SlideShare a Scribd company logo
1 of 3
Download to read offline
AS critical reflection Question & Answer
Q1: How does your product use or challenge conventions and how does it
represent social groups or issues?
(Carpool karaoke)
Throughout my opening scene, gone girl. My product follows many thriller conventions, by
the use of camera shots, and movements, as we use tilted shots and disorientated angles, to
help create discomfort for the viewer, we also used tracking shots to show the young girl is
being followed, along with high angle, close up shots, to represent the vulnerability of the
young girl and how powerless she is now this also helps focus on key props. My product
also uses thriller mise-en-scene conventions by using low-key lighting helping create
suspense and a mysterious atmosphere, we also show shadows which creates fear and
tension in the audience. We made sure the antagonist wear black clothing to help the flow of
Gone Girl, allowing the audience to have a better understanding. We followed conventions in
the setting as we used an isolated alleyway, to show how alone the girl is and to help the
audience feel scared as they think it might happen to them. While editing our product we
made sure to use lots of jump cuts and fast pace editing, to create a sense of danger, worry,
and pace. We follow the stereotypical sound conventions by using eerie nondiegetic music,
however, we do challenge some conventions in the sound department, as we show the
antagonist listening to opera music, which helps create confusion and mystery throughout as
it doesn’t follow the typical stereotypes of the β€œbad guys”. Our product gone girl represents
the social issue of vulnerable girls, having to be aware as they walk alone, we also
challenged the serotype of it always being men who kidnap young girls, by including a
woman in the antagonist character, while this raised awareness this also helps draw in the
audience as it is more unusual.
Q2: How does your product engage with audiences and how would it be distributed
as a real media text?
(Kahoot video)
Thriller movie’s audience is usually aimed at a younger generation of a mixed-gender of
25-44 due to the violence and intensity, as thriller movies use fast pace and loud noises
which the older generation seem to avoid. Also because of the fact that thriller movies make
you think. meaning the audience needs to be attentive and focused Thriller movies
audiences are people who enjoy mystery and anticipation For this my product engages with
the target audience by the use of violent scenes, fast pass and the fact the audience never
sees the kidnappers face creating mystery while feeling the stress levels of the mum looking
for her daughter. Along with this, there is a romance between the two kidnappers helping to
attract a female audience. Horror is the number one choice for couples to go and watch at
the cinema and for this, we added in horror elements like the detailed mise-en-scenes of a
young girl tied up abs the fact pass camera movements along with the sound.
Due to my target audience For the distribution of my opening scene, I would create a social
media page and get influencers with a target audience of 15-40 to promote my movie by
inviting them to a movie premiere. Due to the fact, my opening scene doesn’t have a star
distribution companies wouldn’t be interested in releasing my film opening. However,
digitalization has made it easier for creators like me and my group international company’s to
promote film openings I would use this to my advantage and display my movie onto Netflix in
the genre thriller so the target audience knows exactly to look. Another way of distributing
my opening scene is to go into film festivals resulting in reviews and Criticism by journalists
attracting a lot more viewers and even distribution companies.
Q3: How did your production skills develop throughout this project?
(Cooking with sofia)
Before my A-level media, I had never worked with a camera, photoshop, I movie, Adobe
illustrator, or adobe premiere pro. My teacher encouraged us to begin by filming a swede,
when I began to film this increased my knowledge massively in media terminologies, such as
a panning shot, tracking shot, the 180-degree rule. It also taught me how the effects of the
camera angles and shots are so important to get correct as they help the creator to
establish different relationships between the subjects and between the audience and
the subjects, which I think my group and I learned to understand quite quickly,
However, lighting was a major issue for us, we didn’t understand the importance of
high key lighting, low key lighting, key light, or backlight. Which resulted in some
scenes being very dark contrasting with the mood the scene should have portrayed.
After watching the final draft we all realized the mistakes we had made with the
lighting, which led us to each go off and research it individually. Now whenever I
watch a movie or TV show, I’m always thinking about why the director chose to go
with each shot, angle, or movement. Overall this mini-project helped my group and I
understand what to do and what not to do. For our final project, we did a thriller movie
opening scene which we titled Gone Girl, throughout this project I was the producer. This
taught me production skills such as analytical skills, where I investigated problems and found
an ideal solution, as I thought outside the box, I would do brainstorming and strategic
planning to help my final ideas. My organization and scheduling skills increased massively
as I had to delegate roles to each group member, I created, scripts, planning sheets, and
storyboards to guide their roles and help them each have a wide understanding of what they
have to do. Multitasking was a major skill I developed as I had many responsibilities and had
to switch from one task to another, such as evaluating screenplays or scripts to generating
story ideas. Communication was an aspect I had always struggled with as I’m quite shy
however as I delegated the producer role I had to increase my communication skills, by
coaching, collaborating, listening to team members, and negotiating. Overall my production
skills have developed in each aspect of making an opening scene, from the not-so-important
aspects, all the way to the finishing touches.
Q4: How did you integrate technologies – software, hardware, and online – in this
Project?
(screen recording and voice over)
To create our film opening we used a Imovie, as its a nonlinear editor. We used it to cut and
edit our videos add non diegetic sound such as music, without changing any of the original
files. Here we can change the hue and saturation of videos, lighter or darker. On imovie you
can also crop the video to ken burns, tilt it, or fit it to screen. Imovie also allows you to
stablize the camera and you can adjust it to your preference. It also allowed us to reduce
background noise which was very handy. It also enabled us to change the speed, from slow,
or fast. add titles with different colours and fonts, audio of your own or sound effects from
ImovieWe chose Imovie as we didnt need any special effects and wanted to keep it simple to
flow with the codes and conventions. We also used wordpress to show evidence of our work
and our process, we chose wordpress as it was simple to use and simple for our audience to
follow. I used websites such as illustrator, emaze, prezi and gomoodboard to help my blog
be more exciting and fun for the viewer. Another important platform we used was youtube as
we uploaded videos of our process and engage with our audience.

