Bobbie goods coloring book 81 pag_240127_163802.pdf
Binder2
1. assignment:
font/s:
type organization:
assignment: centered type that is digital
font/s: euclid regular
type organization: centered and clip-masked
centered
international
friends
family
art
confident
school
diverse
cultures
designer
travel
respect
proud
selfish
changing
2. assignment: flush left with all lowercase letters that are too large
font/s: baskerville regular
type organization: full and horizontal
we
should
all
thınk
outsıde
the box
9. Persever
anceisthehardworkyou
doafteryougett
iredofdoingthehardwor
kyou
Ideas
donotalwayscomeinafl
ashbutbydilige
nttrial-and-errorexperim
ent take
I can
saythewillingnesstoget
dirtyhasalwaysd
efinedusasannation,and
hallmark
I thinkt
hatmybiggestattributeto
anysuccessthat
Ihavehadishardworkrea
lly is no
Ifamaniscalledto
be a street sweeper,
heshouldsweepstreetsevena
sM
ichelangelopai
nted,or
Let me t
ellyouthesecretthathasl
edmetomygoal
s:mystrengthliessolelyte
nacity.
Plans ar
eonlygoodintentions
unlesstheyimmediatelydegenerateint
o hard
know
y
ou'vehearditathousan
dtimesbefore
.Butit'strue--hardwor
k pays
There is
nosubstituteforhardw
ork,23or24ho
ursaday.Andthereisn
o
Ideas do
notalwayscomeinafla
shbutbydilige
nttrial-and-errorexperim
ent
roa
d
toto
navigate,butw
ithhardwork,driveand
ottothetopw
ithouthardwork.That
Perseveranceisthehard
workyoudoafteryo
ugettiredofdoingth
e hard work you
Ideasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
e
Icansaythewillin
gnesstogetdirtyhas
alwaysdefinedusasan
nation, and hallmar
k
Ithinkthatmybiggest
attributetoanysucc
essthatIhavehadish
ard work really is no
Ifam
an is called to be a street
sweeper,heshouldsweep
streetsevenasMichela
ngelopainted,or
Letmetellyouthesecr
etthathasledmetomygoals:mystrength
lies solely tenacity.
Plansareonlygood
intentionsunlessth
eyimmediatelydeg
enerate into hard
knowyou'veheardita
thousandtimesbefor
e.Butit'strue--hardw
ork pays off. If want
Th
ereisnosubstitutef
orhardwork,23or24
hoursaday.Andther
e is no substitute for
I
deasdotalwaysco
m
einaflashbutbydi
ligenttrial-and-errore
xperiment take time
n
oteasytonavigate,b
utwithhardwork,driv
e and p
ohasgottothetop
withouthardwork.Th
Ideasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
eIdeasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
eIdeasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
eIdeasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
eIdeasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
eIdeasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
e
Ifam
an is called to be a street
sweeper,heshouldsweep
streetsevenasMichela
ngelopainted,or
Ifam
an is called to be a street
sweeper,heshouldsweep
streetsevenasMichela
ngelopainted,or
Ideasdonotalways
comeinaflashbutb
ydiligenttrial-and-err
or experiment take ti
m
e
Perseve
ranceisthehardworkyou
doafteryouget
tiredofdoingthehardwo
rk you
Id
eas do not alway
s
comeinaflash
bu
t
bydiligenttrial
-and-error
I can
say
thew
il
lin
gnesstogetdirty
h
a
s
always
d
efi
ned us as
I think
t
h
atmybiggest
attributetoanysucc
essthatIhave
h
ad
is hard
Ifamaniscalled
to be a street sweep
er,heshouldsweepstreetseven
asMichelangelop
ainted,or
Let me
tellyouthesecretthathas
ledmetomygo
als:mystrengthliessolely
tenacity.
