기어스2 메뉴얼

1. SKip cinematic/
See multiplaYer ScOrebOard Start/pauSe
aim ShOOt/thrOw grenade
See ObjectiveS
and Squad StatuS relOad
MANUAL
fOr technical reference
Y pOint Of intereSt
mOve
X uSe/interact
Switch weapOnS B melee/tag
lOOK/clicK tO zOOm A taKe cOver/
evade/mantle
reStricted
___
_______
t no.:_
documen e in class per Blood and Gore
no chan na______Har___
g
____ th
an ___ Intense Violence
name:_Jo
Strong Language
nt ___
S__r___a_____
_ e ge _
rank:__
0808 Part No. X14-94452-01 Online Interactions Not Rated by the ESRB

2. RESTRICTED
WARNING Before playing this game, read the Xbox 360® Instruction
CoGFM2
Manual and any peripheral manuals for important safety and health information.
Keep all manuals for future reference. For replacement manuals, see
P-ToC
fOR TECHNICAL REfERENCE
www.xbox.com/support or call Xbox Customer Support.
COALITION OF ORDERED GOVERNMENTS
field manual
Important Health Warning About Playing Video Games
Photosensitive Seizures CONTENT PAGE
A very small percentage of people may experience a seizure when exposed to
certain visual images, including flashing lights or patterns that may appear in Introduction ............................ 2
video games. Even people who have no history of seizures or epilepsy may have
an undiagnosed condition that can cause these “photosensitive epileptic seizures” Where We Stand .......................... 3
while watching video games.
These seizures may have a variety of symptoms, including lightheadedness, altered Weapons ................................. 4
vision, eye or face twitching, jerking or shaking of arms or legs, disorientation,
confusion, or momentary loss of awareness. Seizures may also cause loss of Controller ............................. 10
consciousness or convulsions that can lead to injury from falling down or striking
nearby objects. Heads-up Display ....................... 12
Immediately stop playing and consult a doctor if you experience any of these The Crimson Omen (Life) ................ 14
symptoms. Parents should watch for or ask their children about the above
symptoms—children and teenagers are more likely than adults to experience Targeting .............................. 15
these seizures. The risk of photosensitive epileptic seizures may be reduced by
taking the following precautions: Sit farther from the screen; use a smaller screen; Active Reload .......................... 16
play in a well-lit room; and do not play when you are drowsy or fatigued.
If you or any of your relatives have a history of seizures or epilepsy, consult a Melee .................................. 17
doctor before playing.
Enemy Shields and Executions ........... 18
Cover and Basic Maneuvers .............. 19
ESRB Game Ratings
The Entertainment Software Rating Board (ESRB) ratings are designed to provide Interaction ............................ 22
consumers, especially parents, with concise, impartial guidance about the age-
appropriateness and content of computer and video games. This information can Battle Options ......................... 23
help consumers make informed purchase decisions about which games they deem
suitable for their children and families. Co-op Campaign ......................... 24
ESRB ratings have two equal parts: Multiplayer ............................ 25
• Rating Symbols suggest age appropriateness for the game. These symbols
appear on the front of virtually every game box available for retail sale or Multiplayer Game Types ................. 28
rental in the United States and Canada.
• Content Descriptors indicate elements in a game that may have triggered a
Camera and Photo Mode .................. 32
particular rating and/or may be of interest or concern. The descriptors appear
on the back of the box next to the rating symbol.
Xbox 360 Information ................... 33
ON FRONT ON BACK Credits ................................ 34
VIDEO ™
Cartoon Violence Warranty ............................... 36
GAME Mild Lyrics
E Xbox Customer Support .................. 37
For more information, visit www.ESRB.org

3. CoGFM2/P-3
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where we stand
[MESSAGE FROM CHAIRMAN PRESCOTT]
of their players.
Video game designers ask a lot We had hoped the Lightmass bombing at Timgad would
y impossible situations with decimate the Locust Horde, but they survived, and
Beyond putting them in seemingl selves in the
overwhelming odds, we ask them to immerse them returned stronger than ever. They’ve brought with
astic.
worlds that we craft. We ask them to believe the fant them a force that can sink entire cities.
ers to drive the
Most importantly, we ask our play
that interaction comes a Even Jacinto, our last beacon of hope through all
experience. To interact. And from these dark days, is now at risk. Soon we’ll have
tremendous amount of satisfac tion and a connection to a
forms of entertainment. nothing left to defend and that means we have only
universe seldom seen in other one option: attack.
2, was designed around the
This video game, GEARS Of WAR® rience Gears, what I ask of you now is not an easy thing,
idea of cinematic acti on. We wanted the gameplay expe
ter where you, the gamer, are but it is necessary. If we are to survive, if we are
to feel like a summer blockbus
be an emotional rollercoaster to live long enough to see the seasons pass, our
the star. We built GEARS 2 to st children grow, and experience a time of peace that
of a ride. One minute you’ ll feel overwhelmed as the Locu
the dark and the next we have never known, we must now take this fight to
Horde is bearing down on you in the Locust.
them back underground
you’ll feel empowered as you send
with your Chainsaw Bayonet. We will go to where they live and where they breed
fenix™ and Delta Squad, and we will destroy them.
When you take control of Marcus is a story that
you’re figh ting for humanity itself. This nic This is the day we take the battle to the heart of
is both epic in scale and also immensely personal. Domi the enemy. This is the day we correct the course of
know ing the fate of his
Santiago’s frustration with not human history. This is the day we ensure our survival
nto itself, humanity’s last
wife is building to a head. Jaci as a species!
do or die for mankind.
stand, is threatened and it’s
Soldiers of the COG, my fellow Gears, go forth and
game and we hope you
We’ve put a lot of love into this bring back the hope of humanity!
enjoy the ride!
--Cliff Bleszinski
Design Director, Epic Games, Inc.

