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80% Science, 20% Art
                                Jon Tan




Monday, March 9, 2009
A kid on a plane
       Loves language. Likes tangerines & Toblerone.

                 Works at http://omniti.com/
            Ponti๏ฌcates at http://jontangerine.com/




Monday, March 9, 2009
Science
                 From Proto-Indo-European base
                        *skei- โ€˜to split, rend, cleaveโ€™
                               โ€”knowledge.



                Vitruvian Man โ€” Leonardo DaVinci (1487).




Monday, March 9, 2009
Art
                 From Proto-Indo-European base
                        *ar- โ€˜๏ฌt together, joinโ€™
                               โ€”ski).



                          Detail of ฯ‡ฯ (โ€˜Chi-Rhoโ€™)
           in the Book of Ke)s (Leabhar Cheanannais), c. 800AD




Monday, March 9, 2009
Print
                        Wrestling & wind bags
        by Yee-Haw Industries, Knoxvi)e, Tennessee



                  The opening slide image was of their press!




Monday, March 9, 2009
Web typography?
                        http://typedeskref.com/
              The Typographic Desk Reference
          by Theodore Rosendorf (Oak Kno)) 2009.




Monday, March 9, 2009
Print != web
                        http://typedeskref.com/
                  with CSS and images disabled




Monday, March 9, 2009
But, but, the ligatures
          NB. For โ€˜๏ฌ†โ€™ use &#64262 instead if the
     typeface has it, or browser has a way of ๏ฌnding a
           fa)-back (FF/OS X). Test for taste




Monday, March 9, 2009
Oops!
                        Before: Georgia Oblique?




Monday, March 9, 2009
Ah, thatโ€™s better
           A+er a bit of Twittering: Georgia Italic!




Monday, March 9, 2009
Endless possibilities
                 Bruce Lawsonโ€™s Zen Garden Geocities spoof.




Monday, March 9, 2009
Some better than others
           The Elements of Typographic Style Applied to the Web




Monday, March 9, 2009
And so on
                         Simon Pascal Klein




Monday, March 9, 2009
And on
                         Je๏ฌ€ Cro-




Monday, March 9, 2009
And on
                        Jason Santa Maria




Monday, March 9, 2009
Sti), it could get
        TRICKY
Monday, March 9, 2009
Choosing typefaces
                                                  โ–

                            Science                 (legibility, serifs, sans & ๏ฌle types)
                                                  โ– The grid
                        Breaking down the parts




Monday, March 9, 2009
Serif versus sans
                                                 โ–


                                                   Core web fonts / stacks / @font-face
                                                 โ–

                    Choosing faces               โ– X-height


                                                 โ– Humanist, grotesque, modern, geometric, etc?
                        For your consideration
                                                 โ– Performance: Hinting, CRT versus LCD / LED




Monday, March 9, 2009
Serif & Sans

Monday, March 9, 2009
What does it say?




                              Futura.




Monday, March 9, 2009
Any better?




                           Georgia.




Monday, March 9, 2009
Now?




                        Futura.




Monday, March 9, 2009
And this?




                          Georgia.




Monday, March 9, 2009
Ta-daa!




                        You were right! (And it happens to be true.)
                          Ask me about duck fat .ies, sometime.




Monday, March 9, 2009
Core Web Fonts
                   Andale Mono by Steve Matteson

                   Arial by Robin Nicholas and Patricia Saunders

                   Arial Black by Robin Nicholas and Patricia Saunders

                   Comic Sans MS by Vincent Connare

                   Courier New by Adrian Frutiger

                   Georgia by Matthew Carter

                   Impact by Geoffrey Lee

                   Times New Roman by Stanley Morison with Starling Burgess and Victor Lardent

                   Trebuchet MS by Vincent Connare

                   Verdana by Matthew Carter



Monday, March 9, 2009
The Raster Wars
                        Di๏ฌ€erent operating system,
                            di๏ฌ€erent browser,
                             di๏ฌ€erent result.




Monday, March 9, 2009
Choose faces based on:




            i. The text!
            ii. And, legibility:
              i. Is the weight su๏ฌƒcient?
              ii. How does the x-height a๏ฌ€ect the weight?
              iii. How does the leading a๏ฌ€ect the weight?
               iv. How are the faces hinted across di๏ฌ€erent platforms?




