SlideShare a Scribd company logo
1 of 34
Method Acting
Mammootty a Method Actor, an Analysis………………………
This documentary show cases the concepts of Method
Acting with examples from roles played by South Indian
Movie star Mammootty.
Prepared, Analyzed and Compiled by Araf Karsh Hamid
What‟s Acting
 Vocal
 Vocal Projection
 Dialects & Accents
 Voice Modulation
 Clarity of Speech
 Physical
Body Language
Emotional facility
Physical expressivity
Ability to interpret drama
A well developed imagination
Origin of Method Acting
 Konstantin Stanislavski system is a progression of techniques
used to train actors to draw believable emotions to their
performances.
 In America Method Acting came through iterations of
Konstantin Stanislavski system by Lee Strasberg.
 Lee Strasberg developed and popularized this
(Stanislavski‟s) system in America along with Stella Adler
and others in 1940s and 50s.
 Method acting is a phrase that loosely refers to a family of
techniques used by actors to create in themselves the
thoughts and emotions of their characters, so as to develop
lifelike performances.
Konstantin Stanislavski
 A Russian Actor / Director (1863 – 1938)
 His historic meeting with Vladimir Nemirovich Danchenko resulted in Moscow Art
Theatre.
 His System is a systematic approach to acting. Areas of study include concentration,
voice, physical skills, emotion memory, observation and dramatic analysis.
 System focused on the development of artistic truth onstage by teaching actors to
“Experience the part” during performance.
 Key Concepts: Preparation, Motivation, Truth
 P: Thorough Analysis of Script and the role
 M: Magic (What) If – Analyzing the situation and thinking how to react.
 M: Objective or Through Line – The Past, Present and Future of the Character
 T: Immersed in the scene, Experience what the character feels and not pretending.
 T: Illusion of the first time – You should feel that it‟s the first time you are enacting or
experiencing the scene.
Lee Strasberg
 An American Actor, Director and Acting Teacher
 In 1951 became the director of Actors Studio, New York
City, The most prestigious Acting school
 Father of Method Acting in America
 Two key techniques
 Improvisation
 Affective Memory
 These techniques helps the actor to express the appropriate
emotions demanded of the character.
Lee Strasberg‟s Students
Marlon
Brando
Robert
Di Niro
Al
Pacino
Dustin
Hoffman
Jack
Nicholson
Paul
Newman
Marilyn
Monroe
Jane
Fonda
Some great movies by the
students of Lee Strasberg
Marlon
Brando Al Pacino
Dustin
Hoffman
Jack
Nicholson
Daniel Day-Lewis
Only Actor who won 3 Best Actor (Leading Role) Academy (Oscar) Award
 http://en.wikipedia.org/wiki/Daniel_Day-Lewis
2012 2007 1989
LeonardoDiCaprio
ChristianBale
HeathLedger
JohnnyDepp
JoaquinPhoenix
Great Method Actors - Current Era
Popular Method Actors from India
* If I missed anyone‟s name please add that in the comments.
Mammootty Kamal Hassan Vikram Aamir Khan Surya
Mammootty, A Method Actor
 An Actor from Southern (Kerala) part of India
 3 time National Award Winner for Best Actor
 6 Kerala State Awards and 11 Filmfare & Critics
Awards
 Let us go through the various roles he played and see
the variations in
 Vocal Projection, Dialect, Accent, Voice Modulation
 Body Language
 Physical Expressivity
Are we comparing?
 No, we are not comparing Mammootty with great actors of
Hollywood.
 We are analyzing whether he can stand along with the
great actors of the world or did he went beyond them!
 Watch the next section (movie clippings), look for voice
modulation, dialects, accents, body language, and judge
yourself.
How do you Analyze?
 Section 1
 Focuses on Vocal variations and body language.
 Section 2
 Handling commercial and art films at ease.
 Section 3
 Similar emotional tragedy: 4 characters 4 different reactions.
 Section 4
 1980s – The beginning
 Section 5
 Other Language Movies (Tamil, Telugu, Hindi, Kannada & English)
 Section 6
 Mind blowing performances – National Award Winners.
Movies Selected
2000s – 20
1990s – 10
1980s – 16
Others - 08
Let us start the Journey…
Mammootty, The Method Actor
Section 1
Checkout
 Vocal Projection
 Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
These are all multi dimensional
characters. Along with the Body
Language, the most striking aspects
in these movies are the voice
modulation, projection, accent and
dialects.
Section 1 - Analysis
The real life character Dr. Ambedkar
(Baroda, India) a Columbia University
(US) graduate.
Pazhassi Raja (1774-1805), Prince of a
small Southern City (Kerala, India)
revolted against British.
Now compare the English dialects
between these two characters. The
former is polished while the latter has
learned English just so that he can
communicate with British directly.
Other aspects to watch out for:
• Voice Modulation
• Body Language
• Emotional facility
• Physical expressivity
All these three movie
characters are pure fiction.
• A Gangster
• Mentally Challenged
• Religious Business man
However the most striking
aspects in these three movies
are
• Vocal Projection
• Voice Modulation
• Body Language
• Accent & Dialects
• Emotional facility
• Physical expressivity
Section 1
Analysis
For any aspiring actors the following 5
roles will be worth watching again and
again.
1. A Gypsy (Karuthapakshikal)
2. A Fisherman (Amaram)
3. A Movie Actor (Kathaparayumbol)
4. A Hunter (Mrigaya)
5. An Illiterate Rich Person
(Rajamanickam)
Checkout the subtle performance as a
Movie Actor in the guest role in
Kathaparayumbol. That climax made
the movie awesome.
Watch out for the following
• Voice Modulation
• Accent and dialects
• Body Language
Section1-Analysis
Section2
Checkout
 Vocal Projection, Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
An Actor who could transition from an
Art film to Commercial film at ease.
From subtle to power packed
performances.
Even after having power packed performances
in Palerimanickyam, Loud Speaker and
Pazhassi Raja (released in 2009) still Lost
National Award to Amitabh Bachchan for Paa.
Section 2
Analysis
Three roles are as different as
chalk and cheese
1. A Cruel Feudal Lord
2. A Simple Writer
3. Misunderstood Folk story
Villain
What you see here is the
contrast of different characters
and their body language,
mannerisms, personality etc.
Method Actors makes the
characters memorable. They
make the characters „Alive‟ on
the screen.
Section2-Analysis
Role
1. A Innocent Villager (Loud
Speaker)
2. High Ranking Govt Officer
(The King)
3. Rich Business Man
