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The Lion & The Mouse

By: Jerry Pinkney
Published by: Little, Brown and Company
Winner of 2010 Caldecott Medal
Presentation by: Kayla Johnson
Style & Media
• This book is told
entirely through
pictures (aside from
an occasional use of
an onomatopoeia).
Pinkney’s
illustrations are
realistic, and he
achieves this through
painterly media
including watercolor.
Line
Pinkney uses various
lines throughout. In
these two pictures, the
lines are
vertical, indicating
movement.
The Picture above uses diagonal
lines to indicate that the lion is
moving deeper into the forest.
The picture to the right uses
diagonal lines to show the car
continuing on the path.
Shape
• Pinkney uses
recognizable shapes
to convey his story.
The setting of The
Lion & The Mouse is
most likely an
African plain. The
illustrations are
mostly comprised of
curved shapes, which
is representational of
things found in the
wild.
More About Shape
• The story, however, does include a vehicle in
the wild. It is created with an angular
shape.
Colors Creating Setting
Pinkney uses colors that create an authentic
setting. He uses various shades of brown,
yellow, and orange. These are the colors that
come to mind when I think of the plains of
Africa. These warm colors also help to convey
climate. When the lion moves into the forest,
Pinkney uses cool colors. Although the colors
are realistic, they also communicate that the
climate has changed.
Colors Creating Mood
Colors also help to describe that the character is in danger (or soon will
be). On the left of each picture set, the setting isn’t dangerous. On
the right, the character is getting ready to (or is already in) a
dangerous situation.
Notice how the lion’s
fur changes from a
light orange/yellow
into a dark red and
orange.

The setting changes
from warm yellow to
cautioning dark
green and brown.
The illustrations used create a
3 dimensional feel. The
lion’s mane looks fluffy, soft,
and wispy. It creates a sense
that the reader can actually
touch the lion. The brush
strokes and layers of color
also lend a helping hand in
creating complexity.
Composition
The composition of the illustrations is irregularly
balanced. There is also consistent object
dominance throughout. In the pictures
below, the lion and the vehicle are the dominant
objects.
Caldecott Medal Winning Story of Lion & Mouse

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Caldecott Medal Winning Story of Lion & Mouse

  • 1. The Lion & The Mouse By: Jerry Pinkney Published by: Little, Brown and Company Winner of 2010 Caldecott Medal Presentation by: Kayla Johnson
  • 2. Style & Media • This book is told entirely through pictures (aside from an occasional use of an onomatopoeia). Pinkney’s illustrations are realistic, and he achieves this through painterly media including watercolor.
  • 3. Line Pinkney uses various lines throughout. In these two pictures, the lines are vertical, indicating movement. The Picture above uses diagonal lines to indicate that the lion is moving deeper into the forest. The picture to the right uses diagonal lines to show the car continuing on the path.
  • 4. Shape • Pinkney uses recognizable shapes to convey his story. The setting of The Lion & The Mouse is most likely an African plain. The illustrations are mostly comprised of curved shapes, which is representational of things found in the wild.
  • 5. More About Shape • The story, however, does include a vehicle in the wild. It is created with an angular shape.
  • 6. Colors Creating Setting Pinkney uses colors that create an authentic setting. He uses various shades of brown, yellow, and orange. These are the colors that come to mind when I think of the plains of Africa. These warm colors also help to convey climate. When the lion moves into the forest, Pinkney uses cool colors. Although the colors are realistic, they also communicate that the climate has changed.
  • 7. Colors Creating Mood Colors also help to describe that the character is in danger (or soon will be). On the left of each picture set, the setting isn’t dangerous. On the right, the character is getting ready to (or is already in) a dangerous situation. Notice how the lion’s fur changes from a light orange/yellow into a dark red and orange. The setting changes from warm yellow to cautioning dark green and brown.
  • 8. The illustrations used create a 3 dimensional feel. The lion’s mane looks fluffy, soft, and wispy. It creates a sense that the reader can actually touch the lion. The brush strokes and layers of color also lend a helping hand in creating complexity.
  • 9. Composition The composition of the illustrations is irregularly balanced. There is also consistent object dominance throughout. In the pictures below, the lion and the vehicle are the dominant objects.