Monday, March 9, 2009
The grid          How they do โ€” traditional grids
                                      โ–


                                          โ€˜I did it my wayโ€˜ โ€” baseline web grid
                                      โ–

                         Box it up.




Monday, March 9, 2009
Wim Crouwel
                        One grid to rule them a).

          Vormgevers poster for the Stedelik Museum, Amsterdam,
                         by Wim Crouwel, 1968.
                      (Happy 80th birth year, Wim!)




Monday, March 9, 2009
โ€˜I did it my wayโ€ฆโ€™
                         A baseline web grid

           (Props to Sinatra for the tangerine cardy and skin tone)




Monday, March 9, 2009
Tangerine grids



                For enacted narratives, read the text!
            โ–


              Choose type based on content, platform hinting at a give size and x-height
            โ–


            โ– Try in the layout โ€” adjust leading (line-height) to suit


            โ– Basic leading is god โ€” apply a multiple or division of it to everything

            โ– Throw in some Fibonnaci numbers




                For exampleโ€ฆ




Monday, March 9, 2009
1. Basic body text & leading

Monday, March 9, 2009
2. One lead is the grid!

Monday, March 9, 2009
3. Head & lead, multiplied

Monday, March 9, 2009
4. Asides, multiplied

Monday, March 9, 2009
5. Scale and Fibonacci numbers

Monday, March 9, 2009
6.The end

Monday, March 9, 2009
Art
                        Applying what you know




Monday, March 9, 2009
Grids? Grenades!




Monday, March 9, 2009
โ€˜An object can never compete with an experience.โ€™
                        โ€”Hamish Fulton, walking artist, Bristol




                                Paradise on Fire Iโ€”Sergio Vega, (Brazil), 2007
Monday, March 9, 2009
Thank you!




Monday, March 9, 2009
Credits



              Yee Haw Industries Heidelberg Windmi) Press: http://www.๏ฌ‚ickr.com/photos/tnboriqua/1176715935
            โ–


            โ– Sinatra: http://www.๏ฌ‚ickr.com/photos/marcelonoah/2939542950


            โ– Copy used in examples .om The God-Idea of the Ancients (or Sex in Religion) by Eliza Gamble:


              http://www.authorama.com/god-idea-of-the-ancients-1.html
            โ– Auto polo: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2477626151/


            โ– Semi-colon sort: http://www.๏ฌ‚ickr.com/photos/dotjay/2998872553/


            โ– Boxers: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2162651915/

            โ– Painting the wing: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2178436353/


            โ– Grenade thrower: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2179130295/


            โ– Amazon photograph ยฉ Sergio Vega, 2007: http://podcasts.thestranger.com/2008/05/invisible_sergio_vega




Monday, March 9, 2009

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Web Type: 80% Science, 20% Art