4. A Mariner (Kutty Srank)
5. School Teacher with a
passion for Acting (Best
Actor)
The ease at which Mammootty
switches between Art and
commercial films.
The role as a mariner (in Kutty
Srank) is much more challenging
as he plays three different
characters with with different
behavior patterns for the same
role.
Section 2 -
Analysis
Characters
1. A Villager (Kaazhcha)
2. Good Feudal Lord (Prajapathi)
3. An Economist (Ore Kadal)
4. A Police Officer (Roudram)
Checkout the Body Language, Mannerisms, and
dialogue delivery (voice modulation).
The collapse of the Economist due to guilt is extra
ordinary. At the same time it will be interesting to
compare the body language of the Assertive Feudal
Lord and the Innocent Villager (Kaazhcha).
This section ends with a 10 minutes dialogue from
Roudram movie a commercial pot boiler. However its
interesting to note change in emotions from sadness
to anger, to threat. A good example for voice
modulation.
Section 3
Checkout
 Vocal Projection
 Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
Movie Role
Padheyam A Writer
Amaram Fisherman
Bhoothakannadi Schizophrenic
Palunku A Villager
Similar tragedy (loosing daughter) but 4
different ways of reaction based on character’s
background and environment.
Section 3 - Analysis
These four movies shows a classic example of the
Stanislavski system.
 Thorough Analysis of the Script and the Role
 Immersed in the scene, Experience what the
character feels and not pretending.
 Illusion of the first time – You should feel that
it‟s the first time you are enacting or
experiencing the scene.
Movie Role
Padheyam A Writer
Amaram Fisherman
Bhoothakannadi Schizophrenic
Palunku A Villager
Similar tragedy (loosing daughter) but 4 different ways of reaction based
on character’s background and environment.
Section 4
1980s – The Beginning
Checkout
 Vocal Projection, Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
Popular Sequels from 80s
1. Sethuramaiyer CBI (5 movies)
2. Inspector Balram (3 movies)
3. Anti Hero - Tharadas (2 movies)
4. Inspector Perumal (2 movies)
Sequels from 1990s
1. Joseph Alex, IAS Collector (2 movies)
Section 4 - Analysis
Mammootty made sure that each of these character is
portrayed in a completely different ways.
 Thorough Analysis of the Script and the Role
 Immersed in the scene, Experience what the
character feels and not pretending.
 Illusion of the first time – You should feel that it‟s
the first time you are enacting or experiencing the
scene.
Movie Sequels Role
Yavanika A Police Officer
Avanazhi 2 A Police Officer – Inspector Balram
August 1 1 A Police Officer – Inspector Perumal
Jagratha 4 A Police Officer – Sethuramaiyer (CBI)
All these movies are crime thrillers and the protagonist is the investigating
police officer. Even though the role is a Police officer, Mammootty made sure
that each character is distinctive in nature. This resulted in the character
becoming memorable and created more movies of the same character.
Section 4 - Analysis
Mammootty made sure that each of these character is
portrayed in a completely different ways.
 Thorough Analysis of the Script and the Role
 Immersed in the scene, Experience what the
character feels and not pretending.
 Illusion of the first time – You should feel that
it‟s the first time you are enacting or
experiencing the scene.
Movie Role
New Delhi Journalist / Media Baron
Utharam Journalist
Koodevide Army Officer
Yathra Common man, wrongly convicted, on his way back home
Section 4 - Analysis
Mammootty made sure that each of these character is
portrayed in a completely different ways.
 Thorough Analysis of the Script and the Role
 Immersed in the scene, Experience what the
character feels and not pretending.
 Illusion of the first time – You should feel that
it‟s the first time you are enacting or
experiencing the scene.
Movie Sequel Role
1921 Freedom Fighter
Athirathra
m
1 Gangster - Tharadas
Sangam Carefree Rich Businessman
Gangster character was such a hit a sequel got released after couple of
decades. Last in this list was a trend setter (for a Heroic care free rich
business man) resulted in lot actors donning similar roles for the next
two decades in Malayalam movies.
Section 5
Checkout
 Vocal Projection
 Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
Performances in other
Languages
Language # Total
Tamil 15
Hindi 05
Telugu 03
Kannada 01
English 01
TOTAL 25
Section 6
Checkout
 Vocal Projection
 Voice Modulation
 Accent & Dialects
 Body Language
 Emotional facility
 Physical expressivity
 Ability to interpret drama
Mind blowing
performances in
National Award Winners
Movie Role
Dr. Ambedkar Dr. Ambedkar
Vidheyan Cruel Feudal Lord
Ponthan Mada Slave
Mathilukal Writer
Oru Vadakkan Warrior
Mohanlal
 Malayalam movie industry is blessed with two great actors in
Mammootty and Mohanlal.
 Mohanlal has won 2 Best Actor National Awards (Bharatham &
Vanaprastham) and a special Jury Award for Kireedom.
 In Mohanlal‟s on words, Comparing him with Mammootty is not right
as they are two different species when it comes to Acting. Both have two
different approaches to acting.
 However, he emphasize the point that the Voice modulation is not part
of his acting, which Mammootty is a master and it shows in the variety
of characters Mammootty has played over a period of 3 decades.
 As final touch let us look at the last set of movie clips to understand
voice modulation, accent and dialects in Malayalam language itself.
Awards
03 National Awards
05 State Awards
11 Filmfare Awards
11 Critics Awards
Twice Lost National Awards
Mammootty
Age: 61
Movies: 375+
Languages: 6
References
• Konstantin Stanislavsky : http://en.wikipedia.org/wiki/Stanislavsky
• System: http://en.wikipedia.org/wiki/Stanislavski%27s_system
• YouTube: http://www.youtube.com/watch?v=khcCvAe8wtg
• YouTube: http://www.youtube.com/watch?v=vpEGXrDSXo8&feature=fvwp
• Lee Strasberg : http://en.wikipedia.org/wiki/Lee_Strasberg
• Method Acting : http://en.wikipedia.org/wiki/Method_acting
• Mammootty Web Site : http://mammootty.com/
• Marlon Brando : Redefined Acting
• Jack Nicholson :
• http://en.wikipedia.org/wiki/Jack_Nicholson
• What I have learned: Jack Nicholson
• Daniel Day Lewis: http://en.wikipedia.org/wiki/Daniel_Day-Lewis
• Academy (Oscar) Awards for Best Actor
• Best Method Actors : http://www.imdb.com/list/Ns20nd1Thqw/
Watch the Video – Mammootty, The Method Actor
Version YouTube URL
1 http://youtu.be/YeOGSQ8rx1c
2 http://youtu.be/lu185UPEuY8
3 http://youtu.be/qYTA0QsiYp0

