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Mise en Scene: Black screen
Sound: Rhythmic, non-diegetic sound of water
droplets roughly one second apart
Mise en Scene: Broken glass falling onto kitchen floor with cabinets in the background
Lighting: Medium/Low-key lighting with low saturation
Sound: Diegetic sound of the glass smashing, but slightly out of time with the footage. Non-
diegetic sound of water droplets repeated from previous shot.
Shot: Low angle shot in slow motion, medium shot of glass, tilting as it falls. Focus is on the glass
as it falls.
Mise en Scene: Black screen
Sound: Rhythmic, non-diegetic sound of water
droplets roughly one second apart
Mise en Scene: Couple in a kitchen (man and woman, both around mid-20s) arguing with big
arm gestures and appearing to be very frustrated with one another.
Lighting: Medium/Low-key lighting
Sound: Non-diegetic sound of rhythmic water droplets continuing from previous shot. Diegetic
sound of snippets of their argument, although it echos and may be slightly out of time with the
image.
Shot: Slow motion long shot. Focus is on the couple but the image occasionally becomes out of
focus.
Mise en Scene: Black screen
Sound: Rhythmic, non-diegetic sound of water
droplets roughly one second apart
Mise en Scene: Dead flowers on top of a kitchen cabinet in a vase.
Lighting: Medium/Low-key lighting
Sound: Non-diegetic sound of rhythmic water droplets continuing from previous shot. Diegetic
background noise, such as a very faint sound of the wind.
Shot: Close up of flowers in focus, slight slow pan of camera around the flowers.
Mise en Scene: Black screen
Sound: Rhythmic, non-diegetic sound of water
droplets roughly one second apart
Mise en Scene: Tap dripping in Stuart and Alex’s kitchen which appears to be a normal kitchen.
This time there is no smashed glass/blood/dead flowers. Alex picks up some plates of food from
the countertop and walks into the kitchen.
Lighting: high-key, natural lighting from window of kitchen.
Sound: Non-diegetic sound of piano score.
Shot: Close up of tap dripping with the focus on the tap, changing the focus of Alex as she picks
up the plates. Medium tracking shot of Alex as she walks into the dining room.
Mise en Scene: Girl setting the dinner table with food, clearly for a special occasion, such as a
romantic dinner date. She is also dressed up in a black dress and heels.
Lighting: Medium/Low-Key lighting, lighting from the kitchen illuminating the dining room.
Sound: Non-diegetic soft piano score slowly fades in.
Shot: Tracking, medium shot of girl as she sets the table.
Mise en Scene: close up of phone on a desk as it begins ringing with the girl setting the table in
the background. She answers it and then angrily slams it down, picking the plates up from the
table and slamming them on the kitchen counter.
Lighting: Medium/Low-key lighting. Kitchen lights illuminating the dining table and light from
the phone as it rings.
Sound: Non-diegetic sound of soft piano music and diegetic sound of phone ringing.
Shot: close up of phone in focus, changing the focus to the girl as she looks up, hearing the
phone ringing. Tracking shot of her after she slams the phone down and picks up the plates,
moving to the kitchen. Close up of plates on the countertop.
Mise en Scene: Detective looking at the picture of plates in his office. He places it down and
picks up a polaroid picture of wilted flowers in a vase on a kitchen countertop.
Lighting: Warm, low-key lighting, only light coming from a lamp above the desk.
Sound: Diegetic sound of detectives movements. Non-diegetic sound of piano score, ducked to
the diegetic sound.
Shot: Close up of photo, zooming out into an over the shoulder shot of Detective.
Mise en Scene: Zoom into polaroid detective is looking at: close up of dead flowers in a vase on
a kitchen surface. Flowers reverse in a time lapse to being healthy.
Lighting: medium/high-key lighting of natural sunlight through the window of the kitchen. Image
is less saturated when flowers are wilted and normal when they are alive.
Sound: Non-diegetic sound of piano score
Shot: zoom in to a stationary close up of flowers in focus.
Mise en Scene: Normal kitchen that is shown at the beginning, except there is no smashed glass, blood and the vase is
empty of flowers. Alex is washing plates in the sink. Stuart walks into the room holding flowers, giving them to Alex.
