ARTV-108 (Introduction to Photography) Friday; 3:00PM-6:00PM

15. SAMSUNG ACE LUMIX LX5 CANON 550 D
S 5830

16. WHEN do you use your CAMERA?
WHAT camera you have today?
And INTRODUCE yourself.

20. www.robfontanilla.com

21. DSLR POINT AND SHOOT

25. FLASH
OFF
CAM
ON
CAM

36. Shutter release cable

42. CANON NIKON

47. M
Manual
AV
Aperture
Priority
TV
Shutter Speed
Priority
P
Program

49. Exposure Mode How it works
Auto □ Camera automatically selects all exposure settings.
Camera automatically selects aperture & shutter speed; you can choose
Program (P) corresponding ISO & exposure compensation. With some cameras, P can also acts
as hybrid of the AV & TV modes.
Aperture Priority You specify the aperture & ISO, the camera’s metering determines the
(AV) corresponding camera shutter speed
You specify the shutter speed & ISO, the camera’s metering determines the
Shutter Speed
corresponding camera aperture
Priority (TV)
You specify the aperture, shutter speed & ISO, regardless of whether these values
Manual (M) will lead to correct exposure
Useful for exposure longer than 30 seconds, you specify the aperture & ISO and
Bulb (B) shutter speed will be manually determined through a release switch or re-pressing
of shutter release button

50. Basic Zones / AUTO Modes
Portrait Mode - A side (profile) view of a HEAD. - This mode
brings subjects in the foreground into sharp focus, and may
enlist the use of a larger aperture to blur the background.
Landscape Mode - Icon: MOUNTAINS. - This mode is for
taking shots of distant objects, or wide-angle shots, and will
bring background objects more clearly into focus by setting a
smaller aperture.
Night Scene Mode - Icon containing a STAR- This mode uses
flash and a slower shutter speed to illuminate the subject and
allow more light to enter the camera
Macro Mode - Icon: FLOWER- Used for extreme close-up
shots where the camera may have trouble focusing in other
modes.
Sports / Action Mode - Icon: RUNNING PERSON- Use this
mode for shots in which there is a good amount of motion which
you want to capture without blurring.
Movie Mode: Many cameras let you record MPEG or
QuickTime videos to the same memory card storing your photos

55. Absence of additional
dial, we need to press a
button to change the
aperture

59. * Focusing points can be manually change to various positions

63.  Information
 Shutter Speed
 Aperture
 ISO Setting
 White Balance
 Meter Indicator
 Drive Option
 Compression
 Focus indicator
 Battery Indicator
 Sound
 Number of Shots

64. Shutter Speed Battery Indicator
Aperture
Image Quality
White Balance
ISO speed
Metering Mode
Exposure Compensation
Shot Counter

68. NOON
Bluish or white in
cast during mid of
the day, its cooler in
terms of color
temperature

69. AM & PM
Red/Orange Color
casting during early
in the morning and
late in the afternoon

70. tungsten tungsten
Studio light
firelight fluorescent daylight

73. METER BUTTON

75. -2 -1 0 +1 +2

78.  Most common with a 1.5 to
1.6 crop factor.
 APS C - Advanced Photo
System type-C (APS-C) is in an
image sensor format
approximately equivalent size to
the Advance Photo System
"classic" size negatives. These
negatives were 25.1 × 16.7 mm
and had an aspect ratio 3:2.
 4:3 format has a crop factor of
2.0 (Olympus)
 Full Frame same as 36 x 24
size

79. SENSOR COVERAGE

80. COMPRESSION
RAW
HIGH JPEG
Fine, Normal & Basic
MEDIUM JPEG
Fine, Normal & Basic
SMALL JPEG
Fine, Normal & Basic

82. Focusing Ring
Zooming Ring

83. Optical Zoom vs. Digital Zoom

85.  Normal Lenses
 Wide Angle
Lenses
 Telephoto Lenses
 Special Lenses
Macro Lenses
Tilt & Shift Lenses
Fish Eye Lenses

86. FIXED LENS ZOOM LENS

87. Optical aberrations occur when points of the image do not translate back
onto single points after passing through the lens, causing image
blurring, reduced contrast or misalignment of colors (chromatic aberration).
Lenses may also suffer from uneven, radially decreasing image brightness
(vignette) or distortion.

88. Chromatic Loss of
Vignette Blurring Distortion
Aberrations Contrast

89. Wide Angle Lenses
Super Wide Angle Lenses
Normal Lenses
Telephoto Lenses
Super Telephoto Lenses

90. WIDE ANGLE
LENS
Super Wide
Wide Angle
Angle
• 6 to 24 mm • 28 to 35 mm

91. NORMAL LENS
Normal Lens
• 50 mm

92. Telephoto Lens
Super
Telephoto
Telephoto
• 300 mm
• 70 to 200 mm
upward

93. 14 mm
TICAO ISLAND, PHILIPPINES

94. 14 mm
MACAU, CHINA

95. 15 mm
Fish eye
BOHOL, PHILIPPINES

96. 16 mm
BANGKOK,THAILAND

97. 18 mm
AMSTERDAM f/ 5.6 1/1000 sec. ISO 100

98. 18 mm
BERN, SWITZERLAND f/ 8.0 1/320 sec. ISO 100

99. 27 mm
ROME, ITALY f/ 5.0 1/320 sec. ISO 200

100. 37 mm
LINZ AUSTRIA f/ 5.6 1/500 ISO 100 sec.

101. 50 mm
PARIS , FRANCE f/ 8.0 1/320 sec. ISO 100

102. 90 mm
PARIS, FRANCE f/ 5.6 1/1000 sec. ISO 100

103. 135 mm
NETHERLANDS f/ 8.0 1/1000 sec. ISO 100

104. 200 mm
BENGUET f/ 8.0

105. 70 -135 MM
PORTRAIT LENS
RANGE

106. MACRO LENS

107. MACRO LENS

108. Lens opening 3.5 – 5.6, as 3.5 maximum opening at its shortest focal length and 5.6 on
its longest.
2.8 only – means maximum opening all length .
Minimum Focusing distance – wide angle lens has a greater minimum focusing
distance than a telephoto.
Macro lenses – has the most, in terms of minimum focusing distance