  • 1. 80% Science, 20% Art Jon Tan Monday, March 9, 2009
  • 2. A kid on a plane Loves language. Likes tangerines & Toblerone. Works at http://omniti.com/ Ponti๏ฌcates at http://jontangerine.com/ Monday, March 9, 2009
  • 3. Science From Proto-Indo-European base *skei- โ€˜to split, rend, cleaveโ€™ โ€”knowledge. Vitruvian Man โ€” Leonardo DaVinci (1487). Monday, March 9, 2009
  • 4. Art From Proto-Indo-European base *ar- โ€˜๏ฌt together, joinโ€™ โ€”ski). Detail of ฯ‡ฯ (โ€˜Chi-Rhoโ€™) in the Book of Ke)s (Leabhar Cheanannais), c. 800AD Monday, March 9, 2009
  • 5. Print Wrestling & wind bags by Yee-Haw Industries, Knoxvi)e, Tennessee The opening slide image was of their press! Monday, March 9, 2009
  • 6. Web typography? http://typedeskref.com/ The Typographic Desk Reference by Theodore Rosendorf (Oak Kno)) 2009. Monday, March 9, 2009
  • 7. Print != web http://typedeskref.com/ with CSS and images disabled Monday, March 9, 2009
  • 8. But, but, the ligatures NB. For โ€˜๏ฌ†โ€™ use &#64262 instead if the typeface has it, or browser has a way of ๏ฌnding a fa)-back (FF/OS X). Test for taste Monday, March 9, 2009
  • 9. Oops! Before: Georgia Oblique? Monday, March 9, 2009
  • 10. Ah, thatโ€™s better A+er a bit of Twittering: Georgia Italic! Monday, March 9, 2009
  • 11. Endless possibilities Bruce Lawsonโ€™s Zen Garden Geocities spoof. Monday, March 9, 2009
  • 12. Some better than others The Elements of Typographic Style Applied to the Web Monday, March 9, 2009
  • 13. And so on Simon Pascal Klein Monday, March 9, 2009
  • 14. And on Je๏ฌ€ Cro- Monday, March 9, 2009
  • 15. And on Jason Santa Maria Monday, March 9, 2009
  • 16. Sti), it could get TRICKY Monday, March 9, 2009
  • 17. Choosing typefaces โ– Science (legibility, serifs, sans & ๏ฌle types) โ– The grid Breaking down the parts Monday, March 9, 2009
  • 18. Serif versus sans โ– Core web fonts / stacks / @font-face โ– Choosing faces โ– X-height โ– Humanist, grotesque, modern, geometric, etc? For your consideration โ– Performance: Hinting, CRT versus LCD / LED Monday, March 9, 2009
  • 19. Serif & Sans Monday, March 9, 2009
  • 20. What does it say? Futura. Monday, March 9, 2009
  • 21. Any better? Georgia. Monday, March 9, 2009
  • 22. Now? Futura. Monday, March 9, 2009
  • 23. And this? Georgia. Monday, March 9, 2009
  • 24. Ta-daa! You were right! (And it happens to be true.) Ask me about duck fat .ies, sometime. Monday, March 9, 2009
  • 25. Core Web Fonts Andale Mono by Steve Matteson Arial by Robin Nicholas and Patricia Saunders Arial Black by Robin Nicholas and Patricia Saunders Comic Sans MS by Vincent Connare Courier New by Adrian Frutiger Georgia by Matthew Carter Impact by Geoffrey Lee Times New Roman by Stanley Morison with Starling Burgess and Victor Lardent Trebuchet MS by Vincent Connare Verdana by Matthew Carter Monday, March 9, 2009
  • 26. The Raster Wars Di๏ฌ€erent operating system, di๏ฌ€erent browser, di๏ฌ€erent result. Monday, March 9, 2009
  • 27. Choose faces based on: i. The text! ii. And, legibility: i. Is the weight su๏ฌƒcient? ii. How does the x-height a๏ฌ€ect the weight? iii. How does the leading a๏ฌ€ect the weight? iv. How are the faces hinted across di๏ฌ€erent platforms? Monday, March 9, 2009
  • 28. The grid How they do โ€” traditional grids โ– โ€˜I did it my wayโ€˜ โ€” baseline web grid โ– Box it up. Monday, March 9, 2009
  • 29. Wim Crouwel One grid to rule them a). Vormgevers poster for the Stedelik Museum, Amsterdam, by Wim Crouwel, 1968. (Happy 80th birth year, Wim!) Monday, March 9, 2009
  • 30. โ€˜I did it my wayโ€ฆโ€™ A baseline web grid (Props to Sinatra for the tangerine cardy and skin tone) Monday, March 9, 2009
  • 31. Tangerine grids For enacted narratives, read the text! โ– Choose type based on content, platform hinting at a give size and x-height โ– โ– Try in the layout โ€” adjust leading (line-height) to suit โ– Basic leading is god โ€” apply a multiple or division of it to everything โ– Throw in some Fibonnaci numbers For exampleโ€ฆ Monday, March 9, 2009
  • 32. 1. Basic body text & leading Monday, March 9, 2009
  • 33. 2. One lead is the grid! Monday, March 9, 2009
  • 34. 3. Head & lead, multiplied Monday, March 9, 2009
  • 36. 5. Scale and Fibonacci numbers Monday, March 9, 2009
  • 38. Art Applying what you know Monday, March 9, 2009
  • 40. โ€˜An object can never compete with an experience.โ€™ โ€”Hamish Fulton, walking artist, Bristol Paradise on Fire Iโ€”Sergio Vega, (Brazil), 2007 Monday, March 9, 2009
  • 42. Credits Yee Haw Industries Heidelberg Windmi) Press: http://www.๏ฌ‚ickr.com/photos/tnboriqua/1176715935 โ– โ– Sinatra: http://www.๏ฌ‚ickr.com/photos/marcelonoah/2939542950 โ– Copy used in examples .om The God-Idea of the Ancients (or Sex in Religion) by Eliza Gamble: http://www.authorama.com/god-idea-of-the-ancients-1.html โ– Auto polo: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2477626151/ โ– Semi-colon sort: http://www.๏ฌ‚ickr.com/photos/dotjay/2998872553/ โ– Boxers: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2162651915/ โ– Painting the wing: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2178436353/ โ– Grenade thrower: http://www.๏ฌ‚ickr.com/photos/library_of_congress/2179130295/ โ– Amazon photograph ยฉ Sergio Vega, 2007: http://podcasts.thestranger.com/2008/05/invisible_sergio_vega Monday, March 9, 2009