More Related Content

What's hot

What's hot (20)

James Cameron (director research)
James Cameron (director research)James Cameron (director research)
James Cameron (director research)
 
Film industry-Bollywood
Film industry-BollywoodFilm industry-Bollywood
Film industry-Bollywood
 
Drama
DramaDrama
Drama
 
Waiting for Godot as an absurd theatre with examples of Indian TV serials
Waiting for Godot as an absurd theatre with examples of Indian TV serialsWaiting for Godot as an absurd theatre with examples of Indian TV serials
Waiting for Godot as an absurd theatre with examples of Indian TV serials
 
Film Studies Overview
Film Studies OverviewFilm Studies Overview
Film Studies Overview
 
Alankar
AlankarAlankar
Alankar
 
Introduction to short films powerpoint
Introduction to short films powerpointIntroduction to short films powerpoint
Introduction to short films powerpoint
 
Evolution of indian cinema
Evolution of indian cinemaEvolution of indian cinema
Evolution of indian cinema
 
Hollywood vs Bollywood
Hollywood vs BollywoodHollywood vs Bollywood
Hollywood vs Bollywood
 
Satyajit Ray- Filmmaker
Satyajit Ray- FilmmakerSatyajit Ray- Filmmaker
Satyajit Ray- Filmmaker
 
Waiting for Godot.pdf
Waiting for Godot.pdfWaiting for Godot.pdf
Waiting for Godot.pdf
 
Method acting - BS VII
Method acting - BS VIIMethod acting - BS VII
Method acting - BS VII
 
Comedy
ComedyComedy
Comedy
 
Indian film history
Indian film historyIndian film history
Indian film history
 
Management lesson fromholiday movie
Management lesson fromholiday movieManagement lesson fromholiday movie
Management lesson fromholiday movie
 
Peper 7 Theory of Rasa
Peper 7                        Theory of RasaPeper 7                        Theory of Rasa
Peper 7 Theory of Rasa
 
Presentation on the novel "The White Tiger" by Arvind Adiga
Presentation on the novel "The White Tiger" by Arvind AdigaPresentation on the novel "The White Tiger" by Arvind Adiga
Presentation on the novel "The White Tiger" by Arvind Adiga
 
The Brand Rajni
The Brand RajniThe Brand Rajni
The Brand Rajni
 
Constantine Stanislavski
 Constantine Stanislavski Constantine Stanislavski
Constantine Stanislavski
 
Back Ground to Indian Drama
Back Ground to Indian DramaBack Ground to Indian Drama
Back Ground to Indian Drama
 