4. CoGFM2/ P-4 CoGFM2/P-5
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WeaPOnS pisTols
First rule of the Gears: Take cover or die.
One-handed firing capability makes these the weapons to
use while handling enemy shields and Boomshields.
lanCeR
aSSaulT Rifle
SnuB PiSTOl
• The workhorse CoaliTion weapon • Fully auTomaTiC
• inTended For midrange CombaT • deadliesT melee weapon • sTandard-issue CoaliTion sidearm
• exCellenT baCkup weapon • zoom CapabiliTy
To activate the Lancer’s Chainsaw Bayonet, press and
hold B. This unique melee attack is designed to take Regular firing mode is a single shot. To increase the
out most enemies in a single cut, but can also be used rate of fire, rapidly pull ^.
to clear certain obstacles.
HammeRBuRST
aSSaulT Rifle GORGOn PiSTOl
• sTandard-issue loCusT drone weapon • powerFul medium-range weapon
• more powerFul, aCCuraTe Than a lanCer • zoom CapabiliTy • dual-Clip aCTion • zoom CapabiliTy
Superior to the Lancer when it comes to firing, but Capable of firing four short bursts per reload. Deadly
lacks the melee capabilities of the Chainsaw Bayonet. at close range, though its power is offset by a small
Can be fired faster by rapidly pulling ^, though this clip and long reload time.
also reduces accuracy.
GnaSHeR
SHOTGun BOlTOK PiSTOl
• exCellenT sTopping power • eighT-round CapaCiTy • perFeCT aCTive reload yields FasTer raTe oF Fire
• exTremely deadly aT poinT-blank range • devasTaTing single shoT • zoom CapabiliTy
Small ammo capacity, but its power more than makes up Greater accuracy than the Gorgon Pistol, but its
for it. Can kill a Locust Drone in one shot at close six-shot capacity means every shot must count. Equally
range, but is not nearly as powerful at farther effective at long and short ranges.
distances.

5. CoGFM2/ P-6 CoGFM2/P-7
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SCORCHeR
BOOmSHield flameTHROWeR
• exCellenT For shooTing around or over Cover
• porTable proTeCTion From gunFire and explosions
• perFeCT aCTive reload yields longer Flame
• Can be used in ConjunCTion wiTh any pisTol
Protects its wielder but reduces speed and fires a concentrated flame that burns or kills. Targets
maneuverability. To pick up, approach and press X. are often still dangerous while burning, so keep
To plant in the ground for stationary cover, press and applying the heat to finish them off.
hold ], then press A. Keep in mind that it can be
kicked down by enemies. To discard, change weapons.
sion do the work
grenades
Hand-thrown explosive devices ideal for clearing an area.
Hold ] to view trajectory. Move C to alter this lOnGSHOT SniPeR Rifle
projected arc, then press ^ to throw.
• mosT powerFul zoom available • deadly even aT long range
Tag onto enemies, walls, and objects by pressing B. • perFeCT aCTive reload inCreases headshoT, helmeT damage
Let the explo
Grenades on enemies blow up in seconds, while grenades
Can kill most Locust with a single headshot.
mshot near an enemy.
on walls and objects become proximity traps.
To activate the integrated scope, press and hold ],
then click C to zoom. One shot per reload.
fRaG SmOKe inK
Heard you should aim the Boo
Creates an Obscures an area Poisons an area,
explosion that with a cloud of making it BOOmSHOT
can down or kill smoke while hazardous for a
• Takes ouT mosT enemies wiTh one shoT • doesn’T slow movemenT
enemies. Can also delivering a short time. • perFeCT aCTive reload yields addiTional ClusTer explosions
close e-holes. concussive blast Prolonged
Effective against that knocks exposure leads Produces a large initial blast, followed by several
multiple targets. enemies on their to death. smaller explosions. Its heavy firepower is offset by a
backs. slow reload time. Don’t use at close range or in tight
quarters--the force of explosion can kill you along
with your target. One shot per reload.

6. CoGFM2/ P-8 CoGFM2/P-9
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heavy weapons
TORQue BOW Devastating firepower, but speed and maneuverability are
reduced while using these weapons.
• Fires high-powered, explosive-Tipped arrows
• advanCed TargeTing reTiCle • eFFeCTive melee
Extremely accurate, especially at long distances, but
requires careful aiming. Press and hold ] to enable,
then hold ^ to aim and release to fire. If you hold ^
long enough, the arrows stick into the target before
exploding.
mulCHeR
• high-Caliber maChine gun • large ammo CapaCiTy
• CuTs Through mulTiple enemies aT onCe
Can be fired from the hip, but is far more accurate
when mounted on a stable surface by holding ]. To
fire, press and hold ^. Barrel spins, then gun begins
HammeR Of daWn firing until you release the trigger, or until it
IMULSION =
overheats or runs out of ammo. To cool, press `.
• imulsion-energized saTelliTe parTiCle beam
• handheld TargeTing • quiCkly desTroys large enemies
Requires a clear line of sight on the target and an
open sky in order to fire. Press and hold ] to aim,
then hold ^ to fire. Note that this weapon requires
a few moments to lock onto a target before firing.
mORTaR
• deals massive damage To mulTiple enemies From a disTanCe
• Fully deployable • exCellenT againsT large enemies
Press and hold ] to deploy, then hold ^ to aim and
TROiKa TuRReT release to fire. The longer you aim, the farther the
shot goes. As the mortar shell approaches its target,
• high-powered, TurreT-mounTed maChine gun it bursts open, releasing a hail of deadly explosives.
• gunners proTeCTed wiTh shields and helmeTs Has a distinctive sound when fired, so head for safety
if you hear it. Don’t use at close range or in tight
An extremely deadly mounted weapon. Soldiers should quarters--the force of explosion can kill you along
take cover and avoid its line of fire at all costs. with your target.
Eliminating the gunner lets you take control of the
weapon. Subject to overheating, but can be cooled by
pressing `.
= EXPLOSIVE

7. CoGFM2/ P-10 CoGFM2/P-11
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COnTROlleR
SKIP CINEMATIC/ START/PAuSE >
< (OPTIONS)
SEE MuLTIPLAYER SCOREBOARD
SHOOT/THROW ^
GRENADE
] AIM RELOAD
(SECOND, WELL-TIMED `
PRESS: ACTIVE RELOAD)
SEE OBJECTIVES AND
_
SquAD STATuS
Y POINT Of INTEREST
X uSE/INTERACT
L MOVE B MELEE/TAG
(HOLD fOR CHAINSAW)
TAKE COVER/
A EVADE/MANTLE
(PRESS AND HOLD fOR
ROADIE RuN)
NOTE: fOR ENEMY SHIELD
LOOK C AND EXECuTION CONTROLS,
l SWITCH WEAPONS
(CLICK TO zOOM) SEE PAGE 18.
NOTE: TO CuSTOMIzE CONTROLS, SELECT XBOX 360®
CONTROLLER SETTINGS fROM THE OPTIONS MENu.

