SlideShare una empresa de Scribd logo
1 de 68
Descargar para leer sin conexión
Grab your
audience
attention on
shelf inspiring
them to buy
using this 7 step
packaging
design process.
1
The 7 step packaging design process
2
3
For your product packaging to become your
unique selling platform, your pack design
must capture your target audience attention
and inspire them to engage with, and
ultimately buy your product.
4
Here is the 7 step packaging design
process required to achieve this outcome
ensuring your product gets bought.
5
STEP 1- The brief
If things are going to go wrong with your packaging design…it’ll be at the briefing
stage.
6
It's the quality of the brief that largely
dictates if the creative work which follows is
‘right’ or ‘wrong', good or bad.
7
Often times a poorly constructed brief is put into
your packaging design agency with the "hopes"
that it'll all get sorted in the design studio.
WRONG!
8
An incomplete or substandard brief leads
inevitably to substandard work and cost blow-
outs!
The creative work will
often reflects the quality
of the brief.
9
Garbage In….Garbage Out!
10
“Prescription without diagnosis leads to
malpractice”
The better the quality of the brief, the more likely you are to get
a pack design closer to your expectations.
11
Because a professional agency has written &
co-written dozens of briefs and reverse briefs
they are able to bring their vast experience &
understanding of the strategic components of
the design requirements.
00/00/2016
12
Experienced packaging designers
also know how to unpack the brief &
figure out what’s missing and what’s
working and what doesn't work
regarding the brief.
13
This is especially helpful when
there are inexperienced brand
managers or first time product
developers involved in the
packaging design process.
14
STEP 2- The project plan
As with any project plan, a packaging design project must also be
held accountable by timings, dollars and quality.
15
A great project plan will keep the designer
honest and ensure the outcomes of the project
remain on track, without blowing deadlines and
budgets.
16
STEP 3- Research
The purpose of your research and discovery is to ensure you
complete your homework so you can clearly win the two battles at
the shelf.
17
The two battles at the shelf.
2. The targeted
consumer must
place your product in
their shopping
basket.
1. The targeted
consumer must
notice your
product and
reach for it (as
opposed to
something else)
18
The following questions need to be answered as a
component of the research:
 What is the marketing strategy for the product?
 Will media advertising play any marketing role in supporting the
pack design ?
 Which retailers are likely going to carry the brand/product?
 Which brands/products compete most directly with the product?
 Why do the brand stakeholders want to change the
current package?
 What are the marketing outcomes and business KPI's required to be
achieved by the proposed change?
 What, if any of the core elements of the current design, should be
retained?
 What are the risks of changing the current design?
 What are the territories that the product should sit in?
 What are the cultural and lifestyle drivers reach the targeted
consumer on an emotional level?
 What is the USP for the product? (read more here- http://jamandco.com.au/packaging-
design-usp/)
The better the upfront research the more
information the designers will have to support
their understanding as to….
19
20
 the product’s positioning in the market and how to enhance the
emotional connection between product designs and purchase
impulse.
 how to blend both the qualitative and quantitative research and the
complete data profile, in order to make better design decisions based
on high quality insights.
 establishing the appropriate perception of value in the mind of the
target customer ensuring they feel good about the purchase even
before they actually experience the product.
 inspiring the desired emotion within the consumer such as
excitement, intrigue, desire, passion, or even hunger.
 selecting the most appropriate texture, color, shape and imagery. All
of which defines the perception, the value and the shopping
experience of a product
 considering environmentally sound choices appropriate for the project
budget.
 communication and messaging. Unclear communication on your pack
can cause lots of frustration for the consumer.
 how to strongly communicate the brand and evoke an emotional
response from the pack
 Setting up hierarchy's
 Setting up the colour palate etc. and so many more….
21
Strategic Design Insights
The main goal
of the
research is
the gleaning
of insights &
converting
them into a
DESIGN
STRATEGY.
22
The design strategy will map out the plan for achieving
the visual goal of the packaging design
Design strategy is essential for laying down a strong foundation
for successful pack design and is based on the research.
23
Given the overwhelming choice of consumer
products that crowd the shelves in every retail
category….
24
….Plus increased market competition & diminishing
consumer loyalty….
25
….A lack of effective design strategy has the
potential for lower than expected sales or in some
cases complete failure.
26
Understand purchasing drivers
Design strategy looks at
shopability.
27
Like a moth to a flame, the pack design strategy must draw
the targeted consumer in for a closer look and compel them pick
up and engage with the product on shelf.
28
Regardless of the design style, the design
strategy must consider all the key elements of
color, shape, hierarchy & imagery which will
catch the attention and evoke the relevant
emotional experience at shelf of your target
consumer.
29
The designer will need to know the #1 & #2
reasons your targeted consumer should buy
your product instead of your competitors’.
30
The value position should be differentiated &
relevant.
31
The design strategy must also communicate…
the core attributes and value of the product whilst
at the same time, build brand awareness and
brand recognition.
32
The design strategy will also need to manage the
expectations of the targeted consumer and build brand
loyalty.
33
Getting what's inside the customer's head onto the pack
Designers need to understand how the targeted
consumers will perceive & think about your
brand/product when they see it for the first time.
34
The insights gleaned from the research must enable your
brand to overcome hesitations and objections, as well as
understand the benefits that consumers care about the
most and what will compel them to buy.
35
36
The design strategy must answer:
 What is the articulated value proposition?
 How do the targeted consumer will measure
quality?
 What are the specific "call out messages" the
pack must answer?
 Are they buying based on ingredients, flavor or
