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Web Typography Fundamentals From Gutenberg to Google
Hi There. Bill C. EnglishLead Designer, Tuitive@billcenglish
HistoryVocabularyContrastTechnologyTips
What Is Typography? Design or selection of letter forms to be organized into words and sentences and printed or displayed electronically
What is Good Typography? Stresses legibility and communication Draws attention to itself, then relinquishes the attention it has drawn Gives letters a “living energy” More than just picking out fonts
Web design is 95% typography. Source: http://informationarchitects.jp/the-web-is-all-about-typography-period/
What is Good Web Typography? Optimize readability, accessibility, usability, and overall graphic balance Succeed despite limited font choices and poor screen resolution Treats the text as a user interface, not a canvas
HistoryVocabularyContrastTechnologyTips
crossbar stroke stem
arms bowl counter leg tail
point The smallest of the typographical measuring units. 1 point equals 1/72 inch. There are 12 points in a Pica.  em Square unit of measurement equal to the point size of the current font. en One half of an em.
font A complete character set of a single size of a particular typeface (ex: Arial 10pt). type·face One or more fonts designed with stylistic unity (ex: Arial).
kerning
tracking letter-spacing {}
baseline
descender
x-height
cap-line cap-height
ascender
serif
serif sans-serif
modern blackletter monospaced slab-serif dingbats script
measure
leading line-height {}
flush left, ragged right text-align { left; } center-justified text-align { center; } flush right, ragged left text-align { right; }
flush left, flush right text-align { justify; } force justified
widow rag orphan
HistoryVocabularyContrastTechnologyTips
Size
WEight
Structure
Form
A Contrast In Form a contrast in form A CONTRAST IN FORM
Color
Direction
Texture
Concord Removal of contrast to give elements a uniform impression Type blocks are designed to achieve an equal level of lightness and darkness
Visual Hierarchy Divide up the screen and tell users what is most important Create typographic “anchors” to move the users eye across and down the screen
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
HistoryVocabularyContrastTechnologyTips
Web Safe Fonts Arial Arial Black Comic Sans Courier New Georgia Times New Roman Trebuchet MS Verdana
MAC PC
The C Fonts Calibri Cambria Candara Consolas Constantia Corbel
Font Stacks p { font-family: Arial, Helvetica, sans-serif;} p.serif { font-family: Georgia, "Times New Roman", Times, serif;}
Font Stacks p { font-family: Arial, Helvetica, sans-serif; } p.serif { font-family: Georgia, "Times New Roman", Times, serif; } p { font-family: Geneva, “Lucida Sans”, “Lucida Grande”, “Lucida Sans Unicode”, Verdana, sans-serif;} p.serif { font-family: Palatino, “Palatino Linotype”, Georgia, Times, “Times New Roman”, serif;}
sIFR Combination of Flash, CSS, and JavaScript Checks if Flash is installed and replaces text Selectable, customizable, degrades gracefully Steep learning curve, cumbersome scripting Makes page load feel “clunky”
CUFÓN JavaScript only Uses VML (Vector Markup Language) for Internet Explorer and HTML5 Canvas for advanced browsers Fast loading Violates EULA agreements for some font files, text not selectable, no hover states
@Font-Face CSS3 declaration Standards-compliant, fast loading, easy to use Not all fonts designed for screen usage, especially at small sizes Maybe a little too easy to use
@font-face @font-face {font-family: Delicious;src: url('Delicious-Roman.otf');} h3 { font-family: Delicious, sans-serif; }
HistoryVocabularyContrastTechnologyTips
GUidelines Read the text before designing it Get away from “loremipsum” or dummy text as soon as possible Don’t use a font you don’t need Consolidate similar sizes and treatments Don’t stretch or squeeze
Legibility & Readability Optimal measure is 45-75 characters Use italic and bold for emphasis but avoid using for large blocks of text Beware of too much or too little contrast with background color All caps fine for titles and headlines, not recommended for sentences or long blocks of type
It deosn'tmttaer in wahtoredr the ltteers in a wrod are, olnytaht the frist and lsatltteres are at the rghitpcleas. Tihs is bcuseae we do not raederveylteter by ilstef, but the wrod as a wlohe.
