The document summarizes discussions from the FOSSa 2011 conference openness track regarding copyright and intellectual property in the digital world. Key points include: (1) Digitization and the internet have changed the economic and social rules by allowing near-zero cost copying and sharing; (2) Intellectual property artificially induces rivalry and may not be economically efficient; and (3) For orphan works where the copyright holder cannot be found, some propose making the works freely available online while paying royalties into escrow in case the rights holder appears.
using Open Source Hardware and Rapid Prototyping in Arts OrganisationsBrian Degger
presentation given at Art of the Digital about how organisations could use open source hardware in their organisations based upon what other people are doing.
Nowadays, a Quality testing team is facing challenges to sustain its core activities and the same level of quality while new features, new platforms, more complex use cases are to covered.The Glassfish Quality Community is an initiative which intends to build a testing community around the Glassfish project and attempts to address the above challenges.
This session will present in details what the Glassfish Quality community is all about and what directions have been taken to meet its objectives
using Open Source Hardware and Rapid Prototyping in Arts OrganisationsBrian Degger
presentation given at Art of the Digital about how organisations could use open source hardware in their organisations based upon what other people are doing.
Nowadays, a Quality testing team is facing challenges to sustain its core activities and the same level of quality while new features, new platforms, more complex use cases are to covered.The Glassfish Quality Community is an initiative which intends to build a testing community around the Glassfish project and attempts to address the above challenges.
This session will present in details what the Glassfish Quality community is all about and what directions have been taken to meet its objectives
QualiPSo is a four-year project, co-funded by the EU Commission, whose objective is to foster and promote the adoption of Open Source in Industries, SMES, and Public administrations by means of new software, methods, mortars and bricks.
In particular, the objective will be achieved by means of different research activities, ranging from the legal issues to the definition of quality measurements mechanisms, all integrated into next generation Factories.
These results will be then used within QualiPSo Competence Centre, widespread all over the world.
How recruiters find you online october 2009TorontoJobs.ca
This powerpoint presentation was created by Marc Belaiche, CA, President of TorontoJobs.ca to help jobseekers find out how to make sure that recruiters can find
This is an old deck from a keynote we did at Games Convention Online in 2010. There is still a lot of relevant info on how to build a game community and empower your supporters.
Internet Librarian 2008: 2.0 learning and 1.8 users: Bridging the gapColleen Harris
Rudy Leon & Colleen S. Harris. (2008, October). 2.0 learning and 1.8 users: Bridging the gap. Presentation at the annual Internet Librarian conference. Monterey, CA, October 2008.
QualiPSo is a four-year project, co-funded by the EU Commission, whose objective is to foster and promote the adoption of Open Source in Industries, SMES, and Public administrations by means of new software, methods, mortars and bricks.
In particular, the objective will be achieved by means of different research activities, ranging from the legal issues to the definition of quality measurements mechanisms, all integrated into next generation Factories.
These results will be then used within QualiPSo Competence Centre, widespread all over the world.
How recruiters find you online october 2009TorontoJobs.ca
This powerpoint presentation was created by Marc Belaiche, CA, President of TorontoJobs.ca to help jobseekers find out how to make sure that recruiters can find
This is an old deck from a keynote we did at Games Convention Online in 2010. There is still a lot of relevant info on how to build a game community and empower your supporters.
Internet Librarian 2008: 2.0 learning and 1.8 users: Bridging the gapColleen Harris
Rudy Leon & Colleen S. Harris. (2008, October). 2.0 learning and 1.8 users: Bridging the gap. Presentation at the annual Internet Librarian conference. Monterey, CA, October 2008.
Rethinking digital copyright laws to supporto creativity, access to knowledge...OECD CFE
Presentation by Caterina Sganga, Associate Professor of Comparative Private Law, Scuola Superiore Sant’Anna, Pisa, Italy at the 6th Summer Academy on Cultural and Creative Industries and Local Development "Disrupting tradition: How digital technology is changing the cultural and creative processes", 18-20 Sept. 2023 ONLINE and 27-29 Sept. 2023 ONSITE (Trento, Italy).