8. CoGFM2/ P-12 CoGFM2/P-13
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HeadS-uP diSPlaY
Squad status and position. If it’s red,
your squadmate is down. To revive him,
get near him and press X.
Weapon in use.
Current mission
objectives. To display, Find the exit.
press y.
Ammunition status.
Would HAve gotten smoked in that battle without tHE ACTIVE RELOAD...
Weapon selector (shown
here). To switch
Active reload
weapons, press l.
indicator. To
OR reload, press z;
press again for an
Crimson Omen (life active reload.
indicator). (SEE PAGE 16.)
(SEE PAGE 14.)
OR
Targeting reticle. To
activate, press w.
(SEE PAGE 15.)
Ammunition picked up.
Contextual maneuver or action indicator.
An icon appears when a special move or
action is possible. (SEE PAGES 19–22.)

9. CoGFM2/ P-14 CoGFM2/P-15
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THe CRimSOn Omen TaRGeTinG
(life) AIMING To take aim, press
Life is simple: When you see a target bleeding, it’s taking and hold ] and
damage. Same goes for you. As you take damage, you’ll see move C. A reticle
the Crimson Omen filling with blood to show your status. appears and turns red
when aimed at an
enemy. Note that when
WOuNDED you take aim while in
cover, you remain
mostly in cover, but
your head may be
exposed.
zOOMING To magnify your aim, press and
hold ], then click C. You can only
DYING zoom with the Longshot Sniper Rifle,
Hammerburst Assault Rifle, or the
various pistols.
SHOOTING Move C until you have a target
fROM THE centered, then pull ^ to fire.
HIP This method of targeting is fast
but inaccurate.
DOWN BuT NOT OuT/DEAD
BLIND fIRE While in cover, pull ^ to fire
around cover without exposing
yourself to damage. This move sticks
your gun out of cover and fires, but
is even less accurate than shooting
from the hip.
If you avoid further damage when wounded or dying, you’ll
regenerate (a chance to hone your cover-taking skills).
When the Crimson Omen is full, you are down but not out,
or dead. If down, use L to crawl towards help or you
will bleed out and die. Rapidly press A to crawl faster.
PISTOL =

10. CoGFM2/ P-16 CoGFM2/P-17
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aCTiVe RelOad melee
To manually reload your weapon, press `. When an enemy is close, you can press B to melee attack
him with your current weapon. Warning: If an enemy is
To attempt an active reload, press ` a second time. this close, he can melee you as well.
Success is a matter of timing and practice. There are
three possibilities when attempting an active reload: There is one great melee advantage on the battlefield:
the Lancer Assault Rifle. This weapon has an integrated,
carbide-tipped, variable-torque Chainsaw Bayonet. If
SuCCESS you’re holding this rifle, press and hold B to activate
the Chainsaw Bayonet and dish out high-RPM death. few
enemies can withstand this brutal assault.
NOTE: YOu CAN BE SHOT WHILE ATTEMPTING OR
EXECuTING A CHAINSAW ATTACK.
If you have a grenade equipped and press B to melee, you
If you succeed, you reload faster. can tag the grenade onto a nearby opponent or onto a wall
or an object to set a proximity trap.
PERfECT Chainsaw duels
If you attempt to chainsaw an opponent who is holding a
Lancer and facing you, you’re in for a duel. To win,
Damn Tickers...at least a quick melee gets em off me
rapidly press B.
If you are faster and more relentless than your enemy,
you’ll win the contest and avoid dismemberment.
If you achieve a perfect reload, you reload much faster
and may gain a weapon advantage.
fAILuRE
If you fail, your gun jams and you will spend more time
reloading than if you had let it automatically reload.

11. CoGFM2/ P-18 CoGFM2/P-19
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enemY SHieldS COVeR and BaSiC
and exeCuTiOnS maneuVeRS
When an enemy is down but not out (crawling), you can use To move, use L. All special moves--evading, using cover,
him as a shield or execute him with a finishing move. climbing over an obstacle (mantling), and roadie run--use
the A button with L.
To use a downed enemy as a shield, approach him and
press A. This is an effective way to protect yourself
while under fire or to rush an enemy position. Keep in
GET INTO COVER
mind that you can only fire pistols when using an enemy
shield and that your shield disintegrates if it takes too
much damage.
You can also melee while using a shield by pressing B.
To drop your shield, press X or switch weapons. Dropping
a shield eliminates it from the battlefield.
use cover in combat or die. Move toward anything
that looks like cover (column, doorway, etc.),
then press A.
To crouch while in standing cover, click L.
exiT Cover
To finish a downed enemy off with style, perform one of
the following executions:
X CuRB STOMP B quICK KILL Y EXTENDED KILL
While a close-range kill may be gratifying, keep in mind
that finishing your enemy from a distance is often far
safer. To break cover, move away from the cover point.

12. CoGFM2/ P-20 CoGFM2/P-21
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manTle swaT Turn
To jump over low cover, move L in direction of the While in cover, minimize exposure in reaching a nearby
jump, then press A. Note that you must be in cover cover point with a SWAT turn. Move L toward adjacent
before you can mantle. cover, then press A. You can interrupt a SWAT turn by
holding down A.
evade
roadie run
Tap A while moving L in the direction you want to Part crouch, part run that makes you harder to target.
roll. If there’s no cover, you dodge and roll. You can To roadie run, press and hold A and move L while out
also evade or roll out of cover. of cover. You cannot fire while roadie running. Holding
A while moving in cover increases movement speed.
Cover slip
Crawl
To quickly slip around the corner of cover without When you are down but not out, move L to crawl to
having to back up first, move L in the direction you safety or to a squadmate who may be able to revive you.
want to slip, then press A.
Rapidly press A to crawl faster. use ^ to call for
help while crawling. If you’re downed while holding a
= COVER grenade, you can use ^ to detonate it.

