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What Victorians Were
Reading
Superheroes
Spring-Heeled Jack
β€’ 1830s urban legend in the
streets of London.
β€’ A strange figure, said to
possess superhuman agility.
β€’ an amorphous figure, the
devil in human form; an
inner-city
β€’ By the mid-19th century he
was being featured in
novels and plays
The Scarlet Pimpernel
β€’ by Baroness Orczy,
published in 1905.
β€’ written after her 1903
stage play of the same
title enjoyed a long run in
London
β€’ The original masked hero,
from Revolutionary France
Doctor Syn: A Tale of the
Romney Marsh
β€’ 1915: Russell Thorndike’s
the Scarecrow.
β€’ Gentle parson Dr. Syn -
formerly feared pirate
Captain Clegg, and currently
the apparently meek and mild
village parson - assumes a
third masked identity to
protect his parishioners from
the King's Revenue Men.
Zorro
β€’ Spanish for "fox
β€’ created in 1919 by
American pulp writer
Johnston McCulley
β€’ appeared in the Pueblo of
Los Angeles during the era
of Spanish California
(1769–1821).
β€’ Based in history?
'30s pulp fiction
"mystery men" such as the
Lone Ranger, the Shadow
and the Phantom
The Gothic
Gothic Begins
β€’ Horace Walpole’s 1764 The
Castle of Otranto,
β€’ Ann Radcliffe developed
the feminist gothic. She
introduced the brooding
villain (A Sicilian Romance)
in 1790. All, especially The
Mysteries of Udolpho
(1794), were best-sellers.
β€’ "penny dreadful" serial
fictions
β€’ G.W.M. Reynolds wrote a
trilogy of Gothic horror
novels: Faust (1846),
Wagner the Wehr-wolf
(1847) and The
Necromancer (1857).
Ghosts
β€’ A Christmas Carol (1843)
β€’ Emily BrontΓ«'s Wuthering
Heights (1847)
β€’ Poe (1850)
Vampires
β€’ Polidori's The Vampyre
(1819) revived Lamb's
Byronic "Lord Ruthven", but
this time as a vampire
β€’ anonymously authored
Varney the Vampire (1847)
β€’ 1897, Dracula by Bram
Stoker
Children’s Fantasy
β€’ 1865 Alice in Wonderland
β€’ Robert Louis Stevenson
β€’ L. Frank Baum’s Oz books
(1900–1920) with
technological inventions
and devices including
perhaps the first literary
appearance of handheld
wireless communicators
Frankenstein
β€’ Mary Shelley's Frankenstein
(1818) features the first
archetypal "mad scientist"
β€’ gothic horror
β€’ science fiction themes
such as technology and
the alien as antagonist
Science Fiction
Cryonics
β€’ Jane C. Loudon's The
Mummy!: Or a Tale of the
Twenty-Second Century
(1827), he’s revived into a
world in political crisis,
where technology has
advanced to gas-flame
jewelry and houses that
migrate on rails, etc.
Mary Shelley's short story "Roger
Dodsworth: The Reanimated Englishman"
(1826) sees a man frozen in ice revived in
present day
Post-apocalyptic
β€’ Shelley’s The Last Man
(1826) is often called the
first science fiction novel in
a post-apocalyptic
plague-riddled future.
β€’ Victor Hugo wrote in his
poem The Legend of the
Centuries (1859) a 20th
century dystopia/utopia.
Mankind has gone toward
the stars in a starship
seeking liberty.
Time Travel
β€’ 1836 Alexander Veltman published
Predki Kalimerosa: Aleksandr Filippovich
Makedonskii (The forebears of Kalimeros:
Alexander, son of Philip of Macedon),
the first time-travel Russian science
fiction novel.
β€’ Twain’s Connecticut Yankee
(1889)
The narrator rides to ancient Greece on a
hippogriff, meets Aristotle, and goes on a voyage
with Alexander the Great before returning to the
19th century.
Time Travel
β€’ The second-best selling novel in the U.S.
in the 19th century: Edward Bellamy's
Looking Backward (1888) predicts the
future extrapolates a rather socialist
utopian future society
β€’ between 1860 and 1887, 11 similar works
were produced in the United States by
various authors
To the Moon!
β€’ By John Leonard Riddell, a
Professor of Chemistry in
New Orleans, it follows a
student who builds a
rocket with an alloy that
prevents gravitational
attraction, with scientific
footnotes for hard science
fiction.
Orrin Lindsay's plan of aerial navigation,
with a narrative of his explorations in the
higher regions of the atmosphere, and his
wonderful voyage round the moon! (1847)
β€’ William Henry Rhodes’ The
Case of Summerfield (1871)
introduced a weapon of
mass destruction as a mad
scientist called Black Bart
blackmails the world with a
plan to turn all water to fire.
