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U1 l1 nature of lines (1)

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Element of design
Element of design
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U1 l1 nature of lines (1)

  1. 1. Line is a mark on a surface that describes a shape or outline. It can create texture and can be thick and thin. Types of line can include actual, implied, vertical, horizontal, diagonal, and contour.
  2. 2. A line is a mark made by a moving point and having psychological impact according to its direction, weight, and the variations in its direction and weight.
  3. 3. It is an enormously useful and versatile graphic device that is made to function in both visual and verbal ways. It can act as a symbolic language, or it can communicate emotion through its character and direction.
  4. 4. The use of line in combination results in the development of form and value, which are other elements of design. Vertical lines communicate a feeling of spirituality. Erect lines seem to extend upwards, towards the sky. They often dominate public architecture, from cathedrals to corporate headquarters. Extended perpendicular lines suggest an overpowering grandeur, beyond ordinary human measure.
  5. 5. Vertical lines communicate a feeling of spirituality. Erect lines seem to extend upwards, towards the sky. They often dominate public architecture, from cathedrals to corporate headquarters. Extended perpendicular lines suggest an overpowering grandeur, beyond ordinary human measure. Horizontal lines suggest a feeling of rest or repose. Objects parallel to the earth are at rest in relation to gravity. Therefore compositions in which horizontal lines dominate tend to be quiet and restful in feeling.
  6. 6. Diagonal lines suggest a feeling of movement or direction. Since objects in a diagonal position are unstable in relation to gravity, they are either about to fall, or are already in motion. Curved lines vary in meaning. Soft, shallow curves suggest comfort, safety, and relaxation. Zigzag lines or jagged lines are made by joining diagonal lines in different directions. A jagged line expresses disorder.

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