Viewers also liked

Constantin Stanilavsk Resource Pack
Constantin Stanilavsk Resource PackConstantin Stanilavsk Resource Pack
Constantin Stanilavsk Resource Pack
grouptwo
 
Stanislavski's influence in the USA
Stanislavski's influence in the USAStanislavski's influence in the USA
Stanislavski's influence in the USA
Spukde
 
Acting styles presentation
Acting styles presentationActing styles presentation
Acting styles presentation
shannonohara96
 
Stanislavski (in more detail)
Stanislavski (in more detail)Stanislavski (in more detail)
Stanislavski (in more detail)
Thomas Monksfield
 
Chapter 4: Experiencing and Analyzing Plays
Chapter 4: Experiencing and Analyzing PlaysChapter 4: Experiencing and Analyzing Plays
Chapter 4: Experiencing and Analyzing Plays
garrets
 
History of the theatre lesson 4 modern theatre
History of the theatre  lesson 4 modern theatreHistory of the theatre  lesson 4 modern theatre
History of the theatre lesson 4 modern theatre
guest4443895
 
Chapter 1: Theatre, Art, and Entertainment
Chapter 1: Theatre, Art, and EntertainmentChapter 1: Theatre, Art, and Entertainment
Chapter 1: Theatre, Art, and Entertainment
garrets
 
Chapter 7: The Art of Acting
Chapter 7: The Art of ActingChapter 7: The Art of Acting
Chapter 7: The Art of Acting
garrets
 

Viewers also liked (20)

Constantin Stanilavsk Resource Pack
Constantin Stanilavsk Resource PackConstantin Stanilavsk Resource Pack
Constantin Stanilavsk Resource Pack
 
Acting and Drama Powerpoint
Acting and Drama PowerpointActing and Drama Powerpoint
Acting and Drama Powerpoint
 
Stanislavski's influence in the USA
Stanislavski's influence in the USAStanislavski's influence in the USA
Stanislavski's influence in the USA
 
Film guide- Cannes International Film Festival
Film guide- Cannes International Film Festival Film guide- Cannes International Film Festival
Film guide- Cannes International Film Festival
 
Functional reactive programming
Functional reactive programmingFunctional reactive programming
Functional reactive programming
 
Acting styles presentation
Acting styles presentationActing styles presentation
Acting styles presentation
 
Hist of theatre
Hist of theatreHist of theatre
Hist of theatre
 
Stanislavski (in more detail)
Stanislavski (in more detail)Stanislavski (in more detail)
Stanislavski (in more detail)
 
Acting
ActingActing
Acting
 
Introduction to Drama
Introduction to DramaIntroduction to Drama
Introduction to Drama
 
Drama introduction: Greek Theatre to Modern Theatre Era. Book: Oxford Publisher.
Drama introduction: Greek Theatre to Modern Theatre Era. Book: Oxford Publisher.Drama introduction: Greek Theatre to Modern Theatre Era. Book: Oxford Publisher.
Drama introduction: Greek Theatre to Modern Theatre Era. Book: Oxford Publisher.
 
Acting tips 101
Acting tips 101Acting tips 101
Acting tips 101
 
Drama and Acting lecture
Drama and Acting lecture Drama and Acting lecture
Drama and Acting lecture
 
Chapter 4: Experiencing and Analyzing Plays
Chapter 4: Experiencing and Analyzing PlaysChapter 4: Experiencing and Analyzing Plays
Chapter 4: Experiencing and Analyzing Plays
 
Enterprise Software Architecture styles
Enterprise Software Architecture stylesEnterprise Software Architecture styles
Enterprise Software Architecture styles
 
08film Studies
08film Studies08film Studies
08film Studies
 
History of the theatre lesson 4 modern theatre
History of the theatre  lesson 4 modern theatreHistory of the theatre  lesson 4 modern theatre
History of the theatre lesson 4 modern theatre
 
Chapter 1: Theatre, Art, and Entertainment
Chapter 1: Theatre, Art, and EntertainmentChapter 1: Theatre, Art, and Entertainment
Chapter 1: Theatre, Art, and Entertainment
 
Chapter 7: The Art of Acting
Chapter 7: The Art of ActingChapter 7: The Art of Acting
Chapter 7: The Art of Acting
 
Function Point Analysis
Function Point AnalysisFunction Point Analysis
Function Point Analysis
 

Similar to Mammootty, The Method Actor

Yr10 set1 RandJ 18/3/08
Yr10 set1 RandJ 18/3/08Yr10 set1 RandJ 18/3/08
Yr10 set1 RandJ 18/3/08
qbEnglish
 
American beauty draft
American beauty draftAmerican beauty draft
American beauty draft
bishpoju07
 
Yr10 set1 RandJ 14/4/08
Yr10 set1 RandJ 14/4/08Yr10 set1 RandJ 14/4/08
Yr10 set1 RandJ 14/4/08
qbEnglish
 
Yr10 set1 RandJ 19/3/08 to 11/4/08
Yr10 set1 RandJ 19/3/08 to 11/4/08Yr10 set1 RandJ 19/3/08 to 11/4/08
Yr10 set1 RandJ 19/3/08 to 11/4/08
qbEnglish
 
am. b director
am. b directoram. b director
am. b director
ncowie
 

Similar to Mammootty, The Method Actor (20)

