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... or why is it so hard?
Chrissi Nerantzi
@chrissinerantzi
c.nerantzi@salford.ac.uk
a webinar for the University College Suffolk, 6 June 2013
Where are
you now?
Add your
location
please.
the plan
a
Creativity
1st wave
1950s Plowden Report, creativity=arts
2nd wave
late 1990s National Advisory Committee on
Creative and Cultural Education (NACCCE)
Report
creativity=universalisation
3rd wave
now, creativity=everyday, necessary
Waves
Creativity,
what is it?
On a scale from 1 to 10
how creative do you think you are?
Bloom’s Taxonomy 1956 Anderson and Krathwohl
(revision) 2001
Beyond Bloom
Creative Curriculum
… is a creative act but it usually
focuses on…
•norm
•core knowledge of discipline
•assessment
•orientation internally and
externally
•informal adjustments ongoing
•crammed?
Creative Curriculum
… is a creative act but it usually
focuses on…
•norm
•core knowledge of discipline
•assessment
•orientation internally and
externally
•informal adjustments ongoing
•and is crammed
… is a creative act that focuses
on…
•space
•flexibility
•originality
•personalisation
•collaboration
Key factor: Is creativity valued by students, the
department, influential academics?
curiosity:
what if?
risks
mistakes
innovation
Q: What does this mean for institutional culture(s)?
Where does inspiration come from?
Creativity and
metaphor?
Jerome Bruner
creative thinking = a
magical process, an
unreasonable leap the
imagination makes > new
and original ideas, at the
heart of this is the
metaphor
metaphor = challenges
logic, introduces
expanding imagery,
suggests new awareness
image source: http://4.bp.blogspot.com/_jguQmSQcllo/TIum9Vo1vLI/AAAAAAAAABo/_KKzVWLB3CA/s1600/Jerome+Bruner.jpg
“giving the thing a name that belongs to something else”
metaphor according to Aristotle
metaphors
“Metaphor systematically disorganizes the common sense
of things – jumbling together the abstract with the
concrete, the physical with the psychological, the like
with the unlike – and reorganizes it into uncommon
combinations.” (Geary, 2012, 2)
“It is easy enough to label a specific emotion, such as
grief, fear, pride or happiness. It is much harder to convey
the actual qualitative experience of that emotion. But
metaphorical language can describe the indescribable.”
(Geary, 2012, 211)
social media
Youtube
What do
these numbers
tell us?
an example:
Postgraduate Certificate in Academic Practice (PGCAP)
active
experimentation,
modelling variety
of creative
learning and
teaching
approaches
learning students’ names
What is teamwork?
visualising theories together
reflecting: preparation for professional discussion
http://stripgenerator.com/
learning journeys
students capturing their learning journeys
active experimentation
students
creating
resources
students
sharing
experiences
capturing
collaborative
activities
sharing
reflections
having fun
learning
together
Creativity
Blockage Attitude
Creativity
Oh, no!
It can’t be done.
I can’t do it.
There is nothing I can do.
But I am not creative.
That is childish.
What will people think?
Unaccepted!
Play it safe!
Blockage Attitude
Curiosity
Challenge
Belief that mistakes are welcome
Ability to see the need for
improvement
Belief that problems can be solved
Ability to suspend judgement and
criticism
Seeing the good in the bad
Problems lead to improvements
Problem can also be a solution
Sharing ideas
Any questions/observations?
On a scale from 1 to 10
how creative do you think you are?
“At last there is a realisation that information is not enough.
There is a real need for thinking, especially the creative
thinking involved in looking at things in different ways and
also the design thinking needed to turn problems into
opportunities.
Analysis and judgement are as important as ever but not
enough. Creative thinking is not a luxury but a real need in
difficult times. This means serious creativity and not just
messing around and hoping an idea will emerge.”
Edward de Bono, the father of lateral thinking
References
• Anderson, L. W., & Krathwohl, D. R. (Eds.). (2001). A taxonomy for
learning, teaching and assessing: A revision of Bloom's Taxonomy of
educational objectives: Complete edition, New York : Longman.
• Bloom, B. S. (1956). Taxonomy of educational objectives, handbook
1: Cognitive domain. New York: Longmans Green.
• Craft, Anna (2007). Possibility thinking in the early years and
primary classroom. In: Tan, Ai-Girl ed. Creativity: a Handbook for
Teachers. Singapore: World Scientific Publishing, pp. 231–250.
• Gauntlett, D. (2011) Making is connecting, Cambridge: Polity Press.
• Geary, J. (2012) I is an other, The secret life of metaphor and how it
shapes the way we see the world, New York: Harper Perennial.
• Jackson, N. (2003). Designing for Creativity Curriculum Guide.
