Vishrambagwada
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A documentation of Conservation of one of the famous landmarks of Pune by Badawe Sovani Kalamdani Architects
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Nasik city with its rich cultural and historical background has experienced numerous transformations through the several dynasties that reined the city.
Each one of these dynasties and rulers has left an unmistakable imprint on the art, architecture and culture of the place. The transition of the place from a kingdom of Satwahanas to an Industrial town is fascinating
Its rich Architectural heritage includes the preserved caves from Satvahana and various other dynasties; the Hemadpanthi style temples, the famous Wadas from Maratha and Peshwa rulers and last but not least, the magnificent forts protecting the boundaries of the city from enemies.
Even the succeeding periods of British rule and Post Independence era has observed remarkable structures coming up.
This History along with geographical location and geology of the place demonstrates a profound influence on the growth of the townscape.
With Sahyadris in vicinity many forts have been erected during the different empires with their distinctive modes of construction.
River Godavari plays a major role in its development as a religious center; the town has observed the emergence of some beautiful temples with Ghats along its banks.
The rich Architectural style of the structures has been changing as per the eras pertaining to their social, religious and cultural beliefs.
Various rituals and religious philosophies have been evolved due to the development of the society towards the religion, which reveal a grave influence on designs of the structures.
The Post Independence era has perceived a gradual transformation of this dreamlike town into a hybrid-cultured entity.
This paper overviews the time duration of the changed vocabulary of Aesthetics while recording the transformation of an inherently beautiful space into a comparatively characterless townscape.
Nasik as a city with Cultural Aesthetics
Nasik as a city with Cultural AestheticsDirector-Navnirman Bahu-Uddeshiya Mahila Sanstha,Suvarna Lele Architects.
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Nasik city with its rich cultural and historical background has experienced numerous transformations through the several dynasties that reined the city.
Each one of these dynasties and rulers has left an unmistakable imprint on the art, architecture and culture of the place. The transition of the place from a kingdom of Satwahanas to an Industrial town is fascinating
Its rich Architectural heritage includes the preserved caves from Satvahana and various other dynasties; the Hemadpanthi style temples, the famous Wadas from Maratha and Peshwa rulers and last but not least, the magnificent forts protecting the boundaries of the city from enemies.
Even the succeeding periods of British rule and Post Independence era has observed remarkable structures coming up.
This History along with geographical location and geology of the place demonstrates a profound influence on the growth of the townscape.
With Sahyadris in vicinity many forts have been erected during the different empires with their distinctive modes of construction.
River Godavari plays a major role in its development as a religious center; the town has observed the emergence of some beautiful temples with Ghats along its banks.
The rich Architectural style of the structures has been changing as per the eras pertaining to their social, religious and cultural beliefs.
Various rituals and religious philosophies have been evolved due to the development of the society towards the religion, which reveal a grave influence on designs of the structures.
The Post Independence era has perceived a gradual transformation of this dreamlike town into a hybrid-cultured entity.
This paper overviews the time duration of the changed vocabulary of Aesthetics while recording the transformation of an inherently beautiful space into a comparatively characterless townscape.
Nasik as a city with Cultural Aesthetics
Nasik as a city with Cultural AestheticsDirector-Navnirman Bahu-Uddeshiya Mahila Sanstha,Suvarna Lele Architects.
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