variety?
 How and where will the pack be displayed?
37
Understand the intersection between the brand/product
& the targeted consumer insights.
 Determine the alignment areas between the
brand/product and its targeted consumers demands.
 Determine the key variables of the product and where it
sits in relation to it’s competitors.
 Highlight and communicate a credible difference based
on a significant product characteristic.
 Map out a plan for achieving the visual goal of the
packaging design
 Exploring the most effective way to visually communicate
the key concept connecting with the targeted consumer.
 Explore design concepts to bring the project to life.
38
The key to effective package design is all in the strategy.
This is where the real magic happens.
The magic is delivered via a combination of
designer experience, understanding design, commercialism
&
natural talent & a passion for packaging design.
For your packaging to have impact on shelf, a packaging
design strategy is critical to success.
39
STEP 4- Concept Development
Once the packaging design strategy has been resolved the
design agency creates multiple on-strategy design concepts
for revision.
40
During the development of the concept design, the needs
of the target market are identified, competitive products are
reviewed, product specifications are defined and refined
until selected.
41
When developing concepts the following should be
considered:
 Brand identity: What is the brand essence? What does the brand
stand for? What is the distinctive personality? What image it the
brand trying to convey?
 Positioning: Packaging often portrays the products positioning of
price and quality. Where is your product located on the product
positioning map Price vs. Quality?
 Consumer persona: Who is your target customer? How can you
use design to make an emotional connection?
 Colours: Packaging colours account for nearly 85% of the reason
why someone purchases a product.
 Fonts: The most important thing here is to get the right balance
between legibility and visual appeal.
 Images: There are occasions where an image picture of what is
inside the packaging can increase consumer confidence. However
today's trend is for simple graphics and symbols.
 Checking design elements against brand guidelines
 Proofreading all copy carefully.
 Paying particular attention to regulations
42
The initial design concept/s does most likely will not
include specifics.
Initial design focuses mainly on color
palettes, shapes, graphics, materials and other
material options that appeals to the consumers
many sensory levels: visually, tactility, emotionally.
43
Once designs have been submitted they are rationalized
down the ones that most hit the mark.
For most marketers and clients there is
very little room for error. So selection is key.
Once the design had been selected then the design goes
through a process of refinement.
Design selection is key
44
STEP 5 - Design refinements
Once the polishing and refining the selected design
determining the necessary finish.
45
The objective : To ensure the final
design communicates the
intended deliverable's
Here…Client's may request changes to color,
typography and even graphic imagery..
46
Careful attention and consideration is given
to:
 The final brand identity
 Shapes of the letter forms are
balanced, and the spacing are refined.
 Structural dimensions, secondary
copy
 Layout and positioning
 Colours, and imagery are all
reviewed.
 All copy is proofread.
 All legal and regulatory requirements
are checked and approved
 Slight alterations to the selected
design
47
KEY POINTS: Does the design…
 Deliver shelf stand-out
 Differentiate on shelf - Clear differentiation from
competitors and line segments and varieties of complex
product lines
 Align with the brand persona- The design must
graphically support the brands color palate and persona
 Clearly convey positioning
 Communicate communication hierarchy and product
attributes including usage, qualities, size, benefit,
flavor and characteristics
 Call out features, benefits or changes
 Create emotional connection
48
STEP 6 – Dieline design
You cannot create a product package design without a
dieline
49
A dieline is the flat template for the package.
• The dieline is the digital document that contains the
precise drawing indicating the shape and structural
specifications of a package.
• The dieline serves as a package template that ensures
proper layout for the printed product.
• The dieline is a diagram showing all the cut lines and
folds of a package in flattened form.
• The dieline is usually put together by the packaging
designer in a vector program, like Illustrator, using simple
lines and shapes.
50
Often designers won't start a package design
without a finalised dieline because this could lead
them to make expensive guesses and wasting
time and money.
Dielines are created in Illustrator and must
be perfect.
51
STEP 7 - Design Production- Finished Art
Bringing packaging concept to
reality
52
Finished Art is….
where the integrity of the approved
design is maintained all the way
through to the printing process.
53
Finished Art is….
Where design
production takes
layouts from finished
art to pre-press and
digital ready states.
54
Finished art is more technical than creative.
55
Increased
risk of the
visual
aspects of
the chosen
packaging
design will
be “off
brand”
sending
production
and print
costs
skyrocketing
Done poorly increases risk
56
• getting artwork ready for print.
• taking into consideration a deep
understanding of the printing and finishing
processes to ensure that the selected
design is faithfully reproduced with the
correct creative and brand requirements.
Finished art means…
57
Requires exceptional
attention to detail and
the ability to take layouts
from finished art often to
pre-press & digital ready
states.
The Finished Artist’s role:
58
The biggest mistakes that hurt great packaging is when
corners are cut in production to save time and money.
The other big error is not telling the designer upfront the
printing method and medium to be used for the job.
59
The finished art process must also take
into account the type of equipment the
product will be packaged on.
60
61
The finished art process is to ensure the integrity of
the approved design remains consistent.
62
The finished art team has to set up and supply
the highest quality finished artwork ensuring that
it's print ready.
63
Here are the 7 step packaging design
process steps repeated:
1. The brief
2. The project plan
3. Research
4. Concept Development
5. Design refinements
6. The Dieline
7. Finished Art
64
Ask how Jam&Co can help you with
your next packaging design project
contact us at:
www.jamandco.com.au/contact
65
66
67
The 7 step packaging design process

