Z Score,T Score, Percential Rank and Box Plot Graph
Representation and gender 2
1. S T A R T E R
• Note down your initial responses to the following
images:
• State who they are
• Describe what each person is like
• What you feel about them
2.
3. D I S C U S S I O N
• How do you know any of this, if you have never met
these people?
• What you know is how the media has represented
these people to them
4. REPRESENTATION AND
GENDER 2
CLARIFY THE DIFFERENCES BETW EEN SEX , GENDER AND SEX UALITY
ANALYSE THE GENDER REPRESENTATION OF MEN IN ACTION MOVIES
INTRODUCE SOME OF THE CRITICISMS OF GENDER REPRESENTATION
5. S E X , G E N D E R A N D S E X U A L I T Y
• Sex - a person’s biological sex, whether they are
male or female
• Gender - roles or behaviours a person is socialised
into according to their sex, whether they are
masculine or feminine
• Sexuality - a persons sexual preference, whether
they are heterosexual (straight, homosexual (gay) or
bisexual
6. V O Y E U R I S M
• Erotic pleasures gained from looking at a sexual object (who is unaware of
being watched)
• Presence of women solely for the purpose of display (rather than narrative
function)
• Female on display as passive and objectified for a male gaze regardless of
viewers gender
• Voyeuristic treatment of female body in ‘male’ videos - use of dancers as
adornments to the male ego
• The inclusion of women for display is a staple elect in music videos - across all
genres
• Women connote to-be-looked-at-ness and are the object of the male gaze
7. F R E U D A N D S O C O P H I L I A
• Put simply, socophilia is the pleasure of watching -
refers to the mature adult’s desire to see things that
are culturally forbidden or taboo.
8. LAURA MULVEY AND THE MALE GAZE
• Mulvey sees the representation of women in film and
literature (therefore society in general) as being
dominated by a male point of view. Her belief is that
the world is a patriarchy and that men have the
‘active’ roles and women ‘passive’
9. OBJECTIFICATION
• Objectification is related
to the ‘gaze’
• The persons gazed at are
objectified - treated as an
object whose sole value is
to be enjoyed or posed by
the voyeur
11. T H E M A L E
G A Z E
• Analyse the following scene and
answer the following questions
• In what ways can we apply the male
gaze theory to this scene?
• How are the male characters active
and the female characters passive?
• How is the female characters to be
looked-at-ness constructed by the
Director?
• How does the male character fulfil
the role of the ‘gazer’?
12. POST FEMINISM
(1980S)
• A re-appriasal of Feminist
values
• Does not strive for equality as
this assumes men are ‘the best’
- they wish to surpass male
achievements
• Objected to theories which
position them as objets of the
‘male gaze’.
• Identifies a ‘female gaze’ women
actively desiring men
13. POST FEMINIST
READINGS
• Lady Gaga is not on show for the benefit
of male audiences, but is enjoying herself
experiencing different identities
• She is successful, independent and in
control
• Connotes messages of
Empowerment/Confidence/Independence
to female audience
• Offers messages of sexual empowerment
- assertive, provocative and in control of
‘the gaze’
• Confident, sassy sexy icons challenging
traditional assumptions about passive
female sexuality
15. Look at the two video
game covers. Try to
identify feminist and post
feminist reading in regards
to the representation of
gender.
16. Q U E S T I O N S
• Do you play video games? If yes, how many hours per
day? If not, why?
• Do you find the female characters in the game strong and
independent ?
• Do you find the female characters in the games sexy?
• Do you notice any form of inequality between the male
and female characters in the games?
• Do you know any video games that have a female hero?