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Please see also
http://www.slideshare.net/michaelasanda/granada-1-6879727
http://www.slideshare.net/michaelasanda/granada-2-6882428
http://www.slideshare.net/michaelasanda/granada-3-6882993
http://www.slideshare.net/michaelasanda/granada-4-6882704
http://www.slideshare.net/michaelasanda/spre-sevilla
http://www.slideshare.net/michaelasanda/sevilla-16
http://www.slideshare.net/michaelasanda/sevilla-26
http://www.slideshare.net/michaelasanda/geometrical-exuberance-and-glue
Bulería (interchangeable with the plural, bulerías) is a fast flamenco rhythm in 12 beats with emphasis in two general forms. It originated in Jerez during the 19th century, originally as a fast, upbeat ending to soleares or alegrias (which share the same rhythm and are still often ended this way). It is among the most popular and dramatic of the flamenco forms and often ends any flamenco gathering. The name bulerías comes from the Spanish word burlar, meaning "to mock" or bullería, "racket, shouting, din". It is the style which permits the greatest freedom for improvisation, the metre playing a crucial role in this. Speed and agility are required and total control of rhythm as well as strength in the feet which are used in intricate tapping with toe, heel and the ball of the foot.
(See also tap dance.) It is the only flamenco dance style which permits leaping by the male dancer.
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