Plans
areonlygoodintention
sunlesstheyim
mediatelydegeneratein
to hard
know you've hear
d
itathousandtimes
before.Butit'strue-
-hardworkpaysoff.I
f
There i
snosubstituteforhard
w
ork,23or24hou
rsaday.Andthereisno
Ideas d
onotalwayscomeinaflash
butbydiligentt
rial-and-errorexperimenttak
e time
e ro
adtnavigate,butwithha
rdwork,driveandpassion,it's
pos
nowanyonewhohasgottothe
topwithoutha
rdwork.Thatistherecipe.Itw
I can
saythewilling
nesstogetdirtyhas
alwaysdefined
us as an
Perseverance is th
e
hardworkyoudo
afteryougettired
o
fdoingthehard
Perseve
ranceisthehardworky
oudoafteryouge
ttiredofdoingthehard
work you I can
say
thewill
in
gnesstogetdirty
h
a
s
alwaysd
e
fi
ned us as an
If
a man is called to be a str
eetsweeper,heshoulds
weepstreetsevenasMiche
langelopainted,or
Ideasdonotalw
ayscomeinaflash
but by diligent tria
l-and-error
rdworkwithouthardwortistherecipe.
assignment: tunnel
font/s: adobe caslon pro regular
type organization: dilatational system
22. assignment: yellow condensed and extended type on a purple field
font/s: tekton pro bold extended and bold condensed
type organization: centered and clustered
23. + 3 . 7 5
+ 2 . 2 5
+ 1 . 2 5
+ 1 . 0 0
+ 0
assignment: flush right with all capital letters that are too small
font/s: silom regular and myriad pro regular
type organization: centered
25. assignment: assignment 3: 50 + 1
font/s: nueva std bold condensed italic
type organization: twisted in 3D
26. assignment: display and text in diagonal format
font/s: minion pro bold and regular
type organization: rotated
Off the Beat and Into
a Museum: To teach people how to notice
details they might otherwise
miss, Amy E. Herman, an ex-
pertinvisualperception,likes
to take them
to museums and
get them
to
look
at the art.
Recently she escorted a group
of New
York City police offi-
cers to the Metropolitan Mu-
seum
of Art and asked them
todescribesomeofthethings
they saw. Th
ey did their best.
“Th
is seems to be a painting
of
some
males
with
hors-
es,” one officer said
of Rosa
Bonheur’s
mid-19th-centu-
ry work
“Th
e Horse Fair,” a
scene of semi-chaos as hors-
es are driven to market. Th
ey
did
their
best. “Th
is
seems
to
be
a
painting
of
some
males with
horses,”
one
of-
ficer said
of Rosa Bonheur’s
mid-19th-century
work
“Th
e
Horse
Fair,”
a
scene
of semi-chaos as horses are
driven to market. He tried to
abide
by
M
s. Herman’s
ad-
monishment to
avoid
words
like
“obviously.”
“It appears
to be daytime, and the hors-
es appear to be traveling from
left to right.”
ArtHelpsPoliceOfficers
Learn to
Look
AnotherpairofofficerstackledPicasso’s1905“AttheLapinAgile,”whichdepictsawilt-
ed-lookingcouplesittingataFrenchbarafterwhatmighthavebeenalongnightout.
“Th
eyappeartohavehadanaltercation,”oneobserved.Th
eothersaid,“Th
emaleand
femalelooklikethey’retogether,butthemalelookslikehe’llbesleepingonthecouch.”
Th
e
officers
asked
that
their
names
not
be
used
because
they
were
not
authorized
to
speak
to
reporters.
Th
ey
said
that
they
did
not
know
much
about
art
—
their
jobs
allow
little
opportunity
for
recreation-
al
museumgoing
—
and
M
s.
Herman
said
she
preferred
it
that
way.
27. assignment: display and text in diagonal format
font/s: myriad pro regular and mongolian baiti regular
type organization: rotated
Off the Beat and Into a Museum: Art Helps
Police Officers Learn to Look
To teach people how to
notice details they might
otherwise miss, Amy E.
Herman, an expert in visu-
al perception, likes to take
them to museums and get
them to look at the art. Re-
centlysheescortedagroup
of New York City police of-
ficers to the Metropolitan
Museum of Art and asked
them
to describe some
of the things they saw.
