Commonsense social media for small arts organizations

Founder en Arts Cubed
27 de Jan de 2013
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
Commonsense social media for small arts organizations
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Commonsense social media for small arts organizations

Notas del editor

  1. Is there one person who can take the lead on your social media campaign, or do you need to assemble a small team? Oh no! Not more meetings! No fear, this is the internet. Each team member can contribute from their own skill area with few or no meetings needed. Example: Person A writes Facebook postings while Person B uploads event photos to the Facebook page. Person C maintains a Youtube channel of videos . . . and so on
  2. When nay-sayers tell you that they know a social media specialist with 2000 followers who can run your campaign better, look at who the followers are and what they are posting about. Is there any relevance to your organization? Or—as is usual—are the tweets and followers mainly a cluster of marketing types each following each other and recycling tweets? Relevance is as important as numbers.
  3. If you recycle copy from grant applications in your blog or facebook posts, prepare to bomb. Social media language has to pass the “across the fence” rule. If you wouldn’t say something to your neighbour across the fence in that language, don’t say it in social media.
  4. We know that Artistic Directors and Music Directors are very much in demand. We also know that our audience really wants to hear from them. This is where the temptation to speak on their behalf comes from and sometime the AD themselves says, “Use my name but I don’t want to write it”. But there are ways to make the job easy for the AD and not compromise on authenticity. Book a couple of hours and interview them on 4 different topics. You’ll get at least a month of blog posts out of that. Or send them an email full of questions for their response. Now when you transcribe or edit the material, the voice is authentic and informative.
  5. Social media is synergistic. If you look at a twitter stream it is rare to see a tweet without a link. Twitter primarily exists to connect us via short descriptions to rich content of high relevance. That content can be articles, recordings, pictures or videos. A blog without connection to high traffic media has as much chance of being discovered as a pebble in a vast desert. Start by thinking about the content you will share: articles, pictures, audio, video. What are your goals? Increase audience, deepen relationship with audience, reduce marketing costs to existing audience, network with other arts orgnanizations, etc. Be guided by goals and content as you choose your main media channels.
  6. As we've seen different social media platforms have different uses and formats. A 140 character twitter post sounds brief and possibly rude when repeated on Facebook, so be thoughtful about linking media.
  7. You have two upcoming events and you want everyone to know about them. Post the events online on your website or event site. Create a number of short announcements about your event focusing on different aspects. Set the announcements to be posted over a 1 or 2 day period to maximize reach and minimize annoyance. Filling a buffer with 10 tweets or posts takes less time than logging on many times through the days.
  8. Auto-tweets are different from buffering. Instead of timing your words, these applications fill your stream with randomly generated quotes and comments. No one is fooled. Many will stop following you.
  9. No one likes a dinner party guest that can’t stop talking and never listens. Why would you think that would work on social media? Many arts organizations are social media boors, tweeting endlessly about their upcoming events, never listening, never responding to questions, never thanking people for positive comments. #Epicfail
  10. If we are a small theatre group, we want to expand our followers not to everyone in the city but everyone interested in theatre. The best way to do this is to find a way for the followers of other theatre groups to find us. What better way than tweeting or posting on their news? Social media is about sharing. Sharing brings more followers. Only messaging your own news is preaching to the choir.
  11. Hash tags can be as specific and short-lived as the acronym for a week-end workshop or as general as #theatre or #Toronto. They all serve to help people find information. There’s no rule or authority governing hash tags. People make them up and use what works.
  12. Arts organizations often perversely keep their new social media campaigns a secret. Write a piece in your paper news letter. Send an email to your list. Put social media buttons on your website. Social media advertising campaigns can be designed to target people in your community, of a particular demographic and interested in your art form. For a budget of $5 or $10 a day for 1 or 2 weeks, you can significantly increase your reach. It’s fun!