Más contenido relacionado

Último

Food Supplement Directive No. 333-2020.pdf
Food Supplement Directive No. 333-2020.pdfFood Supplement Directive No. 333-2020.pdf
Food Supplement Directive No. 333-2020.pdfMohamed Miyir
 
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAA
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAAHOTMEN TAJUR BOGOR JAWA BARAT INDONESIAA
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAAPermataAnnisa3
 
Empowering Communities: Food Donation NGO Making a Difference
Empowering Communities: Food Donation NGO Making a DifferenceEmpowering Communities: Food Donation NGO Making a Difference
Empowering Communities: Food Donation NGO Making a DifferenceLovely Foundation
 
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdf
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdfReclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdf
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdfStephen Gleave
 
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern Europe
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern EuropeBeet Kvass The Probiotic-Rich, Fermented Tonic from Eastern Europe
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern EuropeGarden Goddess, LLC
 
Explore The flavors Of Indian cuisine In Budapest : Indian Palate
Explore The flavors Of Indian cuisine In Budapest : Indian PalateExplore The flavors Of Indian cuisine In Budapest : Indian Palate
Explore The flavors Of Indian cuisine In Budapest : Indian PalateIndian Palate
 

Último (6)

Food Supplement Directive No. 333-2020.pdf
Food Supplement Directive No. 333-2020.pdfFood Supplement Directive No. 333-2020.pdf
Food Supplement Directive No. 333-2020.pdf
 
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAA
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAAHOTMEN TAJUR BOGOR JAWA BARAT INDONESIAA
HOTMEN TAJUR BOGOR JAWA BARAT INDONESIAA
 
Empowering Communities: Food Donation NGO Making a Difference
Empowering Communities: Food Donation NGO Making a DifferenceEmpowering Communities: Food Donation NGO Making a Difference
Empowering Communities: Food Donation NGO Making a Difference
 
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdf
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdfReclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdf
Reclaiming Pure Traditions Plants Enrichen Our Farms and Food.pdf
 
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern Europe
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern EuropeBeet Kvass The Probiotic-Rich, Fermented Tonic from Eastern Europe
Beet Kvass The Probiotic-Rich, Fermented Tonic from Eastern Europe
 
Explore The flavors Of Indian cuisine In Budapest : Indian Palate
Explore The flavors Of Indian cuisine In Budapest : Indian PalateExplore The flavors Of Indian cuisine In Budapest : Indian Palate
Explore The flavors Of Indian cuisine In Budapest : Indian Palate
 

