

98. Fig.14.2 Front Façade Of Baro Shona Masjid

99. Fig.14.3 Interior Of Baro Shona Masjid

100. Fig.14.4 View Of Domes In Baro Shona Masjid

101. Fig.14.5 View Of Elevation Of Baro Shona Masjid

102. Fig.14.6 Interior of Courtyard IN Baro Shona Masjid

103. Bibilography
Links And Leads For Information :-
• www.wikipedia.org
• Archnet.org
• m.indianetzone.com
• Islamicarchitexctureinindia.weebly.com
Books Refered :-
• Hiraskar-History Of Architecture
• Percy Brown-Indian And Islamic Architecture
Images:
• Captured
• Google Images

104. THANK YOU
BY:
SreeVarun R
M.Alekhya
Akhil Manikyam R
Harini
Spurthi G
Anil Kumar J