Cinema quiz - Aakash Vasa
Cinema quiz - Aakash VasaCinema quiz - Aakash Vasa
Cinema quiz - Aakash Vasa
 
DRAM 1310 Chapter 7: Acting
DRAM 1310 Chapter 7: Acting DRAM 1310 Chapter 7: Acting
DRAM 1310 Chapter 7: Acting
 
Yr10 set1 RandJ 18/3/08
Yr10 set1 RandJ 18/3/08Yr10 set1 RandJ 18/3/08
Yr10 set1 RandJ 18/3/08
 
FTII-Acting-Entance-EXAM-notes.JET-2019.pptx
FTII-Acting-Entance-EXAM-notes.JET-2019.pptxFTII-Acting-Entance-EXAM-notes.JET-2019.pptx
FTII-Acting-Entance-EXAM-notes.JET-2019.pptx
 
American beauty draft
American beauty draftAmerican beauty draft
American beauty draft
 
Pictionary 1
Pictionary 1Pictionary 1
Pictionary 1
 
Martin scorcese
Martin scorceseMartin scorcese
Martin scorcese
 
Acting for television
Acting for televisionActing for television
Acting for television
 
Yr10 set1 RandJ 14/4/08
Yr10 set1 RandJ 14/4/08Yr10 set1 RandJ 14/4/08
Yr10 set1 RandJ 14/4/08
 
Film vocabulary
Film vocabularyFilm vocabulary
Film vocabulary
 
Yr10 set1 RandJ 19/3/08 to 11/4/08
Yr10 set1 RandJ 19/3/08 to 11/4/08Yr10 set1 RandJ 19/3/08 to 11/4/08
Yr10 set1 RandJ 19/3/08 to 11/4/08
 
Drama
DramaDrama
Drama
 
^^ Business network newer movie “ pk “ ; “ different quality reveiws...
^^  Business network    newer  movie “  pk  “ ;  “  different quality reveiws...^^  Business network    newer  movie “  pk  “ ;  “  different quality reveiws...
^^ Business network newer movie “ pk “ ; “ different quality reveiws...
 
Script writing theory
Script writing theoryScript writing theory
Script writing theory
 
Chithram finals
Chithram finalsChithram finals
Chithram finals
 
am. b director
am. b directoram. b director
am. b director
 
Acting chapter 14i
Acting chapter 14iActing chapter 14i
Acting chapter 14i
 
Chapter 7 the actor
Chapter 7 the actorChapter 7 the actor
Chapter 7 the actor
 
Cineriosity ii
Cineriosity   iiCineriosity   ii
Cineriosity ii
 
Types of movies
Types of moviesTypes of movies
Types of movies
 

More from Araf Karsh Hamid

More from Araf Karsh Hamid (20)

Elastic-Engineering
Elastic-EngineeringElastic-Engineering
Elastic-Engineering
 
Zero-Trust SASE DevSecOps
Zero-Trust SASE DevSecOpsZero-Trust SASE DevSecOps
Zero-Trust SASE DevSecOps
 
Service Mesh - Observability
Service Mesh - ObservabilityService Mesh - Observability
Service Mesh - Observability
 
Microservices, DevOps & SRE
Microservices, DevOps & SREMicroservices, DevOps & SRE
Microservices, DevOps & SRE
 
CI-CD Jenkins, GitHub Actions, Tekton
CI-CD Jenkins, GitHub Actions, Tekton CI-CD Jenkins, GitHub Actions, Tekton
CI-CD Jenkins, GitHub Actions, Tekton
 
Cloud Architecture - Multi Cloud, Edge, On-Premise
Cloud Architecture - Multi Cloud, Edge, On-PremiseCloud Architecture - Multi Cloud, Edge, On-Premise
Cloud Architecture - Multi Cloud, Edge, On-Premise
 
Containers Docker Kind Kubernetes Istio
Containers Docker Kind Kubernetes IstioContainers Docker Kind Kubernetes Istio
Containers Docker Kind Kubernetes Istio
 
Microservices Testing Strategies JUnit Cucumber Mockito Pact
Microservices Testing Strategies JUnit Cucumber Mockito PactMicroservices Testing Strategies JUnit Cucumber Mockito Pact
Microservices Testing Strategies JUnit Cucumber Mockito Pact
 
Microservices Architecture, Monolith Migration Patterns
Microservices Architecture, Monolith Migration PatternsMicroservices Architecture, Monolith Migration Patterns
Microservices Architecture, Monolith Migration Patterns
 
Big Data Redis Mongodb Dynamodb Sharding
Big Data Redis Mongodb Dynamodb ShardingBig Data Redis Mongodb Dynamodb Sharding
Big Data Redis Mongodb Dynamodb Sharding
 
Apache Flink, AWS Kinesis, Analytics
Apache Flink, AWS Kinesis, Analytics Apache Flink, AWS Kinesis, Analytics
Apache Flink, AWS Kinesis, Analytics
 
Event Sourcing & CQRS, Kafka, Rabbit MQ
Event Sourcing & CQRS, Kafka, Rabbit MQEvent Sourcing & CQRS, Kafka, Rabbit MQ
Event Sourcing & CQRS, Kafka, Rabbit MQ
 
Agile, User Stories, Domain Driven Design
Agile, User Stories, Domain Driven DesignAgile, User Stories, Domain Driven Design
Agile, User Stories, Domain Driven Design
 