The 7 step packaging design process

  • 1. Grab your audience attention on shelf inspiring them to buy using this 7 step packaging design process. 1
  • 2. The 7 step packaging design process 2
  • 3. 3 For your product packaging to become your unique selling platform, your pack design must capture your target audience attention and inspire them to engage with, and ultimately buy your product.
  • 4. 4 Here is the 7 step packaging design process required to achieve this outcome ensuring your product gets bought.
  • 5. 5 STEP 1- The brief If things are going to go wrong with your packaging design…it’ll be at the briefing stage.
  • 6. 6 It's the quality of the brief that largely dictates if the creative work which follows is ‘right’ or ‘wrong', good or bad.
  • 7. 7 Often times a poorly constructed brief is put into your packaging design agency with the "hopes" that it'll all get sorted in the design studio. WRONG!
  • 8. 8 An incomplete or substandard brief leads inevitably to substandard work and cost blow- outs! The creative work will often reflects the quality of the brief.
  • 10. 10 “Prescription without diagnosis leads to malpractice” The better the quality of the brief, the more likely you are to get a pack design closer to your expectations.
  • 11. 11 Because a professional agency has written & co-written dozens of briefs and reverse briefs they are able to bring their vast experience & understanding of the strategic components of the design requirements.
  • 12. 00/00/2016 12 Experienced packaging designers also know how to unpack the brief & figure out what’s missing and what’s working and what doesn't work regarding the brief.
  • 13. 13 This is especially helpful when there are inexperienced brand managers or first time product developers involved in the packaging design process.
  • 14. 14 STEP 2- The project plan As with any project plan, a packaging design project must also be held accountable by timings, dollars and quality.
  • 15. 15 A great project plan will keep the designer honest and ensure the outcomes of the project remain on track, without blowing deadlines and budgets.
  • 16. 16 STEP 3- Research The purpose of your research and discovery is to ensure you complete your homework so you can clearly win the two battles at the shelf.
  • 17. 17 The two battles at the shelf. 2. The targeted consumer must place your product in their shopping basket. 1. The targeted consumer must notice your product and reach for it (as opposed to something else)
  • 18. 18 The following questions need to be answered as a component of the research:  What is the marketing strategy for the product?  Will media advertising play any marketing role in supporting the pack design ?  Which retailers are likely going to carry the brand/product?  Which brands/products compete most directly with the product?  Why do the brand stakeholders want to change the current package?  What are the marketing outcomes and business KPI's required to be achieved by the proposed change?  What, if any of the core elements of the current design, should be retained?  What are the risks of changing the current design?  What are the territories that the product should sit in?  What are the cultural and lifestyle drivers reach the targeted consumer on an emotional level?  What is the USP for the product? (read more here- http://jamandco.com.au/packaging- design-usp/)
  • 19. The better the upfront research the more information the designers will have to support their understanding as to…. 19
  • 20. 20  the product’s positioning in the market and how to enhance the emotional connection between product designs and purchase impulse.  how to blend both the qualitative and quantitative research and the complete data profile, in order to make better design decisions based on high quality insights.  establishing the appropriate perception of value in the mind of the target customer ensuring they feel good about the purchase even before they actually experience the product.  inspiring the desired emotion within the consumer such as excitement, intrigue, desire, passion, or even hunger.  selecting the most appropriate texture, color, shape and imagery. All of which defines the perception, the value and the shopping experience of a product  considering environmentally sound choices appropriate for the project budget.  communication and messaging. Unclear communication on your pack can cause lots of frustration for the consumer.  how to strongly communicate the brand and evoke an emotional response from the pack  Setting up hierarchy's  Setting up the colour palate etc. and so many more….
