How shall we tell our stories in the age when traditional and new media converge are creating new languages that in turn create new networks, communities and contested discourse? What are the key elements to craft our stories and to mediate those produced by the culture?
I will highlight examples of image and sound from popular cinema, YouTube and other sources, in order to enhance and expand our understanding of the heart of story telling in a noisy world that is competing for our attention.
Pradeep Bhanot - Friend, Philosopher Guide And The Brand By Arjun Jani
The Heart of the Story: Storytelling in a Digital Age
1. The Heart
of the Story
Rose Pacatte, FSP
Pauline Center for Media Studies
PaulineCMS.com
Slideshare.net/rosepacatte
2.
3. What was the last one you
saw that impressed you?
4. The glory of God is the
human person fully alive
• http://youtu.be/lNBhwTUZVe4
• Babies playing with rubber hands
5. • Jesus told parables, stories about something else to
make a point about some truth or reality.
• What holds us back from doing the same?
• Take a moment. Close your eyes. Can you think of a
parable about your own life? Your vocation story.
• What is a visual that represents your life thus far?
• Make a note of that on your iPhone or devise. When
you get a chance, share it with your friends on social
media – if you wish
6. SILENCE
What you are doing
is so noisy
I cannot hear
what you are saying.
7. Stories are facets of grace
let loose in the world
Katy Perry and Jodi singing “Fireworks”
8. The shortest distance
between the truth and
the human person is a
story
Anthony de Mello
9. Storytelling
makes people thrive
in a series of endless holy
moments
“The Sultan’s Wife”Angela Carter (1940-1992; as quoted by Marina
Warner in From the Beast to the Blonde: Fairytales and Their Tellers,
1994, xi
13. We know God when God
communicates
• The self-communication of God is
transcendent.
• It transcends all of the tangible means in
history by which we have known God, such as
holy people, places, and things.
• God cannot be contained by them.
• If not, then how do we know God? We know
God when God communicates, that is, gives to
us the divine self.
14. Gift & Forgiveness
• The gift takes place in the human being, the
person who is the "event" of God's call.
• When God gives people a share in the divine
self, God not only frees them to respond.
• God also offers forgiveness.
• God forgives in the ever-renewed offer of a
relationship with God. (Karl Rahner)
15. The Trinity:
Communio
“Through the
contemplation of
this icon we come
to see with our
inner eyes that all
engagements in
this world can bear
fruit only when
they take place
within this divine
circle.”
(Nouwen, Henri J. M. Behold the
Beauty of the Lord: Praying with
Icons. Notre Dame, Indiana: Ave
Maria Press, 1987.)
By: Andrei Rublev
16. And all things are
made new again
“One might say that the first pastoral plan in
communication was Creation, the second
was Revelation, the third was Incarnation, but
the fourth pastoral plan involves
evangelization: how to communicate the
significance of Creation, the richness of
Revelation, and the tremendous reality of the
Incarnation….”
Cardinal John P. Foley (Pastoral Planning for Social Communication, ed.
Sunderaj, 1998, Montreal)
25. Joe vs the Volcano & the
stories we hear
• http://youtu.be/A9lceeNQMwk
• Trailer
26. The Missing: An Encounter
• Five People You Will Meet in Heaven
• A Journal
• Self knowledge
27. Elements for Storytelling
• Imagination: moral, spiritual, religious
• Really living
• Humor
• Brevity
• Passion
• Premise: God’s loving self-communication in the
world.
28. Why?
• Vocations? It’s starting
• Funders are increasingly coming from the web
• Sharing the heart for no reason other than to
share the joy and passion of religious life:
• You have to give away something for free without
expectation of gain – even for a good cause.
29. Be organized
• W, W, W, W, H, Why?
• Review current practices
• Revise as necessary
• Give people a reason to return to your website
• Brevity
• Good writing
• Articulate your vision your story (story board as the
organizational tool)
• Budget, fund raising
30. The Personal
• We are all watching something on TV – what is it?
• Many of us are online – what are we
communicating?
• As a community, how do we process the
entertainment and information media we
consume?
• Intentionality
• Discernment
32. Cinema Divina
annual retreats
• 7 - 8 days
• Films on six days
• Silent
• Directed (or not)
• Informal conversation after each film
• Liturgy
33. Why? To experience the
ineffable
• http://youtu.be/nhQzn2gVGjQ
• Of Gods and Men Swan Lake or scene “Allow a
free man to pass”
34. The Cinema Divina format follows that
of the lectio:
• Lectio (attending; listening; experiencing the
Word of God in the film; not always as an explicit
“word” but as “reality”; what did I hear,
experience? What is the story?)
• Meditatio (reflecting on the film and the Word of
God; what aspect of the Gospel and film “chose
me”?)
• Oratio (prayer; how has the Word touched my
35. Cinema Divina: Lectio
• Comunio (how has the Word influenced my
communication, my communion, with God and
neighbor?)
• Contemplatio (contemplation; entering into the
silence)
• Actio (what does God ask of me through Word and
film?) The participants sharing on the film can respond
to any of the questions above; a person may remain
silent.
This is what’s wrong with all the Christian movies coming out these days;
No questions, no mystery.
They want to clean up Hollywood
And Hollywood, the dream factory, is good with this as long as these films makes money. Sony Lions Gate all have faith and family friendly departments: white, mostly male (though not all), evangelical Christian – no Catholics, no Muslims, no Jews. There is a bias against Jews and gay people in this new “faith and family friendly” industry – I find little to celebrate.
I would rather look for God everywhere than have someone interpret God for me and hand it to me in a canned sermon.
And then there is Joe vs. the Volcano, John Patrick Shanley’s 1990 tale about a man (Tom Hanks) who finds no meaning in the aimless humdrum of life and is a hypochondriac. His frustrated physician tells him he has a brain cloud and that he should go out and live life to the full because he is going to die.
For almost ten years I have had the privilege of being a director for the National Film Retreat (www.SisterRose.WordPress.com). This special retreat is for people who love movies, spirituality and theology, who come together to screen films according to a theme, to converse, pray, and break bread. Each year one lady would suggest that we use Joe vs the Volcano in the retreat and finally announced that she wasn’t coming to another retreat until we did. The founding director of the retreat cannot stand the film as he considers it “stupid”. The lady thought differently, and as I came to find out, a young boy named Jim, found it life-saving.
I met Jim’s wife Ann at a conference and I was telling this story of how good people can view the same film, like Joe vs the Volcano, and see it, interpret it, make meaning from it, quite differently because of age, education, human, faith, moral development, and most importantly, life experience. Ann raised her hand (very excitedly) and told the group, tears running down her face, that Joe vs the Volcano had saved her husband’s life. When he was nine years old he had tried to commit suicide – more than once. He survived and a couple of years later he and his mom went to see Joe vs the Volcano. As they came out of the theater, Jim turned to his mom and said, “That’s me, Mom. I have a brain cloud. And I don’t have to die. I can live.”
A holy moment.
I would like to be that filmmaker who could make a movie that would save one child’s life.
Me and my friends go to the movies to figure out life …
Bring them near you, your charism, your community, your heart, your spirit
You know all of this