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Jo Lowes
 Modern graffiti began
in Philadelphia, in the
1960s.Shortly after the
death of the jazz
player Charlie Parker
(nicknamed "Yardbird"
or "Bird")
 Around 1970-71 the
center of graffiti culture
shifted from Philadelphia
to NewYork City, around
Washington Heights,
where writers such as
TAKI 183 andTracy 168
started to gain media
attention.Using a naming
convention in which they
would add their street
number to their
nickname, they
"bombed" a train with
their work, letting the
subway take it
throughout the city.
 Artists have challenged art by situating it in
non-art contexts. Street artists do not aspire
to change the definition of an artwork, but
rather to question the existing environment
with its own language.
 Criminal Damage
 Cost of clean up
 Makes an area look
intimidating
 Personal hurt and upset
 Pic Right is theVietnam
war memorial
 AndyWarhol, Keith Haring, Jean-Michel
Basquiat….
 But is it the new pop art?
 Yes Street art is accessible and rejects the
high brown
 But AndyWarhol and Lichtenstein celebrated
modernity where as Banksy seems to despise
it.
Presentation
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Presentation

  • 2.  Modern graffiti began in Philadelphia, in the 1960s.Shortly after the death of the jazz player Charlie Parker (nicknamed "Yardbird" or "Bird")
  • 3.  Around 1970-71 the center of graffiti culture shifted from Philadelphia to NewYork City, around Washington Heights, where writers such as TAKI 183 andTracy 168 started to gain media attention.Using a naming convention in which they would add their street number to their nickname, they "bombed" a train with their work, letting the subway take it throughout the city.
  • 4.  Artists have challenged art by situating it in non-art contexts. Street artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language.
  • 5.  Criminal Damage  Cost of clean up  Makes an area look intimidating  Personal hurt and upset  Pic Right is theVietnam war memorial
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.  AndyWarhol, Keith Haring, Jean-Michel Basquiat….  But is it the new pop art?  Yes Street art is accessible and rejects the high brown  But AndyWarhol and Lichtenstein celebrated modernity where as Banksy seems to despise it.