This document provides guidance on developing characters for stories. It discusses genres and common character tropes within different genres. It also outlines aspects of character development such as physical description, background, motivation, personality, quirks and imperfections. Visual development of characters is discussed, including physical proportions, costume, expression and different methods of conveying character through images.

1. Developing Character http://www.girlgeniusonline.com/ Image from Girl Genius Shiralee Saul 2009

3. Genre The type of character will vary according to genre. Research major character tropes according to genre. Identify the great characters in ‘your’ genre. What makes them great? What elements identify them as belonging to that genre? What elements lift them above the stereotypes of the genre? What makes them memorable? Do you identify with them? Image research drawings preparatory to the Samaritan character. Busiek, Anderson and Ross Shiralee Saul 2009

4. Narrative Tropes Tropes are devices and conventions that a writer can reasonably rely on as being present in the audience members' minds and expectations. On the whole, tropes are not clichés. TVTropes http://tvtropes.org/pmwiki/pmwiki.php/Main/HomePage Shiralee Saul 2009 From The Watchman

7. Names Name your character. Take your time because names say a lot about who your character is--ethnicity, nationality, age, economic status and religion are just some details that can be surmised from the character's name. Start a file of interesting names you read about, hear on television or encounter in real life. Some of the cast of Love and Rockets by Jaime and Gilbert Hernandez Margarita Luisa "Maggie" Chascarrillo - Best friend (and occasional lover) of Hopey; otherwise dates men, most prominently Ray Dominguez. Esperanza Leticia "Hopey" Glass - Sharp-tongued, wild and adventurous best friend of Maggie. Portrayed usually as a lesbian. Plays bass very poorly in a series of punk bands. Beatríz "Penny Century" García - bombshell friend to Maggie/Hopey and wife of the wealthy H.R. Costigan. Isabel "Izzy" Reubens - Friend/mentor to Maggie. A writer who suffers a nervous breakdown after a divorce/abortion, becoming a notorious "witch lady" in Maggie's hometown. Daphne "Daffy" Matsumoto - a rich young friend of Maggie and Hopey. Ray Dominguez - One of Maggie's boyfriends, a painter. Doyle Blackburn - Ray's childhood friend, who struggles with a history of violence. Rena Titañon and Vicki Glori - stars of the Mexican women wrestling world. Danita Lincoln - Maggie's coworker at Vandy's. She dates Ray after Maggie leaves town; also works as a stripper with Doyle's girlfriend Lily. H. R. Costigan - billionaire who has on-again, off-again affair with Penny Century. Terry Downe - Talented, coldly pretty guitar player who still pines for ex-girlfriend Hopey. Rand Race - Handsome, world-famous mechanic Eulalio "Speedy" Ortiz - Isabel's brother, a member of the local "Hoppers" gang, Vivian "Frogmouth" Solis - A troublemaking stripper and aspiring actress Shiralee Saul 2009

8. Background life Give your character a life. He or she needs a birthplace and hometown; parents and siblings, an education, a job, some hobbies and friends. All these details say something about what kind of person your character is. Use one of the ‘character templates’ available to prompt you to fill in your characters’ back-stories. e.g Charlotte Dillon’s http://www.charlottedillon.com/CharacterChart.html Shiralee Saul 2009

9. Background life The past creates the present… and the future… Shiralee Saul 2009

10. Motivation Give your character character. Start by asking what your character wants and what he or she is willing to do to get it. Lie? Kill? Sacrifice everything? Lie down and die? From Black Orchid Shiralee Saul 2009

11. Getting to know you… Get to know your character. Fill out a Myers-Briggs test http://www.humanmetrics.com/cgi-win/JTypes2.asp Personality-type test as your character. What personality type are they? How could this affect their motivations and actions? With all the relevant details worked out, place your character in a variety of situations and "watch" what he or she does. How does your character react when pulled over by a traffic cop? When woken unexpectedly in the middle of the night? When embarrassed? How does he or she get ready for a date? Does your character stop to pet the neighbor's dog or complain about the barking as he or she hurries past? What are the ‘telling’ incidents in someone’s behavior? From Blankets by Craig Thompson Shiralee Saul 2009

12. Keeping it real… Give your character quirks and imperfections. No real person is perfect; if your characters are, your readers won't find them believable. Equally no-one is totally evil. Giving your antagonist redeeming features will humanize them and make the narrative more complex. Quirks in speech can help the reader identify which character is speaking. Physical quirks give information about the character and help differentiate one character from another. Spend some time people-watching. Small details of behavior can add realism to your character. Body language, gestures, nervous tics, etc all give a character individuality and believability. Bee from Shutterbug Follies by Jason Little

14. Visual development Parallels the character development process

15. Physical appearance: Proportions

16. Physical appearance: Proportions http://www.zebtoonz.com/proportions.htm

17. Physical appearance: Proportions

18. Physical appearance: Proportions

20. Indiv i dual gesture, movement & facial expressions

21. Indiv i dual gesture, movement & facial expressions

22. Visual development Costume and props research

23. Visual development Costume and props research

25. Visual development Speech font and balloons styling

26. character sheets showing character from various angles

27. character sheets showing character from various angles

28. character sheets showing character from various angles

29. character sheets showing character from various angles

30. character sheets showing character from various angles