Learn the essential elements of the modern tool kit for field production of web video, including podcasts and live streams.
Originally presented at Post | Production World 2015 at NABShow.
2. • Review deliverable requirements
• Explore possible field kit builds
• Discuss future of web video
AGENDA
3. • Have you produced web video?
• What was your role?
• What equipment have you used?
• What were your issues?
CONNECT
4. B
“Pick up a camera. Shoot something. No matter how
small, no matter how cheesy, no matter whether your
friends and your sister star in it. Put your name on it as
director. Now you’re a director. Everything after that
you’re just negotiating your budget and your fee.”
– James Cameron
6. • 4:3 - Old Standard
• 16:9 - New Standard
• 2.35:1 - Anamorphic (Cinema)
ASPECT RATIO
7. CODEC
ACQUISITON & EDIT
• Broadcast & Film
– ProRes & DNxHD
• Web
– ProRes, DNxHD
– H.264, H.265, VP8
DISTRIBUTION
• Broadcast = Varies
• Film = DCP
• Web
• H.264, VP9
– H.265/HVEC (emerging)
8. RESOLUTION
ACQUISITON
• 1080p = Old Standard
• 4K = New Standard
• 8K = Bleeding Edge
DISTRIBUTION
• 720p = Old Standard
• 1080p = New Standard
• 4K = Bleeding Edge
9.
10. WHY 4K WEB?
• Flexiblility in Post
–Push in for tight shots
–Multiple ISO “cameras”
• Deliver in 1080p
13. SOUND
Why Sound Before Picture?
As good as human vision is,
our hearing is more important.
People will forgive bad video
before they forgive bad sound.