  • 21. 21 Strategic Design Insights The main goal of the research is the gleaning of insights & converting them into a DESIGN STRATEGY.
  • 22. 22 The design strategy will map out the plan for achieving the visual goal of the packaging design Design strategy is essential for laying down a strong foundation for successful pack design and is based on the research.
  • 23. 23 Given the overwhelming choice of consumer products that crowd the shelves in every retail category….
  • 24. 24 ….Plus increased market competition & diminishing consumer loyalty….
  • 25. 25 ….A lack of effective design strategy has the potential for lower than expected sales or in some cases complete failure.
  • 26. 26 Understand purchasing drivers Design strategy looks at shopability.
  • 27. 27 Like a moth to a flame, the pack design strategy must draw the targeted consumer in for a closer look and compel them pick up and engage with the product on shelf.
  • 28. 28 Regardless of the design style, the design strategy must consider all the key elements of color, shape, hierarchy & imagery which will catch the attention and evoke the relevant emotional experience at shelf of your target consumer.
  • 29. 29 The designer will need to know the #1 & #2 reasons your targeted consumer should buy your product instead of your competitors’.
  • 30. 30 The value position should be differentiated & relevant.
  • 31. 31 The design strategy must also communicate… the core attributes and value of the product whilst at the same time, build brand awareness and brand recognition.
  • 32. 32 The design strategy will also need to manage the expectations of the targeted consumer and build brand loyalty.
  • 33. 33 Getting what's inside the customer's head onto the pack Designers need to understand how the targeted consumers will perceive & think about your brand/product when they see it for the first time.
  • 34. 34 The insights gleaned from the research must enable your brand to overcome hesitations and objections, as well as understand the benefits that consumers care about the most and what will compel them to buy.
  • 35. 35
  • 36. 36 The design strategy must answer:  What is the articulated value proposition?  How do the targeted consumer will measure quality?  What are the specific "call out messages" the pack must answer?  Are they buying based on ingredients, flavor or variety?  How and where will the pack be displayed?
  • 37. 37 Understand the intersection between the brand/product & the targeted consumer insights.  Determine the alignment areas between the brand/product and its targeted consumers demands.  Determine the key variables of the product and where it sits in relation to it’s competitors.  Highlight and communicate a credible difference based on a significant product characteristic.  Map out a plan for achieving the visual goal of the packaging design  Exploring the most effective way to visually communicate the key concept connecting with the targeted consumer.  Explore design concepts to bring the project to life.
  • 38. 38 The key to effective package design is all in the strategy. This is where the real magic happens. The magic is delivered via a combination of designer experience, understanding design, commercialism & natural talent & a passion for packaging design. For your packaging to have impact on shelf, a packaging design strategy is critical to success.
  • 39. 39 STEP 4- Concept Development Once the packaging design strategy has been resolved the design agency creates multiple on-strategy design concepts for revision.
  • 40. 40 During the development of the concept design, the needs of the target market are identified, competitive products are reviewed, product specifications are defined and refined until selected.
  • 41. 41 When developing concepts the following should be considered:  Brand identity: What is the brand essence? What does the brand stand for? What is the distinctive personality? What image it the brand trying to convey?  Positioning: Packaging often portrays the products positioning of price and quality. Where is your product located on the product positioning map Price vs. Quality?  Consumer persona: Who is your target customer? How can you use design to make an emotional connection?  Colours: Packaging colours account for nearly 85% of the reason why someone purchases a product.  Fonts: The most important thing here is to get the right balance between legibility and visual appeal.  Images: There are occasions where an image picture of what is inside the packaging can increase consumer confidence. However today's trend is for simple graphics and symbols.  Checking design elements against brand guidelines  Proofreading all copy carefully.  Paying particular attention to regulations