When she hears him she takes her ring off and hides it in her pocket, before taking the flowers gratefully. He implies he
has to go and leaves. Alex then runs to the dining room and hides the ring in a box which she takes out of a secret
cupboard.
Lighting: high-key lighting – natural sunlight through kitchen window.
Sound: Non-diegetic sound of piano score.
Shot: Zoom out and pan to Alex, then slow pan over Stuart walking in whilst slowly zooming out, capturing the now
empty vase. Tracking shot of Stuart as he gives Alex the flowers. Tracking medium shot of Alex as she puts them down and
continues washing up, then tracking long shot of her as she goes to the dining room and puts the ring in the box. Close up
of the box.
Mise en Scene: Detectives office - desk covered in photos and bags of evidence and pinboard
covered in polaroids. Detective picks up a box that is on the desk and tries to open it but it’s
locked. He puts it down and finds a piece of evidnce – a shard of glass in a labelled evidence
bag. It has a polaroid next to it of a smashed glass on a kitchen floor.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Diegetic sound of detectives movements. Non-diegetic sound of piano score, ducked
to the diegetic sound.
Shot: Close up of box (graphic match from previous shot) and tracking it as detective picks it
up, remaining close up. Then tracking the detective’s hands as he picks up glass shard. Lifting
up to a birds eye view shot of the polaroid of smashed glass and zooming in.
Mise en Scene: Alex and Stuart’s kitchen. There is a smashed glass on the floor and blood on
the cabinet next to it. Alex and Stuart are standing by the sink arguing.
Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less
saturated.
Sound: Non diegetic sound of piano score.
Shot: Camera is on floor level – close up of glass. Tilt as the glass reverses the smash and goes
up.
Mise en Scene: Alex and Stuart’s kitchen. They are arguing and she smashes a glass on the
countertop by accident whilst gesturing.
Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less
saturated.
Sound: Non diegetic sound of piano score. Echoing diegetic snippets of them arguing – slightly
out of time with image.
Shot: Camera become level with Alex’s hands, zooming out to a slightly low-angle medium
shot of them arguing. This is all in reverse slow motion.
Mise en Scene: Alex and Stuart’s kitchen. The reverse shot is then played in order – They are
arguing and she smashes the glass on the countertop accidentally, cutting herself. The glass falls
on the floor.
Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less
saturated.
Sound: Non diegetic sound of piano score. Echoing diegetic snippets of them arguing – slightly
out of time with image.
Shot: Slightly low-angle medium shot of them arguing, zooming into a close up of Alex’s and as
she cuts it. Close up of the blood that has dripped on the countertop. Nothing else is in shot.
Mise en Scene: Detective’s office. Polaroid picture on desk of Alex’s blood on the kitchen
countertop. Detective looks at it.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of
detective’s movements.
Shot: Birds eye view close up of polaroid picture, zooming out and moving to a table level long
shot of detectives hands, although his face is out of shot.
Mise en Scene: Detective reaching forward and taking a drink from a bottle of what is clearly
strong alcohol. He puts it down again.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of
detective’s movements.
Shot: Table level long shot of detective’s hands, panning around him to film a medium/long shot
from behind as he drinks.
Mise en Scene: Detective stands up suddenly and angrily slams his on the desk, pushing off all
the papers and polaroids on it so they fall on the floor.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of
detective’s movements.
Shot: Medium/Long shot from behind the detective. Normal speed until he pushes the papers,
where it becomes slow motion.
Mise en Scene: Detective walks away in the opposite direction to the papers falling. Papers and
polaroids are falling onto the floor.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of
detective’s movements.
Shot: Tracking shot of the papers and polaroids as they fall onto the floor, going to an on the
floor close up of a polaroid.
Mise en Scene: Polaroids and papers that have fallen on the floor of the detectives office.
Lighting: low-key lighting from filler lamp above detective’s desk.
Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of
detective’s movements.
Shot/Editing: Close up of polaroid on the floor. The camera pans up over it, and the title of the
film appears on the polaroid. The screen fades to black and ‘Coming Soon’ appears.