More info: https://oe.cd/sacci
Visit our website: www.oecd.org/cfe
Follow us on Twitter: @OECD_local
This webinar on intellectual property rights is the kick off session for a 6 week MOOC entitled Copyright – DIY led by Mathy Vanbuel from ATiT. During this first 1 hour long session entitled “From the Statute of Anne to Beyoncé” Mathy will provide an introduction as to where our current practices in IPR come from, what the different intellectual property rights are and how they affect all of us one way or the other whether we like it or not. This session and the rest of the MOOC is intended to be a practical introduction for anyone (teacher, writer, artist, student, consumer...) who creates original materials or who uses, reuses, mixes and adapts original materials that were created by others.
The purpose of this presentation is to compare European copyright and patent laws in relation to AI’s "computational" creativity. Is any of the two systems compatible with it?
Copyrights, Trademarks, Patents, by Tobias Kuban and Matthias Bockbioflux
With the increasing importance of computers and software in the second half of the 20th century, there began a debate about how the shareability of software would reconcile with the compensation of their programmers. The debate ultimately lead to the formalization of the terms Open Source and Free Software, that have since provided the legal foundation upon which the free software movement has thrived. Not least due to the steadily increasing technical possibilities for biohackers to perform professional work, a similar debate is now beginning in the area of biology: How can individuals be creative in a community of sharing but at the same time gain from the fruits of their labor? In this talk we would like to give a short introduction to the legal terms relevant in this context, point out analogies to the software world and address the question, what legal measures exist for free biologists and biohackers, who at the same time feel they should be compensated for their work but also wish to share it with a larger community.
About the speakers:
Tobias is a law student and biohacker from Berlin and an active member of the Berlin-based biohacker association Biotinkering. In his free time he is working in his allotment garden, in particular towards breeding a kind of apple, which is resistant to the fire blight disease. For this purpose he has amongst other things has designed and built his own PCR machine.
Matthias is an engineer and biohacker from Berlin. He studied Biochemistry, Biophysics and Technical Informatics and is an active member of Biotinkering in the context of which he amongst other things has experimented with luminescent microorganisms and mushrooms, cellulose-producing microbial societies and flower dyes as pH indicators.
Note les images proviennent de la présentation Prezi.com -> Standford. Big thanks to them.
Les communautés pour faire vivre un code, une plateforme, une infrastructure ? Connaissez-vous les douze commandements du community manager? Cette présentation sera effectuée par Stéphane Ribas qui présentera méthodes et bonnes pratiques autour de la création et la gestion de communauté. Il abordera ce thème de manière originale en parlant des douze commandements du community manager.
Stéphane est un ingénieur de recherche au sein de l'Inria, il s'occupe de conseiller les équipes de recherche à développer des communautés autour de leur projet.
Comment choisir sa licence libre pour son projet de développement logiciel et technologique dans le milieu de la recherche ?
Retour d'expérience et conseils par Stéphane Ribas.
Attention cette présentation doit être accompagné du discours! de plus, ces slides ne refléte qu'une reflexion sur les licences open source, il ne s'agit que de reflexions et opinion de son auteur et non pas d'INRIA... c'est important :-)
A+
Diffuser les résultats de recherche ? Comment ? Nous aurons par la suite une présentation d’Aquitaine Science Transfert (http://ast-innovations.com/, http://www.satt.fr/). Cet organisme nous expliquera leurs métiers, leurs contraintes, et nous fera part de leurs conseils et bonnes pratiques afin de diffuser et préparer la valorisation de vos résultats de recherche dans de bonnes conditions et sans stress. Cette présentation sera axée sur la pratique avant tout! Elle abordera des cas de la vie courante propre à nos instituts. Cette session sera riche d'enseignement !
Aquitaine Science Transfert est l’interlocuteur des chercheurs pour la protection, la maturation et la valorisation de leurs résultats de recherche. Elle les accueille tout au long de l’année pour étudier leurs résultats de recherche, les aider à déclarer leurs inventions et définir une stratégie de protection et de valorisation. Pour certains projets, elle investit dans la maturation technico-économique pour finaliser l’invention et réaliser un transfert sur les marchés à courte ou moyenne échéance.
Retour d’expérience sur la gestion de projet de développement logiciel et technologique. Présentation faite par Francois Pellegrini, Prof. Univ. Bordeaux, auteur de plusieurs ouvrages sur le sujet de la propriété intellectuelle autour des logiciels (surtout libre!). Il est aussi “project leader” de plusieurs logiciels ouverts et à une très grande expérience à la fois en gestion de projet et en propriété intellectuelle. Cette présentation contiendra ses retours d’expériences, ses bonnes pratiques, ses conseils, et ce qu'il ne faut surtout pas faire !
