Maia Ionescu "Song of the Night" #quartweet

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Maia Ionescu (3rd Grade, SLACKWOOD ELEMENTARY) Hear the stars twinkle and sing in my #quartweet “Song of the Night!”

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Maia Ionescu "Song of the Night" #quartweet

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The piece is constructed with precise time-brackets. The durations of these time-brackets vary through the piece. Hence, the use of a stopwatch is recommended. The time-brackets of the different strings parts are generally asynchronous and only coincide at the indicated rehearsal marks and on the final note that is indicated with a fermata. In the parts (Vl. 1, 2, and Vla.), the upper staff indicates the sounding pitches, while the lower staff indicates the fingered notes. The piece is played entirely with either natural harmonics or open strings. Microtones as small as twelfth-tones are indicated in the score in order to precisely determine the position of the node (natural harmonic) and to describe how the sounding tone deviates from twelve-tone equal temperament. Further performance notes are provided in the parts.

Nirantar Yakthumba: "Mulasankhyachakra" #quartweet (2021)

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Between the clouds The piece is for string quartet, and its inspiration came from daily stargazing. The main materials are designed from the natural night scenery, such as stars, clouds, and moon. Using harmonic and vibrato changes to describe the clouds moving and somehow the starlights go through the clouds. The glissando is the wind which moves the clouds and makes it to any kinds of shape and turn it into a different mood. The double repetitive short notes are the subtle twinkling.

Katherine Ching-Fang Teng: "between the clouds" #quartweet (score)

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Franki Dodwell: "lullaby of the wings" #quartweet (score)

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Ellis Howarth: "Remnants" #quartweet The idea behind this piece was born out of my tutor’s suggestion that I return to my musical roots, to address a growing writer’s block. My musical life began as a chorister, singing music of the medieval and renaissance periods. These three movements are based on fond yet distant memories of those experiences. Hence the piece’s title - Remnants. To the performers, I ask that this piece be played sempre senza vibrato, and with a purity of tone. All players must play from the full score. I dedicate this piece to the Signum Quartet. And to Guus, for reminding me of ‘the little English choir boy’, whom I had almost forgotten. Duration - 4 mins approx.

Ellis Howarth: "Remnants" #quartweet (full score)

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Kevin Volans: 140 notes (#quartweet)

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Oscar Bettison: Described as possessing "an unconventional lyricism and a menacing beauty" and a “unique voice”, British/American composer Oscar Bettison's music has been commissioned and performed by leading ensembles and soloists around the world. His work demonstrates a willingness to work within and outside the confines of concert music. He likes to work with what he calls "Cinderella instruments", either by making percussion instruments or by re-imagining other instruments as well as writing for instruments more common in rock music and the inclusion of electro-acoustic elements. More recent pieces have been concerned with bringing these strands together. His music as been featured and reviewed in the LA Times, the New York Times, the British, Dutch and Italian press as well as having been played on radio throughout the US, Australia, Britain, The Netherlands and Brazil and on British and Dutch Television. His latest work has been described as “pulsating with an irrepressible energy and vitality, as well as brilliant craftsmanship.” www.oscarbettison.com

Oscar Bettison: #quartweet

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Maako Fangajei "The Race Car Dance" #quartweet

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John Prokop Ditty 1 "140 notes seem plenty"

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Samuel D. Loveless: NOTES FROM AN OLD NOTEBOOK IN A NEW NOTEBOOK; FOR ALL YOU...

Nirantar Yakthumba: "Mulasankhyachakra" #quartweet (2021)

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Jing Jing Luo "Die verfolgung" #quartweet

Sebastian Currier 'Turning" (retrograde version) #quartweet

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Maia Ionescu "Song of the Night" #quartweet

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