Mise en Scene: Black screen

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Final Storyboard

  • 1. Mise en Scene: Black screen Sound: Rhythmic, non-diegetic sound of water droplets roughly one second apart
  • 2. Mise en Scene: Broken glass falling onto kitchen floor with cabinets in the background Lighting: Medium/Low-key lighting with low saturation Sound: Diegetic sound of the glass smashing, but slightly out of time with the footage. Non- diegetic sound of water droplets repeated from previous shot. Shot: Low angle shot in slow motion, medium shot of glass, tilting as it falls. Focus is on the glass as it falls.
  • 3. Mise en Scene: Black screen Sound: Rhythmic, non-diegetic sound of water droplets roughly one second apart
  • 4. Mise en Scene: Couple in a kitchen (man and woman, both around mid-20s) arguing with big arm gestures and appearing to be very frustrated with one another. Lighting: Medium/Low-key lighting Sound: Non-diegetic sound of rhythmic water droplets continuing from previous shot. Diegetic sound of snippets of their argument, although it echos and may be slightly out of time with the image. Shot: Slow motion long shot. Focus is on the couple but the image occasionally becomes out of focus.
  • 5. Mise en Scene: Black screen Sound: Rhythmic, non-diegetic sound of water droplets roughly one second apart
  • 6. Mise en Scene: Dead flowers on top of a kitchen cabinet in a vase. Lighting: Medium/Low-key lighting Sound: Non-diegetic sound of rhythmic water droplets continuing from previous shot. Diegetic background noise, such as a very faint sound of the wind. Shot: Close up of flowers in focus, slight slow pan of camera around the flowers.
  • 7. Mise en Scene: Black screen Sound: Rhythmic, non-diegetic sound of water droplets roughly one second apart
  • 8. Mise en Scene: Tap dripping in Stuart and Alex’s kitchen which appears to be a normal kitchen. This time there is no smashed glass/blood/dead flowers. Alex picks up some plates of food from the countertop and walks into the kitchen. Lighting: high-key, natural lighting from window of kitchen. Sound: Non-diegetic sound of piano score. Shot: Close up of tap dripping with the focus on the tap, changing the focus of Alex as she picks up the plates. Medium tracking shot of Alex as she walks into the dining room.
  • 9. Mise en Scene: Girl setting the dinner table with food, clearly for a special occasion, such as a romantic dinner date. She is also dressed up in a black dress and heels. Lighting: Medium/Low-Key lighting, lighting from the kitchen illuminating the dining room. Sound: Non-diegetic soft piano score slowly fades in. Shot: Tracking, medium shot of girl as she sets the table.
  • 10. Mise en Scene: close up of phone on a desk as it begins ringing with the girl setting the table in the background. She answers it and then angrily slams it down, picking the plates up from the table and slamming them on the kitchen counter. Lighting: Medium/Low-key lighting. Kitchen lights illuminating the dining table and light from the phone as it rings. Sound: Non-diegetic sound of soft piano music and diegetic sound of phone ringing. Shot: close up of phone in focus, changing the focus to the girl as she looks up, hearing the phone ringing. Tracking shot of her after she slams the phone down and picks up the plates, moving to the kitchen. Close up of plates on the countertop.
  • 11. Mise en Scene: Detective looking at the picture of plates in his office. He places it down and picks up a polaroid picture of wilted flowers in a vase on a kitchen countertop. Lighting: Warm, low-key lighting, only light coming from a lamp above the desk. Sound: Diegetic sound of detectives movements. Non-diegetic sound of piano score, ducked to the diegetic sound. Shot: Close up of photo, zooming out into an over the shoulder shot of Detective.
  • 12. Mise en Scene: Zoom into polaroid detective is looking at: close up of dead flowers in a vase on a kitchen surface. Flowers reverse in a time lapse to being healthy. Lighting: medium/high-key lighting of natural sunlight through the window of the kitchen. Image is less saturated when flowers are wilted and normal when they are alive. Sound: Non-diegetic sound of piano score Shot: zoom in to a stationary close up of flowers in focus.