β€’ Edward Page Mitchell (1874)
wrote about invisibility, faster
than light travels,
teleportation, time travel,
cryogenics, mind transfer,
mutants, cyborgs and
mechanical brains.
Lost Worlds
β€’ Edward Bulwer-Lytton's The
Coming Race (1871) has a
highly evolved
subterranean psi-sensitive
civilization with Darwinian
evolution and technology.
β€’ The Lost World (1912) by Sir
Arthur Conan Doyle find
dinosaurs in South America
Alt-history
β€’ Nathaniel Hawthorne's "P.'s
Correspondence” (1845) stars
"a madman" perceiving a
different 1845, in which long-
dead famous poets are alive.
β€’ Castello Holford's Aristopia
(1895) is a utopia funded by the
gold found in Virginia.
The earliest is Livy's Ab Urbe Condita Libri:
Rome vs Alexander the Great
Louis Geoffroy's Napoleon et la ConquΓͺte
du Monde (1836), an alternate history of a
world conquered by Napoleon.
Sentient Robots
β€’ Erewhon by Samuel Butler
(1872) dealt with machines
becoming sentient and
supplanting the human
race.
β€’ R.U.R. (1920) a play by
Czech writer Karel Čapek.
stands for Rossumovi
UniverzΓ‘lnΓ­ Roboti
(Rossum’s Universal
Robots).
Aliens
β€’ C.I. Defontenay's Star ou
Psi de CassiopΓ©e (1854),
chronicle of an alien world
and civilization.
β€’ Astronomer Camille
Flammarion's La PluralitΓ©
des Mondes HabitΓ©s (1862)
speculating on
extraterrestrial life.
Jules Verne
β€’ Five Weeks in a Balloon
(1862)
β€’ Journey to the Center of
the Earth (1864)
β€’ Twenty Thousand Leagues
Under the Sea (1870)
β€’ Around the World in Eighty
Days (1873)
HG Wells
β€’ The Time Machine (1895) is
more social than
technological, for a new
kind of scifi
β€’ The Invisible Man (1897)
β€’ The War of the Worlds
(1898)
More Popular
Fiction
What Was Hot?
β€’ Dickens
β€’ Bronte Sisters
β€’ Jane Austen
β€’ Thomas Hardy
β€’ Arthur Conan Doyle
β€’ Robert Browning (1812–89)
and Alfred Tennyson (1809–
92) were Victorian
England's most famous
poets,
Plays 1850-1900
β€’ Gillbert and Sullivan
β€’ George Bernard Shaw
β€’ Oscar Wilde

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Victorian Popular Literature

  • 3. Spring-Heeled Jack β€’ 1830s urban legend in the streets of London. β€’ A strange figure, said to possess superhuman agility. β€’ an amorphous figure, the devil in human form; an inner-city β€’ By the mid-19th century he was being featured in novels and plays
  • 4. The Scarlet Pimpernel β€’ by Baroness Orczy, published in 1905. β€’ written after her 1903 stage play of the same title enjoyed a long run in London β€’ The original masked hero, from Revolutionary France
  • 5. Doctor Syn: A Tale of the Romney Marsh β€’ 1915: Russell Thorndike’s the Scarecrow. β€’ Gentle parson Dr. Syn - formerly feared pirate Captain Clegg, and currently the apparently meek and mild village parson - assumes a third masked identity to protect his parishioners from the King's Revenue Men.
  • 6. Zorro β€’ Spanish for "fox β€’ created in 1919 by American pulp writer Johnston McCulley β€’ appeared in the Pueblo of Los Angeles during the era of Spanish California (1769–1821). β€’ Based in history?
  • 7. '30s pulp fiction "mystery men" such as the Lone Ranger, the Shadow and the Phantom
  • 9. Gothic Begins β€’ Horace Walpole’s 1764 The Castle of Otranto, β€’ Ann Radcliffe developed the feminist gothic. She introduced the brooding villain (A Sicilian Romance) in 1790. All, especially The Mysteries of Udolpho (1794), were best-sellers.
  • 10. β€’ "penny dreadful" serial fictions β€’ G.W.M. Reynolds wrote a trilogy of Gothic horror novels: Faust (1846), Wagner the Wehr-wolf (1847) and The Necromancer (1857).