More Related Content

What's hot

Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
Kirsty
Β 
Media evaluation, for everything!
Media evaluation, for everything!Media evaluation, for everything!
Media evaluation, for everything!
craigo11
Β 
alex media studies powepoint
alex media studies powepointalex media studies powepoint
alex media studies powepoint
smithyboy100
Β 
Karen Hibbitt - Evaluation
Karen Hibbitt - EvaluationKaren Hibbitt - Evaluation
Karen Hibbitt - Evaluation
Sian Mapp
Β 
Danielle Evaluation 2
Danielle Evaluation 2Danielle Evaluation 2
Danielle Evaluation 2
DHickman
Β 
Evaluation 2011
Evaluation 2011Evaluation 2011
Evaluation 2011
ray492
Β 
Evaluation of my final advert topic sentences
Evaluation of my final advert  topic sentencesEvaluation of my final advert  topic sentences
Evaluation of my final advert topic sentences
mollyclements_
Β 

What's hot (19)

A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
Β 
Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
Β 
Media evaluation, for everything!
Media evaluation, for everything!Media evaluation, for everything!
Media evaluation, for everything!
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
alex media studies powepoint
alex media studies powepointalex media studies powepoint
alex media studies powepoint
Β 
Evaluation of work on Silent Screams
Evaluation of work on Silent ScreamsEvaluation of work on Silent Screams
Evaluation of work on Silent Screams
Β 
Ccr of-final-project1
Ccr of-final-project1Ccr of-final-project1
Ccr of-final-project1
Β 
Part 3
Part 3Part 3
Part 3
Β 
Karen Hibbitt - Evaluation
Karen Hibbitt - EvaluationKaren Hibbitt - Evaluation
Karen Hibbitt - Evaluation
Β 
Evaluation question – main and ancillary tasks
Evaluation question – main and ancillary tasksEvaluation question – main and ancillary tasks
Evaluation question – main and ancillary tasks
Β 
Danielle Evaluation 2
Danielle Evaluation 2Danielle Evaluation 2
Danielle Evaluation 2
Β 
Evaluation 2011
Evaluation 2011Evaluation 2011
Evaluation 2011
Β 
Evaluation of my final advert topic sentences
Evaluation of my final advert  topic sentencesEvaluation of my final advert  topic sentences
Evaluation of my final advert topic sentences
Β 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
Β 
Media Evaluation 4
Media Evaluation 4Media Evaluation 4
Media Evaluation 4
Β 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
Media practical production EVALUATION Cousin Kate
Media practical production EVALUATION Cousin KateMedia practical production EVALUATION Cousin Kate
Media practical production EVALUATION Cousin Kate
Β 
Joe holroyd AS Media Final Evaluation
Joe holroyd AS Media Final Evaluation Joe holroyd AS Media Final Evaluation
Joe holroyd AS Media Final Evaluation
Β 