Vous aimez des cas pratiques? Pas de théorie ? Alors vous ne serez pas déçu par Francois Pellegrini.
La valorisation de logiciels de recherche au sein de l'Inria? Quels sont les bonnes pratiques pour préparer une diffusion large ? Quels sont les modèles économiques possibles et leurs licences associés ? Conseils, Retour d'expérience et bonnes pratiques par Laure Aït-Ali Le Neindre, Chef de projet transfert, partenariats et projets d'innovation.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Extraction Of Natural Dye From Beetroot (Beta Vulgaris) And Preparation Of He...SachinKumar945617
If you want to make , ppt, dissertation/research, project or any document edit service
DM me on what's app 8434381558
E-mail sachingone220@gmail.com
I will take charge depend upon how much pages u want
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Solid waste management & Types of Basic civil Engineering notes by DJ Sir.pptxDenish Jangid
Solid waste management & Types of Basic civil Engineering notes by DJ Sir
Types of SWM
Liquid wastes
Gaseous wastes
Solid wastes.
CLASSIFICATION OF SOLID WASTE:
Based on their sources of origin
Based on physical nature
SYSTEMS FOR SOLID WASTE MANAGEMENT:
METHODS FOR DISPOSAL OF THE SOLID WASTE:
OPEN DUMPS:
LANDFILLS:
Sanitary landfills
COMPOSTING
Different stages of composting
VERMICOMPOSTING:
Vermicomposting process:
Encapsulation:
Incineration
MANAGEMENT OF SOLID WASTE:
Refuse
Reuse
Recycle
Reduce
FACTORS AFFECTING SOLID WASTE MANAGEMENT:
Open past books and digitization - bernard lang - fossa2011
1. FOSSa 2011 Conference
October 26-28, 2011, Lyon
Openness Track
Open Past : can books be opened
by digitization?
Copyright's Old Clothes
after H. C. Andersen
Bernard Lang
AFUL
AFUL : Association Francophone des Utilisateurs de Logiciels
Libres
produced with the free software
3. A phase transition in
the culture/knowledge ecology
● [ Digitization + Internet ] copy + send = $0
changes its economic
and social laws
● This enables new
economic, social, and
legal engineering
● It also disables former
economic, social and
legal devices
http://www.istockphoto.com/
Copyright / IP Engineering must be consistent with
underlying technical, economic and social physics
4. Inadequacy of Intellectual Property
in the digital world?
● Digital creation are non rival : No natural marginal cost
● Software Patents & Copyright : create marginal cost
=> Adulteration of natural economic properties
Intellectual Property artificially induces rivalness
Is it efficient ?
Should we find better ways of remunerating creation ?
5. Value and Usage
Value as social usefulness (rather than individual)
● Material goods are rival => limited use
(but property preserves value - tragedy of commons)
● Digital creations are non rival => unlimited use
but intellectual property limits use,
hence reduces social value
IP is socially less efficient, unless there is another factor
such as : Incentive to create – remuneration of creative work
6. IP is not a problem in material economy
(usually) and sometimes a solution
● Material goods are rival and have a marginal cost
● Royalties for patents or copyright do not significantly
adulterate possible economic models (usually)
Ignoring the fixed cost of prototyping
● Material production requires significant investment in capital
● IP offers a more secure return on investment
● Applies to both copyright and patents
● But there are no production cost in digital “production”
IP was created for professionals in a material economy
it is now applied to average people in a digital economy
7. The case of written creation
Copyright is the daughter of the printing press (~1450)
●
It started as a monopoly of stationers (16th and 17th century)
enforcing individual monopolies over the printing of books
The production investment was protected long before the
Statute of Ann (1709) transferred the monopoly to authors
who still usually return it to publishers, but receive royalties.
● Royalties are just a share in the cost of each book
and do not change much the economics.
● Obligation to pay royalties for making copies became a
basic assumption (nothing to be gained otherwise) and
still is to this day : Books cannot be free
Same reasoning applies to presentation rights (theater, ...)
8. International Copyright
Treaties : Berne Convention - WIPO Copyright Treaty - TRIPS
● Exclusive right to authorize or prohibit use / exploitation:
reproduction – making available – ... indexing ... ?