13. CoGFM2/ P-22 CoGFM2/P-23
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inTeRaCTiOn BaTTle OPTiOnS
To use items and perform context-sensitive tasks not from the main menu, you can select from the following
associated with targeting and movement, press X. An icon options:
appears when this function is available (for example,
when you stand near ammunition). solo Campaign
Begin a new solo campaign or continue an existing one.
PRESS X TO: WHEN NEAR: To change to a co-op campaign on the fly, send an invite
over Xbox LIVE® or enter split-screen mode.
Pick up/swap weapon Dropped weapon
Pick up ammo Ammunition cache or
weapon
Co-op Campaign
Begin a new co-op campaign or continue an existing one
Pick up shield Boomshield (see page 24).
Revive squadmate Downed squadmate
Curb stomp enemy Downed enemy
Training grounds
Learn multiplayer rules and hone your skills against
Man turret Mounted weapon computer-controlled bots.
Kick open door functional door
(see fig. 1) mulTiplayer
use lever or switch Operable lever or Create or join a party and compete with other players in
(see fig. 2) switch multiplayer matches (see page 25).
Engage valve Working valve
horde
Press button Operable button fight waves of Locust enemies in an epic battle.
Climb Ladder Play co-operatively with up to four other players
(see page 31).
war journal
Access your achievements, collectibles, leaderboards,
photos, and unlockables.
NOTE: TO VIEW YOuR fRIENDS LIST AND INVITE
PLAYERS TO A GAME, ACCESS THE WHAT’S uP
MENu BY PRESSING _.
= HUMANS ABOVE

14. CoGFM2/ P-24 CoGFM2/P-25
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CO-OP CamPaiGn mulTiPlaYeR
When you select Co-op Campaign from the main menu, you When you select Multiplayer from the main menu, you enter
have the following options: the Multiplayer Party Lobby. Start a party by picking a
match type from the options below:
hosT Co-op Campaign
Host a co-op campaign, beginning with a new campaign or xbox live (publiC or privaTe)
continuing from any unlocked act, chapter, or save point. fight alongside and against other players on Xbox LIVE.
Public Xbox LIVE matches are ranked and feature
Public and private games allow you to play with a friend matchmaking. Private Xbox LIVE matches feature additional
over Xbox LIVE. Selecting Public Xbox LIVE allows anyone customization options and allow friends to join on the
to join without an invite. Selecting Private Xbox LIVE fly. Both options require an Xbox LIVE Gold account and a
allows only your friends to join without an invite. high-speed Internet connection.
Both options require an Xbox LIVE Gold account and a
high-speed Internet connection.
sysTem link (privaTe)
System link allows you to play with a friend on a local Compete with others on a local area network (LAN).
area network (LAN).
join Co-op Campaign loCal (privaTe)
Compete against another player on the same Xbox 360
Join a campaign to play co-operatively. You have the console in split-screen mode.
option of joining a public campaign or playing in
split-screen mode.
NOTE: fOR MORE DETAILS ABOuT STARTING PuBLIC
AND PRIVATE MATCHES, SEE PAGES 26-27.
NOTE: PLAYERS CAN JOIN IN OR DROP OuT Of
A CAMPAIGN AT ANY TIME, AS LONG AS THE
HOST REMAINS.
spliT-sCreen Campaign
Play with a friend on the same Xbox 360 console in
split-screen mode.
NOTE: IN BOTH CO-OP AND SPLIT-SCREEN
CAMPAIGNS, EACH PLAYER CAN SET THEIR OWN
DIffICuLTY LEVEL.

15. CoGFM2/ P-26 CoGFM2/P-27
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publiC maTChes privaTe maTChes
Public matches are ranked and offer limited customization Private matches are unranked but offer more customization.
to ensure consistency in leaderboard stats. Also, They require a minimum of two players and can include
matchmaking groups you with players of similar skill bots. Players can join or drop out of a match at any time.
levels. Ten players are required to start a match (five
players for Horde), and no one can join a match in start a private match
progress once matchmaking begins. Select Private Xbox LIVE, System Link, or Local under
Match Type in the Multiplayer Party Lobby.
start a public match
Select Public Xbox LIVE under Match Type in the unlike in public matches, the party leader of a private
Multiplayer Party Lobby and then determine the playlist. match can select the game type and customize game options.
This choice dictates which game types (see page 28) are Available options vary according to game type, but may
available to players in a pregame lobby. include Total Rounds, Round Time Limit, Number of Bots,
Weapon Spawning, and more. The party leader also has the
Players on your friends list can join a party, and anyone option to select the map or leave it open to voting.
in the party can invite other players. After the party
has gathered and the playlist has been chosen, the party Once a game type and the corresponding options are set,
leader presses > to initiate matchmaking. Other players the party leader presses > to enter a pregame lobby.
cannot join the party once matchmaking begins. Because there is no matchmaking in private matches,
players can join at any time in either lobby or throughout
During matchmaking, additional teammates are added as the match, and bots can be used in place of players.
necessary to make a full party of five, which is then
matched with opponents. for example, a two-person party In a pregame lobby, players can switch teams by
is first matched with a three-person party. The exception pressing Y. The map is chosen either by the party leader
is Wingman, where the party can only be two people. or by voting, depending on the leader’s preference.
Players cycle through different playable characters with
Once matchmaking is complete, players enter a pregame ] or ^ (except in Wingman) and choose a default weapon
lobby where everyone can vote for game types and maps. using _ or z. The party leader determines how long
Players cycle through different playable characters with players have to select these options, pressing > to
] or ^ (except in Wingman) and choose a default weapon proceed to the next option and finally to start the match.
using _ or z. In public matches, you have a limited
time to make these selections. Once all options are Players return to the Multiplayer Party Lobby at the end
selected, the match begins. of each match.
Players return to the Multiplayer Party Lobby at the end
of each match.
NOTE: CHECK LEADERBOARD STATS IN YOuR WAR
JOuRNAL OR AT WWW.GEARSOfWAR.COM.
GENERAL

