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Understanding Visual Culture and Photography IV Favorite Images
Rachel Cauthen
Rachel Cauthen
Rachel Cauthen
Rachel Cauthen
Rachel Cauthen
Patricia Cox
Patricia Cox
Patricia Cox
Patricia Cox
Patricia Cox
Tennyson Mosher
Tennyson Mosher
Tennyson Mosher
Tennyson Mosher
Tennyson Mosher
Sara Richardson
Sara Richardson
Sara Richardson
Sara Richardson
Sara Richardson
Raijeim Douglas
Raijeim Douglas
Raijeim Douglas
Raijeim Douglas
Raijeim Douglas
Francine Koenig
Francine Koenig
Francine Koenig
Francine Koenig
Francine Koenig
Amanda Gibson
Amanda Gibson
Amanda Gibson
Amanda Gibson
Amanda Gibson
Hilary Mellon
Hilary Mellon
Hilary Mellon
Hilary Mellon
Hilary Mellon
Patricia Erb
Patricia Erb
Patricia Erb
Patricia Erb
Patricia Erb
Photo III Final Megan Fletcher
48 Artist Statement For our final photography project I chose to focus on the texture of objects I found on our trip in Ireland. I wanted to be able to see past just the gorgeous landscapes as a whole and see the little details that make them beautiful and interesting. I wanted my photographs to make the viewer want to touch the object that was being shot. I wanted the viewer to look at or see the object in a different way.
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)
EC Ireland 2011 Photos (1)

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EC Ireland 2011 Photos (1)

Notas del editor

  1. This photograph features warm colors. Both symmetrical and asymmetrical balance is apparent. The position of the door and flowers is symmetrical, but the shadows across the wall make it asymmetrical.
  2. This photograph has actual texture from the pieces of yarn, use of complimentary colors, and exaggerated scale by filling the frame.
  3. The focal point in this photograph is the little boy. He is emphasized by the lines in the photograph and also by the rule of thirds. The photograph as a whole is unified with the use of cool colors.
  4. This photograph makes use of line (the ropes), texture (the shells) and both warm and cool colors. There is balance created by the presence of a darkness on both the left and right sides.
  5. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  6. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  7. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  8. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  9. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  10. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  11. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  12. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  13. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  14. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  15. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  16. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  17. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  18. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  19. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  20. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  21. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  22. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  23. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  24. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  25. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  26. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  27. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  28. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  29. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  30. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  31. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  32. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  33. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  34. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  35. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  36. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  37. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  38. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  39. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.
  40. There is a psychic line between the two flower buds. There is a shallow depth of field, focusing on the top flower. There is implied texture in the various greens of the blurred background.