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Art 21 Project
Jessica Downs
Ai Weiwei
• The process and intent
that Ai Weiwei uses
included minimal
means. His piece of
work uses sarcasm,
juxtaposition and
repetition.
•

Information:
– Sunflower Seeds
– Ai Weiwei
– 2010
– Porcelain, paint, 100 million sunflower
seeds
– Dimensions variable
My Response
• My reaction to Ai Weiwei’s
Sunflower seeds, was that
something so distinguished when
see alone or up close looked so
different when put together with
the same object over 100 million
times
• The ideas and qualities that
inspired my response were the
repetition that was used and the
choice of composition material.
The sunflower seeds are well
known up close but from far away
they all blend together.
•

Information
– Jessica Downs
– Lost Penney
– 2014
Book Relation
• The connection that the
book and piece of
artwork I show both
include repetition and a
look of a continuing
space. Both pieces have
minimal colors used and
create patterns that
makes the compositions
cohesive.
•

Information
– Interior of the sanctuary of the Mosque
at Cordoba, Spain, 786-987
– Architecture
El Anatsui
• El Anatsui’s process and
intent consisted of a free
and flexible aspect. The
images were colorful and
densely packed bottle caps
that were put together and
organized to reflect
moments in history.
•

Information
– Dusasa II
– El Anatsui
– 2007
– Aluminum liquor bottle caps and
copper wire
– 240 x 240 x 6 inches
My Response
• My reaction to El Anatsui’s
piece was that I thought it was
innovative to use common
object like bottle caps to form
a piece that can reflect an
historical event by the
movement created by the
placement of the caps
• The ideas and qualities that
inspired me include using the
similar techniques of creating
movement throughout my
piece
•

Information
– Jessica Downs
– 2014
– Hershey Miss
Book Relation
• The connection that El
Anatsui’s composition
and the Column of Trajan
have in common are that
up close they both have a
lot of detail and differ in
the same images.
However, from far away
both piece look like one
flow of movement.
•

Information
– Attributed to Apollodorus, Column of
Trajan, Rome, 113 C.E.
– Architecture
Richard Tuttle
• The process and intent
that Richard Tuttle had
was that there was a part
in the audience that can’t
see part of the image. His
pieces were simplistic and
they manipulated space.
•

Information
– “’Village III, No. I, 18’”
– Richard Tuttle
– 2004
– Acrylic and graphite on paper with oak
frame
– 17 5/8 x 14 3/4 x 1 1/4 inches
My Response
• My reaction to Richard
Tuttle’s composition was
that the color use was
intriguing as well as the
simple design of the
painting.
• The ideas and qualities that
inspired me included the
use of warm colors and the
placement of my
composition
•

Information
– Jessica Downs
– Warm Blocks, Dark Border
– 2014
Book Relation
• The connection that Richard
Tuttle’s composition has to
Cheng Sixiao’s composition
is that the images are in the
middle of the composition
and they are both simplistic
for the audience to
understand but at the same
time have color surrounding
the main image
•

Information
– Cheng Sixiao, Ink Orchids, Yuan dynasty, 1306.
– Handscroll, ink on paper
– 10 1/8 x 16 3/4 in.

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Art 21 project

  • 2. Ai Weiwei • The process and intent that Ai Weiwei uses included minimal means. His piece of work uses sarcasm, juxtaposition and repetition. • Information: – Sunflower Seeds – Ai Weiwei – 2010 – Porcelain, paint, 100 million sunflower seeds – Dimensions variable
  • 3. My Response • My reaction to Ai Weiwei’s Sunflower seeds, was that something so distinguished when see alone or up close looked so different when put together with the same object over 100 million times • The ideas and qualities that inspired my response were the repetition that was used and the choice of composition material. The sunflower seeds are well known up close but from far away they all blend together. • Information – Jessica Downs – Lost Penney – 2014
  • 4. Book Relation • The connection that the book and piece of artwork I show both include repetition and a look of a continuing space. Both pieces have minimal colors used and create patterns that makes the compositions cohesive. • Information – Interior of the sanctuary of the Mosque at Cordoba, Spain, 786-987 – Architecture
  • 5. El Anatsui • El Anatsui’s process and intent consisted of a free and flexible aspect. The images were colorful and densely packed bottle caps that were put together and organized to reflect moments in history. • Information – Dusasa II – El Anatsui – 2007 – Aluminum liquor bottle caps and copper wire – 240 x 240 x 6 inches
  • 6. My Response • My reaction to El Anatsui’s piece was that I thought it was innovative to use common object like bottle caps to form a piece that can reflect an historical event by the movement created by the placement of the caps • The ideas and qualities that inspired me include using the similar techniques of creating movement throughout my piece • Information – Jessica Downs – 2014 – Hershey Miss
  • 7. Book Relation • The connection that El Anatsui’s composition and the Column of Trajan have in common are that up close they both have a lot of detail and differ in the same images. However, from far away both piece look like one flow of movement. • Information – Attributed to Apollodorus, Column of Trajan, Rome, 113 C.E. – Architecture
  • 8. Richard Tuttle • The process and intent that Richard Tuttle had was that there was a part in the audience that can’t see part of the image. His pieces were simplistic and they manipulated space. • Information – “’Village III, No. I, 18’” – Richard Tuttle – 2004 – Acrylic and graphite on paper with oak frame – 17 5/8 x 14 3/4 x 1 1/4 inches
  • 9. My Response • My reaction to Richard Tuttle’s composition was that the color use was intriguing as well as the simple design of the painting. • The ideas and qualities that inspired me included the use of warm colors and the placement of my composition • Information – Jessica Downs – Warm Blocks, Dark Border – 2014
  • 10. Book Relation • The connection that Richard Tuttle’s composition has to Cheng Sixiao’s composition is that the images are in the middle of the composition and they are both simplistic for the audience to understand but at the same time have color surrounding the main image • Information – Cheng Sixiao, Ink Orchids, Yuan dynasty, 1306. – Handscroll, ink on paper – 10 1/8 x 16 3/4 in.