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Varied approaches to drawing - what is drawing for?
1. Here are some examples to show
how drawing can be used to observe
particular qualities, explore, plan,
surprise…
Drawing can be used in many ways.
The purpose of the drawing is likely
to influence the appearance of the
outcome.
Drawing
2. DRAWING 2
Leonardo da
Vinci,
Study of Arms and
Hands. c. 1474.
Pen and Ink with
white chalk on
brown paper
To study a specific thing
and capture a likeness
10. DRAWING 10
Marie Lieb,
Cell floor
decorated
with torn
strips of
cloth,1894
The Prinzhorn Collection is a group of works gathered in the 1920s by the psychiatrist and art
historian Hans Prinzhorn. The collection includes drawings made by psychiatric patients who
suffered social exclusion, psychic illness, and isolation.
Emma
Hauck,
Sweetheart
Come
(Letter to
husband),
1909
Jakob
Mohr,
Proofs,
c.1910
Writing can be
drawingTo express thoughts or emotions
17. DRAWING 17
Jeremy Wood
ROUTE MAPS
2006/14/10:
RED, 5.5 km,
Duration
03:09:02
London GPS
Map, Jeremy
Wood 2006
All my travels
recorded
with GPS
Jeremy
Wood, Six
Spirals
Field Walks,
perspective
view, 2006
To record a
journey
18. DRAWING 18
Cai Guo-Qiang uses gunpowder
in his drawings His work is often
politically charged, and he used
gunpowder as a way to express
the supression he felt in
China’s social environment.
Drawing For
Transient
Rainbow, Cai
Guo-Qiang,
2003
To explore different
materials
Andy
Goldsworthy,
Snow drift,
carved into,
waiting for the
wind, Grise fiord,
Ellesmere Island,
12 April 1989
21. DRAWING 21
What kind of drawings could you make
to develop your ideas or enquiry?
Editor's Notes
“DRAWING RESTRAINT (1987-present) is a significant and long-term project for Barney, in which he proposes art-making as parallel to athletic training: the development of form occurs through resistance. Begun while still a student at Yale, Barney was influenced by his background as an athlete and sought to foreground the physical body and its tensions in a studio practice. DRAWING RESTRAINT comprises drawings, sculpture, photographs and video works emerging from his self-imposed and increasingly complex obstacles and scenarios. Considered together, DRAWING RESTRAINT forms an ongoing proposition for the harnessing of one's impulses and drives into a desired output, artistic or otherwise. They demonstrate the underpinnings of Barney's work, in which the body plays a central role, and ritualistic processes of creation are explored through manifold materials, settings, and personas.” http://www.ago.net/matthew-barney-drawing-restraint
“In the 1950s, Tinguely produced a series of sculptures/ machines that produced their own art. He named this series Métamatics. The sculptures centred on a mechanical arm, with which the machine could draw pictures consisting of lines and dots. The viewer had the power to choose which drawing implement the machine used, giving the works a reflexive nature wherein the viewer was no longer passive but became a part of the performance. The Metamatics drew on ideas expressed in Tinguely’s earlier work, questioning the role of the machine in society and the interaction with technology.” https://theculturetrip.com/europe/switzerland/articles/the-art-of-destruction-jean-tinguely-and-dadaism/
A ‘drawing’ made out of actual pencils & then creating shadows too.