Similar to As critical reflection question & answer 2

Evaluation - Presentation
Evaluation - PresentationEvaluation - Presentation
Evaluation - Presentation
guestcfe39d
Β 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
juliadalrymple
Β 
Media Evaluation Powerpoint
Media Evaluation PowerpointMedia Evaluation Powerpoint
Media Evaluation Powerpoint
guest9e9feca
Β 
Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
guestbbf5d8
Β 
media evaluation powerpoint
media evaluation powerpointmedia evaluation powerpoint
media evaluation powerpoint
guestbbf5d8
Β 
Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
Jenny McNulty
Β 
Amy Gallacher Candidate Number: 3079 - Evaluation
Amy Gallacher Candidate Number: 3079  -  EvaluationAmy Gallacher Candidate Number: 3079  -  Evaluation
Amy Gallacher Candidate Number: 3079 - Evaluation
amygallacher
Β 
Evaluation.
Evaluation.Evaluation.
Evaluation.
Sheryl
Β 
Evaluation
EvaluationEvaluation
Evaluation
Sheryl
Β 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
hayleybaby
Β 
Media studies evaluation
Media studies evaluationMedia studies evaluation
Media studies evaluation
Jenny McNulty
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
htuckwell
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
juym9099
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
juym9099
Β 
MEDIA EVALUATION
MEDIA EVALUATIONMEDIA EVALUATION
MEDIA EVALUATION
bethanhead
Β 

Similar to As critical reflection question & answer 2 (20)

Evaluation
EvaluationEvaluation
Evaluation
Β 
Evaluation - Presentation
Evaluation - PresentationEvaluation - Presentation
Evaluation - Presentation
Β 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
Β 
Media Evaluation Powerpoint
Media Evaluation PowerpointMedia Evaluation Powerpoint
Media Evaluation Powerpoint
Β 
Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
Β 
media evaluation powerpoint
media evaluation powerpointmedia evaluation powerpoint
media evaluation powerpoint
Β 
Media evaluation powerpoint
Media evaluation powerpointMedia evaluation powerpoint
Media evaluation powerpoint
Β 
Evaluation for β€˜the decoy’
Evaluation for β€˜the decoy’Evaluation for β€˜the decoy’
Evaluation for β€˜the decoy’
Β 
Amy Gallacher Candidate Number: 3079 - Evaluation
Amy Gallacher Candidate Number: 3079  -  EvaluationAmy Gallacher Candidate Number: 3079  -  Evaluation
Amy Gallacher Candidate Number: 3079 - Evaluation
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
Evaluation.
Evaluation.Evaluation.
Evaluation.
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
Β 
Media studies evaluation
Media studies evaluationMedia studies evaluation
Media studies evaluation
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
Β 
Main task evaluation
Main task evaluationMain task evaluation
Main task evaluation
Β 
AS Media Evaluation questions
AS Media Evaluation questionsAS Media Evaluation questions
AS Media Evaluation questions
Β 
MEDIA EVALUATION
MEDIA EVALUATIONMEDIA EVALUATION
MEDIA EVALUATION
Β 
Media main task evaluation blog
Media main task evaluation blogMedia main task evaluation blog
Media main task evaluation blog
Β 

More from SofiaNisco (20)