16. CoGFM2/ P-28 CoGFM2/P-29
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mulTiPlaYeR submission
In this twist on capture the flag, players must down a
Game TYPeS Stranded character, capture him as an enemy shield, and
carry him inside a ring located on the map. When a player
delivers the “flag” to this ring, his team must hold the
warzone flag there for a set amount of time to win the round. If
A COG team is pitted against a Locust team. The goal is the “flag” escapes before he’s taken to the ring, then
simple--eliminate all members of the other team before the team must recapture him. Beware: The Stranded
they eliminate you. Note that you cannot respawn in this character is armed and dangerous, so capturing him can be
mode, so if you’re killed, you have to wait until the a deadly challenge.
Weather can kill as easily as Locust...
next round begins before you can play again.
exeCuTion
guardian This game type is similar to Warzone, but instead of
In this mode, one player from each team is selected to dying after you are knocked down and bleed out, you
act as the leader. The goal of the leader is to stay automatically revive. The only way to kill an opposing
team member is at close range or with a one-shot kill.
worse, sometimes.
alive for as long as possible, because if the leader is
killed, that team loses the ability to respawn. Protect
the leader at all costs!
wingman
up to five two-player teams compete against each other
until one team reaches a set amount of points. The only
way to kill an opposing team member is at close range or
with a one-shot kill. Points are awarded for kills and
for winning a round, so players don’t have to win every
round in order to win the match. In the event of a tie,
the match is settled with another round. You and your
teammate play as two versions of the exact same
character, so any other character is the competition.
= AMMO

17. CoGFM2/ P-30 CoGFM2/P-31
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annex
Players win by retaining control over fixed capture
locations (rings) long enough to collect a winning
number of points. Every map has multiple locations
available for capture, with one location available at a
time. If a location is held by the enemy, enter it to
break possession and defend it to gain control. Players
killed while defending a capture location cannot respawn.
Once all the points from one location have been
collected, a new location appears. The first team to
reach the target score wins the round. Note that target
scores are adjustable in private games.
horde
king oF The hill Horde is a new mode of arcade-style combat exclusive to
GEARS Of WAR 2. up to five players can join together to
Players must gain control of a fixed capture location
fight against waves of various--and increasingly
(ring) on the map and retain control long enough to
difficult--Locust Horde enemies.
collect a winning number of points. To keep collecting
points after a capture, at least one player must remain At the beginning of each wave, enemies spawn from various
within the location to defend it. Players killed while points of the map. Your team needs to clear the map of
defending a capture location cannot respawn. all of the enemies in order to progress to the next wave.
When the last enemy is killed, fallen players respawn and
Execution rules are in play here, so the only way to
begin fighting again in the next wave.
kill an opposing team member is at close range or with a
one-shot kill. King of the Hill has only one location per Each successive wave is more difficult than the last,
round, instead of the multiple locations found in Annex. so it is essential that players work together and form
strategies to avoid being overwhelmed. Players will
NOTE: TO REVIVE A DOWNED SquADMATE, remain in their current position when each wave ends, so
APPROACH HIM AND PRESS X. be sure to take note of where you and the other players
are before the next enemy onrush begins.
The ammo in certain weapons refreshes at the beginning
of each wave. Ammo containers located throughout the map
also refresh, but players should take caution--it’s easy
to become separated from your team once the enemy begins
attacking.
If all players are killed in the same wave, the game
ends.

18. CoGFM2/ P-32 CoGFM2/P-33
RESTRICTED RESTRICTED
CameRa and xBOx 360
PHOTO mOde infORmaTiOn
After you’ve died in a multiplayer match, you can view
the battle in various ways. xbox live
Play anyone and everyone, anytime, anywhere on Xbox LIVE.
To cycle through the battle cameras, press ] and ^. Build your profile (your gamer card). Chat with your
These cameras track the action from fixed positions friends. Download content (TV shows, trailers, HD movies,
throughout the map. game demos, exclusive game content, and Arcade games) at
To cycle through the player cameras, press _ and `. Xbox LIVE Marketplace. Send and receive voice and video
These cameras show a third-person view of each living messages. use LIVE with both Xbox 360 and Windows®. Play,
teammate. You cannot view an enemy’s camera. chat, and download on both your PC and your Xbox 360.
LIVE gives you ultimate access to the things you want and
To activate the ghost camera, press X. This camera allows the people you know, on both your PC and your TV. Get
you to roam freely around the map by moving L and C. connected and join the revolution!
To toggle names on and off, press A.
ConneCTing
To take a photo while spectating, press B. You can view
Before you can use Xbox LIVE, connect your Xbox 360
your photos in your War Journal and upload them to
console to a high-speed Internet connection and sign up
www.gearsofwar.com. Your photos are scored based on
to become an Xbox LIVE member. for more information about
number of enemies, explosions, and more.
connecting, and to determine whether Xbox LIVE is
available in your region, go to www.xbox.com/live.
Family seTTings
These easy and flexible tools enable parents and
caregivers to decide which games young game players can
access based on the content rating. And now, LIVE family
Settings and Windows Vista® Parental Controls work better
together. Parents can restrict access to mature-rated
content. Approve who and how your family interacts with
others online with the LIVE service. And set time limits
on how long they can play. for more information, go to
www.xbox.com/familysettings.
= BOAT