A smidgen of type A SMIDGEN OF TYPE
Questions? Bill C. EnglishLead Designer, Tuitive@billcenglish

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Web Typography Fundamentals: From Gutenberg to Google v1

  • 1. Web Typography Fundamentals From Gutenberg to Google
  • 2. Hi There. Bill C. EnglishLead Designer, Tuitive@billcenglish
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  • 19. What Is Typography? Design or selection of letter forms to be organized into words and sentences and printed or displayed electronically
  • 20. What is Good Typography? Stresses legibility and communication Draws attention to itself, then relinquishes the attention it has drawn Gives letters a “living energy” More than just picking out fonts
  • 21. Web design is 95% typography. Source: http://informationarchitects.jp/the-web-is-all-about-typography-period/
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  • 28. What is Good Web Typography? Optimize readability, accessibility, usability, and overall graphic balance Succeed despite limited font choices and poor screen resolution Treats the text as a user interface, not a canvas
  • 31. arms bowl counter leg tail
  • 32. point The smallest of the typographical measuring units. 1 point equals 1/72 inch. There are 12 points in a Pica. em Square unit of measurement equal to the point size of the current font. en One half of an em.
  • 33. font A complete character set of a single size of a particular typeface (ex: Arial 10pt). type·face One or more fonts designed with stylistic unity (ex: Arial).
  • 41. serif
  • 43. modern blackletter monospaced slab-serif dingbats script
  • 46. flush left, ragged right text-align { left; } center-justified text-align { center; } flush right, ragged left text-align { right; }
  • 47. flush left, flush right text-align { justify; } force justified
  • 50. Size
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  • 60. Form
  • 61. A Contrast In Form a contrast in form A CONTRAST IN FORM
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  • 63. Color
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  • 74. Concord Removal of contrast to give elements a uniform impression Type blocks are designed to achieve an equal level of lightness and darkness
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  • 76. Visual Hierarchy Divide up the screen and tell users what is most important Create typographic “anchors” to move the users eye across and down the screen
  • 77. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
  • 78. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
  • 79. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
  • 80. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
  • 81. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
  • 82. Athletes confused by Olympic social media rules By Mark McClusky,Wired February 5, 2010 4:57 p.m. EST American skier Lindsey Vonn, one of the potential stars of the 2010 Winter Olympics, told her nearly 35,000 Twitter followers that she would not be posting to the social network until after the Games were over, perhaps based on a faulty understanding of the International Olympic Committee's rules on blogging and social networking. Read more
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  • 85. Web Safe Fonts Arial Arial Black Comic Sans Courier New Georgia Times New Roman Trebuchet MS Verdana
  • 87. The C Fonts Calibri Cambria Candara Consolas Constantia Corbel
  • 88. Font Stacks p { font-family: Arial, Helvetica, sans-serif;} p.serif { font-family: Georgia, "Times New Roman", Times, serif;}
  • 89. Font Stacks p { font-family: Arial, Helvetica, sans-serif; } p.serif { font-family: Georgia, "Times New Roman", Times, serif; } p { font-family: Geneva, “Lucida Sans”, “Lucida Grande”, “Lucida Sans Unicode”, Verdana, sans-serif;} p.serif { font-family: Palatino, “Palatino Linotype”, Georgia, Times, “Times New Roman”, serif;}
  • 90. sIFR Combination of Flash, CSS, and JavaScript Checks if Flash is installed and replaces text Selectable, customizable, degrades gracefully Steep learning curve, cumbersome scripting Makes page load feel “clunky”
  • 91. CUFÓN JavaScript only Uses VML (Vector Markup Language) for Internet Explorer and HTML5 Canvas for advanced browsers Fast loading Violates EULA agreements for some font files, text not selectable, no hover states
  • 92. @Font-Face CSS3 declaration Standards-compliant, fast loading, easy to use Not all fonts designed for screen usage, especially at small sizes Maybe a little too easy to use
  • 93. @font-face @font-face {font-family: Delicious;src: url('Delicious-Roman.otf');} h3 { font-family: Delicious, sans-serif; }
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  • 96. GUidelines Read the text before designing it Get away from “loremipsum” or dummy text as soon as possible Don’t use a font you don’t need Consolidate similar sizes and treatments Don’t stretch or squeeze
  • 97. Legibility & Readability Optimal measure is 45-75 characters Use italic and bold for emphasis but avoid using for large blocks of text Beware of too much or too little contrast with background color All caps fine for titles and headlines, not recommended for sentences or long blocks of type
  • 98. It deosn'tmttaer in wahtoredr the ltteers in a wrod are, olnytaht the frist and lsatltteres are at the rghitpcleas. Tihs is bcuseae we do not raederveylteter by ilstef, but the wrod as a wlohe.
