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Slide 2<br />What we’ll be reviewing in roughly five sections throughout this afternoon’s training<br />Slide 3<br />,[object Object]
Use these when you are not teaching inside of a classroom, if you’re a librarian or you work in a company.
Makes materials easier to share and adapt across institutions if you have partnerships with others.
OER can be used in the open web in a legal capacity, whereas non-licensed educational materials cannot.
Makes sharing and adaptation easier to “downstream” users.Slide 4<br />Primary objectives: <br />Building communities of OER producers and users<br />training, connections, collaboration<br />Consulting and Outreach Services to facilitate OER production<br />help organizations like MERLOT understand how to create and use OER effectively<br />Development of Processes and Software to support OER production and publishing<br />create processes, tools and resources for others to use to create OER (eg. the content clearance process we’ll go through later today<br />Slide 5<br />,[object Object]

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U-M MELO training June, 2011

  • 1.
  • 2. Use these when you are not teaching inside of a classroom, if you’re a librarian or you work in a company.
  • 3. Makes materials easier to share and adapt across institutions if you have partnerships with others.
  • 4. OER can be used in the open web in a legal capacity, whereas non-licensed educational materials cannot.
  • 5.
  • 6.
  • 7. Some content still relies on Fair Use and our own Public Domain, ineligible for copyright.
  • 8.
  • 9.
  • 10. The overall site constitutes open access.
  • 11. The OER is dependent on the content creator.
  • 12.
  • 13. But it does get confusing because the objects you are reviewing may or may not be openly licensed.
  • 14. The content created by MERLOT may or may not be openly licensed.
  • 15.
  • 16. Creating OER in this project
  • 17. Have an opportunity to generate even more OER by licensing your wrappers
  • 18.
  • 19.
  • 20. Copyright protects the intellectual expression of an idea, it doesn’t protect the idea itself or factual information.
  • 21.
  • 22.
  • 23.
  • 24. The internet makes it easy to share.
  • 25.
  • 26. Today online learning happens not just in distance education but face to face, asynchronously, formally and informally.
  • 27.
  • 28. Art: anything before 1923 is in the public domain and you can use it without permission.
  • 29.
  • 30.
  • 31.
  • 32. Little icons you find in MS Word or other programs may be copyrighted because an artist created them.
  • 33.
  • 34. Screenshots illustrating a website are generally not copyrighted unless they contain an image or a lot of text that is copyright.
  • 35.
  • 36. Remember we talked about getting permission from the copyright holder.
  • 37. Open licenses work alongside copyright.
  • 38. You still own your copyright but you are giving advanced permission for people to use your work in certain ways.
  • 39.
  • 40.
  • 41. These are the four we use when we publish U-M folks’ materials.
  • 42. You can see that the more terms you set, the less flexibility the downstream user has to use your work.
  • 43.
  • 44. You can attribute these things in a few different ways, as long as you include this basic information.
  • 45. If you don’t want to attach this information directly to the open content you’re adapting, you can also include an attributions page (like a works cited page).
  • 46.
  • 47.
  • 48. We’ve developed a content clearance process for others to use to recognize and clear material to be published as OER.
  • 49.
  • 50. Make sure you don’t accidentally expose personal information.
  • 51.
  • 52.
  • 53. This one gets tricky because jurisdictions across the world are different with regard to what is fair use and what is protected.
  • 54.
  • 55. In this case we try to remove the content and annotate it where possible with a stable link.
  • 56.