19. EPIC GAMES Nick Atamas, Shane Smith, Sr. IT Manager Robin Atkin Downs:
Sound Design Web Design Production Matthew Nomura (Excell) Dustin Sewell
Engine Programmer Biz Minh Young Kim,
Design Director Joey Kuras Chris Furniss (S&T Onsite) Nick Raines (Excell) (Hewlett-Packard)
Derek Cornish, Dr. Michael Capps, President Henny, Chaps, Niles,
Cliff Bleszinski Jamey Scott Shohn McCarter (Excell) Justin Spiegelberg
Sr. Engine Programmer Mark Rein, VP Marketing Locust Kantus,
Soundelux Design Music
TEST Shaun Martin (Volt) (Hewlett-Packard)
Sr. Producer Laurent Delayen, Jay Wilbur, VP Biz Dev Boomer, and Sires Test Managers Andrew Warthen (Volt)
Rod Fergusson Sr. Gameplay Programmer Jay Andrews, General Counsel Dee Baker: RAAM, Theron Group xNA LIVE SERVER
Fred Norton Ja’min Wilmey (Excell)
Lead Programmer Jeff Farris, Sarah Asby, Office Assistant Prerendered Cinematic Audio
Guard, Locust Drone, Sires Daland Davis Jeremy Silvis (Excell) Lead Program Manager
Ray Davis Sr. Gameplay Programmer Joe Babcock, Controller Carolyn Seymour: Myrrah Mixes
Natahri Felton Dylan Power (Aditi) Dave Templin
Lead Level Designer Mike Fricker, Dana Cowley, PR Manager Jamie Alcroft: Victor Hoffman Technicolor Interactive
Lead Software Development Peter Tran (Volt) Program Managers
Dave Nash Sr. Engine Programmer Sheri Christie, IP and Peter Jason: Dizzy, Hanley Services Steve Dolan
Engineers in Test (SDETs)
Art Direction James Golding, Contracts Administrator Charles Cioffi: Chairman Mocap Animation Cleanup BUSINESS Benjamin Steenbock
Cinematic Facial Animation Project Test Lead
Chris Perna Sr. Gameplay Programmer Anne Dube, Office Manager Prescott, Adam Fenix DEVELOPMENT Stephen Yong
Chris Hind
Sr. Gameplay Designer Joe Graf, Technical Director, Kimberly Lucas, HR Director Nolan North: Jace Stratton, Technicolor Creative Services Business Managers Development Manager
Unreal® Engine 3 Voiceover Recording Single Player Test Lead
Lee Perry Richard Nalezynski, Gamma 3 Soldier, Kevin Geisner Brian Spanton
Wesley Hunt, and Editing Chris Henry
Art UDN Support Manager KR Pilot #3 Brandon Morris Lead Developer
Sr. Engine Programmer Beth Rosenberry, Leigh Allyn Baker: KR Pilot #2, Voice Casting Director Multiplayer Test Lead
Chris Bartlett, Sr. Artist Ed Kalletta Raymond Arifianto
Josh Markiewicz, Executive Assistant Chris Borders Diana Antczak
Mike Buck, Sr. Artist COG Medic #1, Finance Manager Hiroki Kobayashi
Shane Caudle, Sr. Gameplay Programmer Special Thanks Centaur Driver #1 Software Development
David Hampton Developers
Technical Art Director Rob McLaughlin, Melissa Batten, our thoughts Wally Wingert: Omega 1 MICROSOFT GAME Engineer (SDE) Lead
Sr. Gameplay Programmer J McBride MARkETING Daniel Berke
Scott Dossett, Sr. Animator
Keith Newton,
and prayers are with her and Soldier, Charlie 6 Soldier, STUDIOS Software Test Engineers Global Group Product
Ted Howard
Peter Ellis, Sr. Artist her family. David Burke, COG Medic #2
Joel Wiljanen
Jeremy Ernst, Animator Engine Programmer Nick Cooper, Paul Jones, Paul Chris Cox: Beta 4 Soldier, PRODUCTION Scott Sedlickas Manager
Matt Oelfke, Sajid Merchant Test Manager
Bill Green, Artist Mader, Amitt Mahajan, Jeff Centaur Driver #2 Executive Producer Dan Amdur
Gameplay Programmer Nathan Clemens Anibal Sousa
Matt Hancy, FX Artist Morris, Steve Polge, and KR Pilot #1 Laura Fryer Global Product Manager
James Hawkins, Ron Prestenback, Sidney Rauchberger. Courtney Ford: Maria Mike Yurka Test Lead
Producers Guy Welch
Sr. Concept Artist Gameplay Programmer And an extra special thanks toActors—Motion Capture Dan Bell Randy Santossio
Deanna Hearns Tiffany Walsh PUBLIC RELATIONS Testers
Pete Hayes, Sr. Artist Andrew Scheidecker, Patrick Downey
all of our friends and family for Mike Forgey Scott Lindberg Isaias Formacio-Serna
Aaron Herzog, Sr. Animator Sr. Engine Programmer their patience, understanding Kit Fitzsimons Global Public Relations
Erika Carlson Caitie McCaffrey Scott Grant
Jay Hosfelt, Lead Animator Dan Schoenblum, and love, all of which were Matt McGrath Manager
Wyeth Johnson, Sr. FX Artist Sr. Engine Programmer necessary to finish Gears Rachel Pedersen DEVELOPMENT Rahsaan Shareef Rob Semsey Malia Guerrero
Kevin Johnstone, Sr. Artist John Scott, of War 2. Katie Shutrump Development Manager Brad Catlin Legal and Corporate Affairs Dustin Rector
Kevin Lanning, Sr. Engine Programmer Ryan Stevens Relja Markovic Ferdinand Schober Don McGowan Will Sheehan
Sr. Character Artist Scott Sherman, EPIC SHANGHAI Gabe Wood Software Development Allyn Iwane (Excell Data Alan Bruggeman Documentation Manager
Greg Mitchell, Sr. Engine Programmer Art Manager Cinematic Rigging Services) Michael Stahl
Engineers (SDEs) LOCALIzATION
Sr. Cinematics Director Niklas Smedberg, Zhang Lei Nina Fricker Anthony Ervin (Volt) Documentation
Greg Snook
Mark Morgan, Sr. Artist Sr. Engine Programmer Art Music John Holes (Excell) International Program Andrew Graff
Mark Mihelich
Maury Mountain, Artist Lina Song, Tang Jing Jing Music Composed by Lou Huderski (Volt) Manager (NW Connection Services)
Brandon Burlison
Shane Pierce, Sr. Engine Programmer Hu Jin Wei Steve Jablonsky Brian Fetty (Excell) Lief Thompson Customer Support
Sr. Concept Artist Stephen Superville, Liu Yun Orchestrators ART Matthew Skirvin (Volt) Ronn Mercer
Sr. Gameplay Programmer Deng Yi Le Art Director SDEs MGS COMMUNITY WEB
Aaron Smith, Sr. Artist Penka Kouneva
Tim Sweeney, Zhao Lu Tim Dean Brant Schweigert Site Manager
Mikey Spano, Sr. Artist Danail Getz Special Thanks
Technical Director Ming Ya Jun Matthew Call Misty Thomas
Kendall Tucker, Sr. Artist Copyist Media Production Director Shane Kim, Mike Delman, Phil
Jordan Walker, Texture Artist Martin Sweitzer, Zhang Jin Curtis Neal Dan Price Lead Developer Spencer, Bonnie Ross Ziegler,
Junko Tamura Sam Conn
Chris Wells, Sr. Gameplay Programmer Liao Zhi Gao Artist Tim Woodbury (Excell) Ken Lobb, Kevin Browne,
Wang Teng Teng Music Preparation Developers