● The rights and its exploitation are without formalities for
rightsowner (except possibly in country of origin)
● Moral rights (disclosure, attribution, integrity, ...) may vary
● Possibility of exceptions or limitations to exclusivity,
constrained by the 3-step test
● Until 70 years after the author's death, never less.
(20 years at most, fees and formalities for patents)
9. Some issues
● Most works have a short economic lifetime
very short when materialized (shelf cost)
but longer when digitized : long tail
● Publishers have no digital rights before 10 to 20 years ago
● => many works are out of commerce
● Rightsowners are hard to find (no formality rule)
● Many works are orphaned – the rightsowner cannot be
found to authorize exploitation – but still are of cultural
interest. How can they be exploited ?
10. The rush on orphan works
● Orphan works have existed for a long time
● No one really cared
● Specific laws (Japan, Canada) were seldom used
● They are suddenly important ... because
Digitization causes technical and economic changes
– that make orphan works economically relevant
– that make orphan works culturally more relevant
easy access, search engine, global processing
– that should – and will – evolve the legal system
former solutions (no formalities) are now the problem
11. Some facts
about the digital world
● Copying is a technical part of the medium
including format shifting and non consumptive copies
● Making copies is no longer an economic activity
Though selling copies could still be
● Open / free access is now another normal exploitation
very relevant to research and teaching (green paper)
while commercial exploitation used to be the only way
● Petabyte data bases, freely accessible worldwide
at no cost to user, are now possible
==> Berne 5(2) “no formalities” is obsolete ... almost.
a problem rather than a solution (to a 19th century problem)
12. The Google Book Search Settlement
● Google scanned books to create an index - is it fair use ?
● Publishers and Authors sued
● It changed into a class action leading to a settlement
Publishers and Authors pretending to represent all
rightsholders (including orphan works RH)
● The proposed settlement is a Registry enabled to sell in
digital form all works under copyright and out of commerce.
the profit being shared between all parties, 30% for Google
and 70% for rightsholders registered with the registry.
● It covers more than orphan works (no search for owners)
● The settlement was rejected because it gave a de facto
monopoly to the Registry, including Google, over all orphan
works, and more generally unregistered works.
13. The French view
● Google and the Registry should not be allowed to infringe
the rights of foreign rightsholders (this is theft)
● French rightsholders are pushing a French solution, though
few details are available (secret agreement with ministry)
● The solution is ~ Compulsory Collective Management
● Which is essentially the Google solution without Google
allowing exploitation of orphan work without owner search,
and thus more than orphan works,
● to the benefit of other rightsholders (authors, publishers)
● And the theft is suddenly virtuous
14. The French motives
● Orphan works are competition to new works
● Orphan works are a good excuse for casual infringement
by professionals (“Droits Réservés” – DR )
(particularly for graphics and photos)
● The royalties of unreachable authors should be collected,
so as to protect their financial interest
● And the money can fruitfully be used for culture if they do
not show up.
They are adamant that any other solution to use of orphan
works should impose a costly diligent search of rightowners
In other words, they are not protecting the interest of
unreachable authors, but their own.
15. My view
● Authors increasingly favor digital visibility over royalties –
=> the royalties assumption is no longer warranted
● Their moral right of unreachable authors to see their work
survive and have a public has priority
● Financial return is secondary and unlikely to reach them
● Any cost or obstacle will reduce work survival
( diligent search, royalties )
unless it is a small part of the cost of non digital exploitation
● Berne “no formality” is obsolete and a convenient fiction
it can be replaced by a worldwide registration system
● And works need to be digitally available on a massive
scale, in the public interest.
16. Orphan Works directive proposal
● Diligent search for rightsowners is circumscribed
– To the country of origin of the work
– To a fixed set of sources in relevant country
=> it can be mechanized in a database (ARROW) :
=> diligent search can be cheap, certified, dated
● Orphan works can be made freely accessible by public
cultural and educational institutions for their public interest
mission.
● Orphan works can be used for profit upon payment of
royalties kept in escrow for resurfacing rightsholders ...
A reasonable compromise ...
17. Merci
“Auch wenn ich untergehe,
lasst meine Bilder nicht sterben,
zeigt sie den Menschen.”
“Even when I am gone, do not let my paintings die,
show them to the people”
Felix Nussbaum, German expressionist painter,
murdered in Auschwitz