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THE MODERNISTS
The intelligentsia refer to the Filipino artists 
who were sent to America for further studies, 
and were exposed to the impressionist and 
post-impressionist art masters like Paul 
Gauguin and Henri Matisse, as well as Vincent 
Van Gogh and the father of modern art, Paul 
Cezanne. 
The Filipino painters came home with a strong 
desire to introduce modernism in the 
Philippine art scene at the time the Traditional 
artists were heavily engaged in landscape and 
genre painting.
Headed by Victorio Edades, the Thirteen Moderns emerged: 
• Carlos “Botong” Francisco 
• Galo Ocampo 
• Hernando Ocampo 
• Cesar Legaspi 
• Diosdado Lorenzo 
• Vicente Manansala 
• Anita Magsaysay 
• Demetrio Diego 
• Picarte Purugunan 
• Bonifacio Cristobal 
• Arsenio Capili
The Art Association of the 
Philippines (AAP) was 
founded in 1948 through the 
initiative of Purita Kalaw 
Ledesma. It was through the 
AAP’s annual exhibitions that 
the modern painters were 
showcased.
Victorio Edades
Victorio C. Edades (December 23, 1895 – March 7, 
1985) is considered the father of modern art in the 
Philippines. His main contribution was the shift 
from art as a representation of reality through 
realism to expression of the mind, emotion, and 
reality as perceived by the artist. In his The 
Builders, Edades depicted several men in different 
positions carrying stone blocks. 
Although Edades used perspective, the painting 
looks crowded with men carrying stone. In fact, 
even if the title is The Builders, focus is on the 
contortion of the bodies and no hint is shown as to 
what structure is being built.
Victorio Edades, The Builders. 1928, oil on wood, 121x322 cm. Cultural Center of 
the Philippines Collection
Carlos “Botong” Francisco
Carlos Modesto Villaluz Francisco (November 4, 
1912 – March 31, 1969), popularly known as 
“Botong”, was a muralist from Angono, Rizal. 
He received the title National Artist in 1973. His 
famous four-panel mural paintings at the 
Philippine General Hospital, The Progress of 
Medicine in the Philippines, were commissioned 
in 1953 by four physicians: Dr. Agerico Sison, 
Dr. Eduardo Quisumbing, Dr. Florentino Herrera, 
Jr., and Dr. Constantino Manahan. After hanging 
of the walls of the hospital for 58 years, the 
National Museum restored the four murals 
exhibit these in September 2011.
Francisco’s murals showed scenes from the 
history of the Philippines, such as Blood 
Compact, First Mass at Limasawa, The 
Martyrdom of Rizal, Bayanihan, Magpupukot, 
Fiesta, Bayanihan sa Bukid, Sandugo, Portrait 
of Purita, The Invasion of Limahong, Serenade, 
and Muslim Betrothal. His style was flowing 
narrative, and his colors are rendered softly with 
smooth brush strokes. He always shows the 
Filipinos as dignified, valiant, and proud people 
who have a colorful and meaningful history 
despite the many years of foreign colonization.
Carlos 
‘Botong’ 
Francisco, 
The 
Progress of 
Medicine in 
the 
Philippines, 
1953, mural. 
Philippine 
General 
Hospital 
Collection.
Galo B. Ocampo
Galo B. Ocampo (October 16, 1913 – 
September 12, 1985) had his first exhibition 
in 1973 at age 59, entitled Anthropographic 
Designs, in which he featured the Tabon man 
of the caves of Palawan. It was inspired by 
his field work with Robert Fox. Fascinated 
by the ancient stalagmites within the 
mysterious caves, he said, “I have 
endeavoured to create a 
contemporary world out of 
the past, for the past has
His Brown Madonna shows a woman with a child, 
which was always depicted in the West as Mary 
and the child Jesus. In his version of the same 
subject, his woman has brown complexion with 
facial features of a Filipina. The Madonna’s baro 
(blouse) and saya (skirt) with tapis (wrap 
around) reflects a rural settings and indigenized 
religious image. 
Other famous paintings by Ocampo are: 
• Flagellants (1953); 
• Pounding Rice (1951); and 
• War and Peace (1955).
Galo B. 
Ocampo, 1938. 
Brown 
Madonna, oil 
on canvas. 
62x47 cm. 
(UST Museum 
of Arts and 
Sciences 
Collection)
REMEMBER  The Filipino artists who studied art in America were 
influenced by art masters like Paul Gauguin and 
Henri Matisse, as well as Vincent Van Gogh and the 
father of modern art, Paul Cezanne. 
Victorio Edades is considered the father of modern 
art in the Philippines. 