Editor's Notes

  1. Heidelberg Windmill press at Yee Haw Industries, Knoxville, TN. http://www.yeehawindustries.com/
  2. Proportion relating to geometry. c.1300, \"knowledge (of something) acquired by study,\" also \"a particular branch of knowledge,\" from O.Fr. science, from L. scientia \"knowledge,\" from sciens (gen. scientis), prp. of scire \"to know,\" probably originally \"to separate one thing from another, to distinguish,\" related to scindere \"to cut, divide,\" from PIE base *skei- (cf. Gk. skhizein \"to split, rend, cleave,\" Goth. skaidan, O.E. sceadan \"to divide, separate;\" Proto-Indo-European 5,500 (approx 3,500 BC)
  3. Insular art. &#x2014; c.1225, \"skill as a result of learning or practice,\" from O.Fr. art, from L. artem, (nom. ars) \"art, skill, craft,\" from PIE *ar-ti- (cf. Skt. rtih \"manner, mode;\" Gk. arti \"just,\" artios \"complete;\", from base *ar- \"fit together, join\" Proto-Indo-European 5,500 (approx 3,500 BC)
  4. Uses tables. No heading hierarchy, no semantics, no alt attribute values. Visually interesting, but flawed web design.
  5. Stylistic ligatures. Yum, but not worth it.
  6. Obliques, faked in an image! Argh. Font synthesis in CSS can have the same effect. Lucida oblique, anyone?
  7. With font-variant (small-caps), font-weight, font-stretch (condensed), and font-size-adjust (x-height) the field is wide open to synthesis, but is it a good thing?
  8. Animated gifs. The possibilities are scary.
  9. The eternal (empty) debate on the Web. Hinting and x-height are more important at lower resolutions.
  10. Jost Hotchuli - Detail in Typography
  11. Discuss file types: OTF TTF Postscript Discuss FONT STACK
  12. Also, Webdings but we should we count that?
  13. 1. ClearType in Vista still uses Windows&#x2019; old GDI (Graphic Device Interface) 2. Vista does ship with the new WPF (Windows Presentation Foundation) - ciurretly used in Silveright - but IE does not use it 3. Firefox - Cairo for drawing, ATSUI for rendering. Cairo == API layer over quartz 4. Also: Kerning variations.
  14. c.1225, \"skill as a result of learning or practice,\" from O.Fr. art, from L. artem, (nom. ars) \"art, skill, craft,\" from PIE *ar-ti- (cf. Skt. rtih \"manner, mode;\" Gk. arti \"just,\" artios \"complete;\", from base *ar- \"fit together, join\" Proto-Indo-European 5,500 (approx 3,500 BC)
  15. c.1225, \"skill as a result of learning or practice,\" from O.Fr. art, from L. artem, (nom. ars) \"art, skill, craft,\" from PIE *ar-ti- (cf. Skt. rtih \"manner, mode;\" Gk. arti \"just,\" artios \"complete;\", from base *ar- \"fit together, join\" Proto-Indo-European 5,500 (approx 3,500 BC)
  16. This is my grid. There are many like it but this one is mine.
  17. Starting with body text. Read it. Test.
  18. Starting with body text. Read it. Test.
  19. Leonardo of Pisa, known as Fibonacci 202 book Liber Abaci
  20. Painting picture. Douglas aircraft factory during World War 2.
  21. Walking experiences. Photographer: Sergio Vega. The Amazon, Brazil. On FIRE.