  • 13. Mise en Scene: Normal kitchen that is shown at the beginning, except there is no smashed glass, blood and the vase is empty of flowers. Alex is washing plates in the sink. Stuart walks into the room holding flowers, giving them to Alex. When she hears him she takes her ring off and hides it in her pocket, before taking the flowers gratefully. He implies he has to go and leaves. Alex then runs to the dining room and hides the ring in a box which she takes out of a secret cupboard. Lighting: high-key lighting – natural sunlight through kitchen window. Sound: Non-diegetic sound of piano score. Shot: Zoom out and pan to Alex, then slow pan over Stuart walking in whilst slowly zooming out, capturing the now empty vase. Tracking shot of Stuart as he gives Alex the flowers. Tracking medium shot of Alex as she puts them down and continues washing up, then tracking long shot of her as she goes to the dining room and puts the ring in the box. Close up of the box.
  • 14. Mise en Scene: Detectives office - desk covered in photos and bags of evidence and pinboard covered in polaroids. Detective picks up a box that is on the desk and tries to open it but it’s locked. He puts it down and finds a piece of evidnce – a shard of glass in a labelled evidence bag. It has a polaroid next to it of a smashed glass on a kitchen floor. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Diegetic sound of detectives movements. Non-diegetic sound of piano score, ducked to the diegetic sound. Shot: Close up of box (graphic match from previous shot) and tracking it as detective picks it up, remaining close up. Then tracking the detective’s hands as he picks up glass shard. Lifting up to a birds eye view shot of the polaroid of smashed glass and zooming in.
  • 15. Mise en Scene: Alex and Stuart’s kitchen. There is a smashed glass on the floor and blood on the cabinet next to it. Alex and Stuart are standing by the sink arguing. Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less saturated. Sound: Non diegetic sound of piano score. Shot: Camera is on floor level – close up of glass. Tilt as the glass reverses the smash and goes up.
  • 16. Mise en Scene: Alex and Stuart’s kitchen. They are arguing and she smashes a glass on the countertop by accident whilst gesturing. Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less saturated. Sound: Non diegetic sound of piano score. Echoing diegetic snippets of them arguing – slightly out of time with image. Shot: Camera become level with Alex’s hands, zooming out to a slightly low-angle medium shot of them arguing. This is all in reverse slow motion.
  • 17. Mise en Scene: Alex and Stuart’s kitchen. The reverse shot is then played in order – They are arguing and she smashes the glass on the countertop accidentally, cutting herself. The glass falls on the floor. Lighting: medium/high-key lighting of natural sunlight through kitchen window. Slightly less saturated. Sound: Non diegetic sound of piano score. Echoing diegetic snippets of them arguing – slightly out of time with image. Shot: Slightly low-angle medium shot of them arguing, zooming into a close up of Alex’s and as she cuts it. Close up of the blood that has dripped on the countertop. Nothing else is in shot.
  • 18. Mise en Scene: Detective’s office. Polaroid picture on desk of Alex’s blood on the kitchen countertop. Detective looks at it. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of detective’s movements. Shot: Birds eye view close up of polaroid picture, zooming out and moving to a table level long shot of detectives hands, although his face is out of shot.
  • 19. Mise en Scene: Detective reaching forward and taking a drink from a bottle of what is clearly strong alcohol. He puts it down again. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of detective’s movements. Shot: Table level long shot of detective’s hands, panning around him to film a medium/long shot from behind as he drinks.
  • 20. Mise en Scene: Detective stands up suddenly and angrily slams his on the desk, pushing off all the papers and polaroids on it so they fall on the floor. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of detective’s movements. Shot: Medium/Long shot from behind the detective. Normal speed until he pushes the papers, where it becomes slow motion.
  • 21. Mise en Scene: Detective walks away in the opposite direction to the papers falling. Papers and polaroids are falling onto the floor. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of detective’s movements. Shot: Tracking shot of the papers and polaroids as they fall onto the floor, going to an on the floor close up of a polaroid.
  • 22. Mise en Scene: Polaroids and papers that have fallen on the floor of the detectives office. Lighting: low-key lighting from filler lamp above detective’s desk. Sound: Non-diegetic sound of piano score, ducked to the diegetic sounds. Diegetic sound of detective’s movements. Shot/Editing: Close up of polaroid on the floor. The camera pans up over it, and the title of the film appears on the polaroid. The screen fades to black and ‘Coming Soon’ appears.
  • 23. Mise en Scene: Black screen