International Productions
International Productions International Productions
International Productions
Β 
Shot list gone girl
Shot list  gone girlShot list  gone girl
Shot list gone girl
Β 
Effects
EffectsEffects
Effects
Β 
Shot list
Shot list Shot list
Shot list
Β 
Music industry timeline
Music industry timelineMusic industry timeline
Music industry timeline
Β 
Film production logos & the meaning behind them
Film production logos & the meaning behind themFilm production logos & the meaning behind them
Film production logos & the meaning behind them
Β 
addicted to you script
addicted to you script addicted to you script
addicted to you script
Β 
Hazards (risks)
Hazards (risks) Hazards (risks)
Hazards (risks)
Β 
Adobe illustrator pen tool
Adobe illustrator pen toolAdobe illustrator pen tool
Adobe illustrator pen tool
Β 
Codes and conventions of a music poster
Codes and conventions  of a music posterCodes and conventions  of a music poster
Codes and conventions of a music poster
Β 
Untitled presentation 2
Untitled presentation 2Untitled presentation 2
Untitled presentation 2
Β 
Adobe illustrator
Adobe illustratorAdobe illustrator
Adobe illustrator
Β 
Opening scene script-2
Opening scene   script-2Opening scene   script-2
Opening scene script-2
Β 
Opening scene script
Opening scene   scriptOpening scene   script
Opening scene script
Β 
Adobe Illustrator
Adobe Illustrator Adobe Illustrator
Adobe Illustrator
Β 
Opening scene planning kidnapping
Opening scene planning   kidnappingOpening scene planning   kidnapping
Opening scene planning kidnapping
Β 
Untitled document (1)
Untitled document (1)Untitled document (1)
Untitled document (1)
Β 
MEDIA TOOLS LL
MEDIA TOOLS    LLMEDIA TOOLS    LL
MEDIA TOOLS LL
Β 
tools
toolstools
tools
Β 
illustator tools
illustator tools illustator tools
illustator tools
Β 

Recently uploaded

FULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Saket | DelhiFULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
SaketCallGirlsCallUs
Β 
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Sheetaleventcompany
Β 
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
Chandigarh Call girls 9053900678 Call girls in Chandigarh
Β 
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | DelhiFULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
SaketCallGirlsCallUs
Β 
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | DelhiFULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
SaketCallGirlsCallUs
Β 
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | DelhiFULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
SaketCallGirlsCallUs
Β 
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | DelhiFULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
SaketCallGirlsCallUs
Β 
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | DelhiFULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
SaketCallGirlsCallUs
Β 
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost LoverPowerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
PsychicRuben LoveSpells
Β 
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call GirlsMassage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Chandigarh Call girls 9053900678 Call girls in Chandigarh
Β 
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | DelhiFULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
SaketCallGirlsCallUs
Β 
architect Hassan Khalil portfolio Year 2024
architect Hassan Khalil portfolio  Year 2024architect Hassan Khalil portfolio  Year 2024
architect Hassan Khalil portfolio Year 2024
hassan khalil
Β 
Call Girls in Sakinaka 9892124323, Vashi CAll Girls Call girls Services, Che...
Call Girls in Sakinaka  9892124323, Vashi CAll Girls Call girls Services, Che...Call Girls in Sakinaka  9892124323, Vashi CAll Girls Call girls Services, Che...
Call Girls in Sakinaka 9892124323, Vashi CAll Girls Call girls Services, Che...
Pooja Nehwal
Β 
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | DelhiFULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
SaketCallGirlsCallUs
Β 
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | DelhiFULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
SaketCallGirlsCallUs
Β 

Recently uploaded (20)

FULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Saket | DelhiFULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Saket | Delhi
Β 
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Call Girl In Chandigarh ☎ 08868886958βœ… Just Genuine Call Call Girls Chandigar...
Β 
(NEHA) Call Girls Mumbai Call Now 8250077686 Mumbai Escorts 24x7
(NEHA) Call Girls Mumbai Call Now 8250077686 Mumbai Escorts 24x7(NEHA) Call Girls Mumbai Call Now 8250077686 Mumbai Escorts 24x7
(NEHA) Call Girls Mumbai Call Now 8250077686 Mumbai Escorts 24x7
Β 
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
❀ Sexy Call Girls in Chandigarh πŸ‘€πŸ“ž 90,539,00,678πŸ“ž Chandigarh Call Girls Servi...
Β 
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | DelhiFULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Badarpur | Delhi
Β 
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | DelhiFULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Anand Niketan | Delhi
Β 
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | DelhiFULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In New Ashok Nagar | Delhi
Β 
AaliyahBell_themist_v01.pdf .
AaliyahBell_themist_v01.pdf             .AaliyahBell_themist_v01.pdf             .
AaliyahBell_themist_v01.pdf .
Β 
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | DelhiFULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Kishangarh | Delhi
Β 
Storyboard short: Ferrarius Tries to Sing
Storyboard short: Ferrarius Tries to SingStoryboard short: Ferrarius Tries to Sing
Storyboard short: Ferrarius Tries to Sing
Β 
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | DelhiFULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Mahipalpur | Delhi
Β 
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost LoverPowerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
Powerful Love Spells in New York City, NY (310) 882-6330 Bring Back Lost Lover
Β 
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call GirlsMassage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Massage And Sex Call Girls In Chandigarh 9053900678 Chandigarh Call Girls
Β 
(INDIRA) Call Girl Dehradun Call Now 8617697112 Dehradun Escorts 24x7
(INDIRA) Call Girl Dehradun Call Now 8617697112 Dehradun Escorts 24x7(INDIRA) Call Girl Dehradun Call Now 8617697112 Dehradun Escorts 24x7
(INDIRA) Call Girl Dehradun Call Now 8617697112 Dehradun Escorts 24x7
Β 
Hire πŸ’• 8617370543 Mumbai Suburban Call Girls Service Call Girls Agency
Hire πŸ’• 8617370543 Mumbai Suburban Call Girls Service Call Girls AgencyHire πŸ’• 8617370543 Mumbai Suburban Call Girls Service Call Girls Agency
Hire πŸ’• 8617370543 Mumbai Suburban Call Girls Service Call Girls Agency
Β 
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | DelhiFULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Patel Nagar | Delhi
Β 
architect Hassan Khalil portfolio Year 2024
architect Hassan Khalil portfolio  Year 2024architect Hassan Khalil portfolio  Year 2024
architect Hassan Khalil portfolio Year 2024
Β 
Call Girls in Sakinaka 9892124323, Vashi CAll Girls Call girls Services, Che...
Call Girls in Sakinaka  9892124323, Vashi CAll Girls Call girls Services, Che...Call Girls in Sakinaka  9892124323, Vashi CAll Girls Call girls Services, Che...
Call Girls in Sakinaka 9892124323, Vashi CAll Girls Call girls Services, Che...
Β 
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | DelhiFULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Indirapuram | Delhi
Β 
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | DelhiFULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
FULL NIGHT β€” 9999894380 Call Girls In Dwarka Mor | Delhi
Β 