  • 11. Ghosts β€’ A Christmas Carol (1843) β€’ Emily BrontΓ«'s Wuthering Heights (1847) β€’ Poe (1850)
  • 12. Vampires β€’ Polidori's The Vampyre (1819) revived Lamb's Byronic "Lord Ruthven", but this time as a vampire β€’ anonymously authored Varney the Vampire (1847) β€’ 1897, Dracula by Bram Stoker
  • 13. Children’s Fantasy β€’ 1865 Alice in Wonderland β€’ Robert Louis Stevenson β€’ L. Frank Baum’s Oz books (1900–1920) with technological inventions and devices including perhaps the first literary appearance of handheld wireless communicators
  • 14. Frankenstein β€’ Mary Shelley's Frankenstein (1818) features the first archetypal "mad scientist" β€’ gothic horror β€’ science fiction themes such as technology and the alien as antagonist
  • 16. Cryonics β€’ Jane C. Loudon's The Mummy!: Or a Tale of the Twenty-Second Century (1827), he’s revived into a world in political crisis, where technology has advanced to gas-flame jewelry and houses that migrate on rails, etc. Mary Shelley's short story "Roger Dodsworth: The Reanimated Englishman" (1826) sees a man frozen in ice revived in present day
  • 17. Post-apocalyptic β€’ Shelley’s The Last Man (1826) is often called the first science fiction novel in a post-apocalyptic plague-riddled future. β€’ Victor Hugo wrote in his poem The Legend of the Centuries (1859) a 20th century dystopia/utopia. Mankind has gone toward the stars in a starship seeking liberty.
  • 18. Time Travel β€’ 1836 Alexander Veltman published Predki Kalimerosa: Aleksandr Filippovich Makedonskii (The forebears of Kalimeros: Alexander, son of Philip of Macedon), the first time-travel Russian science fiction novel. β€’ Twain’s Connecticut Yankee (1889) The narrator rides to ancient Greece on a hippogriff, meets Aristotle, and goes on a voyage with Alexander the Great before returning to the 19th century.
  • 19. Time Travel β€’ The second-best selling novel in the U.S. in the 19th century: Edward Bellamy's Looking Backward (1888) predicts the future extrapolates a rather socialist utopian future society β€’ between 1860 and 1887, 11 similar works were produced in the United States by various authors
  • 20. To the Moon! β€’ By John Leonard Riddell, a Professor of Chemistry in New Orleans, it follows a student who builds a rocket with an alloy that prevents gravitational attraction, with scientific footnotes for hard science fiction. Orrin Lindsay's plan of aerial navigation, with a narrative of his explorations in the higher regions of the atmosphere, and his wonderful voyage round the moon! (1847)
  • 21. β€’ William Henry Rhodes’ The Case of Summerfield (1871) introduced a weapon of mass destruction as a mad scientist called Black Bart blackmails the world with a plan to turn all water to fire. β€’ Edward Page Mitchell (1874) wrote about invisibility, faster than light travels, teleportation, time travel, cryogenics, mind transfer, mutants, cyborgs and mechanical brains.
  • 22. Lost Worlds β€’ Edward Bulwer-Lytton's The Coming Race (1871) has a highly evolved subterranean psi-sensitive civilization with Darwinian evolution and technology. β€’ The Lost World (1912) by Sir Arthur Conan Doyle find dinosaurs in South America
  • 23. Alt-history β€’ Nathaniel Hawthorne's "P.'s Correspondence” (1845) stars "a madman" perceiving a different 1845, in which long- dead famous poets are alive. β€’ Castello Holford's Aristopia (1895) is a utopia funded by the gold found in Virginia. The earliest is Livy's Ab Urbe Condita Libri: Rome vs Alexander the Great Louis Geoffroy's Napoleon et la ConquΓͺte du Monde (1836), an alternate history of a world conquered by Napoleon.
  • 24. Sentient Robots β€’ Erewhon by Samuel Butler (1872) dealt with machines becoming sentient and supplanting the human race. β€’ R.U.R. (1920) a play by Czech writer Karel Čapek. stands for Rossumovi UniverzΓ‘lnΓ­ Roboti (Rossum’s Universal Robots).
  • 25. Aliens β€’ C.I. Defontenay's Star ou Psi de CassiopΓ©e (1854), chronicle of an alien world and civilization. β€’ Astronomer Camille Flammarion's La PluralitΓ© des Mondes HabitΓ©s (1862) speculating on extraterrestrial life.
  • 26. Jules Verne β€’ Five Weeks in a Balloon (1862) β€’ Journey to the Center of the Earth (1864) β€’ Twenty Thousand Leagues Under the Sea (1870) β€’ Around the World in Eighty Days (1873)
  • 27. HG Wells β€’ The Time Machine (1895) is more social than technological, for a new kind of scifi β€’ The Invisible Man (1897) β€’ The War of the Worlds (1898)
  • 29. What Was Hot? β€’ Dickens β€’ Bronte Sisters β€’ Jane Austen β€’ Thomas Hardy β€’ Arthur Conan Doyle β€’ Robert Browning (1812–89) and Alfred Tennyson (1809– 92) were Victorian England's most famous poets,
  • 30. Plays 1850-1900 β€’ Gillbert and Sullivan β€’ George Bernard Shaw β€’ Oscar Wilde