Microservices Architecture - Cloud Native Apps
Microservices Architecture - Cloud Native AppsMicroservices Architecture - Cloud Native Apps
Microservices Architecture - Cloud Native Apps
 
Domain Driven Design
Domain Driven Design Domain Driven Design
Domain Driven Design
 
Docker Kubernetes Istio
Docker Kubernetes IstioDocker Kubernetes Istio
Docker Kubernetes Istio
 
Microservices Docker Kubernetes Istio Kanban DevOps SRE
Microservices Docker Kubernetes Istio Kanban DevOps SREMicroservices Docker Kubernetes Istio Kanban DevOps SRE
Microservices Docker Kubernetes Istio Kanban DevOps SRE
 
Microservices, Containers, Kubernetes, Kafka, Kanban
Microservices, Containers, Kubernetes, Kafka, KanbanMicroservices, Containers, Kubernetes, Kafka, Kanban
Microservices, Containers, Kubernetes, Kafka, Kanban
 
Blockchain HyperLedger Fabric Internals - Clavent
Blockchain HyperLedger Fabric Internals - ClaventBlockchain HyperLedger Fabric Internals - Clavent
Blockchain HyperLedger Fabric Internals - Clavent
 
Blockchain Intro to Hyperledger Fabric
Blockchain Intro to Hyperledger Fabric Blockchain Intro to Hyperledger Fabric
Blockchain Intro to Hyperledger Fabric
 

Recently uploaded

CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
sexy call girls service in goa
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
ont65320
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
russian goa call girl and escorts service
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
sexy call girls service in goa
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
russian goa call girl and escorts service
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
sexy call girls service in goa
 

Recently uploaded (20)

❤Personal Whatsapp Number Keylong Call Girls 8617697112 💦✅.
❤Personal Whatsapp Number Keylong Call Girls 8617697112 💦✅.❤Personal Whatsapp Number Keylong Call Girls 8617697112 💦✅.
❤Personal Whatsapp Number Keylong Call Girls 8617697112 💦✅.
 
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment BookingKanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
 
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls ServiceCollege Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
 
Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
 
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
 
VIP Model Call Girls Budhwar Peth ( Pune ) Call ON 8005736733 Starting From 5...
VIP Model Call Girls Budhwar Peth ( Pune ) Call ON 8005736733 Starting From 5...VIP Model Call Girls Budhwar Peth ( Pune ) Call ON 8005736733 Starting From 5...
VIP Model Call Girls Budhwar Peth ( Pune ) Call ON 8005736733 Starting From 5...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
 