  • 99. A smidgen of type A SMIDGEN OF TYPE
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  • 101. Questions? Bill C. EnglishLead Designer, Tuitive@billcenglish

Notas del editor

  1. Introduction to how to look at understand and usePart of world around usMake aware of how designers use and see type
  2. kid looked at handwritingcomics
  3. artist has touched everything storynot just books & magazines
  4. every foodhousehold productnot just communication but art direction & branding
  5. lets you know where you are goingbillboardsstreet signstraffic signsbuilding signage
  6. lets you know where you are at
  7. exquisite timelessbecomes part of the culture
  8. first known “handwriting” cuneiformSumerian tablet 3000 BC Mesopotamia – modern iraqledger sheet
  9. phaistos disk2ndmillenium BC, island of cretemade by pressing hieroglyphic seals into soft clayfirst instance of “movable type”, but invention didn’t take off
  10. Egyptian book of the dead 1500 – 1000 BC
  11. Qin dynasty edict on bronze200 BC
  12. France, Bible, 13th c
  13. A&EGrew up goldsmithingMainz, Germany ~ 1450L-shaped adjustable
  14. oil-based ink to stick to metal typesbased on press used for cloth and grapes
  15. moveabletypebackwards
  16. Gutenberg bible1455 finished180 copiescolor parts added by hand42 lines
  17. oxford library – 140 copieshigher education, science, religion, renaissancetypography is born
  18. early purpose of type was copyingillusion of superhuman speed, stamina, and precision to human handInterprets content like a musician interprets a score
  19. One of the last crafts to be mechanized, one of the first crafts to be computerized95% of the information on the web is written language, so designer should learn how to shape written informationTYPE as UI: Icons with names, form fields with examples, buttons with labels, step by step instructions in a process, a clear explanation of your refund policy. These are all interface design.
  20. craigslistexample of text asuidon’t read every line of type
  21. structure in place but unusable
  22. news site
  23. pictures & icons but no contextad but what is it for?
  24. application
  25. tabs but no contextform but what does it do?
  26. BRINGHURST BOOK
  27. make aware of typography on the atomic levelcharacter of blocks of copy made from elements of individual letterstrue mastery of typography begins at the lettercan use letter as a primary design element
  28. anthropomorphicfigure/ground relationship is importantnegative space (helvetica)
  29. units of measurementem originally width of capital M
  30. space between letterskerning tablescornerlsj logo
  31. affects overall texture resolve widows and orphansstill negative space
  32. line easy to followimportant for legibility
  33. effects legibility at body copy sizeseffects leadingx because of 4 slabs
  34. modern = class. of serif. stroke variation, horizontal serifsblackletter = 12th centuryeurope (gothic, old english)
  35. # of characters in a line of texton web defined by width of boxes
  36. Understand our surrounding through contrastReading is possible because of contrast (ink on paper) : reduce contrast reduce legibilityLike notes of a musical scale (chords)Drawing metaphor (light and dark)DAIR BOOK
  37. scarcely a job where a large letter or word cannot be used to striking effectOnly effective when used with discretion. can’t use if too much is large
  38. go big
  39. Thickness of lines that compose lettersNo middle ground in the contrast of weight
  40. All the same widthvs varying widths
  41. Italicvs roman vs capital
  42. Colors are either cold, warm, or neutralIf using a small bit of red, contrast with a large bit of cold color
  43. all black with touch of redretro feelnewspaper headlines in red
  44. off color for emphasisleads eye through page
  45. Eyes used to orienting on a horizontal horizonSense of balance is disturbed by slanted lines90 degree intersection of slanted units creates relationship
  46. slanted title leads eye downverticalnav interesting
  47. Structure of a letter determines its texture, weight determines its coarsenessThink in terms of hard and soft (slick and rough)Can alter with letter-spacing and line spacing
  48. interpretative dance with typeall same font (no structure)look at direction, color, weight
  49. lack of contrastblending of elements to give a uniform impressiontonal value
  50. Use contrast to divide up the screen and tell the users where they should be lookingUse contrast to create typographic anchors to move the users eye across and down the screen (vertical rhythm)
  51. structure, weight
  52. form, size, color
  53. size
  54. color
  55. 3 are rarely used because they are illegible at smaller sizes
  56. Georgia vs Times
  57. Typekit
  58. Legibility = distinguishing one letter from anotherReadability = comprehending large blocks of text