This Powerpoint presentation has a collection of works by Master artists in a variety of historical periods, styles and genres. These works are a great starting place for you and your students to develop visual literacy skills and become familiar with some well-known artists. It is not comprehensive, but a good starting place.
20. Kid-Friendly Web Sites to Find
More Great Artists!
Making Art Fun
Art Appreciation / Lessons for Kids
National Gallery of Art! (Download free images!)
21. This presentation was the result of the work done
in Partnership with the Fresno County Office of
Education.
21
Notas del editor
Artist: Albrecht Durer
Biography Information http://makingartfun.com/pdf/durer-printit-biography.pdf
http://gardenofpraise.com/art53.htm
This self portrait is dated 1498 and inscribed: `I have thus painted myself. I was 26 years old. Albrecht Dürer.' Since the artist turned 27 on the 21 May, the picture must date from the beginning of the year. The artist's pose is self confident, showing him standing upright and turning slightly to lean his right arm on a ledge. Dürer's figure fills the picture, with his hat almost touching the top. His face and neck glow from the light streaming into the room and his long curly hair is painstakingly depicted. Unlike his earlier self portrait, he now has a proper beard, which was then unusual among young men. Nine years later Dürer wrote an ironic poem in which he described himself as `the painter with the hairy beard'.
The artist's clothing is flamboyant. His elegant jacket is edged with black and beneath this he wears a white, pleated shirt, embroidered along the neckline. His jaunty hat is striped, to match the jacket. Over his left shoulder hangs a light-brown cloak, tied around his neck with a twisted cord. He wears fine kid gloves.
Inside the room is a tall archway, partly framing Dürer's head, and to the right a window opens out onto an exquisite landscape. Green fields give way to a tree-ringed lake and beyond are snow-capped mountains, probably a reminder of Dürer's journey over the Alps three years earlier. Depicting a distant landscape, viewed through a window, was a device borrowed from Netherlandish portraiture.
The Germans still tended to consider the artist as a craftsman, as had been the conventional view during the Middle Ages. This was bitterly unacceptable to Dürer, whose second Self-Portrait (out of three) shows him as slender and aristocratic, a haughty and foppish youth, ringletted and impassive. His stylish and expensive costume indicates, like the dramatic mountain view through the window (implying wider horizons), that he considers himself no mere limited provincial. What Dürer insists on above all else is his dignity, and this was a quality that he allowed to others too.
The Mona Lisa is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world".
Artist: Leonardo da Vinci
Location: The Louvre (since 1797)
Dimensions: 2' 6" x 1' 9"
Created: 1503–1517
Period: The Renaissance
Subject: Lisa del Giocondo
Biography Information http://makingartfun.com/pdf/davinci-printit-biography.pdf
Printable Biography http://makingartfun.com/pdf/bierstadt-printit-biography.pdf
http://gardenofpraise.com/art35.htm
Bierstadt effectively combined his studio training abroad and his facility for sketching outdoors, successfully cultivating a market for western pictures back in the East. He painted this small, finished oil sketch, probably his first of the subject, in his New York studio the year after his trip to Yosemite, and sold it at the Metropolitan Sanitary Fair in New York for $1,600, the highest price paid for a painting at the sale. Small-scale oils like this one, which has the freshness of studies executed in the field, also served as inspiration for compositions the artist envisioned on a grand scale and painted in his studio. This work is likely a finished sketch for the much larger (five by eight feet; 1.5 by 2.4 meters) Looking Down Yosemite Valley, California (1865, Birmingham Museum of Art, Alabama), painted the following year. Bierstadt became known for such panoramic canvases, particularly his grandiose scene.
Artist: Vincent van Gogh
The Starry Night is widely viewed as the greatest of all of Vincent van Gogh's works. The painting is of a scene that he saw from his window. Although it is a nighttime scene, it was painted from memory during the day.
Printable Biography: http://makingartfun.com/pdf/van-gogh-printit-biography.pdf
http://gardenofpraise.com/art19.htm
Artist Mary Cassatt
Printable Biography http://makingartfun.com/pdf/cassatt-printit-biography.pdf
http://gardenofpraise.com/art30.htm
.Artist: Paul Cezanne
http://gardenofpraise.com/art47.htm
Artist: Winslow Homer
http://gardenofpraise.com/art15.htm
Throughout his career, Diego Rivera created numerous easel paintings and watercolors representing the indigenous peoples of Mexico. Flower Day (Día de flores) is his earliest and most accomplished depiction of a seller of calla lilies. The unusual perspective of the flowers, which are seen from above, and the blocklike forms of the figures are stylistic devices derived from Rivera's earlier cubist paintings. Flower Day (Día de flores) is Rivera's first major painting to enter a public collection in the United States. It was acquired by the Los Angeles Museum of History, Science, and Art (LACMA's parent institution) after winning first prize in the First Pan-American Exhibition of Oil Paintings (1925).
