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The interventions

         Phil Jones (UoB)
Yvette Vaughan Jones (Visiting Arts)
Work Package 5: Interventions
• Lead: Phil Jones
• Input: Yvette Vaughan Jones / Paul Heywood /
  Andrew Dubber
• Case studies in: Birmingham / Manchester
• Aim: attempting to develop, commission and
  test innovative modes of intermediation
• Commissions led by communities worked with
  in the Communities Work Package
Using art as method
Participant creativity
• Researchers are now comfortable asking for
  creative outputs from participants
• Art-as-therapy
  – Different media to express the inexpressible
• Mental mapping (Gould & White, 1974)
  – Differing representations of the same spaces
• Participatory photography
  – ‘Empower’ participants to capture ‘their’ spaces
  – (cf. Collier, 1957 on photo elicitation)
2012 april pj the interventions
Lorne, 2011
Arts-based research
• Patricia Leavy (2009) Method meets art
• Pirkko Markula (2006) on dance
  – Experimental, doesn’t always work in the way
    intended
• Increasing acceptance that arts practice can
  be used as a tool for researching ‘social
  science’ topics
Creative engagements
Hybrid activity
• Using a practice-based approach to engage
  participant creativity
• BUT it’s the participants who commission the
  practice in the first place
• Most flexible part of the project
  – Part of the budget not predefined except
    earmarked for commissions by local panels
  – One commission pre-allocated to further explore
    the Visiting Arts Square Mile method

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2012 april pj the interventions

  • 1. The interventions Phil Jones (UoB) Yvette Vaughan Jones (Visiting Arts)
  • 2. Work Package 5: Interventions • Lead: Phil Jones • Input: Yvette Vaughan Jones / Paul Heywood / Andrew Dubber • Case studies in: Birmingham / Manchester • Aim: attempting to develop, commission and test innovative modes of intermediation • Commissions led by communities worked with in the Communities Work Package
  • 3. Using art as method
  • 4. Participant creativity • Researchers are now comfortable asking for creative outputs from participants • Art-as-therapy – Different media to express the inexpressible • Mental mapping (Gould & White, 1974) – Differing representations of the same spaces • Participatory photography – ‘Empower’ participants to capture ‘their’ spaces – (cf. Collier, 1957 on photo elicitation)
  • 7. Arts-based research • Patricia Leavy (2009) Method meets art • Pirkko Markula (2006) on dance – Experimental, doesn’t always work in the way intended • Increasing acceptance that arts practice can be used as a tool for researching ‘social science’ topics
  • 9. Hybrid activity • Using a practice-based approach to engage participant creativity • BUT it’s the participants who commission the practice in the first place • Most flexible part of the project – Part of the budget not predefined except earmarked for commissions by local panels – One commission pre-allocated to further explore the Visiting Arts Square Mile method