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
 

Mammootty, The Method Actor

  • 1. Method Acting Mammootty a Method Actor, an Analysis……………………… This documentary show cases the concepts of Method Acting with examples from roles played by South Indian Movie star Mammootty. Prepared, Analyzed and Compiled by Araf Karsh Hamid
  • 2. What‟s Acting  Vocal  Vocal Projection  Dialects & Accents  Voice Modulation  Clarity of Speech  Physical Body Language Emotional facility Physical expressivity Ability to interpret drama A well developed imagination
  • 3. Origin of Method Acting  Konstantin Stanislavski system is a progression of techniques used to train actors to draw believable emotions to their performances.  In America Method Acting came through iterations of Konstantin Stanislavski system by Lee Strasberg.  Lee Strasberg developed and popularized this (Stanislavski‟s) system in America along with Stella Adler and others in 1940s and 50s.  Method acting is a phrase that loosely refers to a family of techniques used by actors to create in themselves the thoughts and emotions of their characters, so as to develop lifelike performances.
  • 4. Konstantin Stanislavski  A Russian Actor / Director (1863 – 1938)  His historic meeting with Vladimir Nemirovich Danchenko resulted in Moscow Art Theatre.  His System is a systematic approach to acting. Areas of study include concentration, voice, physical skills, emotion memory, observation and dramatic analysis.  System focused on the development of artistic truth onstage by teaching actors to “Experience the part” during performance.  Key Concepts: Preparation, Motivation, Truth  P: Thorough Analysis of Script and the role  M: Magic (What) If – Analyzing the situation and thinking how to react.  M: Objective or Through Line – The Past, Present and Future of the Character  T: Immersed in the scene, Experience what the character feels and not pretending.  T: Illusion of the first time – You should feel that it‟s the first time you are enacting or experiencing the scene.
  • 5. Lee Strasberg  An American Actor, Director and Acting Teacher  In 1951 became the director of Actors Studio, New York City, The most prestigious Acting school  Father of Method Acting in America  Two key techniques  Improvisation  Affective Memory  These techniques helps the actor to express the appropriate emotions demanded of the character.
  • 6. Lee Strasberg‟s Students Marlon Brando Robert Di Niro Al Pacino Dustin Hoffman Jack Nicholson Paul Newman Marilyn Monroe Jane Fonda
  • 7. Some great movies by the students of Lee Strasberg Marlon Brando Al Pacino Dustin Hoffman Jack Nicholson
  • 8. Daniel Day-Lewis Only Actor who won 3 Best Actor (Leading Role) Academy (Oscar) Award  http://en.wikipedia.org/wiki/Daniel_Day-Lewis 2012 2007 1989
  • 10. Popular Method Actors from India * If I missed anyone‟s name please add that in the comments. Mammootty Kamal Hassan Vikram Aamir Khan Surya
  • 11. Mammootty, A Method Actor  An Actor from Southern (Kerala) part of India  3 time National Award Winner for Best Actor  6 Kerala State Awards and 11 Filmfare & Critics Awards  Let us go through the various roles he played and see the variations in  Vocal Projection, Dialect, Accent, Voice Modulation  Body Language  Physical Expressivity
  • 12. Are we comparing?  No, we are not comparing Mammootty with great actors of Hollywood.  We are analyzing whether he can stand along with the great actors of the world or did he went beyond them!  Watch the next section (movie clippings), look for voice modulation, dialects, accents, body language, and judge yourself.
  • 13. How do you Analyze?  Section 1  Focuses on Vocal variations and body language.  Section 2  Handling commercial and art films at ease.  Section 3  Similar emotional tragedy: 4 characters 4 different reactions.  Section 4  1980s – The beginning  Section 5  Other Language Movies (Tamil, Telugu, Hindi, Kannada & English)  Section 6  Mind blowing performances – National Award Winners. Movies Selected 2000s – 20 1990s – 10 1980s – 16 Others - 08
  • 14. Let us start the Journey… Mammootty, The Method Actor
  • 15. Section 1 Checkout  Vocal Projection  Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama These are all multi dimensional characters. Along with the Body Language, the most striking aspects in these movies are the voice modulation, projection, accent and dialects.
  • 16. Section 1 - Analysis The real life character Dr. Ambedkar (Baroda, India) a Columbia University (US) graduate. Pazhassi Raja (1774-1805), Prince of a small Southern City (Kerala, India) revolted against British. Now compare the English dialects between these two characters. The former is polished while the latter has learned English just so that he can communicate with British directly. Other aspects to watch out for: • Voice Modulation • Body Language • Emotional facility • Physical expressivity
  • 17. All these three movie characters are pure fiction. • A Gangster • Mentally Challenged • Religious Business man However the most striking aspects in these three movies are • Vocal Projection • Voice Modulation • Body Language • Accent & Dialects • Emotional facility • Physical expressivity Section 1 Analysis
  • 18. For any aspiring actors the following 5 roles will be worth watching again and again. 1. A Gypsy (Karuthapakshikal) 2. A Fisherman (Amaram) 3. A Movie Actor (Kathaparayumbol) 4. A Hunter (Mrigaya) 5. An Illiterate Rich Person (Rajamanickam) Checkout the subtle performance as a Movie Actor in the guest role in Kathaparayumbol. That climax made the movie awesome. Watch out for the following • Voice Modulation • Accent and dialects • Body Language Section1-Analysis
  • 19. Section2 Checkout  Vocal Projection, Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama An Actor who could transition from an Art film to Commercial film at ease. From subtle to power packed performances. Even after having power packed performances in Palerimanickyam, Loud Speaker and Pazhassi Raja (released in 2009) still Lost National Award to Amitabh Bachchan for Paa.
  • 20. Section 2 Analysis Three roles are as different as chalk and cheese 1. A Cruel Feudal Lord 2. A Simple Writer 3. Misunderstood Folk story Villain What you see here is the contrast of different characters and their body language, mannerisms, personality etc. Method Actors makes the characters memorable. They make the characters „Alive‟ on the screen.
  • 21. Section2-Analysis Role 1. A Innocent Villager (Loud Speaker) 2. High Ranking Govt Officer (The King) 3. Rich Business Man 4. A Mariner (Kutty Srank) 5. School Teacher with a passion for Acting (Best Actor) The ease at which Mammootty switches between Art and commercial films. The role as a mariner (in Kutty Srank) is much more challenging as he plays three different characters with with different behavior patterns for the same role.