Sr. Character Artist Matt Tonks, Mike Kihara (FILTER) Test Multiplayer Reserves Kudo Tsunoda, Matt Barlow,
Chen Xiao Bonnie Lavine Brick Baldwin
Alex Whitney, Gameplay Programmer Reserve Team Leads Charlotte Stuyvenberg, Greg
Wang Wei Jia Robert Puff GAME DESIGN Kelly Stump
Sr. Animator Daniel Vogel, Craig Marshall B. Jones, David Shaw, Ben
Lead Engine Programmer Liu Chen Lin Additional Arrangements Lead Design Director Bob Kruger (Excell)
Audio Pieter Schlosser Mark McAllister Cammarano, Ryan Wilkerson,
Mike Larson, Audio Director Joe Wilcox, Biz Chris Esaki Joe Djorgee Chris Barney (Siemens Justin Korthof, Josh Atkins,
Sr. Engine Programmer Paul Meegan, CEO Remote Control Productions Design Directors Business Services Inc)
Level Design TJ Duez Rich Wickham, Steve Schreck,
Daniel Wright, Lu Zhi Gang, President Mixed by Jeff Biggers Christopher Blohm Michael Reinhardt (VMC
Andrew Bains, Reserves Testers Yasmine Nelson, Matt Whiting,
Engine Programmer Special Thanks Assisted by Katia Lewin Greg Murphy Consulting Corporation)
Sr. Level Designer David Hoar (Excell) Keith Cirillo, Guy Whitmore,
Sam Zamani, Liao Jun Hao Skywalker Sound William Hodge Laura Ryder (VMC Consulting Dana Fos, Matt Gradwohl,
Adam Bellefeuil, Daniel Monroe (Volt)
Sr. Engine Programmer Score Recording Justin Ireland (Excell) Corporation) James Coliz, JoAnne Williams,
Sr. Level Designer PEOPLE CAN FLY AUDIO
Quality Assurance Leslie Ann Jones Kyle Jacobsen (Volt) Pavan Kurimilla (Insight Global) Jason Graf, Jason Reiner,
Jim Brown, Sr. Level Designer Audio Director
Jess Ammerman, Game Tester Project Manager Assisted Score Recording Nico LeBrun (Excell) Test Michael Cahill, Craig Davison,
Ryan Brucks, Level Designer Caesar Filori
Prince Arrington, Piotr Krzywonosiuk Dann Thompson Raymond Estrada (Volt) Arif Yayalar (Volt) Steve Beinner, Dan Cornelius,
Phil Cole, Sr. Level Designer
Sr. Game Test Manager Additional Multiplayer Level Judy Kirschner Audio Production Director Tyler Wolfe (Excell) James O’Rourke Eric Baca, Mike Stout, Jon
Grayson Edge,
Scott Bigwood, Design Robert Gatley Ken Kato William Hales (Volt) (Insight Global) Rooke, Jaime Limon Letcegui,
Sr. Level Designer
Dave Ewing, Game Test Supervisor Adrian Chmielarz Pro Tools Operator Sr. Sound Designer Scott Shields (Volt) Writer/Video Producer Peter Suzdalev, Cees Lengers,
Lead MP Level Designer Karlo Cedeno, Game Tester Pawel Dudek Andre Zweers Peter Comley Brandon McCurry (Volt) Scott Kearney (The Lux Group) Hans Reinarz, Hugo Velasco
Stuart Fitzsimmons, Roger Collum, Lead Tester Bartek Kmita Score Performed by The Sound Designer Curtis Marmolejo (Excell) Community Web Site Content Blanco, Niklas Linden, Thomas
Level Designer Ben Chaney, Lead Tester Dariusz Korotkiewicz Skywalker Symphony Keith Sjoquist (ROMPUS Jack Moore (Volt) Manager Grasslober, Andrea Giolito,
Bastiaan Frank, Alex Conner, Game Tester Wojciech Madry Orchestra RECORDINGS INC) James Brown (Excell) Kelly Bell Tobias Egartner, Violeta
Sr. Level Designer Joshua Fairhurst, Game Tester Rafa Maka Conductor Michael Bottemiller (Volt) Xanthouli, Merthan Kaleli,
Jerry Gilland, Game Tester Michal Nowak STORY AND USER GAMESIT Aman Sangar, John Press,
Josh Jay, Level Designer Tim Davies Brandt Massman (Volt)
Drew Griffin, Game Tester Andrzej Poznanski ExPERIENCE Craig Prothman (Volt) Program Managers Andrew Jenkins, Tom Hunt,
Warren Marshall, Orchestra Contractor
Steven Haines, Game Tester Bartek Roch Writer Jacob Weatherspoon (Excell) Michelle Cohen Felicia Lim, Alan Chou, Cary
Sr. Level Designer Janet Ketchum
Justin Hair, Game Tester Krystian Stefanski Joshua Ortega John Thomas (Volt) Kyle Emtman Chen, Anna Chow, Kay Kim,
Demond Rogers, Concertmistress
Sr. Level Designer Brett Holcomb, Engine Tester Editors Michael Durkin (Volt) Database Engineer Sanjoy John, Eli Friedman,
Aaron Jones, Engine Tester CONTRACTORS Kay Stern Melanie Henry Ken Adamson Taylor Smith, Tracy Sullivan,
David Spalinski, Vocals Performed by The Antonio Mora (Excell)
Josh Keller, Game Tester Actors—Voiceover Wynn Rankin (Volt) Network Justin Kirby, Aaron Elliott, Jamie
Level Designer Eric Town (Excell)
Chris Lavalette, Game Tester John Di Maggio: Marcus Fenix, Skywalker Chorus Heidi Hendricks Robert Cornwall Davies, Henry Liu, AKQA, T.A.G
Ken Spencer, Jeffrey Ankrum (Excell)
Sr. Level Designer John Liberto, Game Tester Franklin Conductor Jeffrey Brown (Excell) Tavi Siochi at McCann, Digital Domain,
John Mauney, Game Tester Carlos Ferro: Dominic Ian Robertson USER RESEARCH
Alan Willard, Nick Hillyer Primo Pulanco (Excell) Support BLT, Mark Van Lommel, Natalie
Sr. Level Designer Matthew Montague, Santiago Choir Contractor Viet Pham (Volt) Jeremy Hall Edwards, Cliff Jin, Farm
Fred Tatasciore: Damon Baird, Deborah Benedict Kevin Keeker
Production Game Tester Tim Daniels (Volt) Peter Zorer (Hewlett-Packard) Saechou, Chrystina Elaine
Tanya Jessen, Matthew Sorrell, Game Tester Tai Kaliso, Locust Drone Soprano Soloist PRINT/WEB DESIGN Ross Little (Excell) Engineering Woody, Craig A. Carlson, Cindy
Jon Taylor, Lead Tester and Boomer Mitzie Kay Tompkins, Jill Eppenberger,
Sr. Associate Producer Design Lead David Foster (Volt) Tom Putnam
Craig Ushry, Game Tester Lester Speight: Augustus Cole Assistants to Composer Christine Zhang, Jeff Sanborn,
Chris Mielke, Dana Ludwig Lewis Liaw (Excell) Scott Thomas
System Administration Nan McNamara: Anya Pieter Schlosser Martin Duggan, Pheng Pheng
Art Production Manager Print Production Sarah Bowman (Volt) Gregory Shay
Woody Ent, Michael Gough: Anthony and Doug Clow Chew, Jeff Baran, and the
Programming Chris Lassen Jesse del Rosario (Excell) (Hewlett-Packard)
Systems Technician Benjamin Carmine localization teams in Dublin,
Josh Adams, Additional Music Rick Achberger (S&T Onsite) Ray Chow (Volt) Infrastructure
Sr. Engine Programmer Warren Schultz, Kevin Riepl Doug Startzel (The Lux Group) Chris Chappell (Excell) Nairn Walker Japan, Korea, China, and
Sr. IT Manager Chris Mathews (Excell) Taiwan