Learning & Teaching Support Network Generic Centre, York.
• Jackson, N. (2002). Guide for busy academics: Nurturing creativity.
LTSN Generic Centre.

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Creativity or letting go of certainties, invited webinar 6 June 13

  • 1. ... or why is it so hard? Chrissi Nerantzi @chrissinerantzi c.nerantzi@salford.ac.uk a webinar for the University College Suffolk, 6 June 2013
  • 2. Where are you now? Add your location please.
  • 3.
  • 5. Creativity 1st wave 1950s Plowden Report, creativity=arts 2nd wave late 1990s National Advisory Committee on Creative and Cultural Education (NACCCE) Report creativity=universalisation 3rd wave now, creativity=everyday, necessary Waves
  • 7. On a scale from 1 to 10 how creative do you think you are?
  • 8. Bloom’s Taxonomy 1956 Anderson and Krathwohl (revision) 2001 Beyond Bloom
  • 9. Creative Curriculum … is a creative act but it usually focuses on… •norm •core knowledge of discipline •assessment •orientation internally and externally •informal adjustments ongoing •crammed?
  • 10. Creative Curriculum … is a creative act but it usually focuses on… •norm •core knowledge of discipline •assessment •orientation internally and externally •informal adjustments ongoing •and is crammed … is a creative act that focuses on… •space •flexibility •originality •personalisation •collaboration Key factor: Is creativity valued by students, the department, influential academics?
  • 11.
  • 12. curiosity: what if? risks mistakes innovation Q: What does this mean for institutional culture(s)?
  • 15. Jerome Bruner creative thinking = a magical process, an unreasonable leap the imagination makes > new and original ideas, at the heart of this is the metaphor metaphor = challenges logic, introduces expanding imagery, suggests new awareness image source: http://4.bp.blogspot.com/_jguQmSQcllo/TIum9Vo1vLI/AAAAAAAAABo/_KKzVWLB3CA/s1600/Jerome+Bruner.jpg
  • 16. “giving the thing a name that belongs to something else” metaphor according to Aristotle
  • 17. metaphors “Metaphor systematically disorganizes the common sense of things – jumbling together the abstract with the concrete, the physical with the psychological, the like with the unlike – and reorganizes it into uncommon combinations.” (Geary, 2012, 2) “It is easy enough to label a specific emotion, such as grief, fear, pride or happiness. It is much harder to convey the actual qualitative experience of that emotion. But metaphorical language can describe the indescribable.” (Geary, 2012, 211)
  • 19.
  • 22. an example: Postgraduate Certificate in Academic Practice (PGCAP) active experimentation, modelling variety of creative learning and teaching approaches
  • 26. reflecting: preparation for professional discussion http://stripgenerator.com/
  • 28. students capturing their learning journeys
  • 31. Creativity Oh, no! It can’t be done. I can’t do it. There is nothing I can do. But I am not creative. That is childish. What will people think? Unaccepted! Play it safe! Blockage Attitude Curiosity Challenge Belief that mistakes are welcome Ability to see the need for improvement Belief that problems can be solved Ability to suspend judgement and criticism Seeing the good in the bad Problems lead to improvements Problem can also be a solution
  • 33.
  • 35. On a scale from 1 to 10 how creative do you think you are?
  • 36. “At last there is a realisation that information is not enough. There is a real need for thinking, especially the creative thinking involved in looking at things in different ways and also the design thinking needed to turn problems into opportunities. Analysis and judgement are as important as ever but not enough. Creative thinking is not a luxury but a real need in difficult times. This means serious creativity and not just messing around and hoping an idea will emerge.” Edward de Bono, the father of lateral thinking
  • 37. References • Anderson, L. W., & Krathwohl, D. R. (Eds.). (2001). A taxonomy for learning, teaching and assessing: A revision of Bloom's Taxonomy of educational objectives: Complete edition, New York : Longman. • Bloom, B. S. (1956). Taxonomy of educational objectives, handbook 1: Cognitive domain. New York: Longmans Green. • Craft, Anna (2007). Possibility thinking in the early years and primary classroom. In: Tan, Ai-Girl ed. Creativity: a Handbook for Teachers. Singapore: World Scientific Publishing, pp. 231–250. • Gauntlett, D. (2011) Making is connecting, Cambridge: Polity Press. • Geary, J. (2012) I is an other, The secret life of metaphor and how it shapes the way we see the world, New York: Harper Perennial. • Jackson, N. (2003). Designing for Creativity Curriculum Guide. Learning & Teaching Support Network Generic Centre, York. • Jackson, N. (2002). Guide for busy academics: Nurturing creativity. LTSN Generic Centre.