They did their best. “This
seems to be a painting of
some males with horses,”
one officer said of Rosa
Bonheur’s
mid-19th-cen-
tury work “The Horse Fair,”
a scene of semi-chaos as
horses are driven to mar-
ket. He tried to abide by
Ms. Herman’s admonish-
ment to avoid words like
“obviously.”
“It
appears
to be daytime, and the
horses appear to be trav-
eling from
left to right.”
Another pair of officers
tackled Picasso’s 1905 “At
the
Lapin
Agile,” which
depicts a wilted-looking
couple sitting at a French
bar after what might have
been a long night out.
“They appear to have had
an
altercation,” one ob-
served. The
other said,
“The male and female look
like they’re together, but
my E. Her-
man,
an
expert
in
visual per-
ception,
likes
to
take them
to
muse-
ums
and
get them
to look at
the art. Re-
cently she
escorted
a group of
New
York
City police
officers to
the
Met-
ropolitan
M u s e u m
of Art and
a s k e d
them
to
describe
some
of
the things
they
saw.
They
did
their best.
ht
other-
wise miss,
Amy
E.
Herman,
an expert
in
visual
p e r c e p -
tion, likes
to
take
them
to
museums
and
get
them
to
look at the
art.
Re-
cently she
escorted
a group of
New
York
City police
officers to
the
Met-
ropolitan
M u s e u m
of Art and
a s k e d
them
to
describe
some
of
the things
they
saw.
They
did
their best.
“ T h i s
s e e m s
to
be
a
my E. Her-
man,
an
expert
in
visual per-
ception,
likes
to
take them
to
muse-
ums
and
get them
to look at
the art. Re-
cently she
escorted
a group of
New
York
City police
officers to
the
Met-
ropolitan
M u s e u m
nd
To
teach
p e o p l e
how
to
notice de-
tails
they
m
i g h t
otherwise
miss, Amy
E.
Her-
man,
an
expert
in
visual per-
ception,
likes
to
take them
to
muse-
ums
and
get them
to look at
the art. Re-
cently she
escorted
p of
eum
of Art and
asked
them
to
describe
some
of
the
things they saw.
They
did
their
best. “This seems
to be a painting
of some
males
with horses,” one
officer
said
of
Rosa
Bonheur’s
mid-19th-cen-
tury
work
“The
Horse
Fair,” a scene of
semi-chaos
as
horses are driv-
en to market. He
tried
to
abide
by Ms. Herman’s
admonishment
to avoid words
like
“obviously.”
“It appears to be
daytime, and the
horses
appear
to
be traveling
from left to right.”
Another pair of
officers
tackled
Picasso’s 1905“At
the Lapin Agile,”
, an expert in
visual percep-
tion, likes
to
take
them
to
museums and
get
them
to
look at the art.
Recently she es-
corted a group
of
New
York
City police offi-
cers to the Met-
ropolitan
Mu-
seum of Art and
asked them
to
describe some
of the
things
they
saw
They did th
best.
“
seems
to
a
painti
some
with
one
said
B
m
28. assignment: display and text in random format
font/s: bodoni 72 smallcaps book, minion pro regular, birch std regular, and more
type organization: random
To
teach
people how
to no-
tice details they might oth-
erwise miss, Amy E. Herman, an
expert in visual perception, likes
to take them
to museums and
get them
to look at the art.
Recently she escorted
a group of New
York City
po-
OfftheBeatand
Into a Museum:
Art
Helps
-
cers
LearntoLook
andget
them
to
look
at the art. Recently
she escorted
a
group
of New
York
City police
them
to
describe som
e
of the things they saw.
They did
their best.
“This seem
s to
be a
painting of som
e
m
ales with
hors-
said
of Rosa
Bonheur’s
An-
oth-
erpairof
Picasso’s1905“AttheLap-
inAgile,”whichdepictsawilt-
ed-lookingcouplesittingataFrench
barafterwhatmighthavebeenalongnight
out.“Theyappeartohavehadanalter-
cation,”oneobserved.Theother
said,“Themaleandfemalelook
likethey’retogether,butthe
malelookslikehe’llbe
sleepingonthecouch.”