  • 22. Section 2 - Analysis Characters 1. A Villager (Kaazhcha) 2. Good Feudal Lord (Prajapathi) 3. An Economist (Ore Kadal) 4. A Police Officer (Roudram) Checkout the Body Language, Mannerisms, and dialogue delivery (voice modulation). The collapse of the Economist due to guilt is extra ordinary. At the same time it will be interesting to compare the body language of the Assertive Feudal Lord and the Innocent Villager (Kaazhcha). This section ends with a 10 minutes dialogue from Roudram movie a commercial pot boiler. However its interesting to note change in emotions from sadness to anger, to threat. A good example for voice modulation.
  • 23. Section 3 Checkout  Vocal Projection  Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama Movie Role Padheyam A Writer Amaram Fisherman Bhoothakannadi Schizophrenic Palunku A Villager Similar tragedy (loosing daughter) but 4 different ways of reaction based on character’s background and environment.
  • 24. Section 3 - Analysis These four movies shows a classic example of the Stanislavski system.  Thorough Analysis of the Script and the Role  Immersed in the scene, Experience what the character feels and not pretending.  Illusion of the first time – You should feel that it‟s the first time you are enacting or experiencing the scene. Movie Role Padheyam A Writer Amaram Fisherman Bhoothakannadi Schizophrenic Palunku A Villager Similar tragedy (loosing daughter) but 4 different ways of reaction based on character’s background and environment.
  • 25. Section 4 1980s – The Beginning Checkout  Vocal Projection, Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama Popular Sequels from 80s 1. Sethuramaiyer CBI (5 movies) 2. Inspector Balram (3 movies) 3. Anti Hero - Tharadas (2 movies) 4. Inspector Perumal (2 movies) Sequels from 1990s 1. Joseph Alex, IAS Collector (2 movies)
  • 26. Section 4 - Analysis Mammootty made sure that each of these character is portrayed in a completely different ways.  Thorough Analysis of the Script and the Role  Immersed in the scene, Experience what the character feels and not pretending.  Illusion of the first time – You should feel that it‟s the first time you are enacting or experiencing the scene. Movie Sequels Role Yavanika A Police Officer Avanazhi 2 A Police Officer – Inspector Balram August 1 1 A Police Officer – Inspector Perumal Jagratha 4 A Police Officer – Sethuramaiyer (CBI) All these movies are crime thrillers and the protagonist is the investigating police officer. Even though the role is a Police officer, Mammootty made sure that each character is distinctive in nature. This resulted in the character becoming memorable and created more movies of the same character.
  • 27. Section 4 - Analysis Mammootty made sure that each of these character is portrayed in a completely different ways.  Thorough Analysis of the Script and the Role  Immersed in the scene, Experience what the character feels and not pretending.  Illusion of the first time – You should feel that it‟s the first time you are enacting or experiencing the scene. Movie Role New Delhi Journalist / Media Baron Utharam Journalist Koodevide Army Officer Yathra Common man, wrongly convicted, on his way back home
  • 28. Section 4 - Analysis Mammootty made sure that each of these character is portrayed in a completely different ways.  Thorough Analysis of the Script and the Role  Immersed in the scene, Experience what the character feels and not pretending.  Illusion of the first time – You should feel that it‟s the first time you are enacting or experiencing the scene. Movie Sequel Role 1921 Freedom Fighter Athirathra m 1 Gangster - Tharadas Sangam Carefree Rich Businessman Gangster character was such a hit a sequel got released after couple of decades. Last in this list was a trend setter (for a Heroic care free rich business man) resulted in lot actors donning similar roles for the next two decades in Malayalam movies.
  • 29. Section 5 Checkout  Vocal Projection  Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama Performances in other Languages Language # Total Tamil 15 Hindi 05 Telugu 03 Kannada 01 English 01 TOTAL 25
  • 30. Section 6 Checkout  Vocal Projection  Voice Modulation  Accent & Dialects  Body Language  Emotional facility  Physical expressivity  Ability to interpret drama Mind blowing performances in National Award Winners Movie Role Dr. Ambedkar Dr. Ambedkar Vidheyan Cruel Feudal Lord Ponthan Mada Slave Mathilukal Writer Oru Vadakkan Warrior
  • 31. Mohanlal  Malayalam movie industry is blessed with two great actors in Mammootty and Mohanlal.  Mohanlal has won 2 Best Actor National Awards (Bharatham & Vanaprastham) and a special Jury Award for Kireedom.  In Mohanlal‟s on words, Comparing him with Mammootty is not right as they are two different species when it comes to Acting. Both have two different approaches to acting.  However, he emphasize the point that the Voice modulation is not part of his acting, which Mammootty is a master and it shows in the variety of characters Mammootty has played over a period of 3 decades.  As final touch let us look at the last set of movie clips to understand voice modulation, accent and dialects in Malayalam language itself.
  • 32. Awards 03 National Awards 05 State Awards 11 Filmfare Awards 11 Critics Awards Twice Lost National Awards Mammootty Age: 61 Movies: 375+ Languages: 6
  • 33. References • Konstantin Stanislavsky : http://en.wikipedia.org/wiki/Stanislavsky • System: http://en.wikipedia.org/wiki/Stanislavski%27s_system • YouTube: http://www.youtube.com/watch?v=khcCvAe8wtg • YouTube: http://www.youtube.com/watch?v=vpEGXrDSXo8&feature=fvwp • Lee Strasberg : http://en.wikipedia.org/wiki/Lee_Strasberg • Method Acting : http://en.wikipedia.org/wiki/Method_acting • Mammootty Web Site : http://mammootty.com/ • Marlon Brando : Redefined Acting • Jack Nicholson : • http://en.wikipedia.org/wiki/Jack_Nicholson • What I have learned: Jack Nicholson • Daniel Day Lewis: http://en.wikipedia.org/wiki/Daniel_Day-Lewis • Academy (Oscar) Awards for Best Actor • Best Method Actors : http://www.imdb.com/list/Ns20nd1Thqw/
  • 34. Watch the Video – Mammootty, The Method Actor Version YouTube URL 1 http://youtu.be/YeOGSQ8rx1c 2 http://youtu.be/lu185UPEuY8 3 http://youtu.be/qYTA0QsiYp0

Editor's Notes

  1. http://en.wikipedia.org/wiki/Constantin_Stanislavskihttp://en.wikipedia.org/wiki/Lee_Strasberg
  2. YouTube: http://www.youtube.com/watch?v=khcCvAe8wtg
  3. http://en.wikipedia.org/wiki/Method_actinghttp://en.wikipedia.org/wiki/Affective_memory
  4. http://en.wikipedia.org/wiki/B._R._Ambedkar
  5. You Tube :Version 1: http://youtu.be/YeOGSQ8rx1cVersion 2: http://youtu.be/lu185UPEuY8