Rivera became famous for his large frescoes. He liked creating art that would be seen by many people; murals were the perfect form. He painted 27 murals for the Detroit Institute of Arts. He also painted murals in New York City, San Francisco, and Mexico.
Biographical Information: http://artsmarts4kids.blogspot.com/2008/05/diego-rivera.html
http://gardenofpraise.com/art24.htm
The Checkered House was a local legend. Situated along the Cambridge Turnpike, it was an inn where stagecoach drivers had changed horses as far back as the eighteenth century. During the Revolutionary War, the inn served as General Baum's headquarters and field hospital. Its checkerboard front made the house a distinctive landmark that was remembered long after it burned in 1907.
Moses painted a number of versions of "Checkered House," in both winter and summer. When asked how she managed to come up with a new composition each time, she said she imagined the scene as if she were looking at it through a window. By then shifting her viewpoint slightly, she could cause the elements to fall into place differently.
Printable Biography: http://makingartfun.com/pdf/grandma-moses-printit-biography.pdf
http://gardenofpraise.com/art43.htm
Klee was one of the many modernist artists who wanted to practice what he called "the pure cultivation of the means" of painting—in other words, to use line, shape, and color for their own sake rather than to describe something visible. That priority freed him to create images dealing less with perception than with thought, so that the bird in this picture seems to fly not in front of the cat's forehead but inside it–the bird is literally on the cat's mind. Stressing this point by making the cat all head, Klee concentrates on thought, fantasy, appetite, the hungers of the brain. One of his aims as an artist, he said, was to "make secret visions visible."
The cat is watchful, frighteningly so, but it is also calm, and Klee's palette too is calm, in a narrow range from tawny to rose with zones of bluish green. This and the suggestion of a child's drawing lighten the air. Believing that children were close to the sources of creativity, Klee was fascinated by their art, and evokes it here through simple lines and shapes: ovals for the cat's eyes and pupils (and, more loosely, for the bird's body), triangles for its ears and nose. And the tip of that nose is a red heart, a sign of the cat's desire.
Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 116
On view
Medium
Oil and ink on gessoed canvas, mounted on wood
Dimensions
15 x 21" (38.1 x 53.2 cm)
Credit
Sidney and Harriet Janis Collection Fund and gift of Suzy Prudden and Joan H. Meijer in memory of F. H. HirschlandPrintable Biography at http://makingartfun.com/pdf/klee-printit-biography.pdf
Printable Biography available at: http://makingartfun.com/pdf/pablo-picasso-printit-biography.pdf
Artist: Pablo Picasso
Period: Cubism
Created: 1937
Media: Oil paint
Dimensions: 2' 0" x 1' 7"
Subject: Dora Maar, Suffering
Self Portrait
Artist: Pablo Picasso
Completion Date: 1907
Style: Expressionism
Period: African Period
Genre: self-portrait
Technique: oil
Material: canvas
Dimensions: 50 x 46 cm
Artist: Henri Matisse
Completion Date: 1953
Style: Abstract Expressionism
'The Sheaf' was a design for a ceramic that was commissioned by a couple in Los Angeles for their home. Matisse originally suggested 'Large Decorations with Masks' among others, which was rejected. Undaunted, he worked on alternative designs with enthusiasm reflecting the astonishing creativity of his later years.
The Snail is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4³⁄₄" × 9' 5". Wikipedia
Artist: Henri Matisse
Dimensions: 9' 5" x 9' 5"
Created: 1952–1953
Media: Gouache, Paper
Support: Paper, Canvas
Printable Biography: http://makingartfun.com/pdf/henri-matisse-printit-biography.pdf
Pieter Cornelis "Piet” Mondrian, was a Dutch painter. He evolved a non-representational form which he termed neoplasticism.
Born: March 7, 1872, Amersfoort, Netherlands
Known for: Painting
Influenced by: Pablo Picasso, Theo van Doesburg, Georges Braque
Period: Modern art, neo-plasticism
Printable Biography: http://makingartfun.com/pdf/piet-mondrian-printit-biography.pdf
For more information contact Jennifer Coull, Visual and Performing Arts Consultant, FCOE at jcoull@fcoe.org