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How do we look for something
when we don’t know what it is?
IMAGINATION, CREATIVITY, AND THE
MOVING IMAGE
Mark Reid, BFI Education
ITEM Conference 24th January 2018
SURPRISE!
About BFI….
BFI Education…
Meno’s Paradox
How will you look for [something]," he
asks, "when you do not know at all what it
is?”
Plato’s Meno, Sections 80 – 86
quoted in Rebecca Solnit’s A Field Guide to Getting Lost
If the only tool you have is a
yardstick, you look for what you
can measure.
Elliot Eisner, Arts and the Creation of Mind, 2002
Consider the implications of the relationship between
forms of representation for the selection of content in
the school curriculum. Learning to use particular forms
of representation is also learning to think and represent
meaning in particular ways. How broad is the current
distribution? What forms of representation are
emphasized? In what forms are students expected to
become “literate”? What modes of cognition are
stimulated, practiced, and refined by the forms that are
made available?
Arts and the Creation of Mind
Elliott Eisner (2002)
‘The Arts..
• Slow down perception
• Invite us to look [and listen] hard
• Give us permission to explore and play.’
Listening closely
(hide the screen, Mark!)
Looking closely
Shot no.. 5, 4 mins 14
https://youtu.be/Ee4SfQNWNpE?t=4m15s
character setting
story mood
Tell Me Aidan Chambers/ CLPE 1992
Looking closely
Shot no.. 5, 4 mins 14
https://youtu.be/Ee4SfQNWNpE?t=4m15s
puzzles similarities
surprises senses
Tell Me Aidan Chambers/ CLPE 1992
REPRESENTATION
And…
INSCRIPTION
EDITING
COMMUNICATION
SURPRISE!
What surprise looks like
Full Moon and Little Frieda
A cool small evening shrunk to a dog bark and the clank of a bucket -
And you listening.
A spider's web, tense for the dew's touch.
A pail lifted, still and brimming - mirror
To tempt a first star to a tremor.
Cows are going home in the lane there, looping the hedges with their warm
wreaths of breath -
A dark river of blood, many boulders,
Balancing unspilled milk.
'Moon!' you cry suddenly, 'Moon! Moon!'
The moon has stepped back like an artist gazing amazed at a work
That points at him amazed.
Ted Hughes
INSCRIPTION EDITING
COMMUNICATION SURPRISE
https://youtu.be/Ee4SfQNWNpE ?t=4m15s
What did you find that you didn’t know you
were looking for?
IMPLICATIONS FOR TEACHING
Slow down children’s perceptions
Explore the potential of film – watching and making
Use constraints in creative tasks: Lumiere Minutes
http://www.cinematheque.fr/cinema100ansdejeunesse/en/experiences-de-cinema/lumiere-
minutes.html
Help children look closely at the things they make…
…and make room for surprise!

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Talk to ITEM conference January 2018

  • 1. How do we look for something when we don’t know what it is? IMAGINATION, CREATIVITY, AND THE MOVING IMAGE Mark Reid, BFI Education ITEM Conference 24th January 2018
  • 5. Meno’s Paradox How will you look for [something]," he asks, "when you do not know at all what it is?” Plato’s Meno, Sections 80 – 86 quoted in Rebecca Solnit’s A Field Guide to Getting Lost
  • 6. If the only tool you have is a yardstick, you look for what you can measure. Elliot Eisner, Arts and the Creation of Mind, 2002
  • 7. Consider the implications of the relationship between forms of representation for the selection of content in the school curriculum. Learning to use particular forms of representation is also learning to think and represent meaning in particular ways. How broad is the current distribution? What forms of representation are emphasized? In what forms are students expected to become “literate”? What modes of cognition are stimulated, practiced, and refined by the forms that are made available? Arts and the Creation of Mind Elliott Eisner (2002)
  • 8. ‘The Arts.. • Slow down perception • Invite us to look [and listen] hard • Give us permission to explore and play.’
  • 10. Looking closely Shot no.. 5, 4 mins 14 https://youtu.be/Ee4SfQNWNpE?t=4m15s
  • 11. character setting story mood Tell Me Aidan Chambers/ CLPE 1992
  • 12. Looking closely Shot no.. 5, 4 mins 14 https://youtu.be/Ee4SfQNWNpE?t=4m15s
  • 13. puzzles similarities surprises senses Tell Me Aidan Chambers/ CLPE 1992
  • 16. What surprise looks like Full Moon and Little Frieda A cool small evening shrunk to a dog bark and the clank of a bucket - And you listening. A spider's web, tense for the dew's touch. A pail lifted, still and brimming - mirror To tempt a first star to a tremor. Cows are going home in the lane there, looping the hedges with their warm wreaths of breath - A dark river of blood, many boulders, Balancing unspilled milk. 'Moon!' you cry suddenly, 'Moon! Moon!' The moon has stepped back like an artist gazing amazed at a work That points at him amazed. Ted Hughes
  • 18. What did you find that you didn’t know you were looking for?
  • 19. IMPLICATIONS FOR TEACHING Slow down children’s perceptions Explore the potential of film – watching and making Use constraints in creative tasks: Lumiere Minutes http://www.cinematheque.fr/cinema100ansdejeunesse/en/experiences-de-cinema/lumiere- minutes.html Help children look closely at the things they make…
  • 20. …and make room for surprise!