20. CoGFM2/ P-36 CoGFM2/P-37
RESTRICTED RESTRICTED
xBOx CuSTOmeR
limited warranty For your Copy of xbox game software (“game”)
acquired in the united states or Canada
warranty
Microsoft Corporation (“Microsoft”) warrants to you, the original
purchaser of the Game, that this Game will perform substantially as
SuPPORT
described in the accompanying manual for a period of 90 days from the Technical support is available seven days a week including holidays.
date of first purchase. If you discover a problem with the Game covered • In the U.S. or Canada, call 1-800-4MY-XBOX.
by this warranty within the 90-day period, your retailer will repair TTY users: 1-866-740-XBOX.
or replace the Game at its option, free of charge, according to the • In Mexico, call 001-866-745-83-12.
process identified below. This limited warranty: (a) does not apply if
the Game is used in a business or for a commercial purpose; and (b) is
TTY users: 001-866-251-26-21.
void if any difficulties with the Game are related to accident, abuse, • In Brazil, call 0800 891 9835.
virus or misapplication. • In Chile, call 1230-020-6001.
returns within 90-day period • In Colombia, call 01-800-912-1830.
Warranty claims should be made to your retailer. Return the Game to for more information, visit us on the Web at www.xbox.com.
your retailer along with a copy of the original sales receipt and an Information in this document, including uRL and other Internet Web site references,
explanation of the difficulty you are experiencing with the Game. At is subject to change without notice. unless otherwise noted, the example companies,
its option, the retailer will either repair or replace the Game. Any organizations, products, domain names, e-mail addresses, logos, people, places, and
replacement Game will be warranted for the remainder of the original events depicted herein are fictitious, and no association with any real company,
warranty period or 30 days from receipt, whichever is longer. If organization, product, domain name, e-mail address, logo, person, place, or event is
for any reason the Game cannot be repaired or replaced, you will be intended or should be inferred. Complying with all applicable copyright laws is the
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this document may be reproduced, stored in or introduced into a retrieval system,
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TO THE fuLL EXTENT ALLOWED BY LAW, NEITHER MICROSOfT, ITS RETAILERS their respective owners.
OR SuPPLIERS ARE LIABLE fOR ANY SPECIAL, INCIDENTAL, PuNITIVE, unauthorized copying, reverse engineering, transmission, public performance, rental,
INDIRECT OR CONSEquENTIAL DAMAGES ARISING fROM THE POSSESSION, uSE OR pay for play, or circumvention of copy protection is strictly prohibited.
MALfuNCTION Of THIS GAME. THE fOREGOING APPLIES EVEN If ANY REMEDY © 2008, Epic Games, Inc. All rights reserved. Epic, Epic Games, the Epic Games logo,
fAILS Of ITS ESSENTIAL PuRPOSE. Some states/jurisdictions do not allow Gears of War, Gears of War 2, Marcus fenix, unreal, and the Crimson Omen logo are
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for questions regarding this warranty contact your retailer or
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