The music video opens with a narrative scene to emphasize its importance to interpreting the metaphorical song. Slow motion dramatizes the narrative and engages viewers. Characters appear in both the narrative and during the band's performance, showing a strong connection between the visuals and lyrics. Though abstract, the narrative incorporates conventions of rock music like passion and emotion through imagery of "heart" and shouting vocals. It follows Todorov's theory by depicting characters attempting to resolve a problem, and ends positively.

1. •

2. The music video opens
with a scene from the
narrative. This is not a
common convention,
only some music videos
do it. It could suggest
the narrative is important
so therefore it is the first
thin to be focused upon,
this is more relative in
'Can You Feel My Heart'
as the narrative is hard to
understand, it's more
metaphorical than literal.

3. Slow motion is used,
creating a more dramatic
narrative as is reduces the
time at which we learn what
the narrative is about. This
added anticipation aids the
viewers need to watch the
video and the edit adds to
the smooth flow of the
video in conjunction with
the performance side.

4. This music video stands out
further, as the characters
within the narrative are also
present during the
performance. This connotes
the connection between the
two is strong and
potentially the relation of
lyrics to visuals is connected
greatly displaying the bands
song has a strong personal
meaning.

5. The narrative despite not
being a literal
representation still suits the
conventions of rock. It
contains gore which is
common since the lyrics
speak about the 'heart' and
emotions and the way it is
sung resembles shouting,
emitting the passion in the
songs meaning.

6. This narrative structure
supports Todorov's theory
as characters attempt to
repair the problem that has
occurred, and the ending
shot contains more positive
colors suggesting
equilibrium has occured.

7. • THERE ARE AROUND 1-6 SECOND NARRATIVE CUTS WITH AN AVERAGE OF 4 SECONDS.
THE LONGEST CUT IS 8 SECONDS WHICH APPEARS ROUGHLY A THIRD INTO THE VIDEO AT
1:16. THE TOTAL TIME FOR NARRATIVE CUTS FORMS A TOTAL OF 1:12 WHICH IS ABOUT A
THIRD OF THE VIDEOS TOTAL TIME. THE CONVENTIONS FOR THIS MUSIC VIDEO DIFFER
HOWEVER DUE TO THE USE OF SLOW MOTION ON ALL THE NARRATIVE CLIPS, THEREFORE
REAL TIME CLIPS WOULD HAVE BEEN SHORTER WHICH IN TURN COULD MEAN NARRATIVE
CLIPS FOR OTHER ROCK VIDEOS COULD BE LONGER IN REAL TIME IF NO SLOW MOTION IS
USED.