  • 42. 42 The initial design concept/s does most likely will not include specifics. Initial design focuses mainly on color palettes, shapes, graphics, materials and other material options that appeals to the consumers many sensory levels: visually, tactility, emotionally.
  • 43. 43 Once designs have been submitted they are rationalized down the ones that most hit the mark. For most marketers and clients there is very little room for error. So selection is key. Once the design had been selected then the design goes through a process of refinement. Design selection is key
  • 44. 44 STEP 5 - Design refinements Once the polishing and refining the selected design determining the necessary finish.
  • 45. 45 The objective : To ensure the final design communicates the intended deliverable's Here…Client's may request changes to color, typography and even graphic imagery..
  • 46. 46 Careful attention and consideration is given to:  The final brand identity  Shapes of the letter forms are balanced, and the spacing are refined.  Structural dimensions, secondary copy  Layout and positioning  Colours, and imagery are all reviewed.  All copy is proofread.  All legal and regulatory requirements are checked and approved  Slight alterations to the selected design
  • 47. 47 KEY POINTS: Does the design…  Deliver shelf stand-out  Differentiate on shelf - Clear differentiation from competitors and line segments and varieties of complex product lines  Align with the brand persona- The design must graphically support the brands color palate and persona  Clearly convey positioning  Communicate communication hierarchy and product attributes including usage, qualities, size, benefit, flavor and characteristics  Call out features, benefits or changes  Create emotional connection
  • 48. 48 STEP 6 – Dieline design You cannot create a product package design without a dieline
  • 49. 49 A dieline is the flat template for the package. • The dieline is the digital document that contains the precise drawing indicating the shape and structural specifications of a package. • The dieline serves as a package template that ensures proper layout for the printed product. • The dieline is a diagram showing all the cut lines and folds of a package in flattened form. • The dieline is usually put together by the packaging designer in a vector program, like Illustrator, using simple lines and shapes.
  • 50. 50 Often designers won't start a package design without a finalised dieline because this could lead them to make expensive guesses and wasting time and money. Dielines are created in Illustrator and must be perfect.
  • 51. 51 STEP 7 - Design Production- Finished Art Bringing packaging concept to reality
  • 52. 52 Finished Art is…. where the integrity of the approved design is maintained all the way through to the printing process.
  • 53. 53 Finished Art is…. Where design production takes layouts from finished art to pre-press and digital ready states.
  • 54. 54 Finished art is more technical than creative.
  • 55. 55 Increased risk of the visual aspects of the chosen packaging design will be “off brand” sending production and print costs skyrocketing Done poorly increases risk
  • 56. 56 • getting artwork ready for print. • taking into consideration a deep understanding of the printing and finishing processes to ensure that the selected design is faithfully reproduced with the correct creative and brand requirements. Finished art means…
  • 57. 57 Requires exceptional attention to detail and the ability to take layouts from finished art often to pre-press & digital ready states. The Finished Artist’s role:
  • 58. 58 The biggest mistakes that hurt great packaging is when corners are cut in production to save time and money. The other big error is not telling the designer upfront the printing method and medium to be used for the job.
  • 59. 59 The finished art process must also take into account the type of equipment the product will be packaged on.
  • 60. 60
  • 61. 61 The finished art process is to ensure the integrity of the approved design remains consistent.
  • 62. 62 The finished art team has to set up and supply the highest quality finished artwork ensuring that it's print ready.
  • 63. 63 Here are the 7 step packaging design process steps repeated: 1. The brief 2. The project plan 3. Research 4. Concept Development 5. Design refinements 6. The Dieline 7. Finished Art
  • 64. 64 Ask how Jam&Co can help you with your next packaging design project contact us at: www.jamandco.com.au/contact
  • 65. 65
  • 66. 66
  • 67. 67