 Carlos ‘Botong’ Francisco’s famous four-panel mural 
paintings at the Philippine General Hospital, The 
Progress of Medicines in the Philippines was 
restored by the National Museum. 
 Galo Ocampo’s Brown Madonna is an indigenized 
religious image.
All for You my Jesus, All 
for You! 
TO GOD BE THE GLORY

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The Modernists in the Philippines

  • 2. The intelligentsia refer to the Filipino artists who were sent to America for further studies, and were exposed to the impressionist and post-impressionist art masters like Paul Gauguin and Henri Matisse, as well as Vincent Van Gogh and the father of modern art, Paul Cezanne. The Filipino painters came home with a strong desire to introduce modernism in the Philippine art scene at the time the Traditional artists were heavily engaged in landscape and genre painting.
  • 3. Headed by Victorio Edades, the Thirteen Moderns emerged: • Carlos “Botong” Francisco • Galo Ocampo • Hernando Ocampo • Cesar Legaspi • Diosdado Lorenzo • Vicente Manansala • Anita Magsaysay • Demetrio Diego • Picarte Purugunan • Bonifacio Cristobal • Arsenio Capili
  • 4.
  • 5. The Art Association of the Philippines (AAP) was founded in 1948 through the initiative of Purita Kalaw Ledesma. It was through the AAP’s annual exhibitions that the modern painters were showcased.
  • 7. Victorio C. Edades (December 23, 1895 – March 7, 1985) is considered the father of modern art in the Philippines. His main contribution was the shift from art as a representation of reality through realism to expression of the mind, emotion, and reality as perceived by the artist. In his The Builders, Edades depicted several men in different positions carrying stone blocks. Although Edades used perspective, the painting looks crowded with men carrying stone. In fact, even if the title is The Builders, focus is on the contortion of the bodies and no hint is shown as to what structure is being built.
  • 8. Victorio Edades, The Builders. 1928, oil on wood, 121x322 cm. Cultural Center of the Philippines Collection
  • 10. Carlos Modesto Villaluz Francisco (November 4, 1912 – March 31, 1969), popularly known as “Botong”, was a muralist from Angono, Rizal. He received the title National Artist in 1973. His famous four-panel mural paintings at the Philippine General Hospital, The Progress of Medicine in the Philippines, were commissioned in 1953 by four physicians: Dr. Agerico Sison, Dr. Eduardo Quisumbing, Dr. Florentino Herrera, Jr., and Dr. Constantino Manahan. After hanging of the walls of the hospital for 58 years, the National Museum restored the four murals exhibit these in September 2011.
  • 11. Francisco’s murals showed scenes from the history of the Philippines, such as Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, and Muslim Betrothal. His style was flowing narrative, and his colors are rendered softly with smooth brush strokes. He always shows the Filipinos as dignified, valiant, and proud people who have a colorful and meaningful history despite the many years of foreign colonization.
  • 12. Carlos ‘Botong’ Francisco, The Progress of Medicine in the Philippines, 1953, mural. Philippine General Hospital Collection.
  • 14. Galo B. Ocampo (October 16, 1913 – September 12, 1985) had his first exhibition in 1973 at age 59, entitled Anthropographic Designs, in which he featured the Tabon man of the caves of Palawan. It was inspired by his field work with Robert Fox. Fascinated by the ancient stalagmites within the mysterious caves, he said, “I have endeavoured to create a contemporary world out of the past, for the past has
  • 15. His Brown Madonna shows a woman with a child, which was always depicted in the West as Mary and the child Jesus. In his version of the same subject, his woman has brown complexion with facial features of a Filipina. The Madonna’s baro (blouse) and saya (skirt) with tapis (wrap around) reflects a rural settings and indigenized religious image. Other famous paintings by Ocampo are: • Flagellants (1953); • Pounding Rice (1951); and • War and Peace (1955).
  • 16. Galo B. Ocampo, 1938. Brown Madonna, oil on canvas. 62x47 cm. (UST Museum of Arts and Sciences Collection)
  • 17. REMEMBER  The Filipino artists who studied art in America were influenced by art masters like Paul Gauguin and Henri Matisse, as well as Vincent Van Gogh and the father of modern art, Paul Cezanne. Victorio Edades is considered the father of modern art in the Philippines.  Carlos ‘Botong’ Francisco’s famous four-panel mural paintings at the Philippine General Hospital, The Progress of Medicines in the Philippines was restored by the National Museum.  Galo Ocampo’s Brown Madonna is an indigenized religious image.
  • 18. All for You my Jesus, All for You! TO GOD BE THE GLORY