As critical reflection question & answer 2

  • 1. AS critical reflection Question & Answer Q1: How does your product use or challenge conventions and how does it represent social groups or issues? (Carpool karaoke) Throughout my opening scene, gone girl. My product follows many thriller conventions, by the use of camera shots, and movements, as we use tilted shots and disorientated angles, to help create discomfort for the viewer, we also used tracking shots to show the young girl is being followed, along with high angle, close up shots, to represent the vulnerability of the young girl and how powerless she is now this also helps focus on key props. My product also uses thriller mise-en-scene conventions by using low-key lighting helping create suspense and a mysterious atmosphere, we also show shadows which creates fear and tension in the audience. We made sure the antagonist wear black clothing to help the flow of Gone Girl, allowing the audience to have a better understanding. We followed conventions in the setting as we used an isolated alleyway, to show how alone the girl is and to help the audience feel scared as they think it might happen to them. While editing our product we made sure to use lots of jump cuts and fast pace editing, to create a sense of danger, worry, and pace. We follow the stereotypical sound conventions by using eerie nondiegetic music, however, we do challenge some conventions in the sound department, as we show the antagonist listening to opera music, which helps create confusion and mystery throughout as it doesn’t follow the typical stereotypes of the β€œbad guys”. Our product gone girl represents the social issue of vulnerable girls, having to be aware as they walk alone, we also challenged the serotype of it always being men who kidnap young girls, by including a woman in the antagonist character, while this raised awareness this also helps draw in the audience as it is more unusual. Q2: How does your product engage with audiences and how would it be distributed as a real media text? (Kahoot video) Thriller movie’s audience is usually aimed at a younger generation of a mixed-gender of 25-44 due to the violence and intensity, as thriller movies use fast pace and loud noises which the older generation seem to avoid. Also because of the fact that thriller movies make you think. meaning the audience needs to be attentive and focused Thriller movies audiences are people who enjoy mystery and anticipation For this my product engages with the target audience by the use of violent scenes, fast pass and the fact the audience never sees the kidnappers face creating mystery while feeling the stress levels of the mum looking for her daughter. Along with this, there is a romance between the two kidnappers helping to attract a female audience. Horror is the number one choice for couples to go and watch at the cinema and for this, we added in horror elements like the detailed mise-en-scenes of a young girl tied up abs the fact pass camera movements along with the sound. Due to my target audience For the distribution of my opening scene, I would create a social media page and get influencers with a target audience of 15-40 to promote my movie by inviting them to a movie premiere. Due to the fact, my opening scene doesn’t have a star distribution companies wouldn’t be interested in releasing my film opening. However, digitalization has made it easier for creators like me and my group international company’s to promote film openings I would use this to my advantage and display my movie onto Netflix in the genre thriller so the target audience knows exactly to look. Another way of distributing
  • 2. my opening scene is to go into film festivals resulting in reviews and Criticism by journalists attracting a lot more viewers and even distribution companies. Q3: How did your production skills develop throughout this project? (Cooking with sofia) Before my A-level media, I had never worked with a camera, photoshop, I movie, Adobe illustrator, or adobe premiere pro. My teacher encouraged us to begin by filming a swede, when I began to film this increased my knowledge massively in media terminologies, such as a panning shot, tracking shot, the 180-degree rule. It also taught me how the effects of the camera angles and shots are so important to get correct as they help the creator to establish different relationships between the subjects and between the audience and the subjects, which I think my group and I learned to understand quite quickly, However, lighting was a major issue for us, we didn’t understand the importance of high key lighting, low key lighting, key light, or backlight. Which resulted in some scenes being very dark contrasting with the mood the scene should have portrayed. After watching the final draft we all realized the mistakes we had made with the lighting, which led us to each go off and research it individually. Now whenever I watch a movie or TV show, I’m always thinking about why the director chose to go with each shot, angle, or movement. Overall this mini-project helped my group and I understand what to do and what not to do. For our final project, we did a thriller movie opening scene which we titled Gone Girl, throughout this project I was the producer. This taught me production skills such as analytical skills, where I investigated problems and found an ideal solution, as I thought outside the box, I would do brainstorming and strategic planning to help my final ideas. My organization and scheduling skills increased massively as I had to delegate roles to each group member, I created, scripts, planning sheets, and storyboards to guide their roles and help them each have a wide understanding of what they have to do. Multitasking was a major skill I developed as I had many responsibilities and had to switch from one task to another, such as evaluating screenplays or scripts to generating story ideas. Communication was an aspect I had always struggled with as I’m quite shy however as I delegated the producer role I had to increase my communication skills, by coaching, collaborating, listening to team members, and negotiating. Overall my production skills have developed in each aspect of making an opening scene, from the not-so-important aspects, all the way to the finishing touches. Q4: How did you integrate technologies – software, hardware, and online – in this Project? (screen recording and voice over) To create our film opening we used a Imovie, as its a nonlinear editor. We used it to cut and edit our videos add non diegetic sound such as music, without changing any of the original files. Here we can change the hue and saturation of videos, lighter or darker. On imovie you can also crop the video to ken burns, tilt it, or fit it to screen. Imovie also allows you to stablize the camera and you can adjust it to your preference. It also allowed us to reduce background noise which was very handy. It also enabled us to change the speed, from slow, or fast. add titles with different colours and fonts, audio of your own or sound effects from
  • 3. ImovieWe chose Imovie as we didnt need any special effects and wanted to keep it simple to flow with the codes and conventions. We also used wordpress to show evidence of our work and our process, we chose wordpress as it was simple to use and simple for our audience to follow. I used websites such as illustrator, emaze, prezi and gomoodboard to help my blog be more exciting and fun for the viewer. Another important platform we used was youtube as we uploaded videos of our process and engage with our audience.