Slide presentation of the work of the great sculptor Francisco Zuniga. From his beginnings in his native Costa Rica to his final work in his new home Mexico.
18. portfolio "Grabados en Madera"
Publicado en Costa Rica en 1934 por la
Imprenta Nacional, San Jose. Incluia xilografias
de: Francisco Amighetti, Francisco Zuniga,
Manuel de la Cruz Gonzales, Carlos M. Salazar
Herrera, Gilbert Laporte, Theodorico Quiros y
Adolfo Saenz.
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30. Trece piezas encontradas en la huaca de
Zapandí, cerca de la ciudad de Filadelfia
(Guanacaste), las acuarelas y los dibujos
fueron un encargo hecho por el arqueólogo
Jorge Lines a fin de contar con láminas de
colores que le sirviesen para dictar clases
sobre arte precolombino costarricense.
1934 - 1936
49. In the 1930s, for many radical artist and intellectuals throughout
the world, it was Mexico and not Paris that stood for innovation
in the arts. Artist in Mexico were seen to have challenged the
authority of a Eurocentric aesthetic and asserted the values of a
self-consciously post-colonial culture…
Far from repudiating modernism, the muralists together with
other Latin American artist have used modernism to their own
ends, or have expropriated or subverted it to produce an
alternative modernism better suited to a Latin American
context…
Oriana Baddeley and Valerie Fraser
Drawing the Line: Art and Cultural Identity en Contemporary
Latin America
1990
158. Another record price at Sotheby's was the $3.7
million paid for the 1974 bronze sculpture
Grupo de cuatro mujeres de pie (estimate:
$700,000/$900,000), by Costa Rican